View allAll Photos Tagged Uncategorized,
via WordPress ift.tt/2unIzj7
Caroline Wozniackiâs not sweating missing out on one of the biggest days in womenâs tennis âĻ sheâs staying cool in the pool instead. The tennis star and her NBA fiance, David Lee, are still vacationing in Italy â now theyâre in Portofino â andâĻ
Caroline Wozniacki and David Lee Hit the Pool in Italy syndicated from sinacarremovals.blogspot.com/
via WordPress ift.tt/3dcl3Jf
Berlin, March 2019
The city: all the things that constitute the city, ivy creeping over a wall, manhole covers, or a solid steel frame structure seen from a moving car, once momentarily illuminated by a single flash of light within the darkness, they seem to be beginning to revolt on their own perhaps. But this is nothing more than a fleeting hallucination. When morning comes, blanketed with daylight, these again return to âthingsâ as the necessary conditions constituting the city.
â Takuma Nakahira, Overflow
via WordPress ift.tt/2fdVbkw
Prernaa Arora awarded as âPower Producer of the Yearâ at the Stardust Achievers Awards
Producer Prernaa Arora of KriArj Entertainment is fast coming to be synonymous with interesting, strong content and clutter breaking subjects. The Hindi film industryâs youngest female producer proved to be a game changer with films like Rustom and Toilet: Ek Prem Katha, both of which went on to have cash registers ringing at the box office as well as audiences and critics raving.
From producing and presenting an exciting slate of films ahead, to working with some of the industryâs biggest superstars, Prernaaâs achievements were recently recognized at the Stardust Achievers Awards in Dubai.
In aid of Acid Attack Survivors by Hothur foundation, the Stardust Achievers Awards is an endeavour to recognize, acknowledge and celebrate the success stories of Global Indian achievers. These awards celebrated the triumph of Indian excellence in fields like Sports, Business, Media, Films, Fashion, Arts, Television and Politics.
On the occasion said Prernaa Arora, âIâm honoured to receive this award. As a producer, it encourages me to bring stories that need to be told to our audiences and we at KriArj Entertainment hope to do just thatâ.
The Stardust Achievers Awards took place at the St Regis, Dubai .
Prernaa Arora awarded as âPower Producer of the Yearâ at the Stardust Achievers Awards
via WordPress ift.tt/2wAHuZs
âWe have no need of other worlds. We need mirrors.â
â stanislaw lem, Solaris
via WordPress ift.tt/2FloRZV
Lollapalooza dropped its 2019 lineup this morning and what a doozy it is. While it shares all of Coachellaâs headliners, the four-day festival is able to expand its variety with an extra day and also digs deeper for some serious talent.
In addition to Ariana Grande, Childish Gambino, and Tame Impala, Lollapalooza is also bringing twenty one pilots, The Strokes, Flume, The Chainsmokers, and J Balvin for a seriously diverse and impressive headliner lineup.
But the fun doesnât stop at the first two lines. Examining further down reveals Madeon, RUFUS DU SOL, Gud Vibrations vs Slugz Music, Alesso, RL Grime, San Holo, and even a new live show from Ducky. And thatâs just the dance music.
Lollapalooza also has Bring Me The Horizon, signaling the return of lead singer Oliver Sykes after he ruptured a vocal chord on tour in February. This, in addition to Death Cab For Cutie, Maggie Rogers, Fitz And The Tantrums, Hozier, Tenacious D, and more.
Tickets are on sale now â check out the official Spotify playlist for the festival here.
This article was first published on Your EDM. Source: Lollapalooza Drops 2019 Lineup With Flume, The Chainsmokers, Madeon, & More
Lollapalooza Drops 2019 Lineup With Flume, The Chainsmokers, Madeon, & More published first on soundwizreview.tumblr.com/
via WordPress ift.tt/2IZ5U1j
Heidelberg, October 2015
Nyang Shwe, December 2015
Frankfurt, August 2017
via WordPress ift.tt/3brIsqk
Elsa Schiaparelli, who collaborated with Salvador Dalà and, as a child, buried flower seeds in her nose and ears in an attempt to grow a garden on her face.
via WordPress ift.tt/2SdwLvY
âWhy is form beautiful? Because, I think, it helps us confront our worst fear, the suspicion that life may be chaos and that therefore, our suffering is without meaning.â
â Robert Adams
via WordPress ift.tt/2yY88fh
My friend Sara tells this story about a road trip with her dog Dakota where somewhere during a 14-hour drive her Husky-mix got car sick and vomited all over the back of the car. Then, embarrassed by the vomit, managed to pee all over the back of the vehicle as well. Her car was never the same.
Read moreâĻ
How to Know if Your Dog is Getting Car Sick syndicated from sinacarremovals.blogspot.com/
via WordPress ift.tt/2K5rWBM
Stormy Daniels is famous for taking off her underwear â on camera and with Donald Trump, allegedly â but now sheâs using her Trump-fueled fame to get women INTO lingerie âĻ for a price. Stormyâs launching her own line of intimates with designerâĻ
Stormy Daniels Launching Lingerie Line syndicated from sinacarremovals.blogspot.com/
via WordPress ift.tt/2wcj4EC
Impedance, itâs a fairly straight forward concept, all electrical circuits and components resist the flow of electricity (or current) to some degree and the way we measure that resistance is impedance. The unit of measurement of impedance are ohms, often symbolized by the Greek letter omega: Ί. All pretty simple, right? Well, thereâs still many misconceptions around the topic of impedance when it comes to speakers. The biggest of which is that your receiverâs impedance is something that you need to keep in mind when you are buying speakers. The truth is, since your receiver is the source of power in your system, its impedance is negligible. There isnât sufficient circuitry or components between where the power is being amplified inside your receiver to the speaker outputs for any significant impedance to build up. So when people ask âhow do I match the impedance of my receiver to my speakersâ, they arenât really asking the right question.
A Quick Intro to Speaker Impedance
Now speakers on the other hand, do in fact have measurable impedance because of the crossover network and the impedance of the drivers themselves. If youâre shopping around for speakers and take a look at the specs, youâll notice that most speakers are rated between 4 and 8 ohms. Since impedance is a measure of how much the speaker resists current, the lower the impedance in ohms, the more power the speaker will draw from your receiver. Because of that a 4 ohm speaker is considered more âpower hungryâ and will tax your amp more than a 6 or 8 ohm speaker. Since a 4 ohm speaker takes more power than an 8 ohm speaker, you may be wondering why anyone would design a 4 ohm speaker. To answer that question we need to dig a little deeper into what it really means when we label a speaker as â4 ohmâ or â8 ohmâ.
Speaker Impedance is Really Just an Average
The reality is that a speakerâs impedance will actually vary quite widely depending on which frequencies it is producing. There are a few reasons for this, but there are two main factors. First, every driver has a resonant frequency at which is moves freely once it is tapped or otherwise engaged. At that frequency the free movement of the driver generates what is known as âback electromotive forceâ which opposes the flow of current and creates a large spike in impedance. The other cause for impedance variance is an increase in inductance of the voice coil at higher frequencies which also causes the impedance to go up. To illustrate this, take a look at the impedance graph of our Verus II Grand Bookshelf. There are three big impedance peaks in the graph, which correspond to the resonance frequencies of the port, woofer and tweeter moving right to left. Then on the left hand side of the graph you can see a gradual rise as the frequencies get higher due to inductance. Looking at the graph one thing should be clear, thereâs a wide range of impedance values across the speakerâs frequency response and thatâs true for nearly all speakers. So when we say that the speakerâs impedance is â6 ohmsâ, what do we mean? Well if you look closely, you can see that the impedance only dips below 6 ohms ever so briefly around 200 Hz. For the rest of the frequency response, the impedance is well above 6 ohms. Because of that, we can say the speaker has a ânominalâ impedance of 6 ohms. That is, the speakerâs impedance will not be below 6 ohms for the vast majority of the time. For further reading, you can check out more technical details behind speaker impedance here.
So going back to the original question, why did we make a 6 ohm speaker when we could have just designed an 8 ohm speaker and had it draw less power? The honest truth is that we would have had to make sacrifices in terms of sound in order to get the impedance higher. Which is more important, a speaker that we feel delivers the signature Aperion sound that our customers know and love, or a speaker that is slightly easier to drive? Of course we chose sound as the most crucial attribute for our speakers. The thing is, there really arenât any hard and fast rules when it comes to nominal impedance. I have no doubt that there are in fact speakers out there that are labeled as â8 ohmsâ that have impedance graphs with dips the same or more severe as our curve. Here at Aperion, we like to be honest and not overstate specs, but of course the same canât be said for every speaker manufacturer out there. Fudging specs aside, even a speaker that is unquestionable 8 ohm would not draw that much less power than our Verus II Grand Bookshelf. Especially when you consider that listening volumes are a much larger factor. Johnny Rocker who listens to his 8 ohm speakers at 110 dB is absolutely taxing his amp more than someone listening to a 6 ohm speaker at a reasonable volume.
The Receiver Impedance Setting
Wait, my receiver has an impedance setting? I thought you said my receiver doesnât really have any significant impedance? Thatâs absolutely correct! So then, just what is that impedance setting in your receiver doing? You may be shocked to learn that the only thing setting your receiver impedance to 4 ohms does is to lower the receiverâs maximum power output. Yep, thatâs right, by going with the lower impedance setting you are actually telling your receiver to hold back the juice and are reducing the overall performance of your system. For that reason, we recommend going with the higher impedance setting in just about every case. You paid good money for your receiver, you may as well get all the power that it can provide. Now there are some extreme cases where you may have a speaker that can dip down into sub 4 ohm impedance for significant portions of their curves. In those rare cases, you may want to actually go with the 4 ohm setting. However, with most modern receivers if the speakers are really trying to draw more power than is available, the receiver will usually go into protection mode and shut off before it, or the speakers, start melting down.
Itâs All About the Current Capability
Instead of getting lost in the weeds with the impedance spec, itâs better to take a step back and look at the most important thing your receiver provides and your speakers need; power. If you have a receiver that is a high current design capable of delivering 100 watts/channel or better without distorting, you donât have anything to worry about in regards to under-powering a speaker that is rated at 6 or 8 ohms. Another thing to keep in mind when considering power is that there are actually two components to a watt, current and voltage. The voltage is what the receiver gets from the wall outlet, but itâs the current that feeds your speakers. A high quality receiver will deliver consist levels of current, cleanly and without introducing unacceptable levels of noise or distortion. How can you tell if a receiver is honestly rated and capable of delivering the current your speakers crave? Good question, thatâs a topic weâll take a deep dive into in next weekâs blog, see you then!
The Truth About Speaker Impedance published first on medium.com/@123movieshub
via WordPress ift.tt/2uM1ZgO
Actress Margot Robbieâs no longer skating on ice, sheâs down in Costa Rica taking in some surf âĻ and pretty good at it. The âI, Tonyaâ star and her hubby, Tom Ackerley, caught a party wave during a late afternoon surfing session. SheâĻ
Margot Robbie Goes Surfing in Costa Rica syndicated from sinacarremovals.blogspot.com/
via WordPress ift.tt/2JIjg4c
ABOUT THE GARDEN RESIDENCES
LOCATION
The Garden Residences is located within the compounds of Scientex Skudaiâs Taman Mutiara Mas in Skudai Johor. A direct link to Jalan Skudai-Gelang Patah. This prime location has highway access to Singapore & Nusajaya only 10 minutes away and 15 minutes to Johor Bahru City Centre.
UNIT DETAILS
The Garden Residences is a leasehold condominium that has nature in mind consisting of 4 blocks comprising 1148 units towering the city. The Garden Residences has a wide array of layouts to suit your every need. The layout differs in space between 641 sq.ft. â 1302 sq. ft. ranging from Type A, B, C, and D. Each unit has between 1 to 3 bedrooms with 1 to 2 bathrooms, depending on the unit type. Each unit is allocated 1 parking bay for the residents.
AMENITIES
The Garden Residences boasts a strategic location secluded from the business of the city but just a stone throw away from all key destinations.The Garden Residences is near to many educational hubs, hotels, shopping outlets, recreational places, commercial areas and many other public amenities. Prominent places such as Taman Ungku Tun Aminah, Taman Universiti, Taman Nusa Bestari, Gelang Patah are all 5 minutes drive away while Singapore, Nusajaya, Senai Airport and JB centre are all within short driving of 10-20 minutes from The Garden Residences.
FACILITIES
The Garden Residences is integrated with uncompromising 3-tier access card security to its residents, ensuring safety for your peace of mind. The management provides round the clock security and 24-hour CCTV monitoring every day. With safety, comes comfort and happiness. Residents can enjoy the facilities same as ones in a hotel, at the comforts of their own place. There are many facilities built for a wholesome experience for individuals and families alike. Listed below are the facilities readily available for residents to enjoy:
âĸ Swimming pool
âĸ Clubhouse
âĸ Gym
âĸ Childrenâs playground
âĸ BBQ pit
âĸ Sauna
âĸ Tennis court
IN SHORT
The Garden Residences provides an array of choices for residents who want to live in the hub of social surroundings, while still having a place to seek safety and serenity.
Features
Land Title: Residential
Tenure: Leasehold 991 Years
Built Up: 641 sq.ft. â 1,302 sq.ft
Number of Units: 1148 units
This post was first published at The Garden Residences, Skudai for Sale â Scientex Skudai Sdn Bhd | New Property?
Iconic Homes in Nature Within the City syndicated from thegardenresidences.wordpress.com
via WordPress ift.tt/2wAn1hl
Has Sushant Singh Rajputâs Chandamama Door Ke been shelved or indefinitely postponed?
Sushant Singh Rajputâs space odyssey Chandamama Door Ke directed by Sanjay Puran Chauhan and produced by Viki Rajaniâs NextGen Films and Eros, appears to be in trouble before it has taken off. The science fiction drama was slated to release on January 26, 2018 and the shooting was supposed to begin from July this year. Later it got postponed to October. In the current scenario it looks unlikely that the shoot will start from next month and release within three months, with Sushant Singh Rajput giving his dates away for Kedarnath (November-December) and Drive (October).
The first hiccup began when one of Sushantâs co-actors Nawazuddin Siddiqui left the film a month before shooting started. Now buzz is that the film isnât taking off because of lack of funds. However producer Viki Rajani denies the rumour and says the project will roll once the loose ends are tied up. Apart from Sushant Singh Rajput, now only R Madhavan has been confirmed for the film. He went to the US Space & Rocket Centre in Alabama to start his preparation for the film.
