View allAll Photos Tagged VisualNarrative
I decided that the first opera presented at the renamed Kennedy Center should be titled "I really don't dare, do U?" It's the story of an amoral and avaricious social climbing woman who succeeds at the expense of her humanity. On July 22, 2025, Republicans on the Appropriations Committee of the House of Representatives passed an amendment that would rename Kennedy Center to First Lady Melania Trump Opera House. The amendment, introduced by Rep. Mike Simpson, a Republican from Idaho, passed as part of the 2026 Interior, Environment and Related Agencies Appropriations bill. The bill and amendment had yet to become law. Snopes. The quote is not attributed to her, but was written on a jacket she wore on a trip to visit children at a migrant center. She has famously posed nude. Image Sources: john-f-kennedy-center-washington-01,; night_moves___2_by_mjranum_stock_d8kekof; nicolesy_texture_02;
A quiet street scene where daily life unfolds—second-hand goods, soft toys, and people moving through their routines. A glimpse into the small but meaningful moments that shape the city's soul.
7.3.4 Activity Visual narrative
Spend up to one hour taking three images which, when displayed consecutively, tell a story. It could be a simple one such as people waiting at a bus stop, people getting on the bus, then the bus departing, or it could be something far more subtle or complex.
© Vicky Eastwood 2008
7.3.4 Activity Visual narrative
Spend up to one hour taking three images which, when displayed consecutively, tell a story. It could be a simple one such as people waiting at a bus stop, people getting on the bus, then the bus departing, or it could be something far more subtle or complex.
© Vicky Eastwood 2008
7.3.4 Activity Visual narrative
Spend up to one hour taking three images which, when displayed consecutively, tell a story. It could be a simple one such as people waiting at a bus stop, people getting on the bus, then the bus departing, or it could be something far more subtle or complex.
© Vicky Eastwood 2008
Two paintings by Paulus Bor have been altered to include a television. Image Sources: Overlays from Foxey Squirrel and JaiJohnson; TV origin is unknown; Nucly elements
Pink petals float gracefully in a turquoise embrace, their colors and forms artistically enhanced by the power of AI.
“Keeping an Eye Out” explores a moment of magical stillness and quiet protection. A fairy sleeps peacefully as guardians—a white horse and a vigilant companion—stand watch in an autumn-hued forest. This piece reflects themes of trust, transformation, and the unseen forces that shield us while we dream. Image Sources: history__by_kleinerteddy_djn17u4; fairy_unrestricted_stock_by_artmaniabychristine_d7j6grs; candle-2038736 from Pixabay; SS Light beam; perlino_akhal_teke_stallion_1_by_venomxbaby_da8c9nj; purple_fairy___full_length_pose_reference_photo_4_by_faestock_deousek; tree_stump_i_by_suicideomen_db14m0t; Nucly Elements;
The Banishment of Adam and Eve, inspired by Gustave Dore, Paradise Lost
A restaging of the Fall of Man as a modern fashion tableau:
She stands tall, wearing a black cloak and holding a sword - a symbol of judgment and superiority. He kneels at her feet, holding a bright pink bag like a lost symbol of innocence - devoted but dignified.
The fall was inevitable. The style remains unforgotten.
Expulsion has never been so elegant.
Wybrand Hendriks "Interior with Sewing Woman" (1800-1810) The idea for the sewing machine dates back to Europe's Industrial Revolution of the 18th century. The first patent for something resembling a sewing machine was held by Thomas Saint, an English inventor. The first truly functional machine was created by Barthelemy Thimonnier in 1830.. Foot pedal sewing machines, also known as treadle machines, became popular in homes in the 1860s. Isaac Merritt Singer's 1851 patent for his sewing machine, which included a foot pedal and an up-and-down needle, made sewing more accessible to households. The sewing machine image came from diyhomedecor us. Created for Magnificent Manipulated Masterpieces:New Challenge 180 IF I HAD ONE OF THESE
You can find a large number of full-resolution photos under a Creative Commons license on my official website: nenadstojkovicart.com/albums
You expect me to ride this? I am not Sancho Panza, said the handsome Cavalier!
