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Once a taboo topic, we are beginning to gain significant understanding of how our sexual health can affect our overall health. In this important keynote, we will learn how sexuality can impact our lives for the better and why scientists, scholars and device manufacturers are taking note. Join speaker Grant Bechthold, VP of Product Development, Standard Innovation as he guides you through how your sexuality can impact your life.
The Digital Health Summit at the 2013 International CES®
bit.ly/DigitalHealthCES - Focuses on the latest products and consumers' growing demand for high-tech health services. See solutions for diagnosing, monitoring and treating a variety of illnesses - from obesity to ADHD, from poor vision to high blood pressure.
Learn about games that reinforce healthy behaviors, body sensors that let people take more responsibility for their own health, affordable gene sequencing, real-time medicine monitoring, and more. You'll gain an understanding of the digital health infrastructure and how your organization can capitalize on this hot market.
Official Hashtag: #DigiHealthCES News & Press Articles: #DigiHealthCESPress CES Hashtag: #2013CES
Website: bit.ly/DigitalHealthWebsite
Twitter: bit.ly/DigitalHealthTwitter
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Flickr Photos: bit.ly/DigitalHealthFlickr
Linkedin: bit.ly/DigitalHealthLinkedIn
Facebook: bit.ly/DigitalHealthFB
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Instagram: bit.ly/DigitalHealthInstagram
Foursquare: bit.ly/DigitalHealthFourSquare
Thank you! AARP bit.ly/AARP_DHS for sponsoring Digital Health Summit Live.
Social Media Team: www.newmediasynergy.com
Photos by Asa Mathat www.asamathat.com
Minister Brendan O’Connor and the United States Ambassador to Australia Jeffrey L. Bleich, on behalf of the Department of Justice and Department of Homeland Security, today signed a Memorandum of Understanding boosting bilateral cooperation in the fight against transnational crime.
In today’s competitive marketing landscape, it is imperative for businesses to embed customer loyalty programs into their marketing plan in order to create fiercely loyal customers. Customer loyalty programs not only help retailers maximize customer engagement but also help in boosting their repeat sales frequency. Read more zinrelo.com/understanding-modern-day-customer-loyalty-pro...
On 6 October 2021, the Rwanda Development Board signed a Memorandum of Understanding with the Investment and Export Promotion Agency (APIEX) of the Republic of Mozambique to attract, promote and facilitate investments between the two countries. Read more rdb.rw/rdb-apiex-sign-mou-to-promote-strategic-private-se...
This photograph was taken at the Understanding Clifford's Tower event which took place at Clifford's Tower and the Hilton Hotel, York, on Sunday 25th January 2015.
Photograph taken by Sam Johnson.
Harmony Press Conference
DeScribe: The Harmony Press Conference August 2nd 2010 at Borough Hall
DeScribe (Born Shneur HaSofer), Crown Heights' Hassidic Hip Hop and R&B artist, will host a press conference at Borough Hall on August 2nd, 2010 at 1:00 pm with NYS Senator Eric Adams and Borough President Marty Markowitz, to premier his revolutionary "Harmony" music video, which celebrates diversity, understanding and harmony amongst the Crown Heights' Black and Jewish communities. This event is presented in collaboration with heads of the Crown Heights community and Shemspeed, an independent recording label and artists' promotional agency based in Crown Heights. The event is sponsored by COLlive.com, one of the most prominent Chabad Hassidic media outlets providing constant up to date information about the movements worldwide news and initiatives and Marley Coffee, owned by Bob Marley's son, Rohan Marley helps promote and support environmental and social justice causes, including aiding Jamaica's poor communities and "going green."
Women Rewarded Solar Lights for Adult Literacy
Solar Lantern Distribution To Adult Women PEP TANDOALLAHYAR Oct12th, 2017
Pakistan has one of the lowest literacy rates in the world. The general understanding of literacy in Pakistan is the ability to read and write and unluckily, millions of people in Pakistan are dispossessed of even this. The situation seems even worse when we look into the urban-rural divide. In rural Sindh, women are most deprived of education due to cultural customs which has created gender inequality and has deprived women to have a voice in the society. Through Adult Literacy Education, Primary Education project PEP is on to change that.
Female Adult Literacy program was initiated in 2016. At present PEP is running 26 Female Adult Literacy (FAL) Centers with 316 Female Adult Literacy members (Adult Students) in different areas of rural Sindh as follows,
Khipro48
Mirpurkhas47
Khawaja Goth7
Tando Allahyar80
Tando Ghulam Ali134
There are 6 area officers and 1 WEP coordinator for the implementing and monitoring of the adult literacy program.
