View allAll Photos Tagged VisualPoetry

12. Marilyn R. Rosenberg, Wheelwork, Part rag paper, zerox color copy, acid free glue, visual poetry, 1989, $175

The idea for this piece started with a photograph I took of some peeling paint on a picnic table in a park. To me the paint looked like a dragon and I decided to have some fun with the idea.

 

In stories dragons are usually creatures to be feared, but symbolically they can represent wisdom and the primal forces of nature. They are creators and destroyers. A pregnant dragon is a symbol of future growth and expansion. In this piece I play with the idea of birth--of creation, but also the fear of destruction and loss that inevitably happens during the process.

 

The form of the dragon is the shape from the peeling paint from the photograph. You can still see the marks...

 

Autumn walk in Pompeii

 

đŸ“·: Nikon Z6II, iPhone 16 Pro

đŸ’»: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #somewheremagazine #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece

 

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Be Blank Consort performing at Rondo Community Outreach Library in St Paul, MN

From left: Geof Huth, Sheila E Murphy, Wendy Collin Sorin, Tom Cassidy (Music Master), John M Bennett, Scott Helmes (vispo design on white T-shirts is a SEM/JMB collab)

You are the Cause of me,

I – a drop in the Causal Ocean,

An eye amidst a peacock’s plume.

Take me as an atom of You, a molecule,

A sub-atomic structure, a part of You.

Take, but do not throw away,

I’ve rid already.

And the riddance follows me,

Like sub-atomic parts of me,

Or You – chasing me.

 

- Imaad Majeed.

compiled by jwcurry. Toronto, Room 3o2 Books, 13 september 1986. [48 copies] issued as List 2.

5-1/2 x 8-1/2, 2 sheets white xerographic bond folded & stapled once to 8 pp in selfwrappers, all printed black photocopy.

 

cover text, "L? ", by Peggy Lefler.

rear cover graphic by Qaani Lore.

 

49 items listed.

đŸ“·: DJI Mavic Air 2

 

đŸ’»: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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#mavicair #djimavic #dronephotography #mavicair2 #dji #djiphotography #photonetmagazine #aerial #midilli #eresos #abstract

by Paul Dutton & bpNichol.

 

[Toronto], Curvd H&z, 1o september 1984. 8o copies numbered in black rubberstamp & signed in black pencil, issued as Curvd H&z 29o, Th Wrecking Ballzark 64 & Hangnail 15.

 

9-9/16 x 12-7/8 pale blue parchment card broadside printed black silkscreen & rubberstamp.

charcoal collisions marking new words

Image and photograph by Sean Burn

Marilyn R. Rosenberg, Wheelwork, Part rag paper, zerox color copy, acid free glue, visual poetry, 1989, $175

by Daniel f.Bradley

 

painted over

by bpNichol.

 

Toronto, Letters & Room 3o2 Books, [14] october 1986. [211 copies].

 

8-1/2 x 11, pale green basketweave safety paper broadside printed black silkscreen.

 

colophon lettering by jwcurry

Autumn walk in Pompeii

 

đŸ“·: Nikon Z6II, iPhone 16 Pro

đŸ’»: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #somewheremagazine #subjectivelyobjective #lensculture #phroommagazine #modernvisual #visualpoetry #createexplore #artofvisuals #in_greece

 

#apple #iphone #iphone16pro #lightroom #nikon #volcano #walk #ancient #pompeii #italy

Time Signatures, Electric Eclectics Festival site, Meaford, Canada, 2015 photo Dennis Siren

by jwcurry.

 

Ottawa, Room 3o2 Books, 5 september 1997. 2o unique copies numbered & signed in black pencil rear.

 

9 x 1o-15/16, cream Peterborough wove broadsheet, recto printed blue, mixedfount white/light blue/turquoise & silver silkscreen with black rubberstamp title, verso blue rubberstamp.

Echoes of Solitude

is a black and white photobook by Matteo Russo.

A poetic journey through silence, space, and emotional resonance.

Now available on : www.lulu.com/spotlight/matteorusso

Vintage/Retro Technique 3. I began by using Technique 1.

This shot was taken at the grand opening of the Pearl Farmers Market

pearlfarmersmarket.com in San Antonio, Texas.

A vendor had several flavors of spiced pecans to taste. This one was spiked with hot peppers and lavender!

Celebrated creator of visual poetry, derek beaulieu, shares his work in a slide-show presentation. To be followed by Q & A conversation.

 

7:30pm, Saturday, March 31, 2012

Gallery 101

301 1/2 Bank Street

Ottawa

 

More info: abseries.org

Tenderness descends without demand as one woman leans over another on the bed. The gesture feels private, protective, and almost weightless.

 

The woman below meets the viewer through her glasses while the purple-haired figure turns her attention inward. One gaze opens the scene; the other sanctifies it.

 

The world answers them not with noise, but with softened edges, warm linen, and the quiet permission to remain close.

 

This softly processed color boudoir portrait shows two adult women on a bed. A topless, tattooed woman with short purple hair leans over a dark-haired woman wearing glasses and purple lace lingerie. The vertical composition includes floral bedding, a pale door, warm indoor light, and a gentle shallow-focus treatment. This fine-art portrait was photographed by Faron Ard, a Louisiana and Baton Rouge photographer.

Desire causes suffering...

Cessation and the paths towards liberation from suffering form the Right Attitude...

by bpNichol.

 

Toronto, Curvd H&z, 15 november 1985. 1oo copies issued as Curvd H&z 32o & Card 43.

 

5-3/4 x 4-3/8 white mayfair card postcard printed black, photocopy with rubberstamp verso.

đŸ“·: DJI Mavic Air 2

 

đŸ’»: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

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#mavicair #djimavic #dronephotography #mavicair2 #dji #djiphotography #photonetmagazine #aerial #midilli #eresos #abstract

Visual Poetry W3/P2

Continue to love sepia! This cabinet card close-up called out for it!

Cabinet Card Sisters featured in Somerset Memories.

personal project 2005 glasgow school of art

đŸ“·: Olympus OM-D E-M1 II with Olympus M.Zuiko ED 100-400mm f/5-6.3 IS + MC-14

đŸ’»: Lightroom

 

Explore my work at:

www.antonisdeligiannis.com

 

#photonetmagazine #igers_greece_ #neamagazine #noicemag #ignant #contemporaryphotography #somewheremagazine #subjectivelyobjective #lensculture #phroommagazine #floatmag #modernvisual #visualpoetry #createexplore #artofvisuals

 

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I just recently finished this book. I had started it mid-summer, then put it down due to issues I can no longer recall. But I had picked it up once again a couple of weeks ago and finally read it from cover to cover.

This book is definitely one of my top five all-time favorites. It's made me re-think my perspective in my photography as well as my life. It's inspired and motivated me.

This book is simply phenomenal.

 

Beautiful work Chris Orwig, absolutely beautiful!

Collaboration: Sheila E Murphy & C Mehrl Bennett

An insight(incite) from the author: I touched u inside out:

This pooch attracted my attention when I first got my digital camera in 2006. Our daughter had been taking therapeutic riding lessons at this location. Moonshine is the teacher's pooch.

 

Week 1 project 1 from Susan Tuttle's online course called

Visual Poetry.

 

View On Black

Collaboration: Sheila E Murphy, John M Bennett, C Mehrl Bennett

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