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Keri Russell reading to children at the Cardoza Clinic while in a day long meeting with the Children's Defense Fund in Washington, DC.
The external cladding of the Unity building is arranged in a "dazzle" camouflage pattern based on that applied to ships on the Mersey during the war.
The top of the Unity building features a distinctive box structure containing two penthouses. I don't see how this is as a natural development of the architecture below but it gives the building a strong visual identity on the skyline.
The Unity Building
architects : Allford Hall Monaghan and Morris
completed 2006
COPYRIGHT © Towner Images
I think this speaks for itself.
Soon to be released as Unity Core, a command line interface distribution 115MB in size using 10MB of total memory. But will it install? We've custom written an installer in bash based on Mandriva's installer so that you can boot to a cli live disk and install it. Available at a Unity Linux website near you soon.
On Sunday, June 20th, we decided to take the "L" out of Chicago to Oak Park to see some of Frank Lloyd Wrights work.
We had hardly left the train station in Oak Park when we came across this sign, informing us that the Unity Temple was designed by architect Frank Lloyd Wright, using cubist features and reinforced concrete.
FORT INDIANTOWN GAP, PA - Employees from the Pennsylvania National Guard and Pennsylvania Department of Military and Veterans Affairs gathered for Unity Day, an annual celebration of diversity, Aug. 27, 2015. Remarks on diversity and inclusion were presented by Jose Molina, executive director of the Governor's Advisory Commission on Latino Affairs. A variety of cultural displays, music and ethnic foods were the highlights of the event. (U.S. Air National Guard photo by Tech. Sgt. Ted Nichols/Released)
OS: Ubuntu 11.04/ gnome - unity
Gtk:Equinox evolucion
Bordes: Faenza-X-Sand
Icon:Faenza
Wallpaper: no se donde lo saque pero si quieren lo subo
Conky
Showplace Theater, originally the Unity Theater (1911). Grant Street. Black Rock neighborhood. Buffalo, New York.
My mother and father first met here as teenagers in the early 1940s before my father went into the Army during the war.
A 130-year-old edition of Unity, the newspaper of the Western Unitarian Conference, which had been included in the 1884 time capsule.
Photographs © 2014 Sonja L. Cohen. From Christopher L. Walton’s article “UUA holds farewell ceremony for 25 Beacon St.” (uuworld.org, 3.3.14)
(Photo is the property of the Unitarian Universalist Association.)
Ubuntu Unity desktop with a background called Graffiti. 14.04 Trusty Tahr running on a Medion E1317T.
Unity, Valiant. These were the first Valiant books I ever bought back when they came out. Fortunately now the pre-unity books are much cheaper than they were back in the 90s.
Unity is not an aspiration I am aiming for
It is already wholly here
Unity is an awakening to itself
That finds that I am one with the worst of man and the best of man
I am one with the midge and with the mountain
With the slowest and the quickest
With the cruelest and the kindest
With all and with nothing
I am one with everything
And that is why I MUST forgive.
May 12, 2019 - Frank Lloyd Wright's Unity Temple located at 875 Lake Street, Oak Park, Illinois. "Commissioned by the congregation of Oak Park Unity Church in 1905, Wright’s Unity Temple is the greatest public building of the architect’s Chicago years. Wright’s family on his mother’s side were Welsh Unitarians, and his uncle Jenkin Lloyd Jones was a distinguished Unitarian preacher with a parish on Chicago’s south side where Wright and his wife Catherine were married. Wright identified with the rational humanism of Unitarianism, particularly as influenced by Ralph Waldo Emerson’s transcendentalism, uniting all beings as one with the divine presence.
Wright’s father had been a Universalist preacher. With their emphasis on a loving God, Universalists were early advocates of abolitionism and were the first church to ordain women. In 1886 Universalist Augusta Chapin became minister of the Oak Park Unity Church, attracting new members to the congregation including Frank Lloyd Wright’s mother Anna. Unitarian Universalist minister Rodney Johonnot succeeded Chapin when she joined the Parliament of World Religions in 1893. A lawyer and graduate of Harvard Divinity School, Johonnot was known for his liberal views, even more extreme than those of Jenkin Lloyd Jones with whom he sometimes took issue.
When Unity Church burned to the ground in June 1905, Wright was awarded the commission, and in 1906 Johonnot published a booklet titled, A New Edifice for Unity Church. He wanted a modern building that would embody the principles of “unity, truth, beauty, simplicity, freedom and reason.”
