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The Low-Residency MFA in Visual Studies program presents its inaugural lecture with the renowned abstract visual artist, Peter Halley. This lecture is in collaboration with Disjecta, and Halley’s exhibition “Prison” which opens at Disjecta on January 21.
About Peter Halley
Peter Halley was born in 1953 in New York. Along with a studio practice that includes the production of paintings, prints, and drawings, Halley also served as the director of the MFA Painting program at Yale University from 2002-2011. Additionally, in 1996, he and curator/writer Bob Nickas co-founded index magazine, a publication featuring in-depth interviews with people in diverse creative fields. Inspired by Andy Warhol’s Interview magazine, Halley ran index out of his studio, which became a meeting place for writers, photographers and people who were interviewed in the magazine.
Halley’s work has been exhibited nationally and internationally, most recently “Judgment Day,” an installation of digital prints for the exhibition Personal Structures at the 54th Venice Biennale in 2011. Other venues have included Tate Modern, London; the Museum Folkwang, Essen; Museum of Modern Art, New York; The Whitney Museum of American Art, New York; the Seoul Museum of Art, Seoul; the CAPC Musée d’Art Contemporain, Bordeaux, France; the Castello di Rivoli Museum of Contemporary Art, Turin, Italy; among many others. In 2011, the Museum of Modern Art, New York, acquired one of Halley’s seminal paintings, “Red Cell with Conduit,” 1982.
January 20, 2012. Photos by: Micah Fischer '13.
The moderators at PechaKucha Night Tokyo Volume 77 which was held at SuperDeluxe in Tokyo October 28. This PechaKucha was "design-only", since Tokyo Design Week starts this Friday, October 29.
Photo: Nagame Hayami.
It's strange that, when we freeze a visual moment, we "see" silence.
There is "heart" between eyes and ears.
很奇妙的，當我們凍結一個視覺的瞬間，會 "看見" 寂靜。
眼和耳之間，應該有著 "心" 吧。
Konica Hexar RF Limited 相機
Leica Noctilux 50mm f1.0 鏡頭
Fuji RVP100 正片
Nikon Coolscan 5000ED 底掃
John Creamer, Encargado de Negocios a.i. la Embajada de los Estados Unidos de América en el Ministerio de Cultura
Low-Residency Master of Fine Arts in Visual Studies
Thesis Oral Defense ScheduleClass of 2015
PNCA - 511 NW Broadway Portland, OR - Dorothy Lemelson Innovation Studio
Monday, August 3rd
4:00pm
Liz Randall, Wake, photography installation.
“Wake” uses Liz’s family photos digitally combined with her own photography to retell lost moments experienced over five generations. The installation probes how memories are forgotten, passed down, and retold in the wake of passing time.
5:30pm
Trish Brownlee, About Face, mixed media installation.
Through personal experience and research, Trish Brownlee explores post-9/11 military life in the mixed media artwork exhibited in About Face. This work was created through collaboration between artist and subject and suggests that art is capable of serving as a tool to bridge the gap between military and civilian communities. The exhibit offers a space for open communication and welcomes all who are willing to bear witness. This work serves as a voice for those who too often remain silent.
7:00pm
Alanna Risse, Chasing the Whale, immersive installation.
Chasing the Whale is an immersive installation embracing transformation and humor through the use of the sperm whale as symbolic representation of fear.
Tuesday, August 4th
4:00pm
Dana Rudolph, Omission, mixed media installation.
Through examination of personal history and personal anxiety Dana Rudolph creates memory spaces that are amalgamations of truth and fiction, of time and space, and of past and present. The work is inspired by loss and grief, and documents the physical toll of anxiety.
5:30pm
Judith Hochman, Otherwise, print installation and video.
Otherwise is an installation of multimedia prints on silk and a video projection. The human face in relationship to water is used as a strategy to examine the mutability, vulnerability and unknowability of the Other.
7:00pm
Amanda Wilcox, Poetics of Becoming Art, painting and photography.
Surface and the process of mark making within my work observes moments of beauty and discontent, and is a means of reimagining what could be. My amalgamations of photography, painting and drawing explore the influence of diverse perspectives, contemplative moments and the liminal threshold between two states of being.
Photos by Mario Gallucci
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
Christelle Beernaert, Rémy Martiat, Kevin Pensis, Augustin Vercammen.
"Betronic" visual identity workshop, Haute École Albert Jacquard, Namur (B), 2014.
Photographer - Visual Distress MM#510136
Model - Myself - Red Rhapsody MM#375616
Hair/MU/Wardrobe - Myself
Location - Primal Stare Studios
Submitted by: Dr Suresh Rasaily
Country: Nepal
Organisation: Rapti eye hospital
Category: Amateur
Caption: Visual acuity test during RAAB 6 Survey.
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Photo uploaded from the #VisionFirst! Photo Competition (photocomp.iapb.org) held for World Sight Day 2019
Staff Sgt. Patrick Kerr, top, performs a visual inspection of a simulated casualty, Spc. David Thompson, during 68W lane training at TTC Grand Prairie, Texas June 19, 2010. (Photo by Sgt. Travis Edwards)
Os presentamos un nuevo proyecto que hemos realizado para la empresa pamplonesa Alufar, dedicada a la instalación de calefacción y aire acondicionado. Alufar es una empresa con una larga trayectoria pero contaba con una identidad visual bastante obsoleta.
Con la nueva identidad Alufar a mejorado su imagen notablemente, la cual abarca los siguientes elementos: rediseño de de logotipo, papelería comercial, rotulación de vehículos y rotulación exterior.
El nuevo logotipo comunica una imagen mas moderna y fresca de la empresa. Se ha empleado la letra “A” como signo o marca de la empresa, la cual es aplicada como elemento destacado en todos elementos de la identidad. Los colores llamativos se diferencian de la competencia y sirven de reclamo en la rotulación de la amplia flota de vehículos que dispone Alufar.
Además se ha creado un manual de identidad visual que recoge todas las normas e indicaciones para aplicar una identidad coherente y efectiva.