As a gesture of appreciation Pervaiz Lodhie President and founder LEDtronics Inc. offered a special gift of a Solar Powered LED Solar Light to the 316 student and 7 program officers.
Funding for the solar lights was provided by one of gentleman from USA. His name is not mentioned here on his advice.
First distribution ceremony was held on Thursday October 12, 2017 in Shaleemabad, Achaar Khaskeli & Shanti Nagar ALCs located in Tando Allahyar districts.
Lt. Gen (Retd.) Syed Perwaiz Shahid a renowned educationist was chief guest for the event.
Ms. Lillian Charles Program Manager PEP and other team members from PEP were present in the event.
During the ceremony 72 female students received solar lanterns. PEP will organize another event in Hyderabad for the distribution of remaining solar lights in November 2017.
I confess that the Azure complex still has me scratching my head. This is a Spring Azure (Celastrina ladon) or Spring-form-Summer Azure (Celastrina neglecta) or Holly Azure (C. idella). I photographed this butterfly today on the flood plain of the Patuxent River at Patuxent Research Center in Maryland where any or all of the three species may be present. My understanding is that a photo of the upper wings would provide the ability of separating Spring Azure ( darker blue with no white-lined wing veins) from Spring-Form-Summer Azure (lighter blue with some white-lined wing veins). However, how often do you get Azure Butterflies to rest with their wings open for a photograph? Not often. Any help among my flickr contacts as to what I have? Someone must like these butterflies enough to have mastered their identification. P.S. thanks everyone for nailing down this Azure Butterfly as a Celastrina neglecta. For additional information on separating these two species see: www.flickr.com/photos/dragonflyhunter/14032599074/
QUALITY POLICY
Understanding the customers and catering their need with the best quality processed gherkins.
:: Build the name with quality and reliability
:: ISO 22000 � Under Processing
:: HACCP � Under Processing
One of the great scientific challenges of our time is understanding how the human mind works, and where intelligence comes from. Recently, we've made progress building systems that help advance our understanding -- through the field of artificial intelligence. With artificial intelligence, we have a chance to build a new generation of apps and services that are more natural, intuitive, and valuable. Today we launched a new app called Moments that helps you sync photos with your friends. Moments recognizes which of your friends are in the photos you take, and lets you share those photos with those people in one tap. If you use it, your friends will sync to you a lot of the photos of you they have hidden in their camera rolls. This is a simple example of AI at work. By building a system that learned to recognize people and objects in images, we could enable this new service. Now imagine a system that can identify words on a screen for a blind person and read them aloud, help an autistic child to decipher facial expressions, or identify street signs in one language and instantly translate them to another. Those are just a few more of the applications that image recognition technology driven by AI can already help us achieve. In the years ahead, artificial intelligence and image recognition have the chance to make the internet far more useful for everyone. You can learn more about how we're working to help build them in the video below. twitter.com/markzuckvideos ift.tt/2i2KiTx ift.tt/2hTFQIO ift.tt/2i2SOBT
Press / The International Fiber Collaborative Projects
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★What IS THE INTERNATIONAL FIBER COLLABORATIVE?
As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.
★WHAT IS THE DREAM ROCKET PROJECT?
The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,
caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.
★How can I Participate & Have my Artwork Displayed?
The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.
“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”
-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York
★I VALUE THE ARTS!!!!
The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.
Donate Today at: www.thedreamrocket.com/support-the-dream-rocket
See our Online Flickr Photo Album at: www.flickr.com/photos/thedreamrocket/
★★★SIGN UP AT WWW.THEDREAMROCKET.COM
So, moving from the purely academic - i.e., identifying mixable colors, establishing specific relationships, correctly applying paint - what comes next? How do we put these understandings to use? Our curriculum calls for students to focus on the symbolic use of color, and our subject matter is "landscape." This brings us round to the work of artists like Wolk Kahn, whose work evokes not only a sense of place but does so almost entirely through the use of color.
© 2010 Nick Mitha Photography. All rights reserved.
One of the things that really astounds me about GSD's is their intelligence level. I can actually talk to Kelly and ask her something in a form of a sentence and she makes eye contact and understands and responds if necessary. You can see it in their eyes, they understand us quite well.
I wanted a moody shot, so I processed this into BW.
Video Mapping Philipp Geist_Ano da Alemanha no Brasil - Cristo Redentor 2014
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
---------------
Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
Photo © Beowulf Sheehan/PEN American Center. All rights reserved. Please contact media@pen.org for usage and rights.
