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All the talks from TEDGlobal>Geneva at one glance, visualised (snapshot taken by my Narrative Clip).
Photoshop visualisation of Dulux colour schemes for a residential exterior repaint project. I captured the photograph with my Nikon D3100 DSLR camera and post processed the imagery with Adobe Photoshop CS6. As you can see with the original image there was a lot of tidying up of the house's substrates before new colour schemes could be applied. The paint contractor is a New Zealand Master Painter.
RELEASE DATE: 21st May 2019
PRESS RELEASE
Dare to Dream: New ‘Craftivism’ project
announced by Heritage Open Days
13th-22nd September 2019
This year, England’s largest festival of culture and heritage will celebrate its 25th anniversary, with a new arts commission focusing on those who have affected positive change and the power of gentle protest.
In 2019, Heritage Open Days will celebrate its anniversary with 25 Years of People Power. Against a backdrop of Brexit - a time of unprecedented social division and uncertainty - hundreds of events across the country will celebrate change-makers; those whose visions and dreams have brought positive developments to our society, both large and small.
Alongside festival walks, talks and openings, the Dare to Dream project will explore the power of positive visualisation in effecting change and finding solutions to the problems that surround us. Through a series of ‘craftivism workshops’ designed by Sarah Corbett, founder of the global Craftivist Collective, participants will have an opportunity to think about the issues that matter to them, and how to be an active part of bringing positive change, both locally and globally. The commission is the third in Heritage Open Days’ Unsung Stories strand, made possible by support from players of People’s Postcode Lottery with the aim of exploring lesser-known histories in new and innovative ways.
Participants will hand-stitch their positive visions for the future onto fabric ‘dream clouds’, share their creations on social media, and display them in meaningful locations to encourage us all to be solution-seekers and change-makers. “We’re thrilled to be working with Sarah, who embodies the gentle form of People Power that is at the heart of Heritage Open Days,” says HODs National Manager, Annabelle Thorpe.
“Throughout history, real change has come from those who have thought differently, dreamed big and believed solutions are there to be found. Dare to Dream offers a chance for everyone to think about how we can all positively shape the future, and make our dreams for a fairer, happier society become reality.”
Across the Heritage Open Days festival, Sarah will lead four free workshops, launching at
Dartington Hall in Totnes, where the concept for the NHS was established in the 1940s. Moving to Norwich, Manchester and Durham, each session will take inspiration from local dream-makers whose historic ideas helped to shape a new reality. Downloadable instruction packs will also enable organisers to run their own Dare to Dream workshops, enabling nationwide participation. After the festival, insights drawn from the workshops will create a picture of our dreams and hopes for society in the next 25 years.
"By having a vision rather than just fixating on a problem, our brains start finding ways to turn
those visions into reality” says campaigner, Sarah Corbett. “Join us and craft your creation, whilst you think deeply about what your dream for a better world will look like, and how you can be part of making it. Stitch by soothing stitch, we can help become change-makers."
Yesterday’s dreams shaped today’s reality. This September, join Heritage Open Days and the
Craftivist Collective to create individual dreams for a positive future.
- - -
For more information and photographs:
Laura Davey, Press and Communications Officer
020 3097 1977 | laura.davey@heritageopendays.org.uk
More details about Dare to Dream can be found at
www.heritageopendays.org.uk/visiting/unsung-stories/dare-...
NOTES TO EDITORS
About Heritage Open Days
• Heritage Open Days (13th-22nd September 2019) is England’s largest festival of history and
culture; in 2018, over 5,500 events welcomed more than three million visitors across the
country.
• All events are free, including access to many sites that usually charge for admission.
• Heritage Open Days is coordinated and promoted nationally by the National Trust with
support from players of People’s Postcode Lottery, and run locally by a large range of
organisations (including civic societies, heritage organisations, and local councils,
community champions and thousands of enthusiastic volunteers).
• Heritage Open Days is England’s contribution to European Heritage Days, taking place
across 50 countries. Other events in the UK are Doors Open Days in Scotland
(www.doorsopendays.org.uk); Open Doors Days in Wales
(www.cadw.wales.gov.uk/opendoors); European Heritage Open Days in Northern Ireland
(www.communities-ni.gov.uk/articles/european-heritage-open...); Open House London
• For further details, visit www.heritageopendays.org.uk, follow on Twitter
@HeritageOpenDay, or subscribe to the newsletter.
About People Power and Unsung Stories
• People Power is Heritage Open Days’ theme for 2019, celebrating the 25th anniversary of
the festival, and highlighting the ability of local communities, groups and individuals to evoke change. For more information, visit www.heritageopendays.org.uk/organising/people-
power
• The Unsung Stories programme is annual arts-based strand of Heritage Open Days,
commissioning artists to work with local organisers, bringing to life stories, and reflecting
HODs’ belief that history belongs to all of us. For more information, visit
www.heritageopendays.org.uk/visiting/unsung-stories
About the Craftivist Collective and Sarah Corbett
• Sarah Corbett is an award-winning campaigner, author of How to be a Craftivist: The Art of
Gentle Protest, and founder and Creative Director of the global Craftivist Collective. She
grew up in a low-income area of Liverpool and was born into an activist family. Her TED
talk ‘Activism Needs Introverts’ has been viewed over 1 million times.
• The Craftivist Collective is a social enterprise providing products and services to help
individuals, groups and organisations around the world learn and take part in ‘a gentle
protest’ approach to craftivism (craft + activism), and transform the way people practice
activism in more emotionally intelligent, creative and kind and effective ways.
• Previous craftivism projects have addressed mental health, living wage and climate change
amongst other issues. Their projects have helped change laws and policies, as well as hearts
and minds.
