I've been stupidly binge watching any British Victorian era historical romance series I can find on Amazon Prime. I watch them while I work. They are cringeworthy because of the way they depict the culture of that time: damsels in distress and violent men, the evil callous gentry and the ignorant superstitious peasants. Image Sources: rocamadour_07___sanctuary_by_hermitcrabstock_d30ekvf on Deviant Art; PSD generative fill element; barrel-2632044 from Momentmal on Pixabay; white_beach_stock_pose_reference_3_by_faestock_d6pknk2 on Deviant Art; big-bad-figure-sampler-by-neostock-horror-and-post-apoc-photo-stocks-8 on Deviant Art; stock_gypsy_by_bellastanyer_stock_dbgo3dy on Deviant Art; Nucly dust brush; rat_by_lilkanyongmail_dfcxzfv on Deviant Art;

The image depicts a post-apocalyptic scene. In the foreground, there is an old, rusty Mercedes Benz with patches of paint missing, giving it a weathered look. A wind turbine has been attached to the auto to power it. The background has large dilapidated buildings with broken windows, suggesting decay and abandonment, in the background. There are dark and ominous clouds in the sky, but the last remnants of the setting sun add a brightness to the bleak scene. To the right of the car, a woman dressed in a sleeveless top, denim shorts, and tall boots is aiming a bow and arrow. Further to the right, closer to the building, there's another woman sitting on a vintage motorcycle aiming a bow and arrow. We cannot see what they are aiming at. In the foreground, a black and white dog is barking at something out of view. While the scene seems threatening, the women seem capable of managing their situation with resilience and ingenuity. Image Soures: Buildings from Markus Lehr (image altered by LLewis); Nucly brushes; Overlay from Adobe Stock; Overlay from Brenda Clarke on Deviant Art; Fire from Kirk Nelson; Brushes from SS; woman from Cottonbro Studio on Pexels; Mercedes Benz from Momentmal on Pixabay; Motorcycle woman from mikhail-nilov on Pexels; Woman in shorts from spiked_stock on Deviant Art; Dog from pngwing;

Brutalist architecture on the edge of the universe. Image Sources: unusual-brutalist-house-Adam Spychała, 200423173114-25-hubble-space-telescope-anniversary, AdobeStock_134249072, ana_pack4_by_faestock_d1frqlmMG_4946, Acacia_Primary.jpg92ea5597-adaa-432d-9b43-1b2bdb526b6aOriginal, ana_pack4_by_faestock_d1frqlmIMG_4942,

This photograph features “Poppin Joze”, a vivid mixed-media work by Brazilian street art legends OSGEMEOS, as exhibited at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Known for their instantly recognizable yellow-skinned figures, twin brothers Otavio and Gustavo Pandolfo infuse their work with a surreal, dreamlike energy that draws from Brazilian culture, hip-hop, graffiti, and personal memory.

In Poppin Joze, we meet a stylized family rendered in OSGEMEOS’s trademark style: elongated limbs, small eyes, patterned clothing, and a flat, matte yellow skin tone that’s intended to represent a “neutral” humanity. The central figure, Joze, sports a bold blue shirt with “POPPIN JOZE” printed across the chest, surrounded by family members who evoke both intimacy and tension. A baby is cradled at the mother’s hip, a girl picks her nose, and a revolver is playfully (yet ominously) pointed into the frame.

Though cartoonish at first glance, the work is rich in emotional and socio-political resonance. This is a domestic scene shaped by urban hardship and resilience — equal parts tenderness, chaos, and coded commentary. Household clutter, scribbled wall drawings, and worn clothing all add to the textured realism. The shelf in the background with bottles and cans, the tired flooring, and the stereo speaker tucked under a foot all speak to lived-in space — layered, imperfect, real.

Framed in a vibrant green box and photographed against the Hirshhorn’s distinctive lavender wall during a special exhibition, Poppin Joze reflects the museum’s commitment to showcasing cutting-edge global contemporary art. OSGEMEOS, who began their careers as graffiti writers in São Paulo, have since exhibited in major institutions worldwide — and here, their street-inspired visual language translates powerfully to the museum setting.

