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title:A Crash Course in Tarot for Newbies #1
author:Sam Stevens
source_url:http://www.articlecity.com/articles/recreation_and_sports/article_676.shtml
date_saved:2007-07-25 12:30:16
category:recreation_and_sports
article:
The Tarot is not just a divinatory tool, but it can also be utilized in the appropriately trained hands as a tool for providing counsel and advice with which we can navigate life. It is an antique form of divination that predates popular psychology, but has been shown to have archetypal energies that work well from a Jungian perspective. Tarot becomes a book of wisdom offering you a living parable or myth that reflects your life journey in the hands of the right Diviner. It describes a journey that mirrors your path in life. Usually the story is a direct description of what is going to happen in a particular window of time although talented readers can tell you much more than that from looking at the symbols in the cards! One of the main purposes of the use of the cards is to construct a future narrative so that you can make decisions to change your fate.
The reader shuffles cards and lays them out in a specific pattern usually called a “spread.” This can be compared to a snapshot or map of your life. Each card position in the layout of the spread represents a characteristic of the situation in question –what forces are beyond your control, what your particular strengths are in the current or future situation, and what the likely outcome is if you continue as you have been doing. As the cards fall into their positions, meaning is created by the unique placement of the symbolic meanings of each card. Together they weave a synchronistic tapestry that may seem random at first, but in reality is a very careful map which you may follow or not as you wish to bring about or avert the outcome of your reading. Synchronicity is a principle that is not only referred to constantly in psychology, but also in quantum physics. The entire system of Tarot cards can be described as a pictorial or numerological expression of the human condition.
The Tarot cards can be compared to a wise friend who we can turn to when we wish to make a wise decision regarding a relationship or a career. The wisdom found inside the Tarot, is actually the same wisdom that is found inside each and every one of us. The whole purpose of a reading is to tell you what you don’t know so that you can use your free will to take appropriate actions that are good for your soul. Now, this does not necessarily mean telling you what you want to hear – but instead what you NEED to hear.
It’s hard to believe, but Tarot cards were not originally designed to tell the future! They were first used in the 16th century Paris to play a card game similar to Bridge. As there were no soap operas in those days, the cards were also put to another entertaining use. The face cards, such as the Queen of Cups, King of Swords and so forth were modeled on the personas of popular celebrities of the day. These cards were shuffled and then arranged into scandalous story lines. This parlor game was a source of great amusement for both royalty and peasants alike.
In addition, 16th century poets used the cards to compose poems called tarocchi apporporati. The poems would be constructed about the characters in the trump cards in the deck, such as the Queens, Kings, Knights and Pages to tell a tragic or romantic story.
Tarot cards were not associated with divination until the 1800s, when a secret order of magicians in Venice, Italy found significance in their numbers and symbols. Before that these decorative cards were not used for fortune telling. As these magicians were the Illuminati of their day, their reading methods were kept very secret. The first known records of the divinatory meanings assigned to Tarot cards did not appear until the 1700s in Bologna.
Ordinary playing cards have been connected with divination as early as 1487. The gypsies were adept at reading plain playing cards for centuries before the Venetian magicians got their hands on a French Tarot Deck. It is safe to assume that the Tarot card meanings and spreads that are used today are based on a hybrid of techniques derived from the Tzigani system of reading playing cards, French parlor games and Venetian interpretations of occult symbols!
To understand the Tarot you need to familiarize yourself with the meanings of the four suits and the meanings of their symbols. The cups, coins, disks and wands of the Tarot deck derive their meaning from cartomancy. Cartomancy is the art of reading playing cards.
There are 78 cards in a traditional Tarot Deck. These 78 cards are divided into the Major and Minor Arcanas. The Minor Arcana relates to the ordinary playing deck. Most of the cards in the Minor Arcana represent events or qualities.
The additional 22 Major Arcana cards included in the traditional Tarot deck represent the stages of a person’s individual passage through life, from non-existence, birth, love, marriage, death spiritual ascension and back to non-existence again. The Fool Card, numbered 0, is indicative of this eternal cycle.
The 22 Major Arcana cards are an addition to what otherwise could be described as an ordinary playing deck that consists of four suits.
The meanings of the 22 Major Arcana cards are based on an old French parlor game that was used to predict the lives of the celebrities of the day. Since then, they have mutated to symbolize major life events and personal attributes.