Image Sources: ruins-6959753-Steinfadt on Pixabay; fawn_rat_by_szorny_stock_d2idyld; 061_ct_ren_faire_by_dragon_orb_d2bdzn2 on Deviant Art; a-donkey-2776891-Image by from Pixabay; Crow pngwing.com;
A witch adorned in autumnal finery occupies a decaying cemetery under the glow of a full moon. Her gesture toward a pumpkin and the presence of a raven suggest ritual, omen, and revelation. Illuminated crosses bear the names John Barron, John Miller, David Dennison, and Carolin Gallego—pseudonyms associated with the 47th President of the United States—invoking the fluidity of identity and the performative nature of power. The extinguishing inverted cross signifies moral erosion and the fading vitality of deceit. The work merges myth, political critique, and feminine agency within a hauntingly symbolic landscape. Image Sources: sky_stock_131_by_malleni_stock_d9sfdwn; old_graveyard_by_cd_stock_by_cd_stock_d9kqy4x; koster-3554024; autumn_witch_3_by_mizzd_stock_d13dlbd copy; Moon: astronomy-1869760-Pixabay; crow-8906308-jhenning-Pixabay;
This image is one of many explorations by Duncan Rawlinson into the expansive and intricate latent spaces of artificial intelligence. It captures a moment in a series of computational queries where AI algorithms construct a completely synthetic environment. Each interaction with the neural network builds a unique visual narrative that extends beyond traditional photography into realms of pure digital creation. Here, the landscape is entirely generated, showcasing the capacity of AI to create new forms of visual art from algorithmic data, reflecting the endless possibilities of digital artistic exploration.
In Supercell, a woman—ostensibly named Dorothy—stands with her back to the viewer, frozen in the moment before chaos. Her loyal dog, Toto, waits by her side as a massive supercell churns across the horizon, splitting the sky with electric fury. The shock of the gathering storm has caused her to drop the watering can she carries, a small gesture of disruption that echoes the larger cataclysm unfolding before her.
To the left, a woman in a Victorian black dress and ornate hat stands before a rustic log cabin, broom in hand—an enigmatic presence whose poise contrasts with the violent energy above. In the middle ground, another woman, blonde and still, gazes upward at the swirling clouds, her posture one of awe or resignation.
This work reimagines the quiet terror and wonder that accompany the onset of natural and metaphorical storms. The scene is suspended between past and future, realism and myth. It suggests not only a retelling of familiar narratives but also a meditation on anticipation—on the threshold between innocence and experience, calm and catastrophe. Image Sources: 230328-supercell-tornado-kansas-Vincent Gensini; mountain_316___golden_prairie_by_momotte2stocks_d6peh59; transparent-8868927_1920-afroRagam-Pixabay; old_west_house_2_by_phoenixrisingstock_df4i054; watering-can-7709917-Ray_Shrewsberry-Pixabay; cairn-terrier-5200614-dendoktoor-Pixabay; cassi___female_reference_9_by_faestock_d7s1nou; karl_heinz_boecker_dsc9490_d_by_s_t_a_r_gazer_dig31ls; Daisies: generative ai
These frames were designed for a project called 'Visual Narrative'. I had to use two photographs only to create 8 frames that displayed some form of narrative which transforms from optimism to despair.
A woman draws an artifact from the “smoke of history,” confronting how the past is often obscured by myth and bias. Behind her, a European priest recalls the founding of Mission San Cayetano de Tumacácori, where Catholicism was imposed on the O’odham people and early graves were erased. Fire and smoke symbolize both destruction and revelation, while the survival of the O’odham culture speaks to resilience. This artwork reflects on memory, erasure, and the search for truth within history’s shifting veil. Image Sources: pinkish_sky_stock__1523_by_zummerfish_d6sv3n7 on Deviant Art; desert_5_by_longstock_dn16ha-Mission of San José de Tumacácori on Deviant Art; Priest: 2016-06-20-Curley_James-large; Fire: ricardo-gomez-angel--98jVaVuGv0-unsplash; Woman: rhine_24_by_faestock_d7rqdu7 on Deviant Art; Nucly brushes;
Image Sources: Background: AdobeStock_520442409; Overlay: AdobeStock_134249072; All dolls from Mizzd on Deviant Art; wildingcrangallery-karon-davis-hair-peace-2019; Nucly elements; 9073OAWAELFA-AMomentCaptured-ElementsII-09;
If only the victims of witch hunting had had access to Snopes.com. The witch hunting took place during medieval times and Snopes was begun in 1995 as a fact-checking website. Image Sources: Examination_of_a_Witch_-_Tompkins_Matteson; Computer from Dexmac oon Pixabay;
Created for Magnificent Manipulated Masterpieces:New Challenge 180 IF I HAD ONE OF THESE
This captivating image captures a moment of tranquility at a shrine in Kyoto, Japan. The subject, dressed in traditional attire, exudes a sense of calm and poise as she sits behind a wooden counter adorned with vibrant orange hues. The composition highlights the contrast between the serene expression of the woman and the lively colors of the shrine, inviting viewers to reflect on the rich cultural heritage of Japan. The soft focus on the background enhances the subject's prominence, creating a storytelling element that draws the viewer into this peaceful scene.