This photo captures the artwork in full color and context — documenting not just the piece itself, but how it breathes within the museum space. It stands at the intersection of street and fine art, personal and political, playful and profound.

captured on the streets of munich, this photo titled "shadows of lamps" plays with the duality of light and shadow. the old lanterns on the facade cast striking shadows on the wall, creating an intriguing pattern of light and dark. the row of lamps and their shadows adds a sense of order and symmetry to the scene, while the texture of the wall and sidewalk enriches the composition. this image captures the simple beauty of everyday life, showing how small details in the urban landscape can be artfully and humorously presented.

A team of women arrive at the train graveyard to revitalize a steam train for it's use in the steampunk world. Image Sources: train_graveyard_by_castock_da82662; women from mizzd-stock on Deviant Art; tortoise-2902628-Image by Gerhard Janson from Pixabay; SS light beams; Nucly elements;

The putti are unhappy that the angel has escaped the confines of the wall mural. It wasn't intentional, the plaster literally fell off the wall, releasing her from the spell of the artist. Female figure from faestock on Deviant Art; Background unknown source; Overlay from Rebeccca McMeen; Putti are from The Triumph of Galatea, Raphael 1512-1514 public domain; Overlay from Two Little Owls; Feathers from pngwing.com; assorted_bows_and_arrows_kl_by_cactuskim on Deviant Art; Nucly brush;

fineartamerica.com/featured/folies-bergere-linda-lewis.html A couple stands next to a 1939 French Delahaye cabriolet in front of the facade of the Folies Bergere. Image Sources: Folies-bergere-facade, Wikimedia from HRNet CC3.0; Nucly light overlays, SS brush, Brick street from Neostock; Man and woman from Shutterstock; Overlay from Jai Johnson

fineartamerica.com/featured/yosemite-tour-circa-1930-lind... Image Sources: isolated-4153444 from Emslichter on Pixabay; christian-joudrey-mWRR1xj95hg-unsplash; Nucly brushes; archaeology_13_by_magikstock_d9l37zt on Deviant Art; dog-3277416 from Vizslafotozas on Pixabay

In this digital photomontage, two women take shelter in an abandoned rock hut to investigate a mysterious treasure they’ve unearthed: an ancient armillary sphere. These seasoned adventurers have spent the last decade exploring forgotten places, sharing their discoveries through a travel blog and social media. Their latest journey began in an antique shop in Athens, where they stumbled upon an old map referencing a hidden cache on Mount Parnitha. Intrigued, they traced the coordinates to this desolate location.

Their research led them to the 1731 book The Description and Use of the Globes and the Orrery by Joseph Harris, that offered historical insight into celestial instruments like the one they found. Now, inside this crumbling hut, they examine the sphere to determine its origin—possibly as far back as the 3rd century BC. This image captures the tension between knowledge and mystery, past and present, and celebrates the spirit of female exploration and intellectual curiosity.

Image Sources: Nucly Brushes; Mizzd-Stock-Deviant Art; Fire-Kirk Nelson; desert_steampunk_14_by_whitewing_stock_etal_d5wpzee; Armillary Sphere from Wikipedia;

A bohemian woman riding a dune buggy alone in the Nevada desert encounters two wild Somali asses. They are both out of place in this environment. valley-of-fire-1303595 from esudroff on Pixabay; somali-wild-ass-4764744 from jdblack on Pixabay; beach-buggy-4000123 from Jazella on Pixabay; Grunge overlay from Adobe; gypsy2_2_by_faestock_d57o50e on Deviant Art; Nucly elements; NO AI

created for Magnificient Manipulated Masterpieces:New Challenge 175 ~ DESERTS

Ms. Kitty had a different idea after she died on her wedding day. She did not want to adhere to her vow of "til death do us part." Image Sources: space-7368670 from Placidplace on Pixabay; pippa_cowering_by_magikstock_d1fzmig on Deviant Art; sparks_2_by_mariasemelevich_d826onj on Deviant Art; cemetery5_by_ktryon_d5z69l5 on Deviant Art; the_many_untimely_ends_of_2_by_lindowyn_stock_dqtc0w on Deviant Art; lemon-citrus-green-growing-nature-tree-1420533-pxhere.com; rope-5255271 from Engin_Akyurt on Pixabay; Brenda-starr Tex_1_Canvas_pk2; fox-5719159from AlainAudet on Pixabay; Texturelabs_Atmosphere_128L; STSCI-H-p1917b-q-5198x4801; Crow from fairiegoodmother.deviantart.com; male model JW Haynes;

For the VN Astoria Group. This image answers the What if? What if I could not see the seen? What if there is more unseen in my view, more of an obstacle to entering my landscape?