When you are first learning to read the Tarot cards, sometimes it is valuable to have a list of the card’s abbreviated meanings to refer to while you are throwing the cards. Though not all diviner’s use the same correspondent meanings.
Here is a list of the classic meanings of each of the 22 cards of the Major Arcana.
0 The Fool – choices offered, folly, going in circles
1 The Magician – creative energy, psychic power
2 The High Priestess – mystery, hidden influences, female supremacy
3 The Empress – abundance, fertility, motherhood
4 The Emperor – leadership, control, fatherhood
5 The Hierophant – convention, society, restrictions
6 The Lovers – love, relationships, intimacy
7 The Chariot – mind over matter, conflicts, war
8 Strength – courage, power, stamina
9 The Hermit – wisdom, spirituality, connection with Higher Self
10 Wheel of Fortune – unpredictability, changes of luck for good or bad,
11 Justice – legal issues, balance, karmic return
12 Hanged Man – withdrawal, study, rest, waiting
13 Death – change, physical death, an ending
14 Temperance – moderation, adaptation, patience
15 The Devil – temptation, the material world, evil
16 The Tower – conflict, problems, devastation
17 The Star – hope, inspiration, happiness
18 The Moon – unseen troubles, black magic, female sexuality
19 The Sun – marriage, success, male sexuality
20 Judgment – awakening, renewal, the result of good or bad actions
21 The World – success, opportunity, a clean slate
If you subtract the extra 22 cards that comprise the Major Arcana from a Tarot deck, the Minor Arcana is what is left over. The Minor Arcana of every Tarot deck contains 56 cards divided into four suits with each suit maintaining its own sphere of influence. The four suits are the Cups, Pentacles (also referred to Disks or Coins in some decks), Wands (sometimes referred to as Batons) and the Swords. In a deck of conventional playing cards the Cups related to the suit of Hearts, the Diamonds to Pentacles, the Wands to Clubs and the Swords to Spades.
Each of these four suits reigns over their own special spheres of influence.
The Cups suit deals with emotional matters, love, sex marriage, fertility and creativity.
The Pentacles suit pertains to matters such as wealth finance commerce prosperity, career and economic security.
The Swords suit refers to legal matters, the wheels of progress, heartbreak, betrayal, opposition, breakthroughs and the need to impose order on chaos.
Wands represent the mind, inspiration, guidance, the world of ideas, deep thought, intellect, purpose and potential.
Here is a handy list of the condensed and abbreviated meanings of the 56 cards in the Minor Arcana.
Wands
Ace beginning of fortune, passion, inspiration
2 business success, partnership
3 help offered, charity
4 rest after labor, a compromise
5 struggle, competition
6 startling news, invention, applied science
7 courage in the face of difficulty, futility
8 swift action, a message, good news
9 overcoming obstacles, povert
10 unwise use of power, too much force
Page a messenger
Knight starting or finishing of an issue, a proposal
Queen mother, artist, creative woman
King man of authority, an entrepreneur
Cups
Ace new love, union of souls, birth
2 new friends, new love, soul mate
3 abundance, health, prosperity
4 discontent, dissatisfaction
5 regret, disappointment
6 happiness from the past
7 unrealistic dreams, delusions
8 things thrown aside, waste, addiction
9 material abundance, financial progress
10 family life, excess, indulgence
Page the arrival of good news
Knight proposals, invitations
Queen romantic woman, vain woman
King romantic man, sensitive man
Swords
Ace victory, swift justice
2 indecision, uneasy compromise
3 separation, love triangle
4 changes, improvement
5 success without happiness
6 difficulties resolve themselves, medical attentiont
7 a failed plan, unmet goals, disappointment
8 restriction, rigid thinking, evil
9 sorrow, agony of mind
10 ruin, despair, betrayal
Page upsetting message, a meddler
Knight end of a problem, a swift resolution
Queen strong willed woman
King man of military authority
Coins
Ace beginning of wealth, a great idea
2 two situations at once, commerce
3 skills in the arts, steady work
4 material possessions, gifts
5 loneliness, abandonment
6 charity, desperation
7 a pause amid growth
8 employment
9 enjoyment of wealth
10 family money, promotion
Page good financial news
Knight patience with business and financial matters
Queen a rich woman, an independent woman, a matriarch
King man of business, a wealthy man
The face cards of the Minor Arcana used to represent the Who’s Who of Tarot. Originally these personalities were based on the antics of celebrities in 16th century France. The face cards are the ‘people” cards in the deck that often symbolize the arrival or influence of a male or female in your life. They are represented by the four face cards in each suit – Cups, Wands, Coins and Swords. These are the persons represented by the Kings, Queens, Knights (sometimes Princes) and Page (or Princesses) in the Minor Arcana of the deck. The four offices of King, Queen, Knight and Page vary in name somewhat from deck to deck – but all are correct for the deck and correspondences you are working with in that deck.
