Ready to depart on the fleet which you can see behind him, Aeneas tells the distraught Dido that he must follow his destiny and leave Carthage.

Belgium, 17th century

tapestry weave: silk and wool

Overall: 403 x 394 cm (158 11/16 x 155 1/8 in.)

Did you know...

This tapestry is one from a series of eight that depicts the tragic love story of Dido and Aeneas. They were gifted to the museum for display in the armor court.

Gift of Mrs. Francis F. Prentiss, in memory of Dr. Dudley P. Allen

clevelandart.org/art/1915.79.7

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A gemellion (from the Latin geminus, meaning "twin") is one of a pair of basins used for hand washing, either at home or during the Mass. Water was poured from the spouted bowl and was caught in the second bowl placed below. Many gemellions made in the enamel manufacturing center of Limoges, France, were decorated with secular-themed designs of birds, beasts, or courtly scenes. This example shows a knight kneeling before his lady in the central medallion and women holding coats-of-arms on the surround.

French

H: 1 3/8 x Diam: 8 7/8 in. (3.5 x 22.5 cm)

medium: champlevé enamel on copper with gilding

style: Gothic

culture: French

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/9202

February 06, 2016 at 04:24PM

This precious book was highly prized by its owner, Charles III, King of Navarre, a French-born prince whose coat of arms is painted on 20 folios. Charles visited Paris on numerous occasions and likely acquired this volume there in 1404. Paris was the center of the European book trade at the time and attracted illuminators from many parts of Europe. This manuscript represents one of the most remarkable fusions of French and Italian taste in book illumination. Though conforming to Parisian standards, most of the book’s major miniatures are the work of the Brussels Initials Master, an Italian illuminator who previously worked in Bologna and Padua.

France, Paris

ink, tempera, and gold on vellum

Codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.)

Mr. and Mrs. William H. Marlatt Fund

clevelandart.org/art/1964.40.10.b

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