Inspired by the Minoan Snake Goddess figurines found on the Greek island of Crete. Image Sources: gianluca-piccolo-Tt9laJvvxwI-unsplash; cats-4882615-teckeltje-Pixabay; cat-343290-Efraimstochter-Pixabay; snake-4074130-parrotwrk-Pixabay; lioness-1634673-Cairomoon-Pixabay; Craft_by_faestock on Deviant Art; raven-1202328-Image by Hjörleifur Sveinbjörnsson from Pixabay; birds-4806876 from Pixabay;

Guess the original! Which famous short story is this?

Solution in comments.

"By moonlight--the moon shines in all night when there is a moon--I wouldn't know it was the same paper.

At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be.

I didn't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman."

Free Texture by powerpuffjazz.deviantart.com/art/Vintage-Grunge-Texture-1..

Warrior women defending the forest. Image Sources: forest_autumn_146_by_nalina24_dff2atp on Deviant Art; northern_sky_pirate_pack_2_by_mizzd_stock on Deviant Art; post_apoc_warrior_55_mizzd_stock_by_mizzd_stock_d8y10dd on Deviant Art; shorts_and_boots___stock_32___by_spiked_stock_d119bng on Deviant Art;

the gentle interplay of natural light reveals more than just his features; it exposes a storyteller, whose life’s work illuminates the pages of visual narratives. patrick, a german photographer who splits his creative life between the vibrant streets of mallorca and the dynamic art scene of berlin, has carved a niche for himself with his profound ability to capture the human element within architectural confines and the natural world. his photographic journey is marked by an unending quest to explore the myriad facets of human existence, often blurring the lines between reality and artistic interpretation. under your lens, patrick's thoughtful gaze and the whispered tales of his silver hair are framed by the candid honesty of the moment, reflecting his philosophy of seeing the world through a lens that captures its unseen stories and emotions. patrick morarescu is well-recognized for his compelling visual arts and photography that not only push the boundaries of traditional forms but also invite viewers to see the world from a refreshingly different perspective​ (Photo Letter)​​ (edcat – artists’ publication catalogue)​. his work, characterized by its depth and the innovative use of light and shadows, has been widely exhibited and celebrated in numerous countries across galleries and major art events​ (Photo Letter)​​ (edcat – artists’ publication catalogue)​.

Image Sources: fantasy-landscape-kit-photo-stocks-full-frame-landscapes-neostock-140; motorcycle-2702105-Momentmal-Pixabay; woman character from Mizzd-Stock on Deviant Art; Nucly elements;

This photo, a part of the street photography series, depicts an intimate yet silent exchange between mannequins, with a blurred human figure in the background. The scene toys with the concept of human interaction versus the artificiality of retail displays, capturing a moment where the inanimate seems to convey more emotion than the living. It's a commentary on the silent stories in bustling urban spaces and the unnoticed narratives that unfold around us every day.

This is an homage to all the shrinking people movies of the 20th Century. The cotton and smoke represents "The Devil-Doll", the syringe and microscope, "Fantastic Voyage," the X-Ray, "The Incredible Shrinking Man.," and the light ray represents the "shrink ray" in "Honey, I Shrunk the Kids." I have added my own theme of governmental enforced shrinking. Image Sources: Lab room and table from www.abandonedcentral.com; Woman in lab coat from PublicDomainPictures on Pixabay; emotions__013__pose_reference__by_jookpubstock on DeviantArt; microscope-2868803 from paolofrrr7 on Pixabay; pharmacy-1729442_1920 from garten-gg on Pixabay; Edge Overlay from Amanda Rockwell; Smoke Brush from Nucly; Cotton Balls from Prestige-Supply.com;

