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Restarting the capture, after gaffing the camera back in place just before the opening. You can see the gallery-goers loitering in front of the cam, outside Manuka CCAS
Two stills from an animated sequence that show the dash vent mechanism and the rotary gear selector in the Jaguar XF. This animation was shown at the highest level at Ford Motor Company’s headquarters to secure funding for the project.
*VISUALISATION OF UNIVERSAL SOUND, Meta_Signal Sonar System*
RECEPTILIUM is a Hi-Tech audio-visual interactive project and performance act in which the human body and emotions are used as a communication medium, or a musical instrument that produces audio content – music when performing an analogue visual artwork, drawing visualisation of universal sound. Visitors have the opportunity to experience and attend to the creation of a visual artwork while listening to audio content as a result of the creation process. During the production of an analogue visual artwork, brain waves followed by EEG and physical motion data from hands are transmitted and converted into sounds that together form an ambient audio record connected to real-time generative visual projected on the wall. The purpose of this act is, to present the oldest language of our existence – the blueprint of the stardust; to seduce the audience with meditative movements and sounds that poetically reflects the surface of the Moon.
First demo version of the performance RECEPTILIUM lasted 4 hours at Sounded Bodies Festival on 12th October 2018. The presentation concept is in development and will be setup differently for upcoming events.
Project concept: MOON Martina Zelenika
Music and sound concept: MOON Martina Zelenika
Technology lead and development: Ivan Vican
Technology advisor: Slavko Radman
Music consultant: Lovro Livajić
Sound designer: Mihael Vrbanić
Generative visual: MOON Martina Zelenika
Production and funding: MOON Studio, 2018
Co-production: Sounded Bodies Festival / Domino Project
Supports: NAGON interdiscipliary laboratory of arts & Zagreb Dance Center
Still from an animation showing CG combined with filmed footage of people walking around the car. This gives a sense of real world scale which is often hard to judge when the design is viewed in isolation.
method for representing time: After the comments from fellow students i realised that i haven't represented this clearly-I saw time as a measurement of how much i love/.hate spending time doing them. The love / hate scale represents how much i love spending time doing them - for example i love using the computer(represented by a very large square . Where as i hate waking up -represented by a small square.
I also represented location. The colour of the post it note represents its location of that event. Yellow: office Green: outside office.
Technique for expressing attitude: used post it notes because i spend a lot of time in my office and i love post it notes. For my icons i went for a drawing/ painting style that has a sense of energy. I chose this to represents my creativity and sense energy in my life.
Molly Knott - track: Tainted
"This piece is inspired by the reality of a tainted girl who has lost herself in the realm of good and evil, spoilt by the materialism of the music industry."
made slight design changes. lines for "out" designers drop vertically, for better emphasis and legibility. am now calling out keith michael's inimitable demise in episode 4.
view original size for detail.
Detail, Molly Knott - track: Tainted
"This piece is inspired by the reality of a tainted girl who has lost herself in the realm of good and evil, spoilt by the materialism of the music industry."
Holly Jade Farmer - track: Dead Body
"This painting was inspired by the idea of being watched, but not being paid any attention to. I tried to combine my love for graphic color and clashing pattern with hallucinogenic imagery."
Visualisation of the sound of a Widelux F7 turret spinning at 1/250 sec
duration ~0.4 seconds
© Dirk HR Spennemann 2012, All Rights Reserved
how the cushion would look like when randomly stacked; then the kid could turn them until all the animals fit (additional entertainment)
A visualisation of the statistical analysis of the HSE Mid-West Expense Claims code that I wrote using the data from 2007-2009 freedom of information disclosure by Gavin Sheridan of TheStory.IE (http://thestory.ie/)
Visualisation (on the left) of Winfried Richter's talk, "Startup-Spirit: Die neue Innovationskultur?"
Photo: Ralph Weinmann
Garston Cultural Village and Artist Michael Trainor worked together to stage an amazing ‘Cultural Revolution’ as the declaration of the Artistic Republic of Garston on 31 May 2008. The Wellington Street School building in the neighbourhood has become The Garston Embassy, complete with palm trees, fountain, sculpture garden and a balcony of waving dignitaries. The official staterooms inside are available to hire for community programming.
3D Visualization Services by 8 Yolk Studio
Client: AEDAS Pte Ltd Singapore
Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,
visit us: www.8yolkstudio.com
Visualisation (on the right) of Thomas Bock's talk, "RoboCon - Bauen mit Robotern"
Photo: Ralph Weinmann
sketch 4 - 1500 shots at 3 minute intervals; April 4-7 2008. Experimenting with camera positioning and angle - this is portrait orientation (= more vertical res and taller fov). And the return of the foliage, which was a nice side effect from the original scraped dataset. Getting there...
3D Visualization Services by 8 Yolk Studio
Client: Studio 0618 Singapore
Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,
visit us: www.8yolkstudio.com
Photoshop visualisation of a series of Dulux colour schemes proposed for a Kelburn, Wellington New Zealand residential townhouse complex exterior repaint project by Programmed Property Services. The imagery was post processed with Adobe Photoshop CS6.
Stills from an animation showing various designs (including the current vehicle shown) driving in various modelled CG environments. This research was used globally to gather potential customer feedback on the various designs.
This picture is taken standing on what those with long memories will remember as Red Cross Lane, on the Hobson's Park side of the railway line. It shows where the 4 metre pedestrian and cycle path will lead to the new station, as proposed in the October 2020 consultation document. The picture attempts to match with the picture in the top half of page 5 in the consultation document. The picture is currently on the Network Rail website here:
cambridgesouthconsultation.com/wp-content/uploads/2020/10...
Visualisation is the most important innovation in education since the start of the technical revolution in the 90s. On the Balkans this has reached the schoolbooks, but not yet the way the teachers teach.
Data visualisation of the global spread of swine flu. Includes interactive rollovers, sparklines and time scrub.
Architectural 3D visualisations start promoting your development long before work begins. This means, if you’re an architect or developer, you can provide buyers with a visual guide to help influence purchasing decisions far in advance of the building process. Your clients need the confidence to buy when no physical building exists. 3D visuals provide the answer, plus, they can be merged with photographs to create seamless photomontage views - either aerial or street-scene perspectives.