View allAll Photos Tagged Visualisation
Project: Visualising the Virtual Concourse, Leader: Tom Kovac. RMIT Architecture Installation, RMIT Curator: Brent Allpress, in Spots on Schools Exhibition, Curator: Paola Giaconia.
Visions: Beyond Media Festival for Architecture and Media, Stazione Leopolda, Florence, Italy, July 9-17, 2009. Festival Director: Marco Brizzi.
I found out what days I posted most regularly on Instagram and then used those clusters to compare the days through size of the clusters. Sunday was my most popular day with Monday close behind, Friday and Saturday were pretty similar, and the other week days were a lot less
Second 3D visualisation by Per Filipsson (Nationellt centrum för flexibelt lärande,
www.cfl.se) of the 'interpreting technologies in use' matrix.
A walk-through of the stages of 3D Visualisation. There's a slight delay after you click 'play'...please be patient! :)
Leonardo da Vinci spent the last 3 years of his life (1516-1519) at the Château de Clos Luce near the town of Amboise. The château is now a shrine to the great man and the grounds are largely given over to exhibits inspired by his work. A Leonardo drawing of an ornithopter (a man-powered flying machine imitating flapping bird wings) is here translated into stick-and-string reality.
A old audio visualisation work. I actually use this to choose tracks that work well with the Hoxtron project ( www.play-create.com/id.php?016 ).
This song - Radiohead 'Everything in its right place'
I had an interesting conversation with a photographer friend last week about pre-visualisation. Now she is studying photography to the BFA level so has done infinitely more study than me around the art of photography. The images she makes are autobiographical in nature and layered in symbolism and become more of a production than a photograph. She does not tend to take an image without storyboarding an idea, deciding on what she needs to include or exclude, what props are required, locations and lighting. Her images can be appreciated on many levels, from the quick glance to the extended study. Contrast this with my images which are frequently just found images, grab shots that have caught my eye, composed and framed according to the mood I am in at the time. I probably actually do more post-visualisation than pre-visualisation, using Lightroom or Photoshop to express what I was feeling when the image was made.
Now I have been thinking about my photography for a while now, asking why I make images - what am I trying to say. Is it just a pretty picture I am after or should I be looking for more? While I do some pre-visualisation, especially if I am photographing a model, usually I use photography as a form of mediation, where I go somewhere with no pre conceived ideas (or only broad sweeping ideas based on the location). Often I may not even take any images, but I am always thinking and looking for something to capture my imagination.
I would image that pre-visialisation would improve my photography but I guess I am worried that refusing to photography anything not previsualised may stifle the mediative aspect of photography for me. I probably need to find some sort of happy medium?
I have another friend is also big on pre-visualisation and the visual diary, though when I look at his images many appear to be more like mine - not visually like mine (his are far superior), but post-visualised (or maybe pre-visualised at the time of capture?) Of course maybe the sign of good pre-visualisation is that the image does not appear to be pre-visualised?
What are your thoughts? Do you pre-visualise images before capture?
Personal visualisation project based on the Minimum House by Scheidt Kasprusch Architekten.
Interpretation of the design and interior, plus all modelling/rendering/post by James Lawley (some stock objects used...)
Rendered in V-ray 2.0 with post-production in Photoshop CS5 and a touch in Lightroom.
3D laser scanning to create a registered point cloud of the ship hull. This is then used as the basis foe highly accurate 3D modelling of the hull.
Notations 21 by Theresa Sauer, from Mark Batty Publisher. I was really excited to get this in the mail, I'd seen a few blog posts and it looked great. I'm lucky enough to have a couple of issues of Source Magazine (pics here bit.ly/pREha6 and here bit.ly/p9O1l1 ) which first sparked an ...... Read more From: PaperPosts
Client: 3HPA / Draw Architects
3D Visualization Artist: 8 YOLK DESIGN STUDIO
Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,
visit us: www.8yolkstudio.com
Detail, Holly Jade Farmer - track: Dead Body
"This painting was inspired by the idea of being watched, but not being paid any attention to. I tried to combine my love for graphic color and clashing pattern with hallucinogenic imagery."
Client: CPG Consultants Pte Ltd
3D Visualization Artist: 8 YOLK DESIGN STUDIO
Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,
visit us: www.8yolkstudio.com
Our rendered landscape architect's visualisation for this courtyard space within a residential development. More information on Silver Works development on our website.