• They have worked with Save the Children, Unicef and Mind, have helped create the new
Girlguiding craftivism badge, as well as collaborating with Secret Cinema and V&A, amongst
others.
• Sarah is experienced as an interviewee for print, online, live or prerecorded audio,
television and vlogs.
• For further details, visit www.craftivist-collective.com or follow on Twitter and Instagram
@Craftivists.
About People’s Postcode Lottery
• People’s Postcode Lottery manages multiple society lotteries promoted by different
charities and good causes. People play with their chosen postcodes for a chance to win
cash prizes. A minimum of 32% from each subscription goes directly to charities and good
causes across Great Britain and internationally -- players have raised £416 million so far.
For details of the charities and good causes which are promoting and benefitting from the
lottery draws, please visit www.postcodelottery.co.uk/good-causes/draw-calendar
• It costs £10 a month to play and winning postcodes are announced every day. The
maximum amount a single ticket can win is 10% of the draw proceed. For details, please
visitwww.postcodelottery.co.uk/prizes
• New players can sign up to pay using direct debit by calling 0808 10 9 8 7 6 5. New players
who sign up online at www.postcodelottery.co.uk can pay using direct debit, debit card or
PayPal.
• Postcode Lottery Limited is regulated by the Gambling Commission under licence
numbers: 000-000829-N-102511 and 000-000829-R-102513. Registered office: Titchfield
House, 69/85 Tabernacle Street, London, EC2A 4BD
• Follow us @PostcodePress
I’ve been experimenting the with the Neurosky Mindwave mobile EEG headset to send my attention and meditation brainwave data to an Arduino for visualising, by pairing it with a Bluetooth dongle. In this pic I’m showing both my attention and meditation data levels beside each other on an LED matrix.
Notations 21 by Theresa Sauer, from Mark Batty Publisher. I was really excited to get this in the mail, I'd seen a few blog posts and it looked great. I'm lucky enough to have a couple of issues of Source Magazine (pics here bit.ly/pREha6 and here bit.ly/p9O1l1 ) which first sparked an ...... Read more From: PaperPosts
Here series span in years is mapped directly to hue (red = short series, blue = long series). Technical details etc here
Perhaps my favourite talk of the whole conference, simply because Bruno Sobral made such a strong case for the positive impact he witnessed when they involved HCI (or UX design) experts in their project
Visualisation of my flickr page generated by www.aharef.info/static/htmlgraph/ today, 05/12/08
blue: for links (the A tag)
red: for tables (TABLE, TR and TD tags)
green: for the DIV tag
violet: for images (the IMG tag)
yellow: for forms (FORM, INPUT, TEXTAREA, SELECT and OPTION tags)
orange: for linebreaks and blockquotes (BR, P, and BLOCKQUOTE tags)
black: the HTML tag, the root node
gray: all other tags
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This was a heckle stream taken during a training session at The People Speak HQ. It started with a discussion about ethics of surrogacy and went... all over the place. As usual.
Notations 21 by Theresa Sauer, from Mark Batty Publisher. I was really excited to get this in the mail, I'd seen a few blog posts and it looked great. I'm lucky enough to have a couple of issues of Source Magazine (pics here bit.ly/pREha6 and here bit.ly/p9O1l1 ) which first sparked an ...... Read more From: PaperPosts
Lakes are key indicators of climate change, capturing its effects directly and indirectly through surrounding areas. To respond and adapt to climate change effectively, we need a global and consistent record of lake data.
Satellite monitoring of lakes is vital for studying their response to climate change and tracking variations in their extent (or area), surface temperature, and ice cover (and thickness) and biogeochemical process via ‘water leaving reflectance’ over time.
Read more about the competition
Credits: ESA
Some old-school data art for the forthcoming Art Machine show at the ANU School of Art. No Meta visualises an xml source character by character; patterns reveal the recurring XML tags as well as their contents.
The report was made up of several cards, so that the data can be cross- examined. This is a major problem with reports in a
booklet format. The report also includes a poster, showing all the information in the report cards in a singular data visualisation.
The report cards are layered with different card and die cut to create a tactile aspect, helping the reader absorb the information. The more categories and information on each category, the thicker the report card.
Okay, once again: 2 maps next to each other showing the same city centre but with different landmarks.
Notations 21 by Theresa Sauer, from Mark Batty Publisher. I was really excited to get this in the mail, I'd seen a few blog posts and it looked great. I'm lucky enough to have a couple of issues of Source Magazine (pics here bit.ly/pREha6 and here bit.ly/p9O1l1 ) which first sparked an ...... Read more From: PaperPosts
form: one year in temperature information visualisation/representation, lasercut.
width/height: the height is the temperature, and each row is one week in temperature.
based on one of the data-forms here: www.flickr.com/photos/miska_too/sets/72157624079587460/
period: the time period covered is from may 2009 -> may 2010. thus the dip in the middle is dear ol' winter.
min/max: -25°C -> +30°C
(yes, I know unit markers would have been useful...;)
material: acrylic
kind support for this project is from the Aalto Media Factory
Scatter plot of earthquake locations for the time near (before and after) the big March 2011 quake, superimposed on map. Data from USGS. Sphere volume proportional to energy of the quake.
Launch of the Last.fm Xbox360 app, quite an increase in traffic.
The original peak was the limited beta release.
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Notations 21 by Theresa Sauer, from Mark Batty Publisher. I was really excited to get this in the mail, I'd seen a few blog posts and it looked great. I'm lucky enough to have a couple of issues of Source Magazine (pics here bit.ly/pREha6 and here bit.ly/p9O1l1 ) which first sparked an ...... Read more From: PaperPosts