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La carrera de artes visuales de la UTPL, también está formando parte de las actividades que se están presentando en el FIAVL y lo hizo con el taller de ilustración analógica y digital, este taller va a estar hasta el viernes 25 de noviembre en el circuito Rocafuerte entre 24 de Mayo y Juan José Peña.
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Here's a visual story about patterns in regular polygons -- specifically the interior angles. This is the second version, which I think communicates the changes more effectively.
What patterns do you notice?
* How does the size of the angle change?
* Does it change by the same amount or different amounts?
* What do you think the angle for an 100-sided polygon would look like?
Visuals and illustrators that influence my work (clockwise, #WhyIDidntReport, Jesse Zhang, Olivia Waller, Axel Scheffler, Raymond Briggs, Harriet Hadley) that communicate important messages on harassment, self-love and acceptance.
2nd Shutter flash is always fun, this shot utilizing it well, giving some life to music.
Thunderbolt, Totterdown, Bristol UK
45 Blank Visual Libraries Books are available at Portsmouth Central Library for you to sign out and enter your ideas etc to given themes.
In partnership with The University of Portsmouth, Portsmouth City Council, Rhodia Sketchbooks and Seawhite of Brighton.
these girls were really serious about themselves. each photographer had to wait for their turns as they want every shot to turn out well. hey i'm not complaining but i really don't like shots with people looking directly at my lens.
thus i shot this while they were posing for another photographer. aint too shabby right?
Tail shot juxtaposed with one of its still-NWA Airlink liveried bretheren taxying in to the adjacent gate. Notice the red end cap on the fintip- bit of a left over from the CRJ's NWA Airlink days, I suppose!
A visual outcome to a brief set on Brownes Hospital in Broad Street, Stamford. The initial brief led me to this piece after a lot of research and development stages. It is inspired by protest artwork with the theme of feminism in the 1950's.
The apron, and cover of the iron and ironing board are all made from paper that I printed and the black flower on the waist band is made from a mans pinstripe suit.
Caren Garfen was an inspiration for this piece and I was fortunate enough to meet her at a textiles exhibition that I attended and was kind enough to comment on my work: "Well done to you....the work has been constructed with real care and attention. I particularly like the fact that you have used printing onto paper as part of the process and then added a different medium in the form of suit material"