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The colour and size of the light source in the 'light painting' change according to the strength of the electromagnetic field.
Panel containing four visualisations of 'Monmetro 2012', an idea for a transport project which would build a suspended monorail through central London.
Visualisation (in the middle) of Krisztina Kis-Katos' talk, "Globalization and the poor: A look at the evidence"
Photo: Ralph Weinmann
Haute Ecole Albert Jacquard : Workshop "Data Mining / Data visualisation", march 4 to march 10, 2010.
sites.google.com/site/profstiw/2tid/workshop-data-mining-...
Client: 3HPA / Draw Architects
3D Visualization Artist: 8 YOLK DESIGN STUDIO
Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,
visit us: www.8yolkstudio.com
Garston Cultural Village and Artist Michael Trainor worked together to stage an amazing ‘Cultural Revolution’ as the declaration of the Artistic Republic of Garston on 31 May 2008. The Wellington Street School building in the neighbourhood has become The Garston Embassy, complete with palm trees, fountain, sculpture garden and a balcony of waving dignitaries. The official staterooms inside are available to hire for community programming.
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Haute Ecole Albert Jacquard : Workshop "Data Mining / Data visualisation", march 4 to march 10, 2010.
sites.google.com/site/profstiw/2tid/workshop-data-mining-...
This is the same simulation, with colours rendered matching red, green and blue to the requisite bands of visible light (it's not quite equivalent to the colour receptivity of our cones, though).
These images are now being rendered in 6 seconds as opposed to 80 thanks to cutting down the size of the spectrum.
Haute Ecole Albert Jacquard : Workshop "Data Mining / Data visualisation", march 4 to march 10, 2010.
sites.google.com/site/profstiw/2tid/workshop-data-mining-...
All the rage at the moment... a graph of www.pepysdiary.com/ generated by www.aharef.info/static/htmlgraph/
It would be really good if the applet could tell you what pages each part of the diagram represented.
*VISUALISATION OF UNIVERSAL SOUND, Meta_Signal Sonar System*
RECEPTILIUM is a Hi-Tech audio-visual interactive project and performance act in which the human body and emotions are used as a communication medium, or a musical instrument that produces audio content – music when performing an analogue visual artwork, drawing visualisation of universal sound. Visitors have the opportunity to experience and attend to the creation of a visual artwork while listening to audio content as a result of the creation process. During the production of an analogue visual artwork, brain waves followed by EEG and physical motion data from hands are transmitted and converted into sounds that together form an ambient audio record connected to real-time generative visual projected on the wall. The purpose of this act is, to present the oldest language of our existence – the blueprint of the stardust; to seduce the audience with meditative movements and sounds that poetically reflects the surface of the Moon.
First demo version of the performance RECEPTILIUM lasted 4 hours at Sounded Bodies Festival on 12th October 2018. The presentation concept is in development and will be setup differently for upcoming events.
Project concept: MOON Martina Zelenika
Music and sound concept: MOON Martina Zelenika
Technology lead and development: Ivan Vican
Technology advisor: Slavko Radman
Music consultant: Lovro Livajić
Sound designer: Mihael Vrbanić
Generative visual: MOON Martina Zelenika
Production and funding: MOON Studio, 2018
Co-production: Sounded Bodies Festival / Domino Project
Supports: NAGON interdiscipliary laboratory of arts & Zagreb Dance Center
From Isotype Revisited project (http://www.isotyperevisited.org) at the University of Reading. Reproduced with permission.
The colour and size of the light source in the 'light painting' change according to the strength of the electromagnetic field.
A visualisation of Ogilvy digital labs londons labdaylive music conference in tweets.
With massive thanks to @nicoleyershon and ogilvy for organising such a great, event, to the speakers for sharing their knowledge and to @jooteoh @coleyporterbell @jukevox @thebluehive @samuelpalin @mrbenbutler @alexririe @stuartsmith @ofarrellsarah @larrypiath for their tweets...great job!
One of my biggest challenges as a graphic recorder was to understand and visualize this conference on black holes given by scientists.
The day ended with a fascinating session on how #dataviz helps us to better “see” black holes. Big thanks to Barthélémy von Haller and Jeremi Niedziela from CERN and Oliver James from DNEG (with me on the photo). They guided us through this wonderful journey from the smallest elements of quantum physics to the black holes and their representation in the Interstellar movie. Magnificent presentation that shows that synergies between science and art can increase our knowledge about the unknown.
Live scribing of the sessions of the "EU interinstitutional workshop on data visualisation" #eudataviz, on 13 November 2019 in Luxembourg.
See my graphic recording of the session.
Read my full blog post: www.claudionichele.eu/blog/eu-dataviz-2019/
See the official web site: op.europa.eu/en/web/eudataviz/home