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A lovely piece of facade system modelling and visualisation for technical marketing. For this facade engineering group our services included modelling and creative direction for the visualisation...
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Brilliant.
By Andy Bardagjy, Alex Olwal, and Julia Ma. Utterly beautiful.
From the site: This installation uses crowd-sourcing to actively build a tangible visualization of attendee demographics. A world map covered by transparent LEGO baseplates stands at a conference, and bowls of transparent colored LEGO bricks sit nearby. Each person places a green brick on where they grew up, a red brick on where they currently live, and a blue brick on where they dream to live someday. This creates a 3-dimensional visualization. A light shines through the back-side, allowing the viewer to immediately see where the hot-spots are as those areas are more dense with bricks.
To access your InMap, go to inmaps.linkedinlabs.com.
Ed. note: You must have 50 connections and 75 percent of your profile completed to access your InMap.
Visualisation of a short trip from work to home (by car). Don't get fooled all the red (free node) are services you have to pay for once connected to them. Mostly hotels guests lodges and street point providers.
This image shows electronic equipment in use in the interactive kitchen teaching rooms. A visualiser can be used by students to take pictures of prepared dishes which can then be added to portfolios.
4.8% of the British Population is Muslim (about 1 in 20). This is an example of 'crowd vis' see: www.realworldvisuals.com/blog/2017/2/6/crowd-visualisatio...
Personal visualisation project based on the Minimum House by Scheidt Kasprusch Architekten.
Interpretation of the design and interior, plus all modelling/rendering/post by James Lawley (some stock objects used...)
Rendered in V-ray 2.0 with post-production in Photoshop CS5 and a touch in Lightroom.
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Terres Rares: Top Investissement 2015 !
5 Raisons d'investir
Dans les Terres Rares
Performances Historiques
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Je télécharge ma brochure
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Sur le marché des métaux stratégiques, la hausse vertigineuse de la demande et des prix des terres rares semblait être
inexorable(...) ! Après l'électrochoc et les inquiétudes internationales (...) les cours sont en chute libre et offrent une
sérieuse opportunité sur ce secteur stratégique et médiatique.
En savoir plus
Les Terres Rares en 5 Points
Des métaux précieux
en quantités limitées
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Quasi Monopole de la Chine
Utilisés dans tous les appareils hightechs
Stocks Limités
Sécurité
Copyright 2015 - Global Metal Broker, Tous droits réservés - Mentions Légales Capital 100 000€ ? Enregistré au RCS de
BOBIGNY 791 326 317 Global Metal 2015
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This visualisation really started the whole "Lifestyles Apart" series.
It shows the "distance" in lifestyle between Athens - Greece and the rest of the 139 cities described by the Economist's Intelligence Unit City Livability data.
More detailed information about the tools and methods is available from BuzzData
Personal visualisation project based on the Minimum House by Scheidt Kasprusch Architekten.
Interpretation of the design and interior, plus all modelling/rendering/post by James Lawley (some stock objects used...)
Rendered in V-ray 2.0 with post-production in Photoshop CS5 and a touch in Lightroom.
Brilliant.
By Andy Bardagjy, Alex Olwal, and Julia Ma. Utterly beautiful.
From the site: This installation uses crowd-sourcing to actively build a tangible visualization of attendee demographics. A world map covered by transparent LEGO baseplates stands at a conference, and bowls of transparent colored LEGO bricks sit nearby. Each person places a green brick on where they grew up, a red brick on where they currently live, and a blue brick on where they dream to live someday. This creates a 3-dimensional visualization. A light shines through the back-side, allowing the viewer to immediately see where the hot-spots are as those areas are more dense with bricks.
RELEASE DATE: 21st May 2019
PRESS RELEASE
Dare to Dream: New ‘Craftivism’ project
announced by Heritage Open Days
13th-22nd September 2019
This year, England’s largest festival of culture and heritage will celebrate its 25th anniversary, with a new arts commission focusing on those who have affected positive change and the power of gentle protest.
In 2019, Heritage Open Days will celebrate its anniversary with 25 Years of People Power. Against a backdrop of Brexit - a time of unprecedented social division and uncertainty - hundreds of events across the country will celebrate change-makers; those whose visions and dreams have brought positive developments to our society, both large and small.
