View allAll Photos Tagged Visual
Rarely am I so confused about the situation when I was taking a picture.
One day I ran into the Łódź Photo Festival. There was a looped film projection in one of the side rooms. Two young people watched it. The scene looked compositionally ok (although it was very dark) so I photographed it. My frustration in the subject of the description comes from the transmission of the material, for me it reminded me of an endoscope inserted into a tube. Maybe I don't know much about art or maybe I'm just not in the target group of recipients of this film material (even for sure).
Rough, busy day?
Stare at this image I took at White Pocket for atleast 10 seconds and I guarantee you will feel more relaxed!
White Pocket AZ Reflections
Paria Vermillion Cliffs Wilderness
Utah Arizona Border
In dreams, I see shapes and colors like these and I hear music as the shapes and colors change. It seems perfect to imagine those feelings and sensations with fractals.
Sometimes, there is visual hunger, a need to see beauty and then, when it happens, a kind of euphoric wave is pulsating through my veins - and I must try to keep this moment and not let it get away. I don't know what this beautiful plant is and whether it actually is genuine to Cyprus, but feeding my visual hunger it is. Fuji X100F.
AB FAV for today…
www.facebook.com/groups/1148438991917313/
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core. Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability. The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
When the right light and right location come together the results are nothing short of spectacular. While shooting at Beauty Creek we ran into cloud formations that produced some of the most brilliant light display of our trip to Canadian Rockies.
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Here is my first attempt at architecture. I admire people who can just take those photos that are perfectly aligned or even know how to edit them so they are straight.
Well I dont know either but I do know that to see all these shapes in one place at a time aligned with the light and shadow is utter magic.
Here is a special thank you to my friend who brought me there. And saw me freaking out at this sight (:
Perfomance with Oregon Painting Society on December 12th, 2008 at Rotture
watch the video!
Visual is a dance troupe that consists of (not exclusively)
Morgan Alexandra Ritter
Dana Dart-McLean
Kersti Jan Werdal
Brenna Murphy
Barbara Kinzle
Lynn Dunham
Asia Wong
Molly Pringle
some of my long time flickr friends may "get"
this more readily , knowing that most often i
can be found in a garden , either whenever
the seasonal maintenance & climate allows
OR
-- those regions of my mind may propel --
ps: HFF and happy positive resolutions 😃
"Losing someone is like when the sun comes through a window, moving across the room with each hour, until night falls and all you can do is try to remember the soothing shapes it made.” Stewart Lewis
Much of my time these days is spent on work and family and photography has totally taken a backseat for many months now. In fact, my impatient 9 year old daughter was waiting and whining behind me as I was making this shot. I had to find ways to resuscitate my lost creativity nowadays and continue my visual journey...
My apologies for the very rare visits to your streams nowadays.
IR Modified Canon EOS 50D ı Canon EF-S10-22mm f/3.5-4.5 USM ı 10mm ı 1/40s ı f/8 ı ISO 200
©Rik Amar 2014. All Rights Reserved
I don't know what Marbled Hot Springs Rd. would be without the American Bitterns! While we were there the reeds hadn't had a chance to grow very tall so the Bitterns were pretty easy to spot. Raising their heads up generally in position with the vertical reeds I'm sure they are imagening they are hidden from sight...I didn't realize until this picture what an incredible 'visual perspective' they have of everything around them in this position!
My favourite time of year is Fall because it is such a visual delight. The wonderful colors, the smell in the air and everything that goes with it. This area of Fish Creek shows a river gently winding through an area of colorful trees.
Photographer - Visual Distress MM#510136
Model - Myself - Red Rhapsody MM#375616
Hair/MU/Wardrobe - Myself
Location - Primal Stare Studios
FYR
Client: Franki Val
New Visual Identity ♥
If you wanna a redesign for your shop/ event./ Club
Please, contact krnxilla resident
inworld or Fb
karithop007 #1979 - Discord
linktr.ee/krnxilla
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Esta obra digital de Mário Silva, intitulada "Dia Mundial da Dança", é uma ode visual ao movimento, à energia e à liberdade de expressão.
