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"I delighted in seeing image after image populating the parallel glass planes, extending back as far as the eye could discern... Sometimes I would imagine an irreverent me way down the line who refused to fall into place, disrupting the steady progression and creating a new reality that informed the ones that followed."
the quote is by Brian Greene in the chapter titled The Bounds of Reality (On Parallel Worlds) in his book The Hidden Reality, Parallel Universes and the Deep Laws of the Cosmos
I hooked my camera up to my TV, and used the TV screen as the camera's viewfinder.
This is the result you get when the camera is in effect taking a picture of its own viewfinder
I remember this thing from when I was a kid at the Science Museum. They've still got it, and it's taken on a new interest for me since I saw it last. Fluid dynamics is pretty cool, especially when you can see its details.
This project was an attempt to visualize population density in NYC and the correlation it has to people feeling claustrophobic as a result. As well, it was also a reflection upon my own relationship to the city and the daily patterns that shape it.
I placed a proximity sensor in the front pocket of my jacket and logged the data it recorded for the 4+ hours I wore it. I then pulled that data into Processing to manipulate the image. As the distance between me and anything/anyone in front of me became closer, the image begins to blur.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Data visualizations for earthquakes that killed more than 1K people, 1902-2008.
Source:
(1) spreadsheets.google.com/ccc?key=0AgdO92JOXxAOdFpmY2IzS0JC...
SPACIALISTS is a Top CG enterprise that specializes in design and 3D renderings. We provide Architectural rendering, 3D Rendering, Architectural Visualization, Architectural Photo realistic design, Space planning, Interior design, Real estate marketing and presentation, CAD drafting and design, Tenant improvement, Animation, virtual designs for developers, architects, engineers and end users. If you or anyone you know needs 3D rendering and design service contact us,
Mail: poloo@spacialists.com, info@spacialists.com.
An example of the visualization generated by the PanoramiX tool, illustrating networks and interconnections among components within a system. The tool was built using molecular data sets. (Graphic courtesy of USAMRMC)
Illustrative Visualization of a german climate change adaption research network – using processing and a metaball force field fpr moving agents
A look at mobile traffic trends by website type. Data comes from sites that SwellPath has engagements with. See the blog post that goes with it here: www.swellpath.com/2010/10/mobile-traffic-website-type-inf...
3D Visualization Services by 8 Yolk Studio
Client: Studio 0618 Singapore
Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,
visit us: www.8yolkstudio.com
Satellite: Sentinel-2.
Visualization RGB: bands 4 (red), 3 (green), 2 (blue). True color.
La imagen tiene 88 km de ancho (aprox.)
En la imagen, el lago Kulunda aparece ya completamente descongelado el 22 de marzo, 10 días después de la imagen anterior.
El lago de Kulunda (en ruso: Кулундиское озеро, Kouloundiskoïe ozero) es un amplio lago endorreico de agua ligeramente salina de Rusia, localizado en el extremo sur de la gran llanura de Siberia Occidental, siendo el lago más grande de la estepa de Kulunda, en el krai de Altái. Tiene forma ovalada, con una superficie de 728 km ² (dependiendo del nivel del agua) y un diámetro de unos 25-35 km. La profundidad promedio es de 2,5 a 3 m, con un máximo de 4,5 metros y está a una altitud de 99 m s. n. m. Es ligeramente salado y se encuentra a unos 64 km al este de la ciudad de Slavgorod. (es.wikipedia.org/wiki/Lago_Kulunda)
Lake Kulunda or Kulundinskoye (Russian: Кулундинское озеро) is a lake in the southern part of the West Siberian Plain, Altai Krai, south-central Russia.
Lake Kulunda is the largest lake in Altai Krai. It is an endorheic lake located in the eastern side of the Kulunda Plain, near the western limit of the Ob Plateau. This lake, along with many other lakes in the region, exhibits a wide array of colors. (en.wikipedia.org/wiki/Lake_Kulunda)
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
This sculpture by Natalie Sutinen (born in 1972), can be seen in the art room at the Haninge Cultural Centre from today. The artwork has no name. It is made of wax, paper, books and feathers. Sutinen often works with wax dolls, and says that she wants to visualise death with her art.
This is a java applet produced using Processing that visualizes my personal friends network from Facebook. It clearly shows the different groups from schools that have attended over the years. The java applet looks a bit worse and runs slower than the standalone application, but it gives a pretty good idea of the project
iPlant Collaborative members discuss an example shown on the TACC Visualization Wall.
Pictured (left to right): Brandon Theis, Steve Goff
1. Visual thinking workshop in Toronto, 2. Geneva workshop, 3. Geneva workshop
Created with fd's Flickr Toys.
Visualization of Flickr geotagged photos, uploaded between 2007 to 2015 and geotagged with the highest accuracy (street-level). I generated a number of different visualizations. Some are more artistic in style while others are designed more informative.
This type of visualization has been done years before (check out Eric Fischer's maps). Maybe the statistics going on on the lower-right corner provide some additional information not available so far.
Created as part of my research project (maps.alexanderdunkel.com).