For those of you who have always wondered just exactly “whom” these people are coming up in your reading, here is a short guide as to what they are supposed to look like and be like:
Queen of Cups A fair-haired young woman. Often good looking, vain, thoughtless.
Princess of Cups Beautiful, naive sexy usually fair-haired woman. Immature.
Queen of Disks A slightly older woman. Well to do. Practical. Nobody’s fool.
Princess of Disks A nurturing, often codependent woman. Wounded Healer.
Queen of Wands Darker haired, artistic, entrepreneur, independent, feminist, intelligent.
Princess of Wands Brown or blonde do-gooder. Practical. Takes matters into own hands.
Queen of Swords Dark haired, widow, sad woman. Abandoned woman. Wily
Princess of Swords Dark haired, scheming woman. Depressed. Promiscuous. Needy
King of Cups Fair-haired alpha male. Warm, generous, loving, Controlling.
Knight of Cups Knight in shining armor card. A suitor. Warm generous loving.
King of Disks Paternal Fatherly type. Medium to Dark Haired. Businessman
Knight of Disks An active, athletic stubborn type. Controlling. Can be Violent.
King of Wands Dangerous, womanizing man. Egotistical. Dramatic. Sexy
Knight of Wands Medium to dark haired younger man. A Player. Vain. Selfish
King of Swords Cruel, powerful, bitter man. Sometimes emotionless. Swift.
Knight of Swords Sullen, dark haired, sexy but depressed younger man. Poetic
A Crash Course In Tarot For Newbies #2 will be about basic spreads and layouts for divination.
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SunDeep Bhardwaj Kullu
MBA-Sales & Mktg.(Symbiosis,Pune)
B.Pub.Admn.(H.P.University,Summer Hills, Shimla)
BHM (GCC-Bangalore)
***Publishing Photostories clicked in the most exotic places on earth in 70+ countries that I visited in last decade. For all stories of 70+ Countries go to my oficial website
sundeepkullu.com ™©®
Slide Shows | Full Screen Mode | Adobe Flash or Mobile
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The images are also available for licence through GETTY IMAGES or directly by contacting me.
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*INDIA- Mayad Valley, Lahaul , Rohtang Pass, Manikaran, Jispa, Sissu, Gondla, Deepak Taal, Baralachha Pass, Zing Zing Bar, Deepak Taal , Suraj Taal, Kasol, Kullu-Manali, Bhunter, Keyong
*AUSTRALIA-Melbourne-Great Ocean Road-Twelve Apostles this week
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Earlier in 2011 EGYPT SCOTLAND TIBET JORDAN INDIA
70 COUNTRIES SINCE PAST DECADE & WORLD TOUR SINCE 2007
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using NIKON D60 DSLR or 4,288 × 2,848 (12.3 effective megapixels) USING NIKON D90 DSLR's.For full size images contact me.
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admin@phototube.co ( phototube.co related )
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SunDeep Bhardwaj Kullu
MBA-Sales & Mktg.(Symbiosis,Pune)
B.Pub.Admn.(H.P.University,Summer Hills, Shimla)
BHM (GCC-Bangalore)
***Publishing Photostories clicked in the most exotic places on earth in 12 countries that I visited in this year. For all stories of 70+ Countries go to my oficial website
sundeepkullu.com ™©®
Slide Shows | Full Screen Mode | Adobe Flash or Mobile
www.flickr.com/photos/wittysam/sets/72157624062762956/
www.flickr.com/photos/wittysam/sets/72157624062638852/show/
Available on Skype / Facetime / Viber / WhatsApp / Facebook / Google Talk / Yahoo Messenger mostly.
Facebook/Facetime/Skype/WhatsApp/Viber/Twitter/ with wittysam@gmail.com , sb@sundeepkullu.com ,
+91 8527745789 India and World roaming
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KINDLY NOTE***The Stock samples of SDBWP SunDeep Bhardwaj World Photography in flickr Photostream cannot be Copied,Distributed,Published or Used in any form,full or in part,or in any kind
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These images have been released in response to a FOIA request, case number 2014-0012-F, received by the National Archives. For more information on these images, please visit Researching Vice Presidential Materials. These photos will be available in the National Archives Catalog in July 2015.