Alongside festival walks, talks and openings, the Dare to Dream project will explore the power of positive visualisation in effecting change and finding solutions to the problems that surround us. Through a series of ‘craftivism workshops’ designed by Sarah Corbett, founder of the global Craftivist Collective, participants will have an opportunity to think about the issues that matter to them, and how to be an active part of bringing positive change, both locally and globally. The commission is the third in Heritage Open Days’ Unsung Stories strand, made possible by support from players of People’s Postcode Lottery with the aim of exploring lesser-known histories in new and innovative ways.
Participants will hand-stitch their positive visions for the future onto fabric ‘dream clouds’, share their creations on social media, and display them in meaningful locations to encourage us all to be solution-seekers and change-makers. “We’re thrilled to be working with Sarah, who embodies the gentle form of People Power that is at the heart of Heritage Open Days,” says HODs National Manager, Annabelle Thorpe.
“Throughout history, real change has come from those who have thought differently, dreamed big and believed solutions are there to be found. Dare to Dream offers a chance for everyone to think about how we can all positively shape the future, and make our dreams for a fairer, happier society become reality.”
Across the Heritage Open Days festival, Sarah will lead four free workshops, launching at
Dartington Hall in Totnes, where the concept for the NHS was established in the 1940s. Moving to Norwich, Manchester and Durham, each session will take inspiration from local dream-makers whose historic ideas helped to shape a new reality. Downloadable instruction packs will also enable organisers to run their own Dare to Dream workshops, enabling nationwide participation. After the festival, insights drawn from the workshops will create a picture of our dreams and hopes for society in the next 25 years.
"By having a vision rather than just fixating on a problem, our brains start finding ways to turn
those visions into reality” says campaigner, Sarah Corbett. “Join us and craft your creation, whilst you think deeply about what your dream for a better world will look like, and how you can be part of making it. Stitch by soothing stitch, we can help become change-makers."
Yesterday’s dreams shaped today’s reality. This September, join Heritage Open Days and the
Craftivist Collective to create individual dreams for a positive future.
- - -
For more information and photographs:
Laura Davey, Press and Communications Officer
020 3097 1977 | laura.davey@heritageopendays.org.uk
More details about Dare to Dream can be found at
www.heritageopendays.org.uk/visiting/unsung-stories/dare-...
NOTES TO EDITORS
About Heritage Open Days
• Heritage Open Days (13th-22nd September 2019) is England’s largest festival of history and
culture; in 2018, over 5,500 events welcomed more than three million visitors across the
country.
• All events are free, including access to many sites that usually charge for admission.
• Heritage Open Days is coordinated and promoted nationally by the National Trust with
support from players of People’s Postcode Lottery, and run locally by a large range of
organisations (including civic societies, heritage organisations, and local councils,
community champions and thousands of enthusiastic volunteers).
• Heritage Open Days is England’s contribution to European Heritage Days, taking place
across 50 countries. Other events in the UK are Doors Open Days in Scotland
(www.doorsopendays.org.uk); Open Doors Days in Wales
(www.cadw.wales.gov.uk/opendoors); European Heritage Open Days in Northern Ireland
(www.communities-ni.gov.uk/articles/european-heritage-open...); Open House London
• For further details, visit www.heritageopendays.org.uk, follow on Twitter
@HeritageOpenDay, or subscribe to the newsletter.
About People Power and Unsung Stories
• People Power is Heritage Open Days’ theme for 2019, celebrating the 25th anniversary of
the festival, and highlighting the ability of local communities, groups and individuals to evoke change. For more information, visit www.heritageopendays.org.uk/organising/people-
power
• The Unsung Stories programme is annual arts-based strand of Heritage Open Days,
commissioning artists to work with local organisers, bringing to life stories, and reflecting
HODs’ belief that history belongs to all of us. For more information, visit
www.heritageopendays.org.uk/visiting/unsung-stories
About the Craftivist Collective and Sarah Corbett
• Sarah Corbett is an award-winning campaigner, author of How to be a Craftivist: The Art of
Gentle Protest, and founder and Creative Director of the global Craftivist Collective. She
grew up in a low-income area of Liverpool and was born into an activist family. Her TED
talk ‘Activism Needs Introverts’ has been viewed over 1 million times.
• The Craftivist Collective is a social enterprise providing products and services to help
individuals, groups and organisations around the world learn and take part in ‘a gentle
protest’ approach to craftivism (craft + activism), and transform the way people practice
activism in more emotionally intelligent, creative and kind and effective ways.
• Previous craftivism projects have addressed mental health, living wage and climate change
amongst other issues. Their projects have helped change laws and policies, as well as hearts
and minds.
