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VISUAL LIBRARIES - Leave your Mark.

A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

 

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.

You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.

 

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.

In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

  

For Further Details: claire.sambrook@port.ac.uk

  

Guillaume, Wollseifen, Kalifat, Dekyndt.

"Betronic" visual identity workshop, Haute École Albert Jacquard, Namur (B), 2014.

Pentax K-5 • 80 ISO • Pentax DA* 200mm f:2.8 ED SDM

 

Peony • Pivoine

Visual artical on what integrated external reporting is about.

Cualquier espacio en el ciudad es utilizado para la publicidad callejera.

VISUAL LIBRARIES - Leave your Mark.

A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

 

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.

You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.

 

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.

In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

  

For Further Details: claire.sambrook@port.ac.uk

  

VISUAL LIBRARIES - Leave your Mark.

A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

 

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.

You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.

 

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.

In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

  

For Further Details: claire.sambrook@port.ac.uk

  

Portrait of a man in Durbar square

Having begun to paint the street-level activities in the picture, Lim decided to leave the painting unfinished. In doing so, he draws an analogy between a shophouse with closed shutters and the larger context of urban re-development around the Chinatown and Singapore River areas in the 1970s and 1980s.

This work with ink and colour pigments on paper is part of Singapore Art Museum Collection.

Physical dimensions of original: 690 x 655 mm.

  

This digital copy (c) National Library Board Singapore 2007. The original work (c) Lim Tze Peng, 1975.

  

Donate materials for preservation of heritage in Singapore

 

Discover all National Library Singapore related resources | Visit National Library Singapore SNAP website

© Elizabeth Michelle (Reuss) Remy 2012

Vinilos, formas troqueladas, displays, cajas de luz. Retoque, impresión y montaje de imágenes de alta calidad para moda, para aplicaciones en puntos de venta, stands, displays, decoración de interiores. Personalización y acabados de calidad. www.sabatebarcelona.com

repetición de elementos visuales

Umami is the Japanese word for tasty but IMHO Greasy Shiny objects are like tasty food for the eyes. It is not surprising that when Indians met Europians for the first time they traded Greasy Shiny objects for gold.

Kevin Mack, Snow Mack, Marlene Moore and David Sharp check out Kevin's art

Photo by Jon Mack

 

Decorated Page Workshop - Sponged Paint Assignment

It's a comic portrait of so-called "visual thinker" or "graphic facilitator". I drew it for a graduation project application to JAM, a Dutch company featured with "graphic facilitation". The basic requirements for a graphic facilitator are depicted in the drawing. www.jam-site.nl/

 

為了要爭取一家做"graphic facilitation"的公司做畢業論文, 而特別畫的肖像, 大概就是講一個這樣的以圖輔助人思考的專家, 應該要具備哪些技術, 以其對未來可能的期望...

Visuals for Absolut Warhol

Os presentamos un nuevo proyecto que hemos realizado para la empresa pamplonesa Alufar, dedicada a la instalación de calefacción y aire acondicionado. Alufar es una empresa con una larga trayectoria pero contaba con una identidad visual bastante obsoleta.

Con la nueva identidad Alufar a mejorado su imagen notablemente, la cual abarca los siguientes elementos: rediseño de de logotipo, papelería comercial, rotulación de vehículos y rotulación exterior.

 

El nuevo logotipo comunica una imagen mas moderna y fresca de la empresa. Se ha empleado la letra “A” como signo o marca de la empresa, la cual es aplicada como elemento destacado en todos elementos de la identidad. Los colores llamativos se diferencian de la competencia y sirven de reclamo en la rotulación de la amplia flota de vehículos que dispone Alufar.

 

Además se ha creado un manual de identidad visual que recoge todas las normas e indicaciones para aplicar una identidad coherente y efectiva.

Diseño de Identidad Visual de la empresa PADIPLAST que trabaja en industria del termoformado, si hizo un diseño exnovo que conserva el rojo como color corporativo, pero que ahora muestra una empresa más sólida y cercana a sus clientes.

 

Proyecto realizado junto a:

 

Pipe Carrión

Camilo Puas

Vinilos, formas troqueladas, displays, cajas de luz. Retoque, impresión y montaje de imágenes de alta calidad para moda, para aplicaciones en puntos de venta, stands, displays, decoración de interiores. Personalización y acabados de calidad. www.sabatebarcelona.com

The AV stuff has got to go somewhere! Now the temporary offices of Audio Visual -- meeting rooms A & C.

A small visual effects lesson. I made this for the benefit of some teenage relatives. Shot on an iPhone4.

The journal is pretty much completed. I'm left with a couple of prompts that just aren't inspiring me so it's time to send it home.

  

Visual field or perimetry test of my right eye. Due to glaucoma I have a slight defect in my vision. Luckily I have been treated early so the damage is slight and hardly noticable.

Fotos de meus trabalho de Merchandising Visual em Lojas ( diversas)

at my teacher's command :)

Keynote by Andrea Saveri captured by Leslie Salmon-Zhu (detail)

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