Local Identifier: V8261-07
Created By: President (2001-2009 : Bush). Office of Management and Administration. Office of White House Management. Photography Office. 1/20/2001-1/20/2009
From: Collection: Vice Presidential Records of the Photography Office (George W. Bush Administration), 1/20/2001 - 1/20/2009
Contact: Presidential Materials Division (LM)
National Archives Building
7th and Pennsylvania Avenue NW
Washington, DC 20408
Phone: 202-357-5200
Fax: 202-357-5939
Production Dates: 2/18/2004
Persistent URL: catalog.archives.gov/id/20015705
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Margolies, John,, photographer.
Space Age Lodge sign, Gila Bend, Arizona
2003.
1 photograph : color transparency ; 35 mm (slide format).
Notes:
Title, date and keywords based on information provided by the photographer.
Margolies category: Motel signs.
Purchase; John Margolies 2008 (DLC/PP-2008:109-3).
Credit line: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.
Please use digital image: original slide is kept in cold storage for preservation.
Forms part of: John Margolies Roadside America photograph archive (1972-2008).
Subjects:
Motels--2000-2010.
Signs (Notices)--2000-2010.
United States--Arizona--Gila Bend.
Format: Slides--2000-2010.--Color
Rights Info: No known restrictions on publication. For more information, see "John Margolies Roadside America Photograph Archive - Rights and Restrictions Information" www.loc.gov/rr/print/res/723_marg.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Margolies, John John Margolies Roadside America photograph archive (DLC) 2010650110
General information about the John Margolies Roadside America photograph archive is available at hdl.loc.gov/loc.pnp/pp.mrg
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/mrg.01423
Call Number: LC-MA05- 1423
Lunar animals and other objects Discovered by Sir John Herschel in his observatory at the Cape of Good Hope and copied from sketches in the Edinburgh Journal of Science.
[1835]
1 print : lithograph ; 36.8 x 53.6 cm (sheet)
Notes:
Print shows illustration for the New York Sun relating to the Great Moon Hoax with human-bat creatures, unicorns, and other imaginery beings on the Moon.
Title from item.
Publication date based on copyright statement on item. DLC
Notation on recto: Deposited August 29, 1835 at the Clerks Of. South Dist. of New York. DLC
Forms part of: Popular graphic art print filing series (Library of Congress).
Subjects:
Great Moon Hoax.
Extraterrestrial life--1830-1850.
Supernatural beings--1830-1850.
Fantasy--1830-1840.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Popular graphic art print filing series (Library of Congress) (DLC) 2003656552
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/pga.02667
Call Number: PGA - Day (B.)--Lunar animals ...
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/5041145440
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Uyuni Train Cemetery (Bolivia)
This interesting train cemetery is located about 30 min walk (2 Km) south of the train station.
For more information about this place, read the album description.
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
Used as illustration for a blog post at www.24oranges.nl/2009/07/31/van-advertises-nothing/
Photo by Branko Collin.
Rechts de Zuiderkerkstraat 10, waar van oudsher de bekende herberg in "Het Blauwe Paard" stond:
hdl.handle.net/21.12105/352e8f36-bb3a-7e63-f472-c2640b7213ab
hdl.handle.net/21.12105/a309a0eb-7989-2263-5713-396f7c210e2a
Links het pand aan het Nieuwe Kerkhof, hoek Zuiderkerkstraat, in 1894 ontworpen door architect K. Hoekzema als Rijwielfabriek met Magazijnen van A. Fongers.
Aanbesteding Rijwielenfabriek met Magazijnen aan het Nieuwe Kerkhof. Nieuwsblad van het Noorden van 7-9-1894:
resolver.kb.nl/resolve?urn=ddd:010895468:mpeg21:a0020
Aanbesteding Rijwielenfabriek, Rijschool, Restaurant, Magazijnen, Kantoren en Bovenwoning aan de Heereweg in Groningen. Leeuwarder Courant van 31-8-1896:
resolver.kb.nl/resolve?urn=ddd:010592623:mpeg21:a0056
Verkoop van het pand aan het Nieuwe Kerkhof. Leeuwarder Courant van 3-2-1897:
resolver.kb.nl/resolve?urn=ddd:010592754:mpeg21:a0037
In 1832 was de wed. van smid Renke Jans Mulder eigenaar van pand op deze hoek, Kad. F 404, art. 1679.
hdl.handle.net/21.12105/4af4c685-e084-babc-204e-339f9b449d54
Renke Jans Mulder, smid, geb. Leer, Ostfriesland, Duitsland, ovl. Groningen (Nieuwe Kerkhof H 74) 2-8-1819, oud 45 jaar, man van Annechien Jans:
allegroningers.nl/zoeken-op-naam/deeds/6c8fb4a8-9498-80d7...
allegroningers.nl/zoeken-op-naam/deeds/c713145a-cd24-99bc...