One of the "Beltie Girls," 4H kids who take care of and show a Belted Galloway cow at Aldermere Farm, in Rockport, Maine. Documenting them was my photo project. I shot over 900 images, that were then culled by me to 80. I can't explain what a strange and intense experience this was. From the 80, my pal Casey, our diligent TA, helped get me down to our instructor's mandate of 40 images. The next thing that happened was one of the most amazing and hard-to-describe experiences of my life: sitting next to National Geographic Senior Graphics Editor Bill Douthitt (my teacher!) as he edited my photos down to … six. I was very, um, concerned about this. I don't know how to express how I felt. I felt nervous, I was kind of afraid that he'd say "Mick, there's really nothing to work with here. I want you to go shoot some more." But Bill and his wife, Nikon Legend Karen Kasmauski were among the strongest "carrot not the stick" proponents I have ever met. I sat with Bill, and he consoled me by saying: "Just wait a minute, Mick. You'll be amazed at what we're about to come up with." So from 900 to 80 to 40 to 6. I'll put the show up soon. Holy cow. It was presented last night at the Big Show (all the collected work of the Workshops this week) and there have been a stream of people complimenting me on them. Which feels so great.
(By the way, this picture did NOT make the final cut!)
This phrase is the opening line of the Stabat Mater, a 13th-century Christian hymn portraying the Virgin Mary’s suffering during Jesus Christ’s crucifixion. This line, rich in imagery and emotion, introduces the theme of the hymn: the profound sorrow and suffering of the Virgin Mary as she witnesses the crucifixion of her son, Jesus Christ.
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@nikkiserenityartist
#goodfriday #StabatMater, #SacredSorrow, #MourningMadonna, #DivineMotherhood, #SpiritualArt, #Pieta, #MaterDolorosa, #SorrowfulBeauty, #SacredTears, #CelestialMourning, #EternalVigil, #ArtisticFaith, #ClassicalSacred, #MaryAtTheCross, #HeavenlyGrief, #LamentationArt
#ConceptualPhotoArt, #ArtisticExpression, #CreativePhotography, #VisualNarratives, #EmotiveImagery, #ThoughtProvoking, #ContemporaryPhotoArt, #EmotionalDepth, #VisualPoetry, #ArtisticVision, #PhotoArtistry, #ConceptualCreativity, #ModernArtPhotography,
Inspired by a poem by Lionel Johnson. In particular, the line: "Because of thee, the land of dreams
Becomes a gathering place of fears"
Image Sources: lee_hakima_2013_09_22_07_by_skydancer_stock_d6no3qb; cliff_2_by_echo_imagination_d3gana8; mountain-unknown origin; feathered-wings-light-neostock-10 on Deviant Art; Schooner-487800 from enzol on Pixabay; arock_CUdesigneroverlays34 (4) ; 2LO Wt Grunge col 2-2; Nucly brush;
www.youtube.com/watch?v=6B26asyGKDo
Noah Kalina is a photographer living and working in Brooklyn, New York. takes a picture of himself everyday for 6 years, 2356 Days.
He continues to photograph himself everyday and describes his life as a work in progress.
The eyes remain timeless but you can see him age quite clearly.
Haircuts can also be noticed.
Noah Kalina's YouTube Page:
Veiled Transition explores the subtle interplay between darkness and illumination, presenting a layered narrative of introspection. Indigo and black hues against white carve out a visual journey into the depths of perception, inviting a reflection on the unseen aspects of change.
Press L to view on black or take a trip to my other pix via Fiveprime's Black Magic by clicking here
"Not that running away's going to solve everything... I wouldn't count on escaping this place if I were you. No matter how far you run. Distance might not solve anything."
A Painting from '10 Hours' a visual narrative based loosely on an extract from Haruki Murakami's Kafka on the Shore
South park was initially made using stop motion technique and paper cutout modules to make the characters. After the first episode, they started using computers to create the animation, still using the simplistic animation style. However as the show grew, the techniques became more complex, creating elements of 3D, landscape and shadow onto the original template.
This is the first south park short made by Nick Park : www.youtube.com/watch?v=Wlijkw2ns6k
This is a shot from the movie showing what their technology is capable of : www.youtube.com/watch?v=AOZ5pgCH8hI