A warrior protects Selene. She is the goddess and personification of the moon. Sources: Background from tortugamediaservices on Pixabay; Women from Faestock on Deviant Art; Light Ray brush from SS; Crow from pngwing; Wolf from Wolfgang65 on Pixabay; Straw from 1674953 on Pixabay; Nucly elements;;

While visiting Amsterdam, I walked alone In the De Wallen red light district in Amsterdam. I was amazed to see a prostitute, wearing a teddy, standing at the window of her cubicle. She was illuminated by a tube of red neon light. A man, standing against a wall spoke to me unintelligibly. When I did not respond, he spoke more insistently and aggresively stepped forward and touched my elbow. Fearful, I hurried away.

Image Sources: RedLightDistrictAmsterdamTheNetherlands from Wikimedia CC 4.0; sexy-lingerie-6932123 from Vika_Glitter on Pixabay; neostock-s020-liepa-dark-witch-36; neostock-s020-liepa-dark-witch-36; AASPN_ArtPlayPaletteConfluence_Edge1; arock_CUdesigneroverlays34 (7); Nucly dust brush;

While summer lives outside, he stays bent over duty.

Vacation is out there. Childhood is in here.

My Mother rarely visits me in my dreams, and when she does it ends too quickly. Image Sources: Flaming_June,_by_Frederic_Lord_Leighton_(1830-1896); Background from geralt on Pixabay; i_want_to_fly_by_dazzle_stock_d1sl9kf on Deviant Art;

fineartamerica.com/featured/round-the-world-linda-lewis.html Journalist Nellie Bly traveled around the world in 72 days. She departed from Hoboken, New Jersey on the steamship Kaiserin Auguste Victoria. Image Sources: SS+Kaiserin+Auguste+Victoria by Fred Pansing, Wikimedia Commons, public domain; Nellie Bly photo from the Library of Congress, public domain. sparkly_bokeh_texture_by_cnstock_d69ku8u on Deviant Art; Frame: arock_CUdesigneroverlays34 (4); Logo Round_the_World_with_Nellie_Bly_(1890) by J.A. Grozier, Wikimedia Commons, public domain;

Published in "Living the Photo Artistic Life," Issue No. 110, Apr 2024, p. 55, www.issuu.com. During the pandemic, a couple scores a few rolls of toilet paper in an old factory. Image Sources: architecture-3290756 from 652234 on Pixabay; Midjourney elements; cat-1170553_1920 from mh-grafik on Pixabay; Microcar-Mochet-CM-125-Luxe-1952 from Sothebys; Nucly Brush;

fineartamerica.com/featured/kombinat-linda-lewis.html

Image Sources: Bees from Eric Wayne; Woman from Mizzd-Stock on Deviant Art; BLP_Decadence-9; BernieTuffs_SignsOfSpring8; Bee-CH.ZG.Zug_2023-05-21_Bee_1947b_3x2-R_3K

During the Venice Carnival, male homosexual prostitutes and cross-dressers wore a cat mask, called gnaga, and performed as women. In the 16th century, they found a loophole in Venice’s laws, i.e., those concerning masks: no masked person could be arrested, since wearing a mask meant becoming a mask, turning into someone who was playing a role. Gnagas could freely insult passers-by, mainly by directing obscene comments at them, with a voice so shrill it resembled a cat’s meow. “Meow” is gnau in Venetian, and that’s where this mask got its name from. It could be related to the basket full of kittens often carried with them. Image Sources: architecture-3104428 from Pixabay; basket-with-lid-185464-Image by lenny from Pixabay; cat-3269765-Dyadya_Lyosha on Pixabay; Carnaval-Venice by Christi Tasker; mask-4828128-WFranz-Pixabay; carnevale-venetian-costume-venice-1474762; white-ostrich-feather-femina-plume-packaged-b825--w-main;

Set against a rugged expanse of red rock formations beneath a warm, moody sky, this scene captures a moment of poised intensity. In the foreground, a bowhunter charges forward on a white horse, bow drawn and arrow fixed on an unseen target. Her motion is mirrored in spirit by a large black dog in the middle ground, alert and focused in the same direction.