Annegien Jans, smidsche, geb. Sappemeer, ovl. Groningen (Nieuwe Kerkhof H 220) 8-7-1842, oud 71 jaar, weduwe van Renke Jans Mulder, dochter van Jan Jans, scheepstimmerman, en van Geziena:
allegroningers.nl/zoeken-op-naam/deeds/99f9a490-e6a7-7e8f...
hdl.handle.net/21.12105/4af4c685-e084-babc-204e-339f9b449d54
hdl.handle.net/21.12105/465ed495-b66f-5fb5-d752-4cd2d15c4941
hdl.handle.net/21.12105/352e8f36-bb3a-7e63-f472-c2640b7213ab
hdl.handle.net/21.12105/a309a0eb-7989-2263-5713-396f7c210e2a
Ten Huyze van Herbergier Jacob Berghuys (ook Berghuis, Barghuys en Barkhuis) in "het Blauwe Paard" (Blaauwe Peert), agter het Nieuwe Kerk Hof (ook in de Kerk Straat). Opregte nieuwe Groninger Courant van 22-12-1744, 1-1-1745, 15-3-1746, 25-3-1746, 20-5-1746, 23-9-1746, 11-10-1746, 11-10-1748, 7-9-1751, 13-11-1761, 15-12-1761, 2-11-1762, 6-1-1764, 25-5-1764, 13-4-1770:
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Verkoop ten Huyze van de Weduwe van Wylen Jacob Barkhuys by de Noorder Kerk in Groningen, alwaar het Blauwe Paard uithangt. Opregte Groninger Courant van 24-9-1771: resolver.kb.nl/resolve?urn=ddd:010260717:mpeg21:a0008
De Weduwe van den Olderman J. Berghuis biedt de Herberg "Het Blauwe Paard" aan het Nieuwe Kerkhof te koop aan. Opregte Groninger Courant van 5-4-1771, 13-12-1771, 17-3-1772:
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De Wed. van Hendrikus Mensens aan het Nieuwe Kerkhof. Opregte nieuwe Groninger Courant van 18-1-1743: resolver.kb.nl/resolve?urn=ddd:010410178:mpeg21:a0005
Margreta Brants Huis vr. van de Helberdier van de Gewes. Hendr. Mensens:
allegroningers.nl/zoeken-op-naam/deeds/4e51c321-b3f9-1959...
Margreta Brants ovl. Groningen 15-11-1749,
relatie van Hendericus Menssens: allegroningers.nl/zoeken-op-naam/deeds/17af821d-13b2-ebd3...
P. Bieruma biedt een nieuw gebouwd huis aan het Nieuwe Kerkhof te huur aan. Hij woont in de Herestraat, tegenover het groote Koude Gat, in 't Gouden Anker.
Opregte nieuwe Groninger Courant van 15-4-1746: resolver.kb.nl/resolve?urn=ddd:011022448:mpeg21:a0009
Kastelein Geert Jans Dubbelboer, aan het Nieuwe Kerkhof in "het Blauwe Paart".
Opregte Groninger Courant van 22-1-1773: resolver.kb.nl/resolve?urn=ddd:010106138:mpeg21:a0006
Groninger Courant van 19-5-1775 en 26-1-1779: resolver.kb.nl/resolve?urn=ddd:010106383:mpeg21:a0005
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De Wed. Dubbelboer en Kastelein Freerk Dubbelboer in "Het Blaauwe Paard" aan het Nieuwe Kerkhof. Groninger Courant van 2-2-1779, 27-11-1781, 10-12-1782, 17-12-1782, 8-1-1790, 2-2-1790, 10-2-1792, 26-8-1797, 31-3-1807:
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Advertentieblad, bekendmakingen en onderscheidene berigten van Groningen van 4-2-1814: resolver.kb.nl/resolve?urn=ddd:010179836:mpeg21:a0005
Fredrik Dubbelboer, kastelein, geb. Groningen, ovl. Groningen 23-3-1814, oud 40 jaar, man van Elsien Wieringa,
Huwelijk Freerk Dubbelboer en Elsien Wieringa:
allegroningers.nl/zoeken-op-naam/deeds/52ec2e84-f911-117a...