Understanding Leeds Most Common Crimes
Leeds is the largest city in the county if West Yorkshire, that is highly popular and known for its shopping, nightlife, universities, and sport. It is a city also known for its parks and beautiful green spaces that make it a very appealing city for tourists and visitors.
However, in past years Leeds has been known and recognized for its high crime rate. This is something that has reflected negatively on the city, deterring visitors and impacting on Leeds residents’ movements around the city. Despite Leeds’s crime ridden past, the past year or so has shown an overall decline in crimes committed, with a 2.6 per cent reduction in offences in West Yorkshire in 2019/20, and around 7,600 fewer victims, according to the West Yorkshire Police.
What are these crimes that are still being committed?
New police data, obtained by the Yorkshire Evening Post under the Freedom of Information (FOI) ACT, has revealed the nine most commonly recorded crimes in north Leeds wards from April 2019 to March 2020. Here they are:
1. Violence Without Injury
There were a total of 5,335 violent crimes without injury recorded in Leeds within this time frame.
2. Burglary – Residential
There were 2,188 residential burglaries recorded in Leeds from April 2019 to March 2020.
There are three main types of burglary, they are: opportunistic burglary, targeted/planned burglary, and distraction burglary...
Opportunistic www.regionsecurityguarding.co.uk/security-company-leeds/l...
20 May 2011 – Yury Fedotov, Executive Director of UNODC, signs a Memorandum of Understanding at the IOC's Lausanne Headquarters to fight corruption in sports.
© IOC/Arnaud Meylan
“Sex, Drugs, Money & Fast Cars: Understanding The Television Audience” panel included Joan Gillman, Executive Vice President & Chief Operating Officer for Time Warner Cable Media during Media Technology Summit 2014 on October 23, 2014. The 7th Annual Media Technology Summit meticulously curates a gathering of global trailblazers, innovators and investors. Landmark Ventures and Shelly Palmer bring together their exclusive global networks of Fortune 500 executives, venture capitalists, entrepreneurs and luminaries; to do business at the nexus of content, hardware, software and brands. The Media Tech Summit 2014 offered a place for the brightest minds to challenge paradigms, forecast trends and innovations, and share their rebellious perspectives in order to establish individual strategies to move forward in this connected world. (Photo: Jeffrey Holmes)
Living in Transit: The Thinkers of a World in Turmoil
War looms over Europe, uncertainty seeps into everyday life, and the weight of history presses upon the present. The world is burning, and yet—there are those who seek understanding, those who bury themselves in the quiet refuge of books, the dim glow of libraries, the solitude of knowledge.
This series captures the introspective minds of young academic women—readers, thinkers, seekers. They wander through old university halls, their fingers tracing the spines of forgotten books, pulling out volumes of poetry, philosophy, and psychology. They drink coffee, they drink tea, they stay up late with ink-stained fingers, trying to decipher the world through words.
They turn to Simone Weil for moral clarity, Hannah Arendt for political insight, Rilke for existential wisdom. They read Baudrillard to untangle the illusions of modernity, Byung-Chul Han to understand society’s exhaustion, Camus to grasp the absurdity of it all. They devour Celan’s poetry, searching for beauty in catastrophe.
But they do not just read—they reflect, they question, they write. Their world is one of quiet resistance, an intellectual sanctuary amidst the chaos. In their solitude, they are not alone. Across time, across history, across the pages they turn, they are in conversation with those who, too, have sought meaning in troubled times.
This is a series about thought in transit—about seeking, reading, questioning, about the relentless pursuit of knowledge when the world feels on the brink.
Where the Thinkers Go
They gather where the dust has settled,
where books whisper in the hush of halls.
Pages thin as breath, torn at the edges,
cradling centuries of questions.
They drink coffee like it’s ink,
trace words like constellations,
follow Rilke into the dusk,
where solitude hums softly in the dark.
Outside, the world is fraying—
war threading through the seams of cities,
the weight of history pressing forward.
Inside, they turn pages, searching
for answers, for solace, for fire.
And somewhere between the lines,
between time-stained margins and fading ink,
they find the ghosts of others who
once sought, once wondered, once read—
and they do not feel alone.
Three Haikus
Night falls on paper,
books stacked like silent towers,
thoughts burn in the dark.
Tea cools in the cup,
a poem lingers on lips,
war rumbles beyond.
