View allAll Photos Tagged VisualPoetry
Visual Poetry W4/P2
I took a picture of my husband earlier this year as he stood in the cold wind outside of my booth at Art in the Park in Orange, Texas. Behind him is one of their many beautiful historic homes located around Stark Park where Art in the Park is held.
The layer I added is one of the many sunset pictures I have taken at our wild game lease in South Texas.
Las gentes ya tienen el alma cuadrada,
ideas en fila
y ángulo en la espalda.
(Even people now have square souls,
Ideas in file, I declare,
And on their shoulders, angles wear.)
Perfect bound square 8vo in wraps printed in red and black, with pages printed in black and white. Unpaginated (ca. 48 pp.) Text in German. Inscribed and signed on inside left cover by editor Max Bense.
Issue no. 21 of the Rot series, edited by Max Bense and Elisabeth Walther, largely devoted to concrete poetry and the exploration of language and letterforms. This issue featuring a large compendium of concrete and visual poetry with contributions by Ian Hamilton Finlay, Vagn Steen, Emmett Williams, Peter Greenham, Ladislaw Novák, Josef Hirsal, Bohumila Grögerová, John J. Sharkey, Dom Sylvester Houédard, Yüksel Pazarkaya, Eugen Gomringer, Gerhard Rühm, Ernst Jandl, Åke Hodell, Leif Nylén, José Lino Grünewald, Franz Mon, Timm Ulrichs, Mathias Goeritz, Carlo Belloli, Augusto de Campos, Haroldo de Campos, Décio Pignatari, Reinhard Döhl, Edgard Braga, Pedro Xisto, Jørgen Nash, Diter Rot, Edwin Morgan, and Pierre Garnier among others. This example inscribed and signed by one of the two editors Max Bense.
Each issue has the same German quote by Ernst Bloch on the back cover which translates into ‘There are also red secrets in the world, actually, only red.’
Very good with light wear along cover margins, including rubbing and darkening to back cover, and trace amounts of age toning throughout.
Autumn walk in Pompeii
📷: Nikon Z6II, iPhone 16 Pro
💻: Lightroom
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by bpNichol.
[Toronto, Underwhich Editions, 7 december 1983. 5o copies] signed in black pencil [issued as part of RUNNING HEAD, edited by jwcurry; not released separately].
4-7/8 x 9-7/16, pumpkin deckletone broadside printed black silkscreen.
Visual Poetry W3/P2 (with a layer from les brumes).
I designed this piece yesterday using a vintage rhinestone piece, crystal quartz nuggets, Swarovski crystal rondells and a vintage sterling silver bracelet for today's sale. It sold!
Ceramic piece and photo are mine, the poem is John M Bennett's, and Jim Leftwich painted the cloth and did further digital manipulation of my photo.
Every shot is a small poem without words. Here, I capture fleeting moments that speak louder than any language.
🌿 See more of my work on Instagram: @loud_purple
📷: Fuji X100VI
💻: Lightroom
Explore my stills at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals
#fuji #fujifilm #x100 #x100vi #fujispain #35mm #light #spain #montjuic #barcelona #poblesec
Every shot is a small poem without words. Here, I capture fleeting moments that speak louder than any language.
🌿 See more of my work on Instagram: @loud_purple
Errant Voices, W. Mark Sutherland, Tomomi Adachi, Alessandra Eramo, Errant Bodies Gallery, Berlin, Germany, 2014
The old Chain of Rocks Bridge on old Route 66. The bridge spans the Mississippi from Illinois to Missouri and is part of a network of bike trails now. I used my own texture which was a close-up of rust & peeling paint from a girder on the same bridge.
here's a link about the bridge:
Ceramic piece and photo are mine, the poem is John M Bennett's, and Jim Leftwich painted the cloth and did further digital manipulation of my photo.
I altered this photograph using techniques from a number of week's lessons in Susan Tuttle's Visual Poetry.
Errant Voices, W. Mark Sutherland, Tomomi Adachi, Alessandra Eramo, Errant Bodies Gallery, Berlin, Germany, 2014
... with a little digital masking of "blank" heads in foreground done by C Mehrl Bennett/ From left: mIEKAL and, Bruce Bart, Wendy Collin Sorin, Scott Helmes, John M Bennett, Geof Huth, Sheila E Murphy
Visual Poetry W1/P1
I went back to the beginning of the class!
I bought this vintage suitcase and leather briefcase from our City Wide Garage Sale last year and have used them to display my jewelry at shows ever since.
Autumn walk in Pompeii
📷: Nikon Z6II, iPhone 16 Pro
💻: Lightroom
Explore my work at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #somewheremagazine #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece
#apple #iphone #iphone16pro #lightroom #nikon #volcano #walk #ancient #pompeii #italy
📷: Fuji X100VI
💻: Lightroom
Explore my stills at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals
#fuji #fujifilm #x100 #x100vi #fujispain #35mm #light #spain #montjuic #barcelona #poblesec
Autumn walk in Pompeii
📷: Nikon Z6II, iPhone 16 Pro
💻: Lightroom
Explore my work at:
#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #somewheremagazine #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece
#apple #iphone #iphone16pro #lightroom #nikon #volcano #walk #ancient #pompeii #italy
by Vladimir Burda.
Ottawa, Room 3o2 Books, 4 october 2ooo. 9o copies in 2 variants:
a) 5 proofs printed 3 october, 3-3/4 x 6-3/8, broadside printed blue;
b) 85 copies as described, numbered in black ink rear.
3-3/4 x 6-3/16, white Somerset card postcard printed black, mimeo recto with rubberstamp verso.
Garden photography
📷: Fuji X100VI
💻: SOOC
Recipe: Last Summer Roll
Explore my stills at:
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