The camp, anchored by a bell-style canvas tent, suggests a temporary but capable outpost. A woman stands nearby cradling a child, watchful yet calm, while another child plays inside among the gear. Around them, signs of life animate the landscape—an additional horse grazing in the distance, a mountain sheep surveying from the cliffside, and a prairie dog concealed in the brush.

Part of the Adventurous Women series, this work presents women not as passive figures in a harsh environment, but as active agents—resourceful, resilient, and self-reliant. The mounted bowhunter may be responding to a threat, testing her skills, or performing a ritualized display of readiness. Whether a moment before an attack or simply an assertion of dominance in untamed territory, the scene embodies the blend of vigilance and vitality essential to survival in a wild and unpredictable world.

Image Sources: Background: valley-of-fire-1303595-Pixabay; michael-anfang-ea-aWFTK8rc-unsplash; medieval_tent_with_child_by_two_ladies_stocks_d2r0ltp on Deviant Art; Woman and Child from Mizzd-Stock on Deviant Art; Prairie Dog: prarie_dog_1_by_avahlon_stock_d4j8zs0 on Deviant Art; Dog: ben-griffiths-b27fz_iz4zI-unsplash; horse_11_by_maky_orel_d7z0ncc; Sheep: josh-glauser-rXYbWjjrcpA-unsplash

Nikki

The Goddess Veritas attempting to coax the truth out of a large orange rat. Image Sources: United_States_Capitol_west_front_Wikimedia Public Domain; gothic_castle_room_by_nickistock_d2gw2uk; 14_by_shokara_stock_d8amm9; mini_poppins_stock_by_nickistock_d1gduhf; nik_6930_by_niknikonov_d4wkpl4; berry-1239112; royal_chair_by_minystock_d112bth; stand_rat_stock_by_nickistock_d4atvq3;

crab divination, Image Sources: astronomy-1867616 from NASA, gothic_castle_room_by_nickistock_d2gw2uk on Deviant Art; 034_elandria_natureslore on Deviant Art; Nucly elements, Fireflies #7 from ashleyrwatts on DA,; hierophant-6016942-Image by Virgo Gem from Pixabay; briar______sitting_pose_reference_2_by_faestock_d8beuy8; animals-2608547-pxhere-public domain; barn-owl-2988291-Image by Jean van der Meulen from Pixabay; Crab_sea-urchin-666131-Unknown; rune-stones-1608031-Image by Jasmin777 from Pixabay; hourglass-4578285-Image by IMG4FreeRgood1 from Pixabay;

Published in Living the Photo Artistic Life," Issue No. 111, May 2024, p. 94, www.issuu.com. Human waiting to get into purgatory. Image Sources: cemetery-998819 from MaryW on Pixabay; autumn_leaves_PNG3601 from -SweetLilFly; on Deviant Art; Fire from Kirk Nelson; no_cure_by_nickchao_d9didfh on Deviant Art; sparks_2_by_mariasemelevich_d826onj on Deviant Art; Smoke brushes from Nucly;

Duncan Rawlinson's work is a harmonious union of vibrant color and abstract beauty, a testament to his exceptional artistic vision. His creations illuminate the canvas with vivid hues of city lights and abstract skylines, where the cacophony of urban life converges into a symphony of colors.

The compositions, adorned with bold color blocks and industrial textures, bring a dynamic perspective to the urban landscape. Each image in this series stands as an emblem of Rawlinson's unique interpretation of the city's vibrant energy. His use of vibrant reds, light blues, oranges, and dark cyan, create a stunning visual narrative that transcends the boundaries of traditional art forms.

While technology has played a role in the creation of these pieces, the true focus remains on the vivid colors and the abstract beauty that shines through. The final compositions, reflecting the interplay of vibrant colors and abstract elements, pay a visually stunning tribute to the city's pulsating energy and the tranquil beauty inherent within abstract art.