Akte van overdracht door de erfgenamen van Geert Dubbelboer en Eilke Freriks, echtelieden in het Blauw-Paard te Groningen, aan de redger H. Cleveringa te Leens van de eigendom van 11 jukken land onder Leens, onder beklemming in gebruik bij Walle Pieters en vrouw, 1794 augustus 23. Met akte van verkoop d.d. 1780 november 30 door Henrikus Hubert, mede namens zijn vrouw Alagonda Boelens, aan Aijlke Freriks, weduwe van Geert Jans Dubbelboer, van het recht van redemptie van voornoemde 11 jukken, welke door voornoemde Hubert reeds onder voorbehoud van dit recht in "pacht" overgedragen zijn, 1794 augustus 23:
www.groningerarchieven.nl/zoeken/mais/archief/?mivast=5&a...
Kastelein C. Bakhaus, in "Het Blaauwe Paard" aan het Nieuwe Kerkhof. Groninger Courant van 6-6-1820 en 5-1-1827:
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In 1832 was kastelein Coenraad Bakhaus (ook Backhaus) eigenaar van de stal op de hoek van het Nieuwe Kerkhof en het Rotterdammerstraatje, Kad. F 406, art. 58, het huis aan het Zuiderkerkstraat, Kad. F 395, art. 58 (Logement "het Blauwe Paard", Zuiderkerkstraat 10), en de naastgelegen stal, Kad. F 373, art. 58, staande naast het huis en pakhuis van Professor Joan Fredrik van Oordt, Kad. F 374 en 375, art. 1812.
Jan Frederik van Oordt, Predikant, geb. Rotterdam 23-11-1794, zoon van Jan Willem van Oordt, ambtenaar/fabrikant en Maria Louisa Gobuis, tr. Groningen 10-10-1823
Henrietta Jacoba Bakker, geb. Enkhuizen 4-1-1804, dochter van Gerbrand Bakker, hoogleraar en Jacoba Johanna Poel: allegroningers.nl/zoeken-op-naam/deeds/bf53a9b4-1cd2-65a3...
Prof. Gerbrand Bakker (1771-1828): hoogleraren.ub.rug.nl/hoogleraren/31
Prof. Johan Frederik van Oordt (1794-1852): hoogleraren.ub.rug.nl/hoogleraren/40-oordt-johan-frederik...
Johann Conrad Bakhaus (ook Backhaus), kastelein, ged. Waldeck (Dld), 39 jaar, zoon van Philip Bakhaus en Sabina Köhler, tr. Middelstum 1-12-1812 Grietje Cornelis, koopvrouw, 50 jaar oud, ged. Middelstum, weduwe van Hendrik Jans Jonker, dochter van Kornelis Arends Knol en Aafke Harms: allegroningers.nl/zoeken-op-naam/deeds/f4e180f5-52d8-5227...
Verkoping van onroerend goed ten Huize van C. Bakhaus, Nieuwe Kerkhof. Groninger Courant van 21-11-1837, 9-1-1838, 25-10-1839:
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C. Bakhaus in "Het Blaauwe Paard." Leeuwarder Courant van
6-12-1839: resolver.kb.nl/resolve?urn=ddd:010582734:mpeg21:a0014
Logementhouder C. Backhaus in "Het Blaauwe Paard". Groninger Courant van 17-5-1842, 27-2-1844, 18-6-1844, 31-1-1845, 25-3-1845: resolver.kb.nl/resolve?urn=ddd:010779637:mpeg21:a0025
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In "Het Blaauwe Paard" in Groningen. Leeuwarder Courant van 25-11-1845: resolver.kb.nl/resolve?urn=ddd:010583351:mpeg21:a0004
Logementhouder Backhaus in de Kerkstraat. Groninger Courant van 26-12-1845: resolver.kb.nl/resolve?urn=ddd:010771086:mpeg21:a0011
Logementhouder C. Backhaus in de Kerkstraat in Groningen. Groninger Courant van 20-1-1846: resolver.kb.nl/resolve?urn=ddd:010771093:mpeg21:a0011
C. Backhaus in "Het Blaauwe Paard" in Groningen. Groninger Courant van 16-6-1846: resolver.kb.nl/resolve?urn=ddd:010771135:mpeg21:a0028
"Het Blaauwe Paard". Groninger Courant van 17-7-1846, 11-8-1846: resolver.kb.nl/resolve?urn=ddd:010771143:mpeg21:a0001
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Nederlandsche Staatscourant van 6-6-1847: resolver.kb.nl/resolve?urn=ddd:010090487:mpeg21:a0011
Conrad Bakhaus, onderofficier, Oorlog voor 1813, Stamboeken: proxy.handle.net/10648/f771b5fa-e2d6-102c-9a92-005056a23d00
Johann Conrad Backhaus: www.gahetna.nl/collectie/index/nt00366/f/ove_tekst_lijst_...