Says a trade source, âOne thing appears certain â Chandamama Door Ke wonât begin from October as was scheduled. It has been indefinitely postponed for the moment. Itâs too early to say that itâs shelved as the makers are still in the process of putting it together. Itâs an extremely expensive film with a budget of over Rs. 70 crore (approx) + P&A. While itâs a fascinating story of Indiaâs brave astronauts who set out on a mission to the moon on a journey that brings the nation together, itâs an ambitious project. Viki, Sushant and the director donât want to give it up completely as they feel passionately about the story and they have all personally invested in it heavily, in terms of money, time and creative inputs. But it looks tough as Chandamama Door Ke is a film where you canât cut costs. The question also arises whether Sushant will get the producers their revenue as he doesnât have much of a market, post Raabta.â
The source adds that Sushant Singh Rajput, who is currently shooting for Abhishek Kapoorâs Kedarnath, is supposed to complete the schedule by October 5, return and start shooting for his next film, Tarun Mansukhaniâs Drive. Once that schedule is complete he was supposed to being shooting for Chandamama Door Ke but now that seems quite unlikely. âSushantâs management agency is trying to sort out dates between four films â Chandamama Door Ke, Drive, Kedarnath and Abhishek Chaubeyâs untitled next and itâs all looking very tough. Sushant Singh Rajput was dropped from Ajay Kapoor and Bunty Waliaâs Romeo Akbar Walter because he was trying to sort out his dates and kept postponing the film and now this new problem has arisen. Chandamama Door Ke was to begin in July this year but nothing was apparently ready, from the cast to the finance required for the high cost of the film. In fact, buzz is that Sushant financed the trip to NASA, in USA, in July from his own pocket when he visited it, for his research. While co-producer Eros had announced the project, they are yet to green light the film until they are fully convinced of the script and the budget. Also finalizing star cast, pre-production details etc before the film can finally go on floor. The lead actress hasnât been signed and Nawazuddin Siddiquiâs role still hasnât been filled, so how on earth will Chandamama Door Ke begin from October this year?â
Chandamama Door Ke co-producer Viki Rajani says, âWe sent Sushant to NASA and we have already invested a lot in the movie. Chandamama Door Ke is a mammoth project and requires a lot of pre-production and planning as its complex and VFX heavy. We yet have to finalize cast and have a lock on the budget and final script. We are working it and can plan execution once all these details are sorted.â
So when will the project roll? Viki Rajani says, âItâs difficult to say as lots to be locked. Once we sort these loose ends.â Will Chandamama Door Ke begin by this year? âLetâs see how it goes.â
Has Sushant Singh Rajputâs Chandamama Door Ke been shelved or indefinitely postponed?
via WordPress ift.tt/2HFgz2v
Ø¯ØąØ¨Ø§ØąŲ ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ÛØ´ØĒØą بداŲÛØ¯
ŲØ¯Ų ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ ØŗØ§ŲØ§ŲŲ Ø¨ÛØ´ Ø§Ø˛ Û˛Û°Û° ŲØ˛Ø§Øą Ø¯Ø§ŲØ´ØŦŲÛ Ø¨ÛŲ Ø§ŲŲ ŲŲÛ Ø¯Øą Ø¯Ø§ŲØ´Ú¯Ø§Ų ŲØ§Û ÚŠØ§ŲØ§Ø¯Ø§ Ų Ų ØąØ§ÚŠØ˛ ØĸŲ ŲØ˛Ø´ ؚاŲÛ Ø§ÛŲ ÚŠØ´ŲØą Ų Ø´ØēŲŲ Ø¨Ų ØĒØØĩÛŲ ÚŠØąØ¯Ų Ø§ØŗØĒ . Ø§Ų Ø§ ÚØąØ§ Ø§Ø¯Ø§Ų Ų ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ ØĒبدÛŲ Ø¨Ų Ø§ŲØĒØŽØ§Ø¨ Ø¨ØŗÛØ§ØąÛ Ø§Ø˛ Ø¯Ø§ŲØ´ØŦŲÛØ§Ų Ø´Ø¯Ų Ø§ØŗØĒ Ø ØŗØˇØ Ø¨Ø§ŲØ§Û ÚŠÛŲÛØĒ ØĸŲ ŲØ˛Ø´Û Ø Ø§ØąØ˛Ø´Ų ŲØ¯ Ø¨ŲØ¯Ų Ų Ø¯Ø§ØąÚŠ ØĒØØĩÛŲÛ Ų Ų ØšŲŲŲ Ø¨ŲØ¯Ų ŲØ˛ÛŲŲ ŲØ§ Ø§Ø˛ Ų ŲŲ ØĒØąÛŲ Ø¯ŲØ§ÛŲ Ø´ÚŠŲ Ú¯ÛØąÛ ØĒØĩŲ ÛŲ Ø§Ø¯Ø§Ų Ų ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ų Û Ø¨Ø§Ø´Ø¯ . Ø¨Ų ØŽØĩŲØĩ Ø¯Øą Ų ŲØąØ¯ Ø¯Ø§ŲØ´ØŦŲÛØ§Ų Ø§ÛØąØ§ŲÛ .
Ų ŲØ§ØˇØš ØĒØØĩÛŲÛ Ø¯Øą ÚŠØ´ŲØą ÚŠØ§ŲØ§Ø¯Ø§
Ų ŲØ§ØˇØš ØĒØØĩÛŲÛ Ø¯Øą ÚŠØ´ŲØą ÚŠØ§ŲØ§Ø¯Ø§
ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ØąØ§Û Ø¯Ø§ŲØ´ØŦŲÛØ§Ų بÛŲ Ø§ŲŲ ŲŲÛ Ø§Ø˛ Ø¯Ø¨ØŗØĒØ§Ų ØĒا Ø¯ŲØąŲâŲØ§Û Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ų Ø¯ŲØąŲ ŲØ§Û Ø˛Ø¨Ø§Ų Ø§Ų ÚŠØ§Ų ŲžØ°ÛØą Ø§ØŗØĒ. ÚŠØ´ŲØą ÚŠØ§ŲØ§Ø¯Ø§ ÛÚŠÛ Ø§Ø˛ ŲžÛØ´Ú¯Ø§Ų Ø§Ų Ú¯ØąŲŲ G8 Ø§Ø˛ ŲØ¸Øą ØŗØąØ§ŲŲ ØŗØąŲ Ø§ÛŲ Ú¯Ø°Ø§ØąÛ Ø¯Øą Ø˛Ų ÛŲŲ ØĒØØĩÛŲØ§ØĒ Ų Ø§ØąØ§ØĻŲ Ø¨ŲØąØŗÛŲ ØĒØØĩÛŲÛ Ų ÛâØ¨Ø§Ø´Ø¯Ø ÚŠŲ Ø§ÛŲ Ų ŲØŦØą Ø¨Ų ÚŠÛŲÛØĒ Ø¨Ø§ŲØ§Û Ų ŲØŗØŗØ§ØĒ Ų ØĸŲ ŲØ˛Ø´Ú¯Ø§ŲâŲØ§Û ÚŠØ§ŲØ§Ø¯Ø§ Ø´Ø¯Ų Ø§ØŗØĒ. Ø¨Øą Ø§ØŗØ§Øŗ ØĸŲ Ø§Øą Ø§Ø¯Ø§ØąŲ Ų ŲØ§ØŦØąØĒ ÚŠØ§ŲØ§Ø¯Ø§Ø ŲØą ØŗØ§ŲŲ Ø¨ÛØ´ Ø§Ø˛ ÛąÛĩÛ° ŲØ˛Ø§Øą Ø¯Ø§ŲØ´ØŦŲ Ø§Ø˛ ÚŠØ´ŲØąŲØ§Û Ų ØŽØĒŲŲ Ø¨ØąØ§Û Ø§Ø¯Ø§Ų Ų ØĒØØĩÛŲ Ø¯Øą Ø¨ÛØ´ Ø§Ø˛ ÛąÛ° ŲØ˛Ø§Øą ØąØ´ØĒŲ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ø¨Ų ÚŠØ§ŲØ§Ø¯Ø§ Ų ÛâØĸÛŲØ¯. ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ø¨Ų Ø˛Ø¨Ø§Ų Ø§ŲÚ¯ŲÛØŗÛ Ų Ø˛Ø¨Ø§Ų ŲØąØ§ŲØŗŲÛ Ų Ų ÚŠŲ Ų ÛâØ¨Ø§Ø´Ø¯.
ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ با Ų Ø¯ØąÚŠ دÛŲžŲŲ
Ø¯ŲØąŲ ŲØ§Û ÚŠØ§ŲØŦ Ø¯ŲØąŲ ŲØ§ÛÛ ŲØŗØĒŲØ¯ ÚŠŲ Ø¨ÛØ´ØĒØą ØąŲÛ Ų ŲØ§ØąØĒ ŲØ§Û ÚŠØ§ØąØ¨ØąØ¯Û Ų Ų ØąØ¨ŲØˇ Ø¨Ų Ø¨Ø§Ø˛Ø§Øą ÚŠØ§Øą ØĒŲ ØąÚŠØ˛ Ø¯Ø§ØąŲØ¯. اÛŲ Ø¯ŲØąŲ ŲØ§ Ø¯Øą ÚŠØ´ŲØą ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ØŗÛØ§Øą ŲžØą Ø§ØŗØĒŲØ¨Ø§Ų Ø¨ŲØ¯Ų Ų Ø´Ų Ø§Øą Ø˛ÛØ§Ø¯Û Ø§Ø˛ Ø¯Ø§ŲØ´ØŦŲÛØ§Ų ÚŠØ§ŲØ§Ø¯Ø§ÛÛ Ų Ø¨ÛŲ Ø§ŲŲ ŲŲÛ Ø¯Øą اÛŲ Ø¯ŲØąŲ ŲØ§ ØĒØØĩÛŲ Ų ÛÚŠŲŲØ¯. Ø´ØąØ§ÛØˇ ŲØąŲد Ø¨Ų Ø¯ŲØąŲ ŲØ§Û ÚŠØ§ŲØŦ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§Ø ŲØŗØ¨ØĒ Ø¨Ų Ø¯Ø§ŲØ´Ú¯Ø§Ų ŲØ§ ØŗØ§Ø¯Ų ØĒØą Ø¨ŲØ¯Ų ŲŲÛ Ø¯ØąÛØ§ŲØĒ ŲÛØ˛Ø§Û Ø¯Ø§ŲØ´ØŦŲÛÛ Ø§Ø˛ ØˇØąÛŲ ØĢبØĒ ŲØ§Ų Ø¯Øą ÚŠØ§ŲØŦ ÚŠØ§ŲØ§Ø¯Ø§ÛÛ ÚŠŲ Û ŲžØą ØąÛØŗÚŠ Ø¨ŲØ¯Ų Ų Ø¨Ø§ÛØ¯ ØĒŲ Ø§Ų Û ØŲØ§ŲØ¨ ØąØ§ ØŗŲØŦÛØ¯Ų Ų ØŗŲžØŗ ØšŲ Ų ÚŠŲÛØ¯. ŲÛØ˛Ø§ Ų ŲŲØ¯ÛØ§Ų ŲŲ Ø§ÛŲØ¯Ų ØĒŲ Ø§Ų Û ÚŠØ§ŲØŦ ŲØ§Û ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ŲØ¯Ų Ų Ø¯Øą ØŽØĩŲØĩ ا؎ذ ŲÛØ˛Ø§Û ØĒØØĩÛŲÛ Ø§Ø˛ ØˇØąÛŲ ÚŠØ§ŲØŦ ŲØ§Û ÚŠØ§ŲØ§Ø¯Ø§ ÚŠØ§Ų ŲØ§ ØĒØŽØĩØĩÛ ØšŲ Ų Ų ÛÚŠŲØ¯. Ø§ŲØĒØŽØ§Ø¨ Ųب𠨝بąŲ Ų ŲŲØš ÚŠØ§ŲØŦ Ø¯Øą ا؎ذ Ø§ŲØ§Ų ØĒ داØĻŲ ŲžØŗ Ø§Ø˛ ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ØŗÛØ§Øą ØØ§ØĻØ˛ اŲÛŲ ØĒ Ų ÛØ¨Ø§Ø´Ø¯.
Ø¯ŲØąŲ ŲžØąÛ Ø¨ÚŲØą ÛØ§ ŲŲ Ø§Ų Ų ŲØ¯Ų اØĒÛ ŲÛØŗØ§ŲØŗ ÛØ§ ŲŲ Ø§Ų ØĸŲ Ø§Ø¯Ų ØŗØ§Ø˛Û ØšŲŲ Û pathway Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Bachelorâs (Ø¯ŲØąŲ ŲØ§Û ØĸŲ Ø§Ø¯Ų ØŗØ§Ø˛Û ØšŲŲ Û Ø¯Øą Ø¯Ø§ŲØ´Ú¯Ø§Ų ŲØ§Û ÚŠØ§ŲØ§Ø¯Ø§)â
Ø¯ŲØąŲ ŲžØąÛ Ø¨ÚŲØą Ø¯ØąÚŠØ§Ųادا Ų ØŽØĩŲØĩ Ų ØĒŲØ§ØļÛØ§ŲÛ Ø§ØŗØĒ ÚŠŲ ŲØĩد ŲØąŲد Ø¨Ų Ø¯ŲØąŲ ŲÛØŗØ§ŲØŗ ØąØ§ Ø¯Ø§ØąŲØ¯ ŲŲÛ Ø§Ø˛ ŲØ¸Øą ØĸÚŠØ§Ø¯Ų ÛÚŠ Ų Ø˛Ø¨Ø§Ų Ø¯Øą Ø¯ŲØąŲ ŲÛØŗØ§ŲØŗ ŲžØ°ÛØąŲØĒŲ ŲØ´Ø¯Ų Ø§ŲØ¯.
ŲžÛØ´ ŲÛØ§Ø˛ ا؎ذ ŲžØ°ÛØąØ´ ÚŠØ§ŲØŦ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ â Ø¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ Ø˛Ø¨Ø§Ų Ø§ŲØ˛Ø§Ų Û ŲÛØŗØĒ.
