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I was on a photo tour with wohlaRts in the Mercedes-Benz Museum last year.
Have fun!
Press "L" to fire up the lightbox.
Settings:
Nikon D700; ISO640; 1/80s ; f2.8 at 14mm (Nikkor 14-24mm 2.8)
Checkout my website at www.bonnix.de or my Blog
You can also find me on 500px.com, Getty Images or on my 2nd Flickr Account
Untitled
Sarah’s investigation into different combinations of liquid materials began in 2004. She initially worked within the confines of small glass vessels, which gradually increased in size over time. This led to producing a large installation, the documentation of which introduced her to the idea of producing alternative landscapes using the same method and materials.
“Although working with easily obtainable materials I aim to extend the range of possibilities of their use beyond the expected. This produces unrecognisable visuals that leave the viewer in a state of perplexity as to what they are seeing. A question which often follows a viewing of my work is ‘what is it?’” Sarah Wales
NEWS FROM WAYGOOD
Waygood Art Boutique is a new place for buying and collecting contemporary art.
Whether you are looking for unique small presents or to invest in a piece of art for your business or home, Waygood Art Boutique offers a choice of work by artists associated with Waygood.
Gallery staff and artists will be on hand to advise on choosing and purchasing art for investment or pleasure!
Commission from all sales will go to support Waygood’s new Learning programme.
Open 11-3pm Wednesdays–Saturdays
31 High Bridge, Newcastle
Boutique@waygood.org
Visual Identity, Graphic Design: fertig design
Architektur: Mathias Lücking
Foto: re:publica (CC BY 2.0)
Lazaron, Serck, Vandrepotte.
"Betronic" visual identity workshop, Haute École Albert Jacquard, Namur (B), 2014.
Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Watch the tutorial online: www.youtube.com/watch?v=qhHP_Rdgkoo
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N E Brown
Nebro Visual Exposure Meter
with case and instructions
This is an extinction meter, It "depends on eyesight: the user looks through the meter at a row of numbers, each behind a celluloid window of different opacity, the highest or lowest visible number determining which light situation is given." From camera-wiki.org at camera-wiki.org/wiki/Lightmeter#extinction_meter
Film speeds are Scheiner; Weston; British B S; "American"; ASA.
Black Bakelite with metal dial
This is the most commonly found extinction meter in the UK - though it rarely turns up with the case and instructions .
Many sneer at the concept behind extinction meters or wonder how useful they really were. It should be remembered how widely they were used and how often in conjunction with very sensitive films and plates. Some of the most famous photographs of the middle years of the 20th Century were taken with the aid of extinction meters
Comfort: Visual Systems
Wednesday, September 7, 2011
BMW Guggenheim Lab
First Park | Houston at Second Ave.
New York City
Conventional definitions of comfort as an individual measure are being upended by the unseen risks in the shared systems that our social and personal comfort-ability depends upon. VisionArc director, Landon Brown, presents a talk and open workshop to examine the interface between visual language and the shared systems of day-to-day life in the city. The visual language of formal systems will be used as a stepping off point. From there the workshop opens to discuss ways in which the repurposing of familiar parts of the city's social, infrastructural and commercial landscape might offer a glimpse into future solutions for confronting shared risk at the urban scale.
Photo: Kristopher McKay
© The Solomon R. Guggenheim Foundation, New York
Chen, Denimal, Gueudré.
"Betronic" visual identity workshop, Haute École Albert Jacquard, Namur (B), 2014.
The Monochoirium
A performance for The Monochronium exhibition by Hazel Evans, Visual Artist in Residence at Lighthouse Poole, October 2011.
The Monochoiruim performance was inspired by the poem by Hazel Evans 'The Monochroinium', written specifically for the exhibition. The performance was co-created and directed by Ali Sharpe Voice Coach and Choir Master.
The piece takes you on a surreal journey into a monochromatic world of words, images and music juxtaposing the art of play with the world of work and conformity.
Performers:
Ali Sharpe
Trac Pawley
Jen Nunan
Cathy Jupp
Hazel Evans
Roll A 41, Scene X30, Take one. Episode four, sixth season. 9:38 in the morn.
VFX= Visual Effects shot.
I have to say, I kind of enjoy teasing all of you with these sort of shots.
Not sure why it's so blue....
www.artjunk.typepad.com I plan to journal on this soon. while I was painting backrounds, I painted the middle and then saw it as a "neck" and visualizing making a body across the page. thought it turned out cool. hmmm...I really love this free flow painting!