Duncan.co/synthetic-perspectives

The sign in this image turned out to be appropos because it generally means a fodder laboratory {a place where the composition of livestock feed is analyzed). The back alley is where the pimps and prostitutes dwell in my imaginary steampunk world. Image Sources:

street_ruins___1_by_mjranum_stock on Pixabay; brick-wall-3364411 from MabelAmber on Pixabay; Overlay from Two Little Owls; candle-5181374-ujjwalsharma-Pixabay; dark_mansion_2_by_mizzd_stock on DeviantArt; stock___melisandre_full_body_red_priestess_side_1_by_s_t_a_r_gazer on DeviantArt; lamp-203959-Stux-Pixabay; stock___gothic_guy_with_lamp_by_lienskullova on DeviantArt; candle-2038736 from Webandi on Pixabay;

This digital artwork by Linda Lewis portrays a steampunk-inspired scene. The setting is an abandoned factory, in which squatters have installed a corset designing and making business. The artwork blends photorealism and fantasy elements, with detailed textures, earthy muted tones, and steampunk aesthetics. The interplay of light and shadow, combined with the Victorian-era fashion influences, creates a striking and immersive composition.

Two women dressed in elaborate steampunk attire stand in the scene. The woman in the foreground has long golden dreadlocks and wears a black top hat, a red corset with ribbon lacing, a plaid skirt, and mismatched thigh-high stockings. She intently gazes at something or someone outside of the frame. The second woman, standing next to a column, wears a dark corset with gold pin striping, a layered lace mini skirt, striped stockings, and a top hat adorned with cards, feathers, and a pair of goggles. Her eyes meet the viewer’s gaze. A dog, also dressed in steampunk attire, adds a whimsical touch to the scene.

The corset, a central visual motif in the artwork, is historically associated with the oppression of women’s bodies, symbolizing societal control over female appearance and mobility. However, in this steampunk reinterpretation, the corset is repurposed as an emblem of power and self-expression. The women in the scene actively wear, design, and manipulate corsetry, suggesting a reclamation of agency. Their confident stances and direct gazes challenge the passive, objectified depictions of women in traditional Victorian imagery. The presence of industrial sewing materials and the act of corset-making indicate that women are both the subjects and creators of their own representation.

Image Sources: shutterstock_317295023; vintage-1331484-ArtsyBee-Pixabay; chains-red1-auralynne's; grunge_wall_by_meltys_stock_d1pg2gu on Deviant Art; steampunk_corset_stock_psd_by_susanads_stocks_d5nhc14 on Deviant Art; 4F0A0587-Nucly; steampunk_stock_part_8_by_vampurity_stock_d6a1jjr on Deviant Art; IMG_3263_Mizzd Stock_Deviant Art; DOG-PK00606L_SteampunkHat_CollarSetDogCostume_Side_1800x1800 on Deviant Art;

A child has completed her confirmation and wonders what comes next. Cupid has an idea. Image Sources: Background mural origin unknown; Nucly elements; girl origin unknown; cupid origin unknown (commercial product); rose from pngwing.com; the lower edge of the floor was extended using generative fill in Photoshop

The three faces of justice represent the corrective, distributive and corrective aspects of justice. The three women await the newly deceased to deliver their sentences. Image Sources: cemetery-1188050 from wm444 on Pixabay;vehicle-3107486 from emkanicepic on Pixabay; stock___faun_stand_portrait_pose_gothic_fantasy_by_s_t_a_r_gazer_dg7jnx3 on Deviant Art; cats-4882615 from teckeltje on Pixabay; stock___justicia_art_nouveau_looking_at_libra_by_s_t_a_r_gazer_db0ju3s on Deviant Art; chemise_dress_by_verdaera_d29od3y on Deviant Art; Nucly overlay; SS Light beams;

The vibrant spirit of the Caribbean comes to life with a yellow building adorned with green trim and a rusted tin roof on the picturesque island of St. Kitts. The colorful facade creates a striking contrast against the tropical surroundings, exuding a sense of warmth and character that is quintessentially Caribbean.

As an islander walks by, the scene captures a moment in time, adding a dynamic element to the composition. The rusted tin roof contributes to the visual narrative, telling a story of weathered resilience and the passage of time. The carefully chosen color palette and artistic composition transform this architectural scene into a captivating work of art that encapsulates the unique charm of St. Kitts.