Ø¯ŲØąŲ ŲÛØŗØ§ŲØŗ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Bachelorâs
Ø¯ŲØąŲ ŲÛØŗØ§ŲØŗ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ ÛØ§ ŲŲ Ø§Ų undergraduate degree Ø¯Øą ØĒŲ Ø§Ų Û Ø§ØŗØĒØ§Ų ŲØ§ Ø¨Ų ØŦØ˛ Ø§ØŗØĒØ§Ų ÚŠØ¨ÚŠ ŲžØŗ Ø§Ø˛ ØŗØ§Ų ÛąÛ˛ Ø¯Ø¨ÛØąØŗØĒØ§Ų ØĸØēØ§Ø˛ Ų ÛØ´Ųد. Ø¯ŲØąŲ ŲÛØŗØ§ŲØŗ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ų ØšŲ ŲŲØ§ Û´ ØŗØ§Ų ØˇŲŲ Ų Ûڊشد. Ø¯Øą Ø§ØŗØĒØ§Ų ÚŠØ¨ÚŠ ŲžØŗ ØŗØ§Ų ÛąÛą Ø¯Ø¨ÛØąØŗØĒØ§ŲØ Ø¯Ø§ŲØ´ØŦŲ Ų ÛØĒŲØ§Ųد ŲØ§ØąØ¯ Ø¯ŲØąŲ ÚŠØ§ŲØŦ Ø´ŲØ¯ ÛØ§ Ø¯Øą Ø¯ŲØąŲ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ø¯Ų ØŗØ§ŲŲ Ø´ØąÚŠØĒ ÚŠØąØ¯Ų Ų ØŗŲžØŗ ŲØ§ØąØ¯ Ø¯ŲØąŲ ŲÛØŗØ§ŲØŗ Ûŗ ØŗØ§ŲŲ Ø´ŲØ¯. ŲØ§Ų ŲØ§Û ا؎ØĒØĩØ§ØąÛ Ø¯ŲØąŲ ŲØ§Û ŲÛØŗØ§ŲØŗ ØąØ§ Ø¯Øą Ø˛ÛØą Ø¨Ø¨ÛŲÛØ¯.
ŲžÛØ´ ŲÛØ§Ø˛Ø§ØŽØ° ŲžØ°ÛØąØ´ ŲÛØŗØ§ŲØŗ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ ( ÛąÛ˛ ØŗØ§ŲŲ ) Ø Ø¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ Ø˛Ø¨Ø§Ų Ø¨ØąØ§Û Ø§ØŽØ¯ ŲžØ°ÛØąØ´ Ø§ŲØ˛Ø§Ų Û ŲÛØŗØĒ.
Ø¯ŲØąŲ ŲžØąÛ Ų ØŗØĒØą Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Pre-master
Ø¯ŲØąŲ ŲžØąÛ Ų ØŗØĒØą Ø¯ØąÚŠØ§ŲØ§Ø¯Ø§ Ų ØŽØĩŲØĩ Ų ØĒŲØ§ØļÛØ§ŲÛ Ø§ØŗØĒ ÚŠŲ ŲØĩد ŲØąŲد Ø¨Ų Ø¯ŲØąŲ Ų ØŗØĒØą ØąØ§ Ø¯Ø§ØąŲØ¯ ŲŲÛ Ø§Ø˛ ŲØ¸Øą ØĸÚŠØ§Ø¯Ų ÛÚŠ Ų Ø˛Ø¨Ø§Ų Ø¯Øą Ø¯ŲØąŲ Ų ØŗØĒØą ŲžØ°ÛØąŲØĒŲ ŲØ´Ø¯Ų Ø§ŲØ¯. Ø¨ØąØ§Û Ø¨ØąØŽÛ Ø§Ø˛ ØąØ´ØĒŲ ŲØ§ Ų Ø§ŲŲØ¯ ØŲŲŲØ Ø´ØąÚŠØĒ Ø¯Øą Ø¯ŲØąŲ ŲØ§Û ŲžØąÛ Ų ØŗØĒØą Ø¨ØąØ§Û Ø§Ø¯Ø§Ų Ų ØĒØØĩÛŲ Ø¯Øą Ø¯ŲØąŲ ŲŲŲ ŲÛØŗØ§ŲØŗ Ø¨ØŗÛØ§Øą ØąØ§ÛØŦ Ø§ØŗØĒ. Ø¯Øą Ú¯ØąŲŲ ØąØ´ØĒŲ ŲØ§Û Ų ŲŲØ¯ØŗÛ ŲÛØ˛Ø Ø¨ØąØŽÛ Ø§Ø˛ Ø¯Ø§ŲØ´Ú¯Ø§Ų ŲØ§ Ø¨ØąØ§Û Ø§Ø¯Ų ÛØ´Ų Ø¯ŲØąŲ ŲŲŲ ŲÛØŗØ§ŲØŗ ŲÛØ§Ø˛ Ø¨Ų ŲŲ ØąŲ ØĸØ˛Ų ŲŲ ØŦÛ ØĸØą Ø§Û ÛØ§ ØŦÛ Ų ØĒ Ø¯Ø§ØąŲØ¯Ø ŲŲÛ Ø¨Ø§ Ø´ØąÚŠØĒ Ø¯Øą Ø¯ŲØąŲ ŲžØąÛ Ų ØŗØĒØą Ų Ø§ØąØ§ØĻŲ ÚŠØ§ØąŲØ§Ų Ų ØĸŲØ Ø¯Ø§ŲØ´Ú¯Ø§Ų Ų ØĒŲØ§ØļÛ ØąØ§ بدŲŲ Ų Ø¯ØąÚŠ ØŦÛ ØĸØą Ø§Û ÛØ§ ØŦÛ Ų ØĒ Ų ÛŲžØ°ÛØąØ¯.
ŲžÛØ´ ŲÛØ§Ø˛ ا؎ذ ŲžØ°ÛØąØ´ ŲžØąÛ Ų ØŗØĒØą Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲÛØŗØ§ŲØŗ با Ų ØšØ¯Ų Ø¨Ø§ŲØ§Û ÛąÛ´Ø Ø¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ ØĸÛŲØĒØŗ Ûĩ.Ûĩ
Ø¯ŲØąŲ ŲŲŲ ŲÛØŗØ§ŲØŗ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Masterâs
Ø¯ŲØąŲ ŲŲŲ ŲÛØŗØ§ŲØŗ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ ÛØ§ ŲŲ Ø§Ųâ graduate degree Ų ØšŲ ŲŲØ§ Ûą ØĒا Û˛ ØŗØ§Ų Ø¨ŲØ¯Ų Ų Ø¨Ų ØĩŲØąØĒ ØąÛØŗØąÚ ÛØ§ ÚŠŲØąØŗ Ø§ØąØ§ØĻŲ Ų ÛØ´Ųد. Ø¯Øą Ø¯ŲØąŲ ŲØ§Û course-based Ø¯Ø§ŲØ´ØŦŲ Ø¨Ø§ Ø´ØąÚŠØĒ Ø¯Øą ÚŠŲØ§Øŗ Ų Ú¯Ø°ØąØ§ŲØ¯Ų ŲØ§ØØ¯ ŲØ§Û Ø¯ØąØŗÛ Ų Ø¯ØąÚŠ ŲŲŲ ŲÛØŗØ§ŲØŗ ØŽŲØ¯ ØąØ§ Ø¯ØąÛØ§ŲØĒ Ų ÛÚŠŲØ¯. Ø¯Øą Ø¯ŲØąŲ ŲØ§Û ŲŲŲ ŲÛØŗØ§ŲØŗ research-based Ø¯Ø§ŲØ´ØŦŲ Ø¨Ø§ÛØ¯ با ÚŠŲ ÚŠ Ø§ØŗØĒاد ØąØ§ŲŲŲ Ø§Û ØŽŲØ¯ Ø¨Øą ØąŲÛ Ų ŲØļŲØšÛ ØĒØŲÛŲ ÚŠØąØ¯Ų Ų ŲžØ§ÛØ§Ų ŲØ§Ų Ų Ø§ØąØ§ØĻŲ Ø¨Ø¯ŲØ¯. Ø¨ØąØŽÛ Ø§Ø˛ Ø¯ŲØąŲ ŲØ§Û Ų ØŗØĒØą ŲÛØ˛ ØĒØąÚŠÛØ¨Û Ø¨ŲØ¯Ų Ų Ø´Ø§Ų Ų ÚŠŲØąØŗ Ų ØąÛØŗØąÚ Ų ÛØ´ŲŲØ¯. Ø¯ŲØąŲ ŲØ§Û Ų ØŗØĒØą با ØąÛØŗØąÚ Ø¯Øą Ø¨ØŗÛØ§ØąÛ Ø§Ø˛ Ų ŲØ§ØąØ¯ ØĒŲØŗØˇ Ø¯Ø§ŲØ´Ú¯Ø§Ų ÛØ§ Ø§ØŗØĒاد ØąØ§ŲŲŲ Ø§ ŲØ§Ųد Ų ÛØ´ŲØ¯ŲØ¯ Ų ŲŲØšÛ Ø§Ø˛ Ø¨ŲØąØŗÛŲ Û ØĒØØĩÛŲÛ ÚŠØ§ŲØ§Ø¯Ø§ ØąØ§ Ø¯ØąÛØ§ŲØĒ Ų ÛÚŠŲŲØ¯.
Ø¨ØąØŽÛ Ø§Ø˛ Ø¯ŲØąŲ ŲØ§Û Ų ØŗØĒØą اÛŲ Ø§Ų ÚŠØ§Ų ØąØ§ Ø¨Ų Ų ØĒŲØ§ØļÛ Ų ÛØ¯ŲŲØ¯ ÚŠŲ Ø¨Ų ØĩŲØąØĒ Ų ØŗØĒŲÛŲ Ø¯Øą Ų ŲØˇØš دڊØĒØąÛ Ø¯ŲØąŲ Ø§Ø¯Ø§Ų Ų ŲžÛØ¯Ø§ ÚŠŲØ¯. Ø¨ØąØ§Û Ø¯ØąÛØ§ŲØĒ Ø§ØˇŲØ§ØšØ§ØĒ ÚŠØ§Ų Ų Ø´ØąØ§ÛØˇ ØĒØØĩÛŲ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ با Ų Ø´Ø§ŲØąÛŲ ŲÛØ˛Ø§ Ų ŲŲØ¯ÛØ§Ų ØĒŲ Ø§Øŗ Ø¨Ú¯ÛØąÛد.
ŲžÛØ´ ŲÛØ§Ø˛Ø§ØŽØ° ŲžØ°ÛØąØ´ ŲŲŲ ŲÛØŗØ§ŲØŗ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲÛØŗØ§ŲØŗ با Ų ØšØ¯Ų Ø¨Ø§ŲØ§Û ÛąÛ´Ø Ø¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ ØĸÛŲØĒØŗ Ûļ ÛØ§ Ûļ.Ûĩ . Ø¯Øą Ø¨ØąØŽÛ Ø§Ø˛ ØąØ´ØĒŲ ŲØ§Ø¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ Ø˛Ø¨Ø§Ų Ø¨ØąØ§Û Ø§ØŽØ¯ ŲžØ°ÛØąØ´ Ø§ŲØ˛Ø§Ų Û ŲÛØŗØĒ.
Ø¯ŲØąŲ دڊØĒØąÛ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Doctoral degree
Ø¯ŲØąŲ دڊØĒØąÛ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ûŗ ØĒا Ûĩ ØŗØ§Ų ØˇŲŲ Ų Ûڊشد. Ø¯Øą Ø¯ŲØąŲ دڊØĒØąØ§Û ÚŠØ§ŲØ§Ø¯Ø§ Ø¯Ø§ŲØ´ØŦŲ Ø¨Ø§ÛØ¯ ÛÚŠ ŲžØąŲÚŲ ØąØ§ Ø¯ŲØ¨Ø§Ų ÚŠŲØ¯. Ø¨ÛØ´ØĒØą اÛŲ ŲžØąŲÚŲ ŲØ§ ØĒŲØŗØˇ Ø´ØąÚŠØĒ ŲØ§Û Ø¨Ø˛ØąÚ¯ Ø§ØŗŲžØ§ŲØŗØą Ø´Ø¯Ų ŲØŗØĒŲØ¯ Ų Ø¨Ų ŲŲ ÛŲ Ø¯ŲÛŲ Ø¨ÛØ´ØĒØą ŲžØąŲŲØŗŲØąŲØ§ Ø¯Øą Ø¯ŲØąŲ دڊØĒØąÛ Ø¨Ų Ø¯Ø§ŲØ´ØŦŲÛØ§Ų ŲØ§Ųد ÛØ§ ÚŠŲ ÚŠ ØĒØØĩÛŲÛ Ø§ØšØˇØ§ Ų ÛÚŠŲŲØ¯. اÛŲ ŲØ§Ųد ŲØ§ Ú¯Ø§ŲØ§ Ø´ŲØąÛŲ Ø¯Ø§ŲØ´ØŦŲ ØąØ§ ŲžŲØ´Ø´ Ø¯Ø§Ø¯Ų Ų Ú¯Ø§ŲØ§ Ų Ø¨ŲØēÛ Ø§ØļاŲŲ Ø¨Øą ØĸŲ ŲÛØ˛ Ø¨Ų Ø¯Ø§ŲØ´ØŦŲ Ø¯Ø§Ø¯Ų Ų ÛØ´Ųد ØĒا ŲØ˛ÛŲŲ ŲØ§Û Ø˛ŲØ¯Ú¯Û Ø§Ų ŲÛØ˛ ŲžŲØ´Ø´ Ø¯Ø§Ø¯Ų Ø´ŲØ¯. Ø¯ŲØąŲ دڊØĒØąÛ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ø¯Ø§ØąØ§Û ÚŠŲØąØŗ ŲÛØ˛ Ų ÛØ¨Ø§Ø´Ø¯.
ŲžÛØ´ ŲÛØ§Ø˛ ا؎ذ ŲžØ°ÛØąØ´ دڊØĒØąØ§ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲÛØŗØ§ŲØŗ Ų ŲŲŲ ŲÛØŗØ§ŲØŗ با Ų ØšØ¯Ų Ø¨Ø§ŲØ§Û ÛąÛ´Ø Ø¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ ØĸÛŲØĒØŗ Ûļ ÛØ§ Ûļ.Ûĩ. Ø¯Øą Ø¨ØąØŽÛ ØąØ´ØĒŲ ŲØ§Û Ų ŲŲØ¯ØŗÛ بدŲŲ Ų Ø¯ØąÚŠ Ø˛Ø¨Ø§Ų ÚŠØ§Øą ØąØ§ Ų ÛØĒŲØ§Ų ØĸØēØ§Ø˛ ÚŠØąØ¯. ŲžØ°ÛØąØ´ Ø¯ŲØąŲ دڊØĒØąÛ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ ŲÛØ§Ø˛Ų ŲØ¯ ØąØ˛ŲŲ Ų ØšŲŲ Û ŲŲÛ Ų ÛØ¨Ø§Ø´Ø¯. Ø¯Øą ØĩŲØąØĒÛ ÚŠŲ ØŗØˇØ Ø˛Ø¨Ø§Ų Ø§ŲÚ¯ŲÛØŗÛ Ų ŲØąØ§ŲØŗŲÛ ØļØšÛŲ Ø¯Ø§ØąÛØ¯ Ų ØąØ˛ŲŲ Ų ØšŲŲ Û Ų ŲØ§ØŗØ¨Û ŲØ¯Ø§ØąÛد ( Ų ŲØ§ŲاØĒ Ų ØšØĒØ¨Øą)Ø Ø§Ų ÚŠØ§Ų ŲžØ°ÛØąØ´ Ø¯ŲØąŲ دڊØĒØąÛ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ØąØ§Û Ø´Ų Ø§ ŲØŦŲØ¯ ŲØŽŲØ§ŲØ¯ داشØĒ.