Melchior Bakhaus, gegageerd veteraan, geb. Waldeck, ovl. Groningen 9-2-1815, oud 52 jaar, zoon van Philip Bakhaus:
allegroningers.nl/zoeken-op-naam/deeds/10e189e6-4a4c-40fe...
Melchior Bakhaus, 2de Regiment van Waldeck, Uittreksels 1800-1806 en Korps Veteranen 11de Bataljon, Uittreksels 1810: proxy.handle.net/10648/dfc274d2-2bdb-102d-89b4-005056a23d00
Mejufvr. de Wedw. C. Backhaus biedt Groenland buiten de Boteringepoort te huur aan ten Huize van Kastelein H.P. Plaat, in "Het Blaauwe Paard", Nieuwe Kerkhof. Groninger Courant van 5-3-1850: resolver.kb.nl/resolve?urn=ddd:010771512:mpeg21:a0009
Kastelein Plaat in "Het Blauwe Paard". Nederlandsche Staatscourant van 14-5-1850: resolver.kb.nl/resolve?urn=ddd:010783406:mpeg21:a0009
Kastelein H.P. Plaat in "Het Blauwe Paard". Groninger Courant van 19-2-1850, 22-2-1850, 26-2-1850, 5-3-1850, 12-3-1850, 4-10-1850, 16-5-1854:
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Aanbestedingen bij Plaat in "het Blaauwe Paard". Nederlandsche Staatscourant van 10-9-1857: resolver.kb.nl/resolve?urn=ddd:010788906:mpeg21:a0025
Nieuw Amsterdamsch handels- en effectenblad van 21-12-1857: resolver.kb.nl/resolve?urn=ddd:010130266:mpeg21:a0048
Nederlandsche Staatscourant van 4-11-1859: resolver.kb.nl/resolve?urn=ddd:010789423:mpeg21:a0009
Vermoedelijk is hij Hendrik Pieter Plaat, commissionair, in 1849 zonder bepaalde woonplaats, geb. Middelstum 16-6-1823, zoon van burgemeester François Plaat, geb. Haarlem, ovl. Groningen (woonachtig in Middelstum) 6-2-1859, oud 70 jaar, tr. Groningen 31-3-1849 Eltje Jonker, geb. Middelstum 7-5-1794, ovl. Groningen 21-12-1877: allegroningers.nl/zoeken-op-naam/deeds/33a5e683-78d4-80de...
In de periode 1853-1863 woonde hij op de adressen Geldersche Kade 399, Kampersteiger 179, Grimburgwal 61 en Prinsengracht 510. Zijn beroepen waren: logementhouder, pakhuisknecht en pakhuismeester.
In 1862 was hij opgenomen in het Binnengasthuis, afdeling Mannen Verband. In september 1862 had hij Amsterdam verlaten:
www.wiewaswie.nl/nl/detail/78839398
Kastelein en Logementhouder R. Niehof in "Het Blaauwe Paard. Nieuwe Kerkhof.
Algemeen Handelsblad van 20-4-1865: resolver.kb.nl/resolve?urn=ddd:010139733:mpeg21:a0014
Schooner Galjootschip genaamd "Vliedorp" te koop bij Logementhouder Niehoff in "het Blaauwe Paard" in Groningen. Nieuwe Rotterdamsche Courant van 25-2-1865: resolver.kb.nl/resolve?urn=ddd:010111376:mpeg21:a0034
Aanvraag van R. Niehoff d.d. 4-2-1876 voor het vernieuwen van de voorgevel en stoep op adres Nieuwe Kerkhof N 230 Zuidzijde.