This fine art photograph invites viewers to appreciate the vibrant colors, textures, and cultural nuances of Caribbean island life, offering a visual journey into the heart and soul of this tropical paradise.

Available in the gallery HERE - james-insogna.pixels.com/featured/vibrant-colors-and-text...

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fineartamerica.com/featured/1930-isotta-fraschini-ba-ss-l...

Image Sources: Background by Linda Lewis {Ancient Greek Temple in Segesta, Sicily}; 1930-Isotta-Fraschini-Tipo-8A-SS-Cabriolet-by-Castagna; woman from faestock on deviant art; man from Null-Entity on DeviantArt;

Sometimes the line between the two is difficult to see. Image Sources: st_cirq_lapopie_16___medieval_castle_s_gate_by_hermitcrabstock_d6375u1; torch-4402726-Darkmoon Art on Pixabay; ivy_in_autumn_by_lilifilane_d5s6zo2; cart-2498418 from Momentmal on Pixabay; best-guard-dog-breeds-bullmastiff-1648474156 on Deviant Art; forest_maiden___stock_model_reference_30_by_faestock_d9vvrgh KAIZEN_RobinHood-33; Wall sconce from EmmanuelHebert on Etsy; Green Ivy pngwing.com

Image Sources: Building from pio3 on Shutterstock; Sparks from Dmitry on Adobe Stock; Nucly elements, Women from faestock on Deviant Art; Nucly brushes;

This entire image is from S-T-A-R-gazer on Deviant Art, I just zhuzhed it up a bit. So, I can't take much credit for it, because it was fabulous to begin with. Image Sources: stock___gothic_dark_fantasy_tunnel_of_trees_3_by_s_t_a_r_gazer at Deviant Art (Andreas Doe, photographer); fireflies_for_photoshop_by_stock_ashleyrwatts on Deviant Art; Abell315_(ESO) by ESO/J. Dietrich, creativecommons.org/licenses/by/4.0/deed.en, changes made; Brush from SS;

Nikki

This digital photomontage features Sky, an adventurer and content creator who climbs the rugged cliffs of Karoulia on Mount Athos—an area historically inhabited by hermit monks since the 8th century. The caves were sacred spaces of solitude, inhabited by ascetics who traded handcrafted items for meager supplies and relied on collected rainwater for survival.

In this fictional narrative, Sky defies Mount Athos’s gender ban and squeezes herself into one of these remote caves, hoping to document her journey for social media. Inside, she finds the skeletal remains of a monk and ancient pottery. Though unaware of the legal consequences of disturbing such sites, her intent is not theft, but exposure—a digital relic-hunt that toes the line between curiosity and transgression. This piece explores the ethical tension between cultural preservation and the modern urge to document, conquer, and share. Image Sources: cave-4971298-zashern-Pix; Mycenaean_stirrup_vase_Louvre_AO19201; antique-ancient-roman-greek-amphora-pointed-end-ceramic-vase_233149_pic3_size1; terracotta-metmuseum; Vase-BlackBasalt-Wedgwood-BMA; skull_4_by_phoenixrisingstock_ddrodgx; Orestes Magic; SS Light Beams;

This artwork speaks to the cooptation of social movements by the fashion industry. Vivienne Westwood is considered to be the first fashion designer to create punk fashions for commercial sale. When the fashion associated with a social movement is co-opted, it can significantly weaken the movement by diluting its message, undermining its authenticity, and potentially turning the movement into a trend that lacks real political substance, effectively taking away the power of the original symbolic gesture used by activists. Image Sources: prague-2083906-Telst-Pixabay; AdobeStock_134249072; stock_48_by_maggot_stock_d1fnzfj on Deviant Art; suitcases_2_by_frozt_stock_d14x4jg on Deviant art; red__red____by_tamarviewstudio_d3jqoy6 on Deviant Art; white_gothic_doll_stock_04_by_gillianstock_d2h9zop on Deviant Art; Nucly-Atmospherics-56; pngtree; pngwing;