Ø¯ŲØąŲ دÛŲžŲŲ Ø§ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ graduate diploma
اÛŲ Ø¯ŲØąŲ ŲØ§ Ø¨ØąØ§Û Ų ØĒŲØ§ØļÛØ§ŲÛ Ø§ØŗØĒ ÚŠŲ Ų Ø¯ØąÚŠ ŲÛØŗØ§ŲØŗ ØąØ§ Ø¯Ø§ØąŲØ¯ ŲŲÛ Ø¯Øą Ø¯ŲØąŲ ŲŲŲ ŲÛØŗØ§ŲØŗ ØĒŲ Ø§ÛŲÛ Ø¨Ų Ø§ŲØŦØ§Ų ØĒØ˛ ÛØ§ ŲžØ§ÛØ§Ų ŲØ§Ų Ų ŲØ¯Ø§ØąŲد Ų ŲŲ ÚŲÛŲ Ø¯Øą Ø¯ŲØąŲ ŲŲŲ ŲÛØŗØ§ŲØŗ ØĒŲ Ø§ÛŲÛ Ø¨Ų Ø§ŲØŦØ§Ų ÚŠØ§ØąŲØąØ˛Û ŲÛØ˛ ŲØ¯Ø§Ø´ØĒŲ Ø¨Ø§Ø´ŲØ¯. اÛŲ Ø¯ŲØąŲ Ų ØšŲ ŲŲØ§ Ų ØĒØ´ÚŠŲ Ø§Ø˛ ÛŗÛ° ŲØ§ØØ¯ Ø¯ØąØŗÛ Ø§ØŗØĒ ÚŠŲ Ø¯Øą ŲžØ§ÛØ§Ų اÛŲ Ø§Ų ÚŠØ§Ų ØąØ§ Ø¨Ų Ų ØĒŲØ§ØļÛ Ų ÛØ¯Ųد ÚŠŲ Ų Ø¯ØąÚŠ Graduate Diploma ØąØ§ Ø¯ØąÛØ§ŲØĒ ÚŠŲØ¯. Ų ØĒŲØ§ØļÛØ§ŲÛ ÚŠŲ ŲØĩد Ø¯ØąÛØ§ŲØĒ ŲŲŲ ŲÛØŗØ§ŲØŗ ØąØ§ ŲžØŗ Ø§Ø˛ اÛŲ Ø¯ŲØąŲ Ø¯Ø§ØąŲØ¯ Ų ØšŲ ŲŲØ§ Ų ÛØĒŲØ§ŲŲØ¯ با Ú¯Ø°ØąØ§ŲØ¯Ų ÛąÛĩ ŲØ§ØØ¯ دÛÚ¯Øą Ų Ø¯ØąÚŠ ŲŲŲ ŲÛØŗØ§ŲØŗ ØąØ§ Ø¯ØąÛØ§ŲØĒ ÚŠŲŲØ¯.
ŲžÛØ´ ŲÛØ§Ø˛Ø§ØŽØ° ŲžØ°ÛØąØ´ دÛŲžŲŲ Ø§ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲÛØŗØ§ŲØŗ ØØ¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ Ø˛Ø¨Ø§Ų Ø¨ØąØ§Û Ø§ØŽØ¯ ŲžØ°ÛØąØ´ Ø§ŲØ˛Ø§Ų Û ŲÛØŗØĒ.
Ø¯ŲØąŲ ŲžØŗØĒ بڊ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ ( ŲÛØŗØ§ŲØŗ ŲžÛØ´ØąŲØĒŲ ) post bac
Ø¯ŲØąŲ ŲØ§Û (Post-Baccalaureate Diploma) (PBD or âpost-bacâ) Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ø¨Ų Ø¯ŲØąŲ ŲØ§ÛÛ Ú¯ŲØĒŲ Ų ÛØ´Ųد ÚŠŲ Ų ØĒŲØ§ØļÛØ§Ų Ø¯Ø§ØąØ§Û Ų Ø¯ØąÚŠ undergraduate ÛØ§ ŲŲ Ø§Ų ŲÛØŗØ§ŲØŗ Ų ÛØĒŲØ§ŲŲØ¯ ŲØ§ØąØ¯ اÛŲ Ø¯ŲØąŲ Ø´ŲŲØ¯ ØĒا Ų ŲØ§ØąØĒ ŲØ§Û Ø˛Ø¨Ø§Ų Ø§ŲÚ¯ŲÛØŗÛ Ų Ų ŲØ§ØąØĒ ÚŠØ§ØąÛ ØŽŲØ¯ ØąØ§ Ø¨Ų ØĩŲØąØĒ ØšŲ ŲÛ Ø§ØąØĒŲØ§ دŲŲØ¯. اÛŲ Ø¯ŲØąŲ ŲØ§ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ų ØšŲ ŲŲØ§ Ø´Ø§Ų Ų Û¸ Ų Ø§Ų Ø¯ŲØąŲ ØĒØĻŲØąÛ Ų Û¸ Ų Ø§Ų Ø¯ŲØąŲ ÚŠØ§ØąŲØąØ˛Û Ø¯Øą Ø´ØąÚŠØĒ ŲØ§ ÛØ§ ÚŠØ§ØąØŽØ§ŲŲ ŲØ§ Ø¨ŲØ¯Ų Ų Ø¨Ų Ų ØĒŲØ§ØļÛØ§ŲÛ ÚŠŲ Ø¯Øą Ø¯ŲØąŲ ŲÛØŗØ§ŲØŗ ŲØ§ØąØē Ø§ŲØĒØØĩÛŲ Ø´Ø¯Ų Ø§ŲØ¯ Ø´Ø§ŲØŗ ØŽŲØ¨Û Ø¨ØąØ§Û Ø§ØŗØĒØŽØ¯Ø§Ų Ø´Ø¯Ų Ų ÛØ¯Ųد.
ŲžÛØ´ ŲÛØ§Ø˛Ø§ØŽØ° ŲžØ°ÛØąØ´ ŲžØŗØĒ بڊ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲÛØŗØ§ŲØŗ ØØ¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ Ø˛Ø¨Ø§Ų Ø¨ØąØ§Û Ø§ØŽØ¯ ŲžØ°ÛØąØ´ Ø§ŲØ˛Ø§Ų Û ŲÛØŗØĒ.
Ø¯ŲØąŲ ØŗØąØĒÛŲÛÚŠÛØĒ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Certificate Programs
Ų Ø¯ØąÚŠ ØŗØąØĒÛŲÛÚŠÛØĒ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ų ØšŲ ŲŲØ§ با Ú¯Ø°ØąØ§ŲØ¯Ų ÛŗÛ° ŲØ§ØØ¯ Ø¯ØąØŗÛ Ø¯Øą ÚŠØ§ŲØŦ ÛØ§ Ø¯Ø§ŲØ´Ú¯Ø§Ų Ø¯ØąÛØ§ŲØĒ Ų ÛØ´Ųد. اÛŲ Ø¯ŲØąŲ ŲØ§ ŲžÛØ´ ŲÛØ§Ø˛ ŲØ§Û ÚŠŲ Û Ø¯Ø§ØąŲØ¯ Ų ŲØąŲد Ø¨Ų ØĸŲŲØ§ ŲØŗØ¨ØĒا ØŗØ§Ø¯Ų Ų ÛØ¨Ø§Ø´Ø¯. Ø¯Ø§ŲØ´ØŦŲÛØ§Ų بÛŲ Ø§ŲŲ ŲŲÛ Ø¨Ø§ ØĢبØĒ ŲØ§Ų Ø¯Øą اÛŲ Ø¯ŲØąŲ ŲØ§ Ø´Ø§ŲØŗ Ø¨Ø§ŲØ§ÛÛ Ø¨ØąØ§Û Ø§ØŽØ° ŲÛØ˛Ø§Û ØĒØØĩÛŲÛ ÚŠØ§ŲØ§Ø¯Ø§ ŲØ¯Ø§ØąŲد. ØˇŲŲ Ø§ÛŲ Ø¯ŲØąŲ ŲØ§ Ų ØšŲ ŲŲØ§ ÛÚŠ ØŗØ§Ų Ø§ØŗØĒ. Ø¨ØąØ§Û ŲØąŲد Ø¨Ų Ø§ÛŲ Ø¯ŲØąŲ Ø¨Ø§ÛØ¯ دÛŲžŲŲ Ø¯Ø¨ÛØąØŗØĒØ§Ų ØąØ§ داشØĒŲ Ø¨Ø§Ø´ÛØ¯.
ŲžÛØ´ ŲÛØ§Ø˛Ø§ØŽØ° ŲžØ°ÛØąØ´ ØŗØąØĒÛŲÛÚŠÛØĒ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ø ( ŲÚŠØĒŲ: ا؎ذ ŲÛØ˛Ø§Û Ø¯Ø§ŲØ´ØŦŲÛÛ ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ØąØ§Û Ų ØĒŲØ§ØļÛØ§Ų ØšØ˛ÛØ˛ Ø§ÛØąØ§ŲÛ Ų Ø´ÚŠŲ Ų ÛØ¨Ø§Ø´Ø¯)
Ø¯ŲØąŲ دÛŲžŲŲ Ø§ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Diploma Programs
Ų Ø¯ØąÚŠ دÛŲžŲŲ Ø§ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ ( Ų ØĒŲØ§ŲØĒ Ø§Ø˛ دÛŲžŲŲ Ø¯Ø¨ÛØąØŗØĒاŲ) Ų ØšŲ ŲŲØ§ با Ú¯Ø°ØąØ§ŲØ¯Ų ÛŗÛ° ŲØ§ØØ¯ Ø¯ØąØŗÛ Ø¯Øą ÚŠØ§ŲØŦ ÛØ§ Ø¯Ø§ŲØ´Ú¯Ø§Ų Ø¯ØąÛØ§ŲØĒ Ų ÛØ´Ųد. اÛŲ Ø¯ŲØąŲ ŲØ§ ŲžÛØ´ ŲÛØ§Ø˛ ŲØ§Û ÚŠŲ Û Ø¯Ø§ØąŲØ¯ Ų ŲØąŲد Ø¨Ų ØĸŲŲØ§ ŲØŗØ¨ØĒا ØŗØ§Ø¯Ų Ų ÛØ¨Ø§Ø´Ø¯. Ø¯Ø§ŲØ´ØŦŲÛØ§Ų بÛŲ Ø§ŲŲ ŲŲÛ Ø¨Ø§ ØĢبØĒ ŲØ§Ų Ø¯Øą اÛŲ Ø¯ŲØąŲ ŲØ§ Ø´Ø§ŲØŗ Ø¨Ø§ŲØ§ÛÛ Ø¨ØąØ§Û Ø§ØŽØ° ŲÛØ˛Ø§Û ØĒØØĩÛŲÛ ÚŠØ§ŲØ§Ø¯Ø§ ŲØ¯Ø§ØąŲد. ØˇŲŲ Ø§ÛŲ Ø¯ŲØąŲ ŲØ§ Ų ØšŲ ŲŲØ§ Ø¯Ų ØŗØ§Ų Ø§ØŗØĒ Ų Ø¨ØąØ§Û ŲØąŲد Ø¨Ų ØĸŲŲØ§ ŲÛØ§Ø˛ Ø¨Ų Ø§ØąØ§ØĻŲ Ų Ø¯ØąÚŠ دÛŲžŲŲ Ø¯Ø¨ÛØąØŗØĒØ§Ų ŲØŦŲØ¯ Ø¯Ø§ØąØ¯. Ø´Ø§ŲØŗ Ų ØĒŲØ§ØļÛØ§Ų Ø¨ØąØ§Û Ø¯ØąÛØ§ŲØĒ ŲÛØ˛Ø§Û ØĒØØĩÛŲÛ Ø¨Ø§ Ø´ØąÚŠØĒ Ø¯Øą اÛŲ Ø¯ŲØąŲ ŲØ§ Ų ŲØ§ØŗØ¨ Ø§ØŗØĒ Ų Ų Ø´Ø§ŲØąÛŲ ŲÛØ˛Ø§ Ų ŲŲØ¯ÛØ§Ų Ø¯Øą اÛŲ Ø˛Ų ÛŲŲ Ų ÛØĒŲØ§ŲŲØ¯ Ų ØĒŲØ§ØļÛØ§Ų ØąØ§ ØąØ§ŲŲŲ Ø§ÛÛ ÚŠŲŲØ¯.
ŲžÛØ´ ŲÛØ§Ø˛ ا؎ذ ŲžØ°ÛØąØ´ دÛŲžŲŲ Ø§ Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ø Ø¯Ø§Ø´ØĒŲ Ų Ø¯ØąÚŠ Ø˛Ø¨Ø§Ų Ø¨ØąØ§Û Ø§ØŽØ¯ ŲžØ°ÛØąØ´ Ø§ŲØ˛Ø§Ų Û ŲÛØŗØĒ.
Ø¯ŲØąŲ ØĒØąÚŠÛØ¨Û Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Collaborative & Joint Degree Programs
اÛŲ Ø¯ŲØąŲ ŲØ§ با ŲŲ ÚŠØ§ØąÛ ÚŠØ§ŲØŦ Ų Ø¯Ø§ŲØ´Ú¯Ø§Ų Ø§ØąØ§ØĻŲ Ų ÛØ´ŲŲØ¯. Ų ØĒŲØ§ØļÛ Ø¨ØąØŽÛ Ø¯ØąŲØŗ ØąØ§ Ø¯Øą ÚŠØ§ŲØŦ Ų Ø¨ØąØŽÛ Ø¯ÛÚ¯Øą ØąØ§ Ø¯Øą Ø¯Ø§ŲØ´Ú¯Ø§Ų Ų ÛÚ¯Ø°Ø§ØąŲØ¯.