Wright was a perfect match to these requirements. The design he submitted to the congregation broke with almost every existing convention for traditional Western ecclesiastic architecture. On the novel choice of construction material Wright states, “There was only one material to choose—as church funds were $45,000. Concrete was cheap.” Wright’s bold concept for the building enabled a series of concrete forms to be repeated multiple times.
In harmony with Wright’s philosophy of organic architecture, the concrete was left uncovered by plaster, brick, or stone. Wright’s sensitive handling of materials was a defining feature of his architecture from early in his career. “Bring out the nature of the materials,” Wright insisted in his seminal essay In the Cause of Architecture, “let their nature intimately into your scheme. Reveal the nature of wood, plaster, brick, or stone in your designs, they are all by nature friendly and beautiful. No treatment can be really a matter of fine art when those natural characteristics are, or their nature is, outraged or neglected.”
Unity Temple was a significant commission in Wright’s Oak Park Studio. Charles E. White, who worked as a draftsman for Wright from 1903 to 1906, details the collaborative effort of the Studio to secure the commission, “the chief thing at Wright’s is of course Unity Church, the sketches of which are at last accepted. We have all pleaded and argued with the committee, until we are well nigh worn out. All hands are working on the drawings."
In harmony with Wright’s philosophy of organic architecture, the concrete was left uncovered by plaster, brick, or stone. Wright’s sensitive handling of materials was a defining feature of his architecture from early in his career. “Bring out the nature of the materials,” Wright insisted in his seminal essay In the Cause of Architecture, “let their nature intimately into your scheme. Reveal the nature of wood, plaster, brick, or stone in your designs, they are all by nature friendly and beautiful. No treatment can be really a matter of fine art when those natural characteristics are, or their nature is, outraged or neglected.”
Unity Temple was a significant commission in Wright’s Oak Park Studio. Charles E. White, who worked as a draftsman for Wright from 1903 to 1906, details the collaborative effort of the Studio to secure the commission, “the chief thing at Wright’s is of course Unity Church, the sketches of which are at last accepted. We have all pleaded and argued with the committee, until we are well nigh worn out. All hands are working on the drawings.”
Approached from Lake Street, Unity Temple is a massive and monolithic cube of concrete, sheltered beneath an expansive flat roof. The introspective nature of the building is in part a response to its corner site situated along a busy thoroughfare. No entrance is apparent and the building appears impenetrable, save for a band of high clerestory windows recessed behind decorative piers and shadowed by overhanging eaves.
Entry to the building is via a low hall that connects Unity Temple and Unity House. Above the bank of doors leading into the hall, an inscription in bronze declares, “For the worship of God and the service of man.” The low, dimly lit hall that unites the buildings is a transitional space. To the south it opens directly onto Unity House. Designed for “the service of man,” this secular space includes a central meeting hall, flanking balconies for use as open classrooms, and other special purpose rooms for daily operation. Like Wright’s residential architecture, this congregational parish house is centered on a fireplace hearth.
Situated across the hall from Unity House is the temple. In contrast to the open entrance into Unity House, access to the sanctuary is complex. Wright masterfully manipulates the sequence of entrance; guiding the visitor through low dark passages he termed “cloisters,” before they ascend into the open, brightly lit sanctuary.
The sanctuary is the heart and anchor of the building. At once grand yet intimate, the sanctuary is a masterful composition in light and space. Its elegant articulation and warm colors stand in bold contrast to the grey concrete exterior. Devoid of overt religious iconography, its precise geometric proportions declare a harmonious whole.
The uppermost portion of the sanctuary appears light and transparent. A continuous band of clerestory windows of Wright’s signature leaded glass encircle the flat, coffered ceiling. Set in a concrete grid are twenty-five square skylights of amber tinted leaded glass The effect, Wright states, was intended “to get a sense of a happy cloudless day into the room… daylight sifting through between the intersecting concrete beams, filtering through amber glass ceiling lights. Thus managed, the light would, rain or shine, have the warmth of sunlight.”
While Wright’s innovative use of concrete was chosen for its economy, the completed building ultimately cost nearly twice the contracted price due to complications encountered during construction. In September of 1909, the new building was dedicated. Because its unique design bore little resemblance to the other churches along Lake Street, it was decided to rename it Unity Temple.
The congregation’s board of trustees issued a statement thanking Wright. “We extend to the architect, Mr. Frank Lloyd Wright, our most hearty congratulations upon the wonderful achievement embodied in the new edifice and further extend to him our most sincere thanks for the great service which, through the building, he has rendered to the parish and to the community. We believe the building will long endure as a monument to his artistic genius and that, so long as it endures, it will stand forth as a masterpiece of art and architecture.” Their words were prophetic."
Previous text from the following website: flwright.org/researchexplore/unitytemple