Através de uma técnica de impasto digital vibrante, o artista consegue a proeza de tornar o ritmo audível através das cores e das texturas.
A pintura explode numa sinfonia de cores e formas que captam a essência da dança contemporânea e urbana.
A Figura Central: No coração da composição, uma jovem bailarina com cabelos castanhos ao vento assume uma pose dinâmica e poderosa.
Trajada com um top branco e calças de ganga azuis, a sua postura exprime entrega total e vitalidade.
O Grupo de Dança: À sua volta, outros bailarinos e bailarinas acompanham o movimento, cada um numa pose única que sugere uma coreografia em grupo, mas mantendo a individualidade.
As suas vestes em tons de laranja, amarelo, rosa e vermelho criam um arco-íris de movimento humano.
Técnica e Atmosfera: O uso de pinceladas grossas e ricas (impasto) cria uma sensação de relevo e urgência.
O fundo não é estático; é um turbilhão de luz branca e tons pastéis que parecem emanar dos próprios bailarinos, como se a alegria da dança estivesse a colorir o mundo à sua volta.
Simbolismo: A obra não retrata apenas um estilo de dança, mas a "alma" da dança — a celebração do corpo como instrumento de arte e comunicação.
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O Ritmo da Vida e a Poesia do Movimento
O título da pintura, "Dia Mundial da Dança", celebra uma linguagem que não conhece fronteiras nem precisa de dicionários.
Na prosa visual de Mário Silva, a dança é o momento em que o ser humano se despoja de gravidade e se torna pura luz.
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A Origem de um Dia Universal
Instituído em 1982 pelo Comité Internacional da Dança da UNESCO, o dia 29 de abril foi escolhido para celebrar o nascimento de Jean-Georges Noverre (1727-1810), o grande mestre e criador do ballet moderno.
No entanto, como Mário Silva ilustra na sua tela, a celebração de hoje transcende o ballet clássico para abraçar todas as formas de expressão corporal.
É um dia para recordar que a dança é a arte primordial, aquela que começa no bater do coração e se estende até às pontas dos dedos.
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O Significado e a Importância
Dançar é um ato de liberdade.
No mundo frenético em que vivemos, o Dia Mundial da Dança surge como um lembrete da importância de ouvir o nosso próprio ritmo.
A importância deste dia reside na sua capacidade de unir povos e culturas através de um diálogo silencioso, mas profundamente eloquente.
Na obra de Mário Silva, vemos essa união: figuras diversas que, embora em poses diferentes, partilham o mesmo espaço vibrante, a mesma luz e a mesma paixão.
A dança promove a saúde, a saúde mental e, acima de tudo, a comunhão humana.
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A Pintura como Coreografia Silenciosa
Mário Silva utiliza o impasto digital como se estivesse a coreografar com o pincel.
Cada marca de cor é um passo, cada textura é um salto.
Ao olharmos para a figura central em calças de ganga e top branco, percebemos que a dança não é algo reservado para palcos distantes; ela acontece na rua, na vida quotidiana, em qualquer lugar onde o espírito se sinta livre para se mover.
A frase implícita na tela é a de que todos podemos ser bailarinos da nossa própria existência.
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Conclusão
Em "Dia Mundial da Dança", Mário Silva oferece-nos mais do que uma imagem; oferece-nos um impulso.
É um convite para que o observador sinta a vibração das cores e se deixe contagiar pela alegria desenfreada do grupo.
Este dia, e esta obra, lembram-nos de que, enquanto houver música e enquanto houver corpo, haverá esperança.
Porque, no final, a vida não é apenas para ser vivida — é para ser dançada.
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Texto & Obra digital: ©MárioSilva
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