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Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2019SDPB
Gallery C, 2013 Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York City
Here's a visual story about patterns in regular polygons -- specifically the interior angles. This is the second version, which I think communicates the changes more effectively.
What patterns do you notice?
* How does the size of the angle change?
* Does it change by the same amount or different amounts?
* What do you think the angle for an 100-sided polygon would look like?
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
For Further Details: Dr Maureen O'Neill and Claire Sambrook
maureen.oneill@port.ac.uk | claire.sambrook@port.ac.uk
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
Visuals and illustrators that influence my work (clockwise, #WhyIDidntReport, Jesse Zhang, Olivia Waller, Axel Scheffler, Raymond Briggs, Harriet Hadley) that communicate important messages on harassment, self-love and acceptance.
2nd Shutter flash is always fun, this shot utilizing it well, giving some life to music.
Thunderbolt, Totterdown, Bristol UK
Tail shot juxtaposed with one of its still-NWA Airlink liveried bretheren taxying in to the adjacent gate. Notice the red end cap on the fintip- bit of a left over from the CRJ's NWA Airlink days, I suppose!
A visual outcome to a brief set on Brownes Hospital in Broad Street, Stamford. The initial brief led me to this piece after a lot of research and development stages. It is inspired by protest artwork with the theme of feminism in the 1950's.
The apron, and cover of the iron and ironing board are all made from paper that I printed and the black flower on the waist band is made from a mans pinstripe suit.
Caren Garfen was an inspiration for this piece and I was fortunate enough to meet her at a textiles exhibition that I attended and was kind enough to comment on my work: "Well done to you....the work has been constructed with real care and attention. I particularly like the fact that you have used printing onto paper as part of the process and then added a different medium in the form of suit material"