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H. 7 1/8 in. (18.1 cm); W. 3 1/4 in. (8.3 cm)

 

medium: Nephrite, light greenish gray

 

Metropolitan Museum of Art, New York, NY 02.18.457 1902

Gift of Heber R. Bishop, 1902

www.metmuseum.org/art/collection/search/43821

Diam. 13 7/8 in. (35.2 cm)

 

medium: Porcelain painted in overglaze famille rose enamels

 

Metropolitan Museum of Art, New York, NY 01.12.7 1901

Bequest of Marie A. Main, 1901

www.metmuseum.org/art/collection/search/47728

Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds—principally peacocks, symbols of the immortality of the soul—and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.

Byzantium, Constantinople

 

ink, tempera, and gold on vellum; leather binding

Sheet: 28 x 23 cm (11 x 9 1/16 in.)

 

Did you know...

Gospel books were carried in procession through Byzantine churches.

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1942.152.297.a

September 17, 2014 at 10:44AM

CAPTION: URL: ift.tt/2qfq256 SOURCE: ift.tt/2puS930 FROM: HM Harris Auto-action created by ifttt.com

This large marble head, possibly from an over-life-sized sculpture of Hercules, was excavated near the Florence baptistery and adapted and partly recarved to fit a medieval sculpture. Differences in the drill marks on the beard and the hair (those in the hair are finer and deeper than those in the beard) indicate that the head was probably modified in the Middle Ages. Many of the sculpted figures that once adorned the facade of the Duomo in Florence were completed with adaptations of ancient heads. The nose and left ear of this head are modern.

Medieval European

 

H: 18 3/16 × D: 16 5/16 in. (46.23 × 41.4 cm)

medium: marble

style: Romanesque

culture: Medieval European

 

Walters Art Museum, June 9, 1949, by purchase.

art.thewalters.org/detail/6852

The mosque of the Sultan El Ghoree was built by the Mamluk Sultan, Qansuh al-Ghuri (ruled 1501–16) according to sacred proportions. The lavish complex included an elegant fountain, a college, and the sultan’s own mausoleum, which was never used. Today, the mosque is still part of the historic urban fabric of modern Cairo. This print shows a view into its interior. <br><br>Artist David Roberts travelled in the Middle East and North Africa, particularly Egypt, from 1838 to 1839. During his journey, Roberts produced a great number of sketches. He developed these into watercolors, which were the basis for a series of 247 lithographs made by Louis Haghe, of which this is one.

England, 19th century

 

color lithograph

 

Gift of J. Byers Hays

clevelandart.org/art/1953.534

October 21, 2018 at 08:55AM

August 21, 2013 at 04:56AM

August 21, 2013 at 02:50AM

Khnum holds a whip in his right hand. The inscription says that this votive figure was dedicated by King Psametik.

 

As in large scale Egyptian granite standing or striding figures, there is no space between the legs, and the arms are kept close to the body. The headdress has broken off.

 

Egyptian

 

6 3/4 in. (17.2 cm)

medium: black granite

culture: Egyptian

dynasty: 26th Dynasty

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/8061

12 1/2 x 14 1/2 in. (31.8 x 36.8 cm)

 

medium: Ink and watercolor on paper

 

Metropolitan Museum of Art, New York, NY 34.100.69 1934

Gift of Mrs. Robert W. de Forest, 1933

www.metmuseum.org/art/collection/search/527

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