ŲžÛØ´ ŲÛØ§Ø˛ Ø¯ŲØąŲ: داشØĒŲ Ų Ø¯ØąÚŠ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ø
Ø¯ŲØąŲ ÚŠŲ ØĸŲž Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Co-op Programs
Ø¯ŲØąŲ Ų ŲØ§Û ÚŠŲ ØĸŲž Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§Ø Ø¯ŲØąŲ ŲØ§ÛÛ ŲØŗØĒŲØ¯ ÚŠŲ Ų ØĒŲØ§ØļÛ Ø¯Øą ØÛŲ ØĒØØĩÛŲ Ø¯Øą Ø´ØąÚŠØĒ ŲØ§ Ų ÛÚ¯Ø°Ø§ØąŲØ¯ Ų Ų ØšŲ ŲŲØ§ Ø¨ØąØ§Û ØĸŲ Ø¨Ų Ø¯Ø§ŲØ´ØŦŲ ØŲŲŲ ŲžØąØ¯Ø§ØŽØĒ Ų ÛØ´Ųد. Ø¨ØąØŽÛ Ø§Ø˛ Ø¯Ø§ŲØ´Ú¯Ø§Ų ŲØ§ اÛŲ Ø¯ŲØąŲ ŲØ§ ØąØ§ Ø§ŲØ˛Ø§Ų Û ÚŠØąØ¯Ų Ø§ŲØ¯.
ŲžÛØ´ ŲÛØ§Ø˛Ø§ØŽØ° ŲžØ°ÛØąØ´ ÚŠŲ-ØĸŲž Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§: داشØĒŲ Ų Ø¯ØąÚŠ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ø
Ø¯ŲØąŲ ÚŠØ§ØąŲØąØ˛Û Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Apprenticeship Programs
Ø¯ŲØąŲ ŲØ§Û ÚŠØ§ØąŲØąØ˛Û Ø¯Øą ÚŠØ§ŲØ§Ø¯Ø§ Ų ØšŲ ŲŲØ§ ÛØ§ Ø¯Øą ØÛŲ ØĒØØĩÛŲ Ø¯Ø§ŲØ´ØŦŲ ŲØŗØĒŲØ¯ Ų ÛØ§ Ø¯Øą ŲžØ§ÛØ§Ų ØĒØØĩÛŲ Ø§Ų. اÛŲ Ø¯ŲØąŲ ŲØ§ گاŲÛ Ø¨Ų ØĩŲØąØĒ ا؎ØĒÛØ§ØąÛ Ų Ú¯Ø§ŲÛ Ø¨Ų ØĩŲØąØĒ Ø§ŲØ˛Ø§Ų Û Ų ØŦØ˛ÛÛ Ø§Ø˛ Ø¯ŲØąŲ اØĩŲÛ Ø§ØąØ§ØĻŲ Ų ÛØ´ŲŲØ¯.
ŲžÛØ´ ŲÛØ§Ø˛ Ø¯ŲØąŲ: داشØĒŲ Ų Ø¯ØąÚŠ ŲžÛØ´ Ø¯Ø§ŲØ´Ú¯Ø§ŲÛ Ø ( ŲÚŠØĒŲ: ا؎ذ ŲÛØ˛Ø§Û Ø¯Ø§ŲØ´ØŦŲÛÛ ÚŠØ§ŲØ§Ø¯Ø§ Ø¨ØąØ§Û Ų ØĒŲØ§ØļÛØ§Ų ØšØ˛ÛØ˛ Ø§ÛØąØ§ŲÛ Ų Ø´ÚŠŲ Ų ÛØ¨Ø§Ø´Ø¯)
via WordPress bit.ly/2tqQdYZ
A teaser from Tomorrowland last Friday had people thinking that Swedish House Mafia could soon be added to the lineup this year; however, news from the festival has debunked the rumors, as Tomorrowland has announced its own radio show âOne World Radioâ for the festivalâs 15th anniversary. (Swedish House Mafia might still play Tomorrowland, but this isnât about that.)
The radio show is, of course, based in Belgium, and so official streaming began at 4am PST. It was launched by none other than Dim Mak head Steve Aoki, who took to the decks at the holy grounds of De Schorre in Boom, next to Zephyr, the magical hot air balloon in the shape of the Tomorrowland icon.
Listeners who tune into Tomorrowland One World Radio will find a generous portion of music and content at any time of day, all created by the team behind Tomorrowland with a mix featuring a range of hosts, shows and specials. Thanks to the strong ties with all the national and international DJâs and producers, Tomorrowland One World Radio is destined to become the âhome of the artistsâ. Everyone from the biggest names to fresh new talent will be part of the platform, by creating exclusive mixes, releasing new tracks and even hosting their own shows.
For example, the Dutch DJ Armin Van Buuren will kick off the weekend with an exclusive Weekend Mix on Fridays. The Australian DJ sisters Nervo will present The One World Radio Top 30: every weekend, youâll get a rundown of the 30 most popular dance hits selected by the People of Tomorrow. And every day, youâll be treated to a guest mix on âOne World Radio Invitesâ.
Armin Van Buuren :
âBesides DJ-ing and shows, I love to create radio. A couple of times already at the Winter Music Conference in Miami, Iâve received the award for âBest Mix Radio Showâ for A State of Trance. By the way, Iâll also be bringing ASOT to Tomorrowland this summer when I host my own stage and Iâve done live radio from the festival a few times now. Itâs fantastic that Iâll get to appear every Friday now on Tomorrowland One World Radio with my own Weekend Mix.â
Tomorrowland :
âTomorrowland One World Radio is an incredibly important project for Tomorrowland.During the festival weekends, millions of people around the world tune in to our live-stream and the numbers keep growing each year. By launching this content project, on the occasion of our 15th anniversary, from now on weâll be able to offer a way to connect with the Tomorrowland community daily, and weâll adapt our programming and music to the time of day. With unique content and mixes that you wonât hear anywhere else, combined with the absolute highlights from 15 years of Tomorrowland history. Both live and on demand, so itâs perfectly tailored to the tastes of young listeners. Weâve been working on this project for two years and weâre so excited to finally unveil it to the world.â
Want to listen to âthe sound of the festivalâ all day long on Tomorrowland One World Radio? You can, from February 18 to August 31, with the new Tomorrowland app, on Tomorrowland.com.
This article was first published on Your EDM. Source: Tomorrowland Reveals Radio Show âOne World Radioâ For 15th Anniversary
Tomorrowland Reveals Radio Show âOne World Radioâ For 15th Anniversary published first on soundwizreview.tumblr.com/
via WordPress ift.tt/2xZqGHu
Taapsee Pannu all set to star opposite Diljit Dosanjh in the untitled Shaad Ali film
After OK Jaanu, Shaad Ali is gearing up for yet another film. Considering that sports genre is the flavor of the season, the filmmaker has decided to explore the same in his next movie. With Diljit Dosanjh and Taapsee Pannu in lead roles, his next film will trace the life story of Sandeep Singh.
The role of renowned medalist hockey player Sandeep Singh who was also the former captain of the Indian Hockey Team will be essayed by Diljit Dosanjh with Taapsee playing the role of the woman who inspires him to play the sport. However, this one will not be a biopic and it will focus more on the love story that revolves around Taapsee and Diljit, both of whom would be playing hockey players in the film. It will be co-produced by Chitrangda Singh along with Sneha Rajani.
For the uninitiated, let us remind you that Sandeep Singh is a hockey player who faced serious injury by an accidental gunshot in August 2006 when he travelling to join the national team. The Haryana based player was in wheelchair for about two years but with the support of one of his friends, a female hockey player, he went on to once again return to the game and even earned a silver medal at the Commonwealth Games in Delhi in 2010.
We hear that the two actors will undergo extensive training and Sandeep Singh himself will train Diljit Dosanjh for the film. The hockey player is expected to help Diljit learn some of his important on-field moves and a meeting between the two has apparently been scheduled in the forthcoming month. On the other hand, considering that Taapsee too plays a hockey player she too will have to train in the sport and will kick start the same once she finishes off her other work commitments.
From what we hear, this untitled venture is slated to go on floor in October and will be extensively shot in Punjab.
Taapsee Pannu all set to star opposite Diljit Dosanjh in the untitled Shaad Ali film
BAAL novo â Afrika ift.tt/1YxAqzQ Just finished the poster for âAfrikaâ. www.baalnovo.com An integrative theater project for refugees, migrants and Germans by BAAL novo.
via WordPress www.naturalayurvedaltd.com/581/%e0%a6%9c%e0%a7%87%e0%a6%a...
âāĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻžâāĻāĻŽāĻžāĻĻā§āϰ āϏāĻāϞā§āϰ āĻā§āĻŦāύā§āĻ āĻ āύā§āϝāϤāĻŽ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āύ āĻĻā§āĻšāĻŋāĻ āĻŦā§āĻļāĻŋāώā§āĻā§āϝ, āϝāĻžāϰ āĻāĻĒāϰ āĻĒā§āϰāϤā§āϝāĻā§āώ āĻāĻŦāĻ āĻĒāϰā§āĻā§āώāĻāĻžāĻŦā§ āύāĻŋāϰā§āĻāϰ āĻāϰ⧠āĻāĻāĻāύ āĻŽāĻžāύā§āώā§āϰ āϏā§āĻŽāĻžāϰā§āĻāύā§āϏ, āύā§āϤā§āϤā§āĻŦ, āĻā§āϰā§āϤā§āĻŦ, āϏāĻžāĻŽāĻžāĻāĻŋāĻ āĻ āĻŦāϏā§āĻĨāĻžāύ, āĻŦāĻŋāĻŦāĻžāĻš, āĻā§āϝāĻžāϰāĻŋā§āĻžāϰ āϏāĻš āĻā§āĻŦāύā§āϰ āϏāĻĢāϞāϤāĻžāϰ āĻ āύā§āĻāĻžāĻāĻļ â āϝāĻž āĻĒā§āϰāĻŽāĻžāĻŖāϏā§āĻŦāϰā§āĻĒ āĻāĻŽāĻžāĻĻā§āϰ āĻĒāĻžāϰāĻŋāĻĒāĻžāϰā§āĻļā§āĻŦāĻŋāĻ āϏāĻžāĻŽāĻžāĻāĻŋāĻ āĻ āĻŦāϏā§āĻĨāĻž āĻāĻŦāĻ āĻā§āĻŦāύāϝāĻžāϤā§āϰāĻžāϰ āĻĒā§āϰāĻžā§ āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻā§āώā§āϤā§āϰā§āĻ āĻĒā§āϰāϤāĻŋāύāĻŋā§āϤ āĻĒā§āϰāϤā§ā§āĻŽāĻžāύ āĨ¤
āĻāϰ āϤāĻžāĻ, āĻāĻŽāĻžāĻĻā§āϰ āϏāĻŽāĻžāĻā§āϰ āϝ⧠āϏāĻāϞ āϤāϰā§āĻŖ-āϤāϰā§āĻŖā§āϰāĻž āĻāĻā§āϤ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āύ āĻĻā§āĻšāĻŋāĻ āĻŦā§āĻļāĻŋāώā§āĻā§āϝā§āϰ āĻ āĻāĻžāĻŦāĻāύāĻŋāϤ āϏāĻŽāϏā§āϝāĻžāϰ āĻāĻžāϰāύ⧠āĻŽāĻžāύāϏāĻŋāĻāĻāĻžāĻŦā§ āĻĻā§āĻļā§āĻāĻŋāύā§āϤāĻž āĻāĻŦāĻ āĻšā§āύāĻŽāύā§āϝāϤāĻžā§ āĻā§āĻāĻā§āύ, āϤāĻžāĻĻā§āϰ āĻāύā§āϝ āĻāĻŽāĻžāĻĻā§āϰ āĻāĻāĻā§āϰ āĻāĻ āĻāϞā§āĻāύāĻž, āĻāϞā§āĻāύāĻžāϰ āĻŦāĻŋāώā§āĻŦāϏā§āϤ⧠â āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻāĻŽ āĻšāĻā§āĻžāϰ āĻāĻžāϰāĻŖ āĻāĻŦāĻ āĻāĻā§āĻāϤāĻž āĻŦā§āĻĻā§āϧāĻŋāϰ āĻļāϤāĻāĻžāĻ āĻāĻžāϰā§āϝāĻāϰ⧠āĻāĻŋāĻāĻŋā§āϏāĻž āĻŦāĻŋāώā§āĻ āĻāĻžāĻāĻĄāϞāĻžāĻāύ āĨ¤
āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻāĻŽ āĻšāĻā§āĻžāϰ āĻāĻžāϰāĻŖāϏāĻŽā§āĻš :â
āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻžāϰ āĻā§āώā§āϤā§āϰ⧠āĻŦāĻāĻļā§ā§ / āĻā§āύāĻāϤ āĻĻā§āĻšāĻŋāĻ āĻŦā§āĻļāĻŋāώā§āĻā§āϝ āĻ āύā§āĻāĻāĻž āĻŽā§āĻā§āϝ āĻā§āĻŽāĻŋāĻāĻž āĻĒāĻžāϞāύ āĻāϰ⧠āĻĨāĻžāĻā§, āϝ⧠āĻāĻžāϰāĻŖā§ āĻŦāĻžāĻŦāĻž-āĻŽāĻž āĻāϰ āĻāĻā§āĻāϤāĻžāϰ āĻāĻĒāϰ āϏāύā§āϤāĻžāύā§āϰ āĻāĻā§āĻāϤāĻž āĻ āύā§āĻāĻžāĻāĻļā§ āύāĻŋāϰā§āĻāϰāĻļā§āϞ āĻŦāϞāĻž āϝāĻžā§ â āϤāĻžāĻ āĻĻā§āĻāĻž āϝāĻžā§, āĻŦāĻžāĻŦāĻž-āĻŽāĻž āĻāϰ āĻāĻā§āĻāϤāĻž āĻāĻžāϞ āĻšāϞ⧠āϏāύā§āϤāĻžāύā§āϰ āĻāĻā§āĻāϤāĻž āĻāĻžāϞ āĻšā§ āĻāĻŦāĻ āĻŦāĻžāĻŦāĻž-āĻŽāĻž āĻāϰ āĻāĻā§āĻāϤāĻž āĻāĻŽ āĻšāϞ⧠āϏāύā§āϤāĻžāύā§āϰ āĻāĻā§āĻāϤāĻž āĻāĻŽ āĻšā§ āĨ¤ āĻāĻŦāĻžāϰ āĻ āύā§āĻ āϏāĻŽā§ āĻŦāĻžāĻŦāĻž-āĻŽāĻž āĻāϰ āĻāĻā§āĻāϤāĻž āĻāĻžāϞ āĻšāϞā§āĻ āϏāύā§āϤāĻžāύā§āϰ āĻāĻā§āĻāϤāĻžāϰ āĻāĻžāĻāϤāĻŋ āĻĻā§āĻāĻž āĻĻāĻŋāϤ⧠āĻĒāĻžāϰā§, āĻāĻ āĻā§āώā§āϤā§āϰ⧠āĻŽā§āϞāϤ āϏāύā§āϤāĻžāύ āĻŽāĻžāϤā§āĻāϰā§āĻā§ āĻĨāĻžāĻāĻž āĻ āĻŦāϏā§āĻĨāĻžā§ āĻŽāĻž āĻāϰ āĻĒā§āώā§āĻāĻŋāĻšā§āύāϤāĻž / āĻŽāĻžāύā§āώāĻŋāĻ āĻĻā§āĻļā§āĻāĻŋāύā§āϤāĻž / āĻĒā§āϰā§ā§āĻāύā§ā§ āϝāϤā§āύāĻžāĻĻāĻŋāϰ āĻ āĻāĻžāĻŦ āĻ āύā§āĻāĻžāĻāĻļā§ āĻĻāĻžā§ā§ āĻĨāĻžāĻā§ āĨ¤ āĻāĻāĻžā§āĻž āĻāĻāĻāĻŋ āĻŽāĻžāύāĻŦāĻĻā§āĻšā§āϰ āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻžāϰ āĻā§āώā§āϤā§āϰ⧠āĻā§āϰā§āĻĨ āĻšāϰāĻŽā§āύ āĻāĻŦāĻ āĻā§āώā§āϰ āϏā§āĻĨāĻŋāϤāĻŋāϏā§āĻĨāĻžāĻĒāĻāϤāĻžāϰ āĻšāĻžāϰ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āύ āĻā§āĻŽāĻŋāĻāĻž āĻĒāĻžāϞāύ āĻāϰ⧠āĻĨāĻžāĻā§, āϝāĻž āϏāĻā§āϰāĻŋā§ āĻāĻŽ āĻšāĻā§āĻžāϰ āĻāĻžāϰāĻŖā§āĻ āĻŽāĻžāύā§āώ āĻāĻžāĻā§ / āĻŦā§āĻā§ āĻšāϤ⧠āĻĒāĻžāϰ⧠āĨ¤ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻļāĻŋāĻļā§āĻāĻžāϞ⧠āĻāĻžāĻšāĻŋāĻĻāĻžāĻŽāĻžāĻĢāĻŋāĻ āĻāĻŋāĻāĻžāĻŽāĻŋāύ, āĻā§āϝāĻžāϞāϏāĻŋā§āĻžāĻŽ, āĻā§āϰāύ, āϞā§āĻš, āĻāĻŋāĻāĻ āĻāϤā§āϝāĻžāĻĻāĻŋ āĻāĻĒāĻžāĻĻāĻžāύā§āϰ āĻāĻžāĻāϤāĻŋāϰ āĻ āĻāĻžāĻŦā§ āĻšāĻžāĻā§ā§āϰ āĻŦā§āĻĻā§āϧāĻŋ āĻāĻ āύ⧠āĻŦā§āϝāĻžāĻšāϤ āĻāĻāϤ⧠āĻĒāĻžāϰā§, āϝāĻžāϰ āĻĢāϞāĻļā§āϰā§āϤāĻŋāϤ⧠āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻāĻŽ āĻšāϤ⧠āĻĒāĻžāϰ⧠āĨ¤ āĻāϰ āĻāĻāĻāĻžāϞ āĻāĻŽāĻžāĻĻā§āϰ āϏāĻŽāĻžāĻā§āϰ āϤāϰā§āĻŖ-āϤāϰā§āĻŖā§āĻĻā§āϰ āĻāĻā§āĻāϤāĻž āĻŦā§āĻĻā§āϧāĻŋāϤ⧠āϝ⧠āĻŦā§āϝāĻžāĻĒāĻžāϰāĻāĻŋ āĻŽā§āϞāϤ āĻŦā§āϝāĻžāĻāĻžāϤ āĻāĻāĻŋā§ā§ āĻĨāĻžāĻā§, āϤāĻž āĻšāϞ â āĻŦā§ā§āϏāύā§āϧāĻŋāĻāĻžāϞ⧠āύāĻŋāĻā§āĻĻā§āϰ āĻāϤā§āĻ āĻāĻŋāĻā§ āĻā§āϞ-āϤā§āϰā§āĻāĻŋ āϏāĻš āĻ āύāĻŋā§āĻŽ āĻŽāĻžāĻĢāĻŋāĻ āĻā§āĻŦāύāϝāĻžāĻĒāύ āĻāϰāĻž, āϝāĻž āĻļāĻžāϰā§āϰāĻŋāĻ āĻŦāĻŋāĻāĻžāĻļā§āϰ āĻā§āώā§āϤā§āϰāĻā§āϞā§āĻā§ āĻŦāĻžāϧāĻžāĻā§āϰāϏā§āϤ āĻāϰ⧠āϤā§āϞāĻžāϰ āĻĒā§āϰāϧāĻžāύ āĻ āύā§āϤāϰāĻžā§ āĨ¤ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻā§āϞā§āĻĻā§āϰ āĻā§āώā§āϤā§āϰ⧠āĻ āϤāĻŋāϰāĻŋāĻā§āϤ āĻšāϏā§āϤāĻŽā§āĻĨā§āύ āĻāĻŦāĻ āĻŽā§ā§ā§āĻĻā§āϰ āĻā§āώā§āϤā§āϰ⧠āĻ āϤāĻŋāϰāĻŋāĻā§āϤ āϏāĻžāĻĻāĻžāϏā§āϰāĻžāĻŦāĻ āĻŦāĻžāĻāϧāĻž āĻšā§ā§ āĻĻāĻžāĻā§āĻžā§ āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻžāϰ āĻā§āώā§āϤā§āϰ⧠āĨ¤ āĻāĻāĻžā§āĻžāĻ āĻ āϞā§āĻĒ āĻŦā§āϏ⧠āĻŽāĻžāϤā§āϰāĻžāϤāĻŋāϰāĻŋāĻā§āϤ āĻĒāϰāĻŋāĻļā§āϰāĻŽ, āĻŽāĻžāύā§āϏāĻŋāĻ āĻāĻžāĻĒ, āĻā§āĻŽ āĻāĻŽ āĻāϤā§āϝāĻžāĻĻāĻŋ āĻŦā§āϝāĻžāĻĒāĻžāϰāĻā§āϞā§āĻ āĻāĻā§āĻāϤāĻž āĻŦā§āĻĻā§āϧāĻŋ āĻāĻŽ āĻšāĻā§āĻžāϰ āĻāĻžāϰāĻŖāĻā§āϞā§āϰ āĻŽāϧā§āϝ⧠āĻ āύā§āϝāϤāĻŽ āĻšāĻŋāϏāĻžāĻŦā§ āĻŦāĻŋāĻŦā§āĻāĻŋāϤ āĨ¤ āϝāĻĻāĻŋāĻ āĻāĻ āĻāĻžāϰāĻŖāĻā§āϞā§āĻ āĻļā§āώ āύā§, āĻŽāĻžāύā§āώ āĻāĻžāĻā§ / āĻŦā§āĻā§ āĻšāĻā§āĻžāϰ āĻĒāĻŋāĻāύ⧠āĻāϰ⧠āĻ āύā§āĻ āĻāĻŋāĻā§ āĻāĻžāϰāĻŖā§āϰ āĻā§āĻŽāĻŋāĻāĻž āϰā§ā§āĻā§, āϤāĻŦā§ āĻāĻĒāϰ⧠āĻāϞā§āϞā§āĻā§āώāĻŋāϤ āĻāĻžāϰāĻŖāĻā§āϞā§āĻ āĻŽā§āϞ āĻāĻžāϰāĻŖ āĻšāĻŋāϏā§āĻŦā§ āĻ āύā§āĻ āϏāĻŽā§āĻā§āώāĻžā§ āĻĻā§āĻāĻž āĻā§āĻā§ āĨ¤
āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻŦā§āĻĻā§āϧāĻŋāϰ āĻāĻŋāĻāĻŋā§āϏāĻž āĻŦāĻŋāώā§āĻ āϤāĻĨā§āϝāĻžāĻĻāĻŋ â
āĻā§āĻŦāύāϝāĻžāϤā§āϰāĻžāϰ āĻĒā§āϰāĻžā§ āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻā§āώā§āϤā§āϰ⧠āϏāĻžāĻĢāϞā§āϝā§āϰ āϝāĻžāϤā§āϰāĻžāĻā§ āĻĻā§āϰā§āϤ āϤā§āĻŦāϰāĻžāύā§āĻŦāĻŋāϤ āĻāĻŦāĻ āĻ āϧāĻŋāĻ āĻŽā§āϞā§āϝāĻžā§āĻŋāϤ āĻāϰ⧠āϤā§āϞāϤ⧠āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻĒāϰā§āĻā§āώāĻāĻžāĻŦā§ āĻ āĻĒāϰāĻŋāϏā§āĻŽ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āύ āĻā§āĻŽāĻŋāĻāĻž āĻĒāĻžāϞāύ āĻāϰ⧠āĻĨāĻžāĻā§ āĨ¤ āĻāϰ āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻžāϰ āĻ āĻāĻžāĻŦāĻāύāĻŋāϤ āϏāĻŽāϏā§āϝāĻžāĻā§ āĻā§āύā§āĻĻā§āϰ āĻāϰ⧠āĻāĻŽāĻžāĻĻā§āϰ āϏāĻŽāĻžāĻā§āϰ āϝ⧠āϏāĻāϞ āϤāϰā§āύ-āϤāϰā§āĻŖā§āϰāĻž āĻŽāĻžāύā§āώāĻŋāĻāĻāĻžāĻŦā§ āĻĻā§āĻāĻļā§āĻāĻŋāύā§āϤāĻžā§ āĻā§āĻāĻā§āύ, āϤāĻžāĻĻā§āϰ āĻāύā§āϝ āϏā§āύāĻžāĻŽāϧāύā§āϝ âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻā§ā§āϰā§āĻŦā§āĻĻāĻž āϞāĻŋāĻâ āύāĻŋā§ā§ āĻāϏā§āĻā§ âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻšāĻžāĻāĻ āĻĒā§āϞāĻžāϏâ āύāĻžāĻŽāĻ āĻāĻŽāύ āĻāĻ āĻāĻžāϰā§āϝāĻāĻžāϰ⧠āĻāώāϧ, āϝāĻž āϏā§āĻŦāύā§āϰ ā§Ģā§Ļ-ā§Ŧā§Ļ āĻĻāĻŋāύā§āϰ āĻŽāϧā§āϝ⧠āĻāĻĒāύāĻŋ āĻĒāĻžāĻŦā§āύ ⧍-ā§Š āĻāĻā§āĻāĻŋ āĻĒāϰā§āϝāύā§āϤ āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻŦā§āĻĻā§āϧāĻŋāϰ āĻĒā§āϰā§āĻŖ āύāĻŋāĻļā§āĻā§āϤāĻž āĨ¤
âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻā§ā§āϰā§āĻŦā§āĻĻāĻž āϞāĻŋāĻâ āĻāϰ āϤā§āϰāĻŋāĻā§āϤ âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻšāĻžāĻāĻ āĻĒā§āϞāĻžāϏâ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻāĻŋ āĻāĻŦā§āώāĻŖāĻžāϞāĻŦā§āϧ āĻĒā§āϰāĻžāĻā§āϤāĻŋāĻ āĻāĻŦāĻ āĻā§āώāĻ āĻāĻĒāĻžāĻĻāĻžāύ āĻāϰ āĻāĻĒāϝā§āĻā§āϤ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻāĻŦāĻ āĻŽāĻŋāĻļā§āϰāĻŖ āĻĻā§āĻŦāĻžāϰāĻž āĻā§ā§āϰā§āĻŦā§āĻĻāĻŋāĻ āĻĢāϰā§āĻŽā§āϞāĻžā§ āϤā§āϰāĻŋāĻā§āϤ, āϝāĻž āĻŽāĻžāύāĻŦāĻĻā§āĻšā§āϰ āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻŦā§āĻĻā§āϧāĻŋāϤ⧠āϏāĻšāĻžā§āϤāĻž āĻāϰ⧠āĻĨāĻžāĻā§ āϏāĻŽā§āĻĒā§āϰā§āĻŖ āĻļāĻžāϰā§āϰāĻŦā§āϤā§āϤā§ā§ āĻāĻĒāĻžā§ā§, āϤāĻžāĻ âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻšāĻžāĻāĻ āĻĒā§āϞāĻžāϏâ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻāĻŋ āĻāĻžāϰā§āϝāĻāĻžāϰāĻŋāϤāĻžāϰ āĻā§āώā§āϤā§āϰ⧠āĻāĻĒāύāĻžāĻā§ āϝā§āĻŽāύ āĻāĻĒāĻšāĻžāϰ āĻĻāĻŋāϤ⧠āĻĒāĻžāϰ⧠āĻļāϤāĻāĻžāĻ āϏāύā§āϤā§āώā§āĻāĻŋ, āϤā§āĻŽāύāĻŋ āĻāĻšāĻž āϏā§āĻŦāύ⧠āύā§āĻ āĻŦāĻŋāύā§āĻĻā§ āĻĒāϰāĻŋāĻŽāĻžāύ āĻā§āύ āĻĒā§āϰāĻāĻžāϰ āĻĒāĻžāϰā§āĻļā§āĻŦ-āĻĒā§āϰāϤāĻŋāĻā§āϰāĻŋā§āĻž āĨ¤
