View allAll Photos Tagged Visualisation
Using the perl scripts from avtanski.net/projects/gps/, a visualisation of all my logged bike commutes for 2019. I record them on a Garmin Edge, download the GPX files every day or so to keep my own copy, the once a year throw anything called 201x_*commute*.gpx through the script. See also ajft.org/2019/12/22/bike-commutes
The combination of live motion-capture, 3D stereo projection with ballet and contemporary dance transforms choreography into a spectacular 3D event. The creative team at the Deakin Motion.Lab combined the live motion-capture of performers’ movements with 3D images that extrapolated the dancers’ pathways, actions and movement. The technology behind Deakin’s Motion.Lab has many industry applications from animation to human movement, sports, and materials science but its fusion with dance provided an unforgettable audience experience.
For more information, please visit: The Deakin Motion.Lab at www.deakin.edu.au/motionlab
Visualisations by Danish cartoonist Jens Hage of some of the strategy discussions that took place at Climate-KIC's annual strategic retreat in 2013.
Our rendered landscape architect's visualisation for this podium deck residential development. More information on The Oaks, Acton on our website.
oops - the dip switches on the original install were set to group mode - we switched them to individual mode.
IMG_9004
In Sex and the City, Carrie is in a relationship with Big. She starts to question their joint legal rights when they buy an apartment and so he then asks her to marry him. I took screenshots of Carrie during the fall and rise again of their relationship, from when they were content and he first proposed, looking forward to the wedding, finding out he's not coming, struggling to get over it, finally healing and finding herself again, and then lastly to his second proposal and successful wedding
I've put together a little Shrimp microcontroller circuit (similar to Arduino Uno) to hook up the LED matrix and Bluetooth dongle. Attention data levels are visualised as red LEDs and meditation data levels as green LEDs.
Look You, It Fits my Humour Well, 1886
Dalziel and the Direct Photo-Engraving Co after George Pipeshank
Photomechanical line-block poster
This poster advertised Cope Brothers, tobacconists. The name of the designer, George Pipeshank, is a fanciful play on the name of the famous printmaker George Cruikshank whose designs were also engraved by Dalziel. A year earlier, in 1885, Dalziel had engraved on wood a tiny version of the same advert. However, wood engraving was impractical for a large poster and Dalziel partnered with the Direct Photo-Engraving Company to produce a photomechanical line-block.
Towards the end of the century, Dalziel produced many photomechanical prints as well as wood engravings, partnering with several other firms to produce illustrations and adverts. After the firm's bankruptcy in 1893, the next generation of the family continued managing the Camden Press as a printers, also running the Dalziel Foundry as a firm of 'process' printmakers, stereotypers and block makers.
[British Museum]
Taken during from the exhibition
The Woodpecking Factory Victorian Illustrations by the Brothers Dalziel
(May to September 2022)
From Pre-Raphaelite fantasies of Arthurian legends to Alice boldly adventuring in Wonderland, the Victorian visual imagination has left an enduring legacy.
But the craftspeople (affectionately known as 'woodpeckers') who engraved such illustrations after designs by John Tenniel and Dante Gabriel Rossetti, to illustrate iconic writings by Lewis Carroll, Christina Rossetti, Charles Dickens and others, are too frequently forgotten.
This intriguing display highlighted over 50 works engraved on wood by the Brothers Dalziel firm, illustrating literary and commercial work published throughout the Victorian period.
In 1913 the British Museum acquired the firm's entire company archive of 54,000 proof wood engravings, now catalogued as part of the Dalziel Project (Opens in new window) in partnership with the University of Sussex. It investigates the vast body of visual art produced by the Brothers Dalziel for everything from popular novels to commercial adverts, global exhibitions and journalism.
Wood engraving revolutionised the mass production of images in the Victorian era. Established in 1839, the Brothers Dalziel (one of whom was a sister – Margaret – a talented senior engraver) became the most successful wood-engraving company in Britain, employing dozens of engravers.
The Brothers Dalziel had enormous cultural power in Victorian Britain, shaping the way people visualised art, goods and ideas. Mostly the engravers made images after designs by draughtspeople, including major artists such as Frederic Leighton and John Everett Millais, and it's these artists who were widely credited and remembered. However, the process was collaborative and the skill of the 'peckers' was considerable.
[British Museum]
Visualisations by Danish cartoonist Jens Hage of some of the strategy discussions that took place at Climate-KIC's annual strategic retreat in 2013.
information representation/visualisation of two years worth of temperature, 2008/5 -> 2010/5, in central Helsinki.
the height is the temperature, each row is one week and there are 53*2 rows.
The low dips are in winter.
Looking very much forward to milling this from wood - soon!