• They have worked with Save the Children, Unicef and Mind, have helped create the new
Girlguiding craftivism badge, as well as collaborating with Secret Cinema and V&A, amongst
others.
• Sarah is experienced as an interviewee for print, online, live or prerecorded audio,
television and vlogs.
• For further details, visit www.craftivist-collective.com or follow on Twitter and Instagram
@Craftivists.
About People’s Postcode Lottery
• People’s Postcode Lottery manages multiple society lotteries promoted by different
charities and good causes. People play with their chosen postcodes for a chance to win
cash prizes. A minimum of 32% from each subscription goes directly to charities and good
causes across Great Britain and internationally -- players have raised £416 million so far.
For details of the charities and good causes which are promoting and benefitting from the
lottery draws, please visit www.postcodelottery.co.uk/good-causes/draw-calendar
• It costs £10 a month to play and winning postcodes are announced every day. The
maximum amount a single ticket can win is 10% of the draw proceed. For details, please
visitwww.postcodelottery.co.uk/prizes
• New players can sign up to pay using direct debit by calling 0808 10 9 8 7 6 5. New players
who sign up online at www.postcodelottery.co.uk can pay using direct debit, debit card or
PayPal.
• Postcode Lottery Limited is regulated by the Gambling Commission under licence
numbers: 000-000829-N-102511 and 000-000829-R-102513. Registered office: Titchfield
House, 69/85 Tabernacle Street, London, EC2A 4BD
• Follow us @PostcodePress
Sketch of a visualisation of election results I'm working on in Processing. Full size is the way to go when looking at this one.
Each spoke is a riding. The total length of the spoke corresponds to the registered voters for that area. Colours represent the parties (red = Liberal, orange = NDP, blue = Conservative, green = Greens, white = independent plus other parties). The (scary long) grey at the outside of each spoke are the registered voters who didn't vote.
The data is incomplete (70 ridings of 107 total) and I want to make it interactive and easier to read, this is just mkI.
Rendered Image specialises in providing architectural visualisation and CGI imagery. If you want to know more, click on the link: www.renderedimage.uk
In response to the Guardian Hackday: www.guardian.co.uk/news/datablog/2009/jul/30/hackday
By country, from 1950 to predictions in 2030 of what percentage of the population would be present in an urban environment (cities)
What we can see is that some countries are solely urban dwellings. Whilst others in what may be termed the '3rd world' are starting to migrate into cities.
Image is at full size on rasga.co.uk - Need to link further only took a quick glance, and modified the spreadsheet.
way cool tool Twitter Friends Browser screen capture by Neuro Productions www.neuroproductions.be/twitter_friends_network_browser/
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Une réalisation
(1) Pendant toute la durée du bail
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In this data visualisation work the unseen landscape where broadcasting happens – the electromagnetic spectrum – is brought to life. Artists Jose Luis de Vincente & Irma Vila worked in collaboration with Bestiario, the Barcelona-based creators who specialise in making intangible things such as networks and relationships more visible to us all.
The radio part of the electromagnetic spectrum is something that cannot normally be seen with the naked eye. This work shows the structure and topology of the spectrum and reveals what kinds of activities happen there, from television and radio, to mobile telephony and wireless internet. Atlas of Electromagnetic Space also showed the assignation of frequencies to different communication protocols, and the cultural, social and artistic interventions that are currently taking place in the spectrum.
Displayed on several large plasma screens located in the central foyer of Middlesbrough’s Institute for Digital Innovation, this installation enabled visitors to interact with the electromagnetic spectrum, and learn more about it.
Biography
José Luis de Vicente is a cultural researcher, curator and journalist. He develops projects around creative innovation and social technologies. Among other projects, he directs the VISUALIZAR program at the Medialab Prado art production centre, Madrid. He is a member of the curation committee of Sónar, Barcelona, and a member of the board of FAD, Barcelona's association for Arts and Design. He has been deputy director of ArtFutura and artistic codirector of the Offf Festival. Irma Vilà is a curator and a cultural producer. She explores art, science, society and new media intersections, as a result of her background in physics, multimedia, engineering and arts. She has collaborated in the production and RRPP of festivals as Sónar, Offf and Copyfight as well as in exhibitions in the Center for Contemporary Culture of Barcelona (CCCB). Nowadays she works as curator and communication coordinator of ArtFutura Festival, and with Telenoika audiovisual artists collective.
Credit
Co-commissioned by AV Festival 08 and NOW: Centre de Cultura Contemporánia de Barcelona (CCCB).