āĻāĻāύāĻāϰ⧠âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻšāĻžāĻāĻ āĻĒā§āϞāĻžāϏâ āϏāĻŽā§āĻĒāϰā§āĻā§ āĻŦāĻŋāϏā§āϤāĻžāϰāĻŋāϤ :-
āύāĻžāĻŽ :- âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻšāĻžāĻāĻ āĻĒā§āϞāĻžāϏâ
āĻŦā§āϝāĻžāĻŦāĻšā§āϤ āĻāĻĒāĻžāĻĻāĻžāύ :- āϏāĻŽā§āĻĒā§āϰā§āύ āĻĒā§āϰāĻžāĻā§āϤāĻŋāĻ āĻāĻŦāĻ āĻā§āώāĻ āĻāĻĒāĻžāĻĻāĻžāύ āĨ¤
āĻĒā§āϰāϏā§āϤā§āϤāĻā§āϰāĻŋā§āĻž :- āĻā§ā§āϰā§āĻŦā§āĻĻāĻŋāĻ āĻĢāϰā§āĻŽā§āϞāĻž āĻ āύā§āϏāĻžāϰ⧠āĻĒā§āϰāϏā§āϤā§āϤāĻā§āϤ āĨ¤
āĻā§āϰāĻŋā§āĻž :- āĻšāĻžā§ā§āϰ āĻŽāϧā§āϝāĻāĻžāϰ āĻŽāĻā§āĻāĻžāϰ āĻāύāϤā§āĻŦ āĻŦā§āĻĻā§āϧāĻŋ āĻāϰ⧠āĻšāĻžā§ā§āϰ āĻŦā§āĻĻā§āϧāĻŋāϏāĻžāϧāύ, āĻĒā§āώā§āĻāĻŋāĻāĻžāϰāĻ, āĻāĻŋāĻāĻžāĻŽāĻŋāύ āĻā§āϰāύ āĻā§āϝāĻžāϞāϏāĻŋā§āĻžāĻŽ āĻāϰ āĻāĻžāĻāϤāĻŋ āĻĻā§āϰā§āĻāϰāĻŖ, āĻā§āϰā§āĻĨ āĻšāϰāĻŽā§āύ āĻŦā§āĻĻā§āϧāĻŋ, āĻŽāĻŋāύāĻžāϰā§āϞ āϞā§āĻš āĻāĻŋāĻā§āĻ āĻāϰ āĻ āĻāĻžāĻŦ āĻĒā§āϰāĻŖ, āĻā§āώā§āϰ āϏā§āĻĨāĻŋāϤāĻŋāϏā§āĻĨāĻžāĻĒāĻ āĻāĻŦāĻ āϏāĻā§āϰāĻŋā§āϤāĻž āĻŦā§āĻĻā§āϧāĻŋ, āĻšāĻžā§ āĻŽāĻāĻŦā§āϤāĻāϰāĻŖ, āĻĒā§āϰāĻĢā§āϞā§āϞāĻāĻžāϰāĻ, āϏā§āĻŽā§āϤāĻŋāĻļāĻā§āϤāĻŋāĻŦāϰā§āϧāĻ āĨ¤
āĻĒāĻžāϰā§āĻļā§āĻŦāĻĒā§āϰāϤāĻŋāĻā§āϰāĻŋā§āĻž :- āϏāĻŽā§āĻĒā§āϰā§āĻŖ āĻĒāĻžāϰā§āĻļā§āĻŦ â āĻĒā§āϰāϤāĻŋāĻā§āϰāĻŋā§āĻžāĻŽā§āĻā§āϤ āĨ¤
āϏā§āĻŦāύāĻāĻžāϞ :- ā§Ģā§Ļ-ā§Ŧā§Ļ āĻĻāĻŋāύ
āĻĒā§āϰā§ā§āĻāύā§ā§āϤāĻž :- ā§§ āĻā§āϰā§āϏ
āĻāĻā§āϤ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻāĻŋāϰ āĻŽā§āϞā§āϝ :-
āĻļāĻžāϰā§āϰāĻŋāĻ āĻāĻā§āĻāϤāĻž āĻŦā§āĻĻā§āϧāĻŋāϤ⧠āĻļāϤāĻāĻžāĻ āĻāĻžāϰā§āϝāĻāĻžāϰ⧠âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻā§ā§āϰā§āĻŦā§āĻĻāĻž āϞāĻŋāĻâ āĻāϰ âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻšāĻžāĻāĻ āĻĒā§āϞāĻžāϏâ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻāĻŋāϰ āĻŦāϰā§āϤāĻŽāĻžāύ āĻŽā§āϞā§āϝāĻŽāĻžāύ â āĻŽāĻžāϤā§āϰ ā§Šā§Ļā§Ļā§Ļ āĻāĻžāĻāĻž āĨ¤
āĻ āϰā§āĻĄāĻžāϰ āĻāĻŦāĻ āϝā§āĻāĻžāϝā§āĻā§āϰ āĻāĻĒāĻžā§ :-
āĻāĻĒāύāĻŋ āĻŦāĻžāĻāϞāĻžāĻĻā§āĻļā§āϰ āϝ⧠āĻā§āύ āĻĒā§āϰāĻžāύā§āϤ āĻĨā§āĻā§ āĻā§āĻŦ āϏāĻšāĻā§āĻ âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻā§ā§āϰā§āĻŦā§āĻĻāĻž āϞāĻŋāĻâ āĻāϰ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻā§āϞ⧠āϏāĻāĻā§āϰāĻš āĻāϰāϤ⧠āĻĒāĻžāϰā§āύ āĨ¤ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻā§āϰ āĻ āϰā§āĻĄāĻžāϰ āύāĻŋāĻļā§āĻāĻŋāϤ āĻāϰāϤ⧠( āĻāĻĒāύāĻžāϰ āύāĻžāĻŽ + āĻĒā§āϰā§āĻĄāĻžāĻā§āĻā§āϰ āύāĻžāĻŽ + āĻāĻĒāύāĻžāϰ āĻ āĻŋāĻāĻžāύāĻž + āĻāĻĒāύāĻžāϰ āĻŽā§āĻŦāĻžāĻāϞ āύāĻžāĻŽā§āĻŦāĻžāϰ ) āϏāĻāĻŦāϞāĻŋāϤ āĻŦāĻžāϰā§āϤāĻž āĻĒāĻžāĻ āĻŋā§ā§ āĻĻāĻŋāύ āĻāĻŽāĻžāĻĻā§āϰ āĻāĻžāĻā§, āĻĒāϰāĻŦāϰā§āϤā§āϤ⧠āĻāĻŽāϰāĻžāĻ āĻāĻĒāύāĻžāϰ āĻ āϰā§āĻĄāĻžāϰāĻā§āϤ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻāĻŋ āĻĒā§āĻāĻā§ āĻĻā§āĻā§āĻžāϰ āĻŦā§āϝāĻžāĻŦāϏā§āĻĨāĻž āĻāϰāĻŦ āĻāĻĒāύāĻžāϰ āύāĻŋāĻāĻā§ āĨ¤ āĻ āϰā§āĻĄāĻžāϰ āύāĻŋāĻļā§āĻāĻŋāϤāĻāϰāύ āĻāϰāϤ⧠āύā§āĻ āĻā§āύ āĻĒā§āϰāĻāĻžāϰ āĻ āĻā§āϰāĻŋāĻŽ āĻĒā§āĻŽā§āύā§āĻā§āϰ āĻāĻžāĻŽā§āϞāĻž, āĻ āϰā§āĻĨāĻžā§ âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻā§ā§āϰā§āĻŦā§āĻĻāĻž āϞāĻŋāĻâ āĻĻāĻŋāĻā§āĻā§ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻ āĻšāĻžāϤ⧠āĻĒā§ā§ā§ āĻĒā§āϰā§āĻŖ āĻāĻžāĻāĻž āĻĒāϰāĻŋāĻļā§āϧ āĻāϰāĻžāϰ āϏā§-āĻŦā§āϝāĻžāĻŦāϏā§āĻĨāĻž āĨ¤
āĻĢā§āϏāĻŦā§āĻā§āϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻ āϰā§āĻĄāĻžāϰ āύāĻŋāĻļā§āĻāĻŋāϤāĻāϰāĻŖ āĻŦāĻžāϰā§āϤāĻž āĻĒāĻžāĻ āĻžāϤ⧠â āĻāĻāĻžāύ⧠āĻā§āϞāĻŋāĻ āĻāϰā§āύ
āύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻā§ā§āϰā§āĻŦā§āĻĻāĻž āϞāĻŋāĻ āĻ āĻāĻŋāĻā§āĻ (āĻā§ā§āϰā§āĻŦā§āĻĻāĻŋāĻ) āĻĄāĻžāĻā§āϤāĻžāϰāĻāύā§āϰ āϏāĻžāĻĨā§ āϏāϰāĻžāϏāϰāĻŋ āĻāϞā§āĻāύāĻž āĻāϰāϤ⧠āĻĢā§āύ āĻāϰā§āύ āĻāĻā§āϤ āύāĻžāĻŽā§āĻŦāĻžāϰā§- ā§Ļ⧧⧝ā§Ģā§Ēā§Ģā§Ļ⧍⧧ā§ā§Ļ / 01954502170 (āϏāĻāĻžāϞ ā§§ā§§ â āϰāĻžāϤ ⧝ āĻāĻž )
āϏāϰāĻžāϏāϰāĻŋ āϏāĻžāĻā§āώāĻžā§ āĻāϰ āĻĒā§āϰā§ā§āĻāύ⧠â āĻļā§āĻāĻĒāĻžā§āĻž, āĻāĻžāϞā§āĻāĻž, āĻāĻžāĻā§āĻĒā§āϰ, āĻĸāĻžāĻāĻž ( āĻā§āĻā§āϞ āĻŽā§āϝāĻžāĻĒā§ āĻĄāĻžā§āϰā§āĻāĻļāύ āĻĻā§āĻā§āύ )
āĻāĻŽāĻžāĻĻā§āϰ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻā§āϞā§āϰ āĻāĻžāϰā§āϝāĻāĻžāϰāĻŋāϤāĻž āĻāĻŦāĻ āύāĻŋāĻļā§āĻā§āϤāĻž
āĻāĻŽāĻžāĻĻā§āϰ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻā§āϞ⧠āϏāĻŽā§āĻĒā§āϰā§āĻŖ āĻĒā§āϰāĻžāĻā§āϤāĻŋāĻ āĻāĻŦāĻ āĻā§āώāĻ āĻāĻĒāĻžāĻĻāĻžāύ āĻĻā§āĻŦāĻžāϰāĻž āĻāĻŦā§āώāĻŖāĻžāϞāĻŦā§āϧ āĻŦā§āĻā§āĻāĻžāύāĻŋāĻ āĻāĻĒāĻžā§ā§ āĻĒā§āϰāϏā§āϤā§āϤāĻā§āϤ, āĻāϰ āĻāĻā§āϤ āĻāĻžāϰāύā§āĻ āĻāĻŽāϰāĻž āĻāĻŽāĻžāĻĻā§āϰ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻā§āϰ āĻā§āύāĻāϤ āĻŽāĻžāύ āĻāĻŦāĻ āĻāĻžāϰā§āϝāĻāĻžāϰāĻŋāϤāĻž āĻĒā§āϰāĻĻāĻžāύā§āϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ⧠āϰāĻžāĻāϤ⧠āĻĒāĻžāϰāĻŋ āĻļāϤāĻāĻžāĻ āĻāϏā§āĻĨāĻž āĻāĻŦāĻ āĻāĻĒāύāĻžāĻĻā§āϰ āĻĻāĻŋāϤ⧠āĻĒāĻžāϰāĻŋ āĻāĻĒāϝā§āĻā§āϤ āĻĢāϞāĻĢāĻžāϞ āĻĒā§āϰāĻžāĻĒā§āϤāĻŋāϰ āĻĒā§āϰā§āĻŖ āύāĻŋāĻļā§āĻā§āϤāĻž āĨ¤ āĻāĻŽāĻžāĻĻā§āϰ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻā§āϞā§āϤ⧠āĻŦā§āϝāĻžāĻŦāĻšā§āϤ āĻāĻžāĻāĻāĻžāĻŽāĻžāϞ āĻāĻŦāĻ āĻāĻĒāĻžāĻĻāĻžāύāϏāĻŽā§āĻš āϏāĻŽā§āĻĒā§āϰā§āĻŖ āĻāĻŽāĻžāĻĻā§āϰ āύāĻŋāĻāϏā§āĻŦ āĻŽāĻžāϧā§āϝāĻŽ āĻĻā§āĻŦāĻžāϰāĻžāĻ āϏāĻāĻā§āϰāĻšāĻā§āϤ, āĻāϰ āĻĒāϰāĻŦāϰā§āϤā§āϤ⧠āĻāĻā§āϤ āϏāĻāĻā§āϰāĻšāĻā§āϤ āĻāĻĒāĻžāĻĻāĻžāύāĻā§āϞā§āϰ āĻā§āώā§āϤā§āϰ āĻ āύā§āϝāĻžā§ā§ āĻāĻĒāϝā§āĻā§āϤ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻāĻŦāĻ āĻā§āύāĻāϤ āĻŽāĻžāύ āĻŦāĻāĻžā§ āϰā§āĻā§ āĻāύā§āϤāϰā§āĻāĻžāϤāĻŋāĻāĻāĻžāĻŦā§ āϏā§āĻŦā§āĻā§āϤ āĻā§ā§āϰā§āĻŦā§āĻĻāĻŋāĻ āĻĢāϰā§āĻŽā§āϞāĻž āĻ āύā§āϏāϰāύ āĻāϰ⧠āĻĒā§āϰā§āĻŖ āĻĒā§āϰāϏā§āϤā§āϤāĻāϰāύ āĻĒā§āϰāĻāĻŋā§āĻž āϏāĻŽā§āĻĒāύā§āύ āĻāϰ⧠āĻā§āĻā§āϤāĻž āĻ āĻ āϧāĻŋāĻāĻžāϰ āĻāĻāύā§āϰ ⧍(⧧⧝)(āĻ) āĻāϰ āϧāĻžāϰāĻž āĻŦāϞ⧠āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰāĻāĻžāϰā§āĻā§ āĻā§āĻ āĻāϰāϤ⧠āĻĻā§ā§āĻž āĻšā§ āĨ¤ āϏāĻŽā§āĻĒā§āϰā§āĻŖ āĻĒā§āϰāĻžāĻā§āϤāĻŋāĻ āĻāĻŦāĻ āĻā§āώāĻ āĻāĻĒāĻžāĻĻāĻžāύ āĻāϰ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻāĻŦāĻ āĻāĻĒāϝā§āĻā§āϤ āύāĻŋā§āĻŽ āĻ āύā§āϏāϰāύ āĻĻā§āĻŦāĻžāϰāĻž āϤā§āϰāĻŋāĻā§āϤ āĻŦāĻŋāϧāĻžā§ āĻāĻŽāĻžāĻĻā§āϰ āĻĒā§āϰā§āĻĄāĻžāĻā§āĻāĻā§āϞā§āϤ⧠āĻā§āύ āĻĒā§āϰāĻāĻžāϰ āĻĒāĻžāϰā§āĻļā§āĻŦ-āĻĒā§āϰāϤāĻŋāĻā§āϰāĻŋā§āĻž āύā§āĻ āĻŦāϞ⧠āĻāĻŽāϰāĻž āĻāϞā§āϞā§āĻ āĻāϰāϤ⧠āĻĒāĻžāϰāĻŋ āĨ¤
āĻāĻŽāĻžāĻĻā§āϰ āĻāĻŋāĻā§ āĻāĻĨāĻž :-
âāύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻā§ā§āϰā§āĻŦā§āĻĻāĻž āϞāĻŋāĻâ āĻŦāĻŋāĻāϤ ⧧⧍ āĻŦāĻāϰā§āϰāĻ āĻ āϧāĻŋāĻ āϏāĻŽā§ āϝāĻžāĻŦāϤ āĻāϏā§āĻĨāĻž āĻāĻŦāĻ āϏāĻĢāϞāϤāĻžāϰ āϏāĻā§āĻā§ āĻāĻŋāĻāĻŋā§āϏāĻž āϏā§āĻŦāĻž āĻĒā§āϰāĻĻāĻžāύā§āϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻā§āώāĻ āĻāĻĒāĻžāĻĻāĻžāύ āύāĻŋā§ā§ āĻāĻŦā§āώāĻŖāĻž āĻāĻžāĻā§ āύāĻŋāĻā§āĻĻā§āϰ āĻ āĻĒāϰāĻŋāϏā§āĻŽ āĻ āĻŦāĻĻāĻžāύ āϰāĻžāĻāĻā§, āĻāϰ āϏā§āĻĻā§āϰā§āĻ āĻāĻ āĻĒāĻĨ āĻāϞāĻžāϰ āĻŽāĻžāĻā§ āĻāĻŽāϰāĻž āĻ āϰā§āĻāύ āĻāϰā§āĻāĻŋ āϞāĻžāĻā§ āĻ āύā§āϰāĻžāĻā§ āĻāĻŦāĻ āĻļā§āĻāĻžāĻāĻžāĻā§āĻā§āώā§āϰ āĻ āĻāϏā§āϰ āĻāĻžāϞā§āĻŦāĻžāϏāĻž āĻāĻŦāĻ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ, āϝāĻž āĻāĻŽāĻžāĻĻā§āϰ āĻāĻĒāĻšāĻžāϰ āĻĻāĻŋā§ā§āĻā§ āĻā§ā§āϰā§āĻŦā§āĻĻāĻŋāĻ āĻāĻāϤā§āϰ āĻļā§āϰā§āώāϤā§āĻŦ āĨ¤ āĻāĻŽāϰāĻž āĻāĻŽāĻžāĻĻā§āϰ āĻļā§āϰā§āώāϤā§āĻŦ āϧāϰ⧠āϰāĻžāĻāϤ⧠āĻāĻŦāĻ āĻāĻĒāύāĻžāĻĻā§āϰ āύāĻŋāĻāĻ āĻĨā§āĻā§ āĻĒā§āϰāĻžāĻĒā§āϤ āĻāĻžāϞā§āĻŦāĻžāϏāĻž āĻāĻŦāĻ āĻŦāύā§āϧāύ⧠āĻā§āĻŋā§ā§ āĻĨāĻžāĻāϤ⧠āϏāϰā§āĻŦāĻĻāĻž āĻĒā§āϰāϤāĻŋāĻļā§āϰā§āϤāĻŋāĻŦāĻĻā§āϧ āĨ¤
via WordPress bit.ly/2Gk3Hy7
âthank u, nextâ â Ariana Grande has reportedly dropped out of the 2019 Grammy Awards. She was set to perform at the 61st annual ceremony, the biggest night in music. But, itâs Arianaâs way or the highway.
