View allAll Photos Tagged Visualization
COPYRIGHT 2009 by Jim Frazier All Rights Reserved. This may NOT be used for ANY reason without consent. See Flickr profile for more information.
Lighting: SB600 camera left into reflecting umbrella at full power, bare SB600 camera right at 1/32 power (to fill in some shadows), fired by CLS from SB800.
Part of the Peas Project
www.flickr.com/photos/jimfrazier/albums/72157621916521505
frazier-jim-090807e-nef90-019a-wb
Data-visualization – The concept is self-explanatory of the technique of visualizing data. Visualization can be on various platforms, through various means, and tool
www.janbasktraining.com/blog/data-visualizations-with-tab...
In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
~Ansel Adams
Fleshmap is an inquiry into human desire, its collective shape and individual expressions. In a series of studies, we explore the relationship between the body and its visual and verbal representation.
"Listen" investigates the relationship between language and the body. Verbal manifestations of human physicality in music, poetry, and religion are distilled to their basic elements.
DCO Modeling and Visualization Workshop: Toward a 4D Planetary Carbon Circulation Model
photo credit: Josh Wood
Related to the Chronicle article here, which criminally did not include this map from the report: www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/09/14/BA8C...
Chengdu Contemporary Arts Center was designed by Zaha Hadid Architect and rendered by Frontop Digital Technology Co.,Ltd.
3D Visualization of a room in Eliz Residence. Just a test render. no big deal :) i will post the final renderings when i finsh the whole project.
See further discussion over at FriendFeed: friendfeed.com/e/ffdadf6f-66f9-b8a1-3e26-c62624782f37/Pro...
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
First Hacks/Hackers Meetup held at Atherton Studio at HPR. Great presentations by Ben Trevino, Jared Kuroiwa and Misa Maruyama.
visone.info/_detail/images/gcn-1996-status-part.png?id=index
Notes
in a long-term research project, the visone project team is developing models and algorithms to integrate and advance the analysis and visualization of social networks. example of a radial visualization part of visone is the design and implementation of a software tool intended for research and teaching in social network analysis. it is specifically designed to allow experts and novices alike to apply innovative and advanced visual methods with ease and accuracy
U – Silk City
Project information
Location: Le Van Luong Road, Van Khe Ward, Ha Dong district, Hanoi
Type: Residential Building
Investor: Song Da – Thang Long Joint Stock Company
Total area: 9.2 hectares
Total investment: 10,000 billion VND
Building start date: November 2008
Building finish date: December 2013
Product by E5:
- Ariel visualization.
- Interior visualization.
- 3D Floor Plan
- Brand Identity Package.
- Catalog
- Signage Design for Model House
The 3D project completed in June 2010.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Interior design concept drawing for retail store. Designer: Pompei A.D. Pencil drawing with digital rendering and montage, 2006
www.cs.umd.edu/hcil/socialaction/
Users begin with an overview of the entire social network. On the left side, overview statistics that describe the overall structure are presented. On the right, the network is visualized using a force directed algorithm.
Attempt #2 of poem visualization. This time of Shel Silverstein's "One Picture Puzzle Piece".
White lines are repeated words (the bolder, the more times it appears).
Gray arcs are repeated phrases.
Blue lines are rhymes.
"T O P O L O G Y" is a meditation of the word visualized in three dimensions in a tangible form. The form is constructed with a Z-Corp CNC prototyping machine and isosurf. "T O P O L O G Y" is the first in a series of 3-D forms created from the orientation of the letters.