Footsteps in silence,
the scent of old ink and dust,
pages turn like ghosts.
ooOOOoo
Reading as Resistance
These young women do not read passively. They underline, they take notes, they write in the margins. They challenge the texts and themselves. They read because the world demands it of them—because, in a time of conflict and uncertainty, thought itself is an act of resistance.
Their books are worn, their pages stained with coffee, their minds alive with the urgency of understanding.
1. Political Thought, Society & Liberation
Essays, theory and critique on democracy, power and resistance.
Chantal Mouffe – For a Left Populism (rethinking democracy through radical left-wing populism)
Nancy Fraser – Cannibal Capitalism (an urgent critique of capitalism’s role in the destruction of democracy, the planet, and social justice)
Étienne Balibar – Citizenship (rethinking the idea of citizenship in an era of migration and inequality)
Silvia Federici – Caliban and the Witch (a feminist Marxist analysis of capitalism and gender oppression)
Didier Eribon – Returning to Reims (a deeply personal sociological reflection on class and identity in contemporary Europe)
Antonio Negri & Michael Hardt – Empire (rethinking global capitalism and resistance from a leftist perspective)
Thomas Piketty – Capital and Ideology (a profound analysis of wealth distribution, inequality, and the future of economic justice)
Mark Fisher – Capitalist Realism (on why it’s easier to imagine the end of the world than the end of capitalism)
2. Feminist & Queer Theory, Gender & Body Politics
Texts that redefine identity, gender, and liberation in the 21st century.
Paul B. Preciado – Testo Junkie (an autobiographical, philosophical essay on gender, hormones, and biopolitics)
Judith Butler – The Force of Nonviolence (rethinking ethics and resistance beyond violence)
Virginie Despentes – King Kong Theory (a raw and radical take on sex, power, and feminism)
Amia Srinivasan – The Right to Sex (rethinking sex, power, and feminism for a new generation)
Laurent de Sutter – Narcocapitalism (on how capitalism exploits our bodies, desires, and emotions)
Sara Ahmed – Living a Feminist Life (a deeply personal and political exploration of what it means to be feminist today)
3. Literature & Poetry of Resistance, Liberation & Exile
European novels, poetry and literature that embrace freedom, revolution, and identity.
Annie Ernaux – The Years (a groundbreaking memoir that blends personal and collective history, feminism, and social change)
Olga Tokarczuk – The Books of Jacob (an epic novel about alternative histories, belief systems, and European identity)
Édouard Louis – Who Killed My Father (a deeply political and personal exploration of class struggle and masculinity)
Bernardine Evaristo – Girl, Woman, Other (a polyphonic novel on race, gender, and identity in contemporary Europe)
Maggie Nelson (though American, widely read in European academia) – On Freedom: Four Songs of Care and Constraint (a poetic, intellectual meditation on freedom and constraint)
Benjamín Labatut – When We Cease to Understand the World (a deeply philosophical novel on science, war, and moral responsibility)
Michel Houellebecq – Submission (controversial but widely read as a dystopian critique of political passivity in Europe)
4. Ecology, Anti-Capitalism & Posthumanism
Texts that explore the intersections of nature, economics, and radical change.
Bruno Latour – Down to Earth: Politics in the New Climatic Regime (rethinking ecology and politics in a world of climate crisis)
Andreas Malm – How to Blow Up a Pipeline (on the ethics of radical environmental resistance)
Emanuele Coccia – The Life of Plants: A Metaphysics of Mixture (rethinking human and non-human coexistence)
Isabelle Stengers – Another Science is Possible (rethinking knowledge and resistance in an era of corporate science)
Kate Raworth – Doughnut Economics (rethinking economic models for social and ecological justice)
Donna Haraway – Staying with the Trouble (rethinking coexistence and posthumanist futures)
The Future of Thought
These are not just books; they are weapons, tools, compasses. These women read not for escapism, but for resistance. In a time of political upheaval, climate catastrophe, and rising authoritarianism, they seek alternative visions, radical possibilities, and new ways of imagining the world.
Their books are annotated, their margins filled with questions, their reading lists always expanding. Knowledge is not just power—it is revolution.
This Teacher-Educator Resource provides an easy to follow process in using storytelling to increase understanding across differences. It is a fun way to get to know each other, a comfortable way to address difficult topics and a simple and successful method for appreciating differences among group members. Sharing life stories allows us to see in new ways, grapple with new ideas, and grow into more respectful and compassionate people.
Use this resource with students from middle school through college or with members of your church or community group. The activities in the resource can be completed all at once or broken up over several meetings. A great way to build a team, handle issues associated with diversity, or discuss a recent conflict.
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