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August 18, 2013 at 07:03PM

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The detailed rendering of this tranquil scene is characteristic of Hart's early work, when he was most deeply influenced by the Hudson River school of landscape painting.

 

Born in Scotland, Hart began his career as a coach decorator. In 1850, he traveled to Germany's major art centers--Munich and Düsseldorf--where he completed his training as an artist. From 1857 until his death, Hart was based in New York City.

 

H: 21 1/8 x W: 35 1/4 in. (53.7 x 89.5 cm)

H with frame: 34 1/4 x W: 48 1/4 x D: 5 in. (87 x 122.6 x 12.7 cm)

medium: oil on canvas

 

by bequest to Walters Art Museum, 1931.

art.thewalters.org/detail/2326

This model of a lion is on an irregular base and has been partially restored in plaster. There are stains and black paint on the head and base, and the body has been cleaned.

Egyptian

 

L: 7 5/8 × H: 4 3/16 × Max W: 2 13/16 in. (19.4 × 10.7 × 7.2 cm)

medium: limestone

culture: Egyptian

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/11054

France(?)

 

limestone

Overall: 5.3 x 8 cm (2 1/16 x 3 1/8 in.)

 

Gift of John H. Howe

clevelandart.org/art/1971.268

Alexander H. Wyant

1836–1892

34 3/4 x 53 3/4 in. (88.3 x 136.5 cm)

 

medium: Oil on canvas

 

Metropolitan Museum of Art, New York, NY 13.53 1913

Gift of Mrs. George E. Schanck, in memory of her brother, Arthur Hoppock Hearn, 1913

www.metmuseum.org/art/collection/search/13356

August 17, 2016 at 08:01PM

Zaielhawa.CoM - Zayelhawa.CoM

June 11, 2018 at 06:30AM

June 05, 2018 at 10:50PM

July 04, 2017 at 04:30AM

 

H: 6 1/4 in. (15.8 cm)

medium: bronze

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/14914

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During the Italian Renaissance of the 1400s and 1500s, nobles and merchants eager to express their wealth and sophistication ordered ceramics for dining, display, and storage. Known as <em>maiolica</em>, because it resembled the brightly colored ceramics from the Mediterranean island of Majorca, these ceramic vessels were covered with a tin glaze that provided an opaque white surface on which colorful decoration and coats of arms as well as mythological or literary stories could be painted.

Italy, Urbino

 

tin-glazed earthenware (maiolica)

Diameter: 5.6 x 25.7 cm (2 3/16 x 10 1/8 in.)

 

Did you know...

In combination, the arms, armor, and winged head of a cherub depicted on this plate symbolize war—a common theme in the midst of the Great Wars of Italy (1494–1559).

 

Gift of M. & R. Stora

clevelandart.org/art/1923.1088

June 03, 2018 at 02:10AM

This whimsical bottle is classified as <em>Buncheong</em> 분청 (literally, powdered green). Flourishing during the 1400s–1500s, Buncheong indicates pottery with iron-rich clay decorated with white slip. After firing, the color of the clay body usually became greenish-gray due to its high iron content. Korean artists tried to emulate the white porcelain wares of the Chinese Ming period, although the result was not the same. On the surface coated with white slip, the image of a smiling fish is carved in bold lines, a technique distinctive to Jeolla province, a southwest region of the Korean peninsula.

Korea, Joseon dynasty (1392–1910)

 

stoneware with incised design (Buncheong ware)

Outer diameter: 17 cm (6 11/16 in.); Overall: 30.6 cm (12 1/16 in.)

 

Did you know...

The fish depicted here seems to be a small yellow croaker, abundant off the southwest coast of the Korean peninsula.

 

John L. Severance Fund

clevelandart.org/art/1962.153

ArtsWNews April 2013

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