According to sources, she felt âinsultedâ when the producers of the show didnât agree with her song selection. Reports say Ari was all about performing her latest single â7 Rings,â but the Grammys was not. Later, they agreed to a medley which included the pop starâs smash song âthank u, next.â Still, they couldnât reach an agreement.
This isnât the first time the Grammys has been slammed for failing to give artists creative control. Last year, Lorde pulled the plug on her performance when she wasnât able to sing her own song during the ceremony. Producers wanted her to be part of a Tom Petty tribute instead. Mind you, she was nominated for Album of the Year for her work on Melodrama. She described the whole ordeal as a âslap in the face.â
Thankfully, this yearâs show wonât be a total bust. Lady Gaga, Dua Lipa, Travis Scott, Mark Ronson (and Miley Cyrus?), Camila Cabello and more are all expected to perform live. Post Malone will take the stage with the Red Hot Chili Peppers and country legend Dolly Parton will share a tribute with her talented friends.
Ariana Grande is still set to headline Coachella this year. So, sheâs good.
Source: Huffington Post
This article was first published on Your EDM. Source: REPORT: Ariana Grande Drops Out Of Grammy Awards Performance
REPORT: Ariana Grande Drops Out Of Grammy Awards Performance published first on soundwizreview.tumblr.com/
via WordPress bit.ly/2RlvPCc
Airbnb is a wonderful service that provides a necessary alternative to traditional hotels for hundreds of thousands of people per year. However, even with all its safeguards in place, there is still a risk of abuse of the system. One London couple learned this the hard way when 120 people showed up to a drug-fueled rave at their $3.2 million apartment which ended up being raided by police.
The guest was supposedly to use the apartment to host a small group of women to celebrate a pregnancy and upcoming wedding. She was described as âsoft spokenâ by owner Elisabeth Sterling. Unfortunately, the reality ended up being much different. The home was reportedly overrun by over a hundred party-goers high on nitrous who verbally abused Sterling.
âI feel violated,â the host said. âI canât think of it without shaking. I consider myself a super hostess and always go the extra mile for my guests.
âAirbnb has been an easy way of earning money while I write a book, but this has shattered my trust â and my faith in my own judgment.â
Police were called and eventually kicked the party-goers out, but not without the help of a court order, which had to be acquired after officers arrived. No arrests were made and the crowd was dispersed, but thousands of dollars of damage was done to the apartment.
âI saw four well-dressed men smoking joints. I was confused because it was supposed to be just women inside. I asked what they were doing there and one said, âItâs a surprise.â I asked him to turn the music off, but it just kept getting louder. I was furious.
âI tried to get into the house, but I was jostled and threatened as I forced my way through,â Sterling said. âThree tall girls kept asking, âWho are you, b**ch?â I shouted that I was the owner of the house.â
Airbnb said in a statement provided to The Metro, âWe have zero tolerance for this kind of behaviour, have suspended the guest from our platform while we investigate and are providing the host with our full support under our Host Guarantee.â
Hopefully both Sterling and Airbnb use this as a lesson to more carefully screen their guests.
This article was first published on Your EDM. Source: âDrug-Fueledâ Ravers Wreck $3.2 Million Airbnb Apartment
âDrug-Fueledâ Ravers Wreck $3.2 Million Airbnb Apartment published first on soundwizreview.tumblr.com/
via WordPress ift.tt/2PCAtzK
2018 has been an exciting year for Overwatch esports, but as they say: itâs not over until itâs over. Before the 2019 Overwatch League season begins, thereâs one more season of Overwatch Contenders Australia to play, and it promises to be action-packed!
Many new teams have joined the roster for the upcoming season, with Team Athletico (formerly Masterminds GC) and Heist (formerly Dark Sided) to name are few. Blank Esports is set to make its return from Contenders Pacific to play in Contenders Australia for the first time, while back-to-back champion, Sydney Drop Bears, is looking as strong as ever, despite star DPS, Kelsey âColourhexâ Birse, transferring to the Boston Uprising Overwatch League team and newly-signed Overwatch World Cup tank, Ashley âTrillâ Powell, moving to NA Contendersâ Team Envy. Additionally, brand new teams from Trials have earned their place in Contenders this season.
With so many player movements and organisation changes, Season 3 is shaping up to be the most thrilling yet. You wonât want to miss the action starting today at: https://www.twitch.tv/overwatchcontenders.
The twelve teams competing are as follows (also viewable here under the Australia tab):
Sydney Drop Bears
Mindfreak (formerly Sandbaggers from Trials)
Kraken (Trials)
Legacy Esports
Athletico (formerly Masterminds GC)
Blank Esports (Trials)
Heist (formerly Dark Sided)
Freshman Class (Trials)
Breakaway Esports (formerly Tainted Minds)
Kanga Esports
Melbourne Mavericks (formerly Serenity)
ORDER
In addition to exciting Overwatch Contenders Australia changes, viewers can expect some broader updates from this season:
New Contenders
National citizens and legal residents of Bahrain, Egypt, Kuwait, Qatar, Oman, Saudi Arabia, and the United Arab Emirates are now eligible to play in Contenders. This is an exciting new chapter for the program, and we look forward to seeing even more players plotting their course on the Path to Pro as Overwatch esports continues to expand around the world.
The Floor is Lava
TorbjÃļrn is back, and more molten than ever before. Everyoneâs favourite engineer and his baby trusty turret have a new look in Contenders Season 3, and it remains to be seen how teams will choose to utilise the powerful area-denial potential and armour shred. TorbjÃļrn isnât the only hero coming into the new season sporting changes, however. Pharah, McCree, Soldier: 76, Orisa, and Brigitte have also been tweaked, which heats up an already spicy competitive meta.
Battle in Busan
Contenders Season 3âs map pool includes the recently added control map, Busan. This will be the first time we see the map at the Contenders level and, much like Rialto in Contenders Season 2 and the Overwatch World Cup Group Stages, it should lead to some entertaining exchanges as teams try and figure out the best strategies for the new map.
Below is the full map pool for Contenders Season 3:
Control: Busan, Ilios, Lijiang Tower
Hybrid: Hollywood, Numbani
Assault: Hanamura, Horizon Lunar Colony
Escort: Dorado, Route 66
Tiebreaker: Nepal
With a new map, updated heroes, and new player stories, Contenders Season 3 promises to be an exciting way to close out the 2018 season. Clear your schedule, because youâve got Contenders to watch.
Take a moment to follow the official Contenders Twitch channel, and tune into the official Path to Pro Twitter for more updates.
The post Overwatch Contenders Australia Season 3 Returns Today appeared first on goto.game.
Overwatch Contenders Australia Season 3 Returns Today syndicated from touchgen.blogspot.com/
via WordPress ift.tt/2trm77Z
Porsche is out testing a new generation of the 911, the 992, and the latest prototype spotted is for the carâs Turbo Cabriolet variant. The new 911 will be revealed late this year or early next, initially in Carrera and Carrera S guises. The 911 Turbo should trail the basic models by six months to a year. We expect it to go on sale in the UnitedâĻ
2020 Porsche 911 Turbo Cabriolet spy shots and video syndicated from sinacarremovals.blogspot.com/
via WordPress ift.tt/2x3n890
Ajay Devgn clarifies about storming out in anger from The Kapil Sharma Show
There have been many stories from the sets of The Kapil Sharma Show off late when Bollywood biggies have walked off the sets. We had reported earlier that Baadshaho cast including Ajay Devgn stormed out of Kapil Sharmaâs comedy show The Kapil Sharma Show when the host failed to appear on the shooting day. Many reports also suggested that Ajay Devgn left in anger.
Ajay Devgn, who is promoting his film along with others in New Delhi, was asked about the incident about Kapil Sharma not showing up and them storming out of the sets of the show. Speaking about the same, Ajay informed that they did walk out because Kapil Sharma had not reached the sets. Even they were not aware of what had happened and why Kapil did not appear.
But, Ajay Devgn did clarify the reports claiming that Baadshaho cast storming out of anger was completely wrong. He said that there was no anger as even they have heard that Kapil Sharma has not been keeping well. Ajay did say that they are unsure whether they will be back on the show as many shoots had been cancelled earlier. Ajay, lastly, added that the next time he meets Kapil, they will figure it out as at the end of the day, they are colleagues and friends.
Earlier, Kapil Sharma had cancelled Jab Harry Met Sejal promotions despite Shah Rukh Khan and Anushka Sharma already on the sets. Even Toilet: Ek Prem Katha lead actors Akshay Kumar and Bhumi Pednekar had to leave without shooting the episode. Even Mubarakan cast faced the similar situation when Arjun Kapoor, Anil Kapoor and others were on the sets of the show.
Directed by Milan Luthria, Baadshaho also stars Emraan Hashmi, Ileana Dâcruz, Esha Gupta, Vidyut Jammwal, Sanjay Mishra. The film is releasing this Friday, September 1.
Ajay Devgn clarifies about storming out in anger from The Kapil Sharma Show
via WordPress ift.tt/2IghlBW
FITNESS GIRL VLOG FULL GYM WORKOUT Thank you for watching guys I LOVE YOU!! Make sure to like this video and SUBSCRIBE! Join the family you will âĻ
via WordPress bit.ly/2FY068b
Ariana Grandeâs new song â7 Ringsâ is making headlines for all sorts of reasons â one being that it absolutely crushed Spotifyâs 24-hour streaming record.
According to stats revealed by Spotify, Arianaâs most recent single racked up nearly 15 million plays on January 18, the day it released. â7 Ringsâ acquired 14,966,544 global plays in 24 hours to be exact.
The record was previously held by Mariah Carey, who broke through with 10,819,009 streams on Spotify thanks to her classic holiday anthem. âAll I Want For Christmas Is Youâ attracted a big crowd on December 24 of last year, which amounted to total 10,819,009 plays.
So far, no other artist comes close to touching the play power of Arianaâs â7 Ringsâ â at least within this time span. Her previous single, âthank u, nextâ is also among the greatest 24-hour record holders on Spotify. Drake, Ed Sheeran, and XXXTentacion are up there as well.
Spotifyâs Biggest 24-Hour Stream Counts
7 Rings, Ariana Grande â 14,966,544 (January 18, 2019)
All I Want for Christmas Is You, Mariah Carey â 10,819,009 (December 24, 2018)
SAD!, XXXTentacion â 10,415,088 (June 19, 2018)
Shape of You, Ed Sheeran â 9,891,056 (March 3, 2017)
In My Feelings, Drake â 9,847,333 (July 20 2018)
thank u, next, Ariana Grande â 9,606,415 (November 9, 2018)
Nonstop, Drake â 9,298,297 (June 29, 2018)
Last Christmas, Wham! â 9,098,668 (December 24, 2018)
Survival, Drake â 8,611,591 (June 29, 2018)
Godâs Plan, Drake â 8,553,009 (January 26, 2018)
Ariana Grande â 7 Rings
This article was first published on Your EDM. Source: Ariana Grande Absolutely Crushes Spotifyâs 24-Hour Streaming Record with â7 Ringsâ
Ariana Grande Absolutely Crushes Spotifyâs 24-Hour Streaming Record with â7 Ringsâ published first on soundwizreview.tumblr.com/