Roelf Niehoff, kastelein, logementhouder, geb. Schaaphok (Slochteren), ovl. Groningen 30-8-1880, oud 59 jaar, man van
Siberdina Boer, zoon van logementhouder Hilbrand Evert Niehoff.
Provinciale Drentsche en Asser Courant van 27-6-1871: resolver.kb.nl/resolve?urn=MMDA03:000095526:mpeg21:a0013
Op 10-9-1896 vond in het Logement "het Blauwe Paard" van de weduwe Alberdina de Jager-Alting, door architect K. Hoekzema de aanbesteding plaats van de bouw van een Rijwielenfabriek, Rijschool, Restaurant, Magazijnen, Kantoren en Bovenwoning aan de Heereweg in Groningen.
Nieuwsblad van het Noorden van 11-9-1896: resolver.kb.nl/resolve?urn=ddd:010883563:mpeg21:a0030
Aanvraag van J.A. de Jager d.d. 2-6-1881 voor stalling verlengen op adres Nieuwe Kerkhof N 229.
Aanvraag van de wed. J.A. de Jager d.d. 8-10-1890 voor het herstel van de stoep op adres Zuiderkerkstraat N 229.
Aanvraag van de wed. J.A. de Jager d.d. 26-3-1891 voor de bouw van 6 slaapkamers op adres Nieuwe Kerkhof (Kad. F 1267:
www.groningerarchieven.nl/zoeken/mais/archief/?mivast=5&a...
Aanvraag van de wed. J.A. de Jager d.d. 19-4-1894 voor het vernieuwen van de staldeuren in voorgevel op adres Zuiderkerkstraat N 229: www.groningerarchieven.nl/zoeken/mais/archief/?mivast=5&a...
Aanvraag van Jhr. Mr. Edzard Tjarda van Starkenborgh Stachouwer d.d. 22-4-1895 voor verbouw woning tot wagenhuis met stalling op adres Nieuwe Kerkhof N 229.
Johannes Ate de Jager, logementhouder, geb. Groningen, ovl. Groningen 8-3-1883, oud 40 jaar, man van Alberdina Alting, geb. Groningen, ovl. Groningen 18-1-1927, oud 83 jaar:
allegroningers.nl/zoeken-op-naam/deeds/b3f4dacc-2c65-19da...
allegroningers.nl/zoeken-op-naam/deeds/c575bb19-07ea-1f63...
Verhuurd: de Behuizing met Stalling, Zuiderkerkstraat 10, van Mej. de Weduwe J.A. de Jager.
Nieuwsblad van het Noorden van 19-4-1904: resolver.kb.nl/resolve?urn=ddd:010891349:mpeg21:a0080
De nieuwe fabriek aan de Paterswoldseweg is in 1903/04 ontworpen door vader en zoon K & G Hoekzema. Het pand aan de Nieuwe Kerkhof, hoek Zuiderkerkstraat is in 1894 ontworpen door architect K. Hoekzema als Rijwielfabriek met Magazijnen van A. Fongers; de aanbesteding vond op 12-9-1894 plaats in het Koffiehuis "het Blauwe Paard" van de weduwe Alberdina de Jager-Alting (1843-1927).
Op die locatie stond de rijtuig-, hoef- en grofsmid A. Fongers.
Logement 't Blauwe Paard. N. Kerkhof. Aanbevelend B. Bosman. Nieuwsblad van het Noorden van 9-9-1898, 1-1-1901, 14-6-1903:
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Logement 't Blauwe Paard, Nieuwe Kerkhof. Nieuwsblad van het Noorden van 26-2-1904: resolver.kb.nl/resolve?urn=ddd:010891305:mpeg21:a0104
Handel in Hooi, Stro en Turfstrooisel. Aanbevelend H. Bakker Logement 't Blauwe Paard, N. Kerkhof 10. Tevens Paard en Rijtuig te huur. Nieuwsblad van het Noorden van 26-6-1904: resolver.kb.nl/resolve?urn=ddd:010891404:mpeg21:a0053
Kastelein H.G. Bakker in "Het Blauwe Paard" aan het Nieuwe Kerkhof. Nieuwsblad van het Noorden van 2-4-1905 resolver.kb.nl/resolve?urn=ddd:010891250:mpeg21:a0076
H. Bakker, logement "Het Blauwe Paard", Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 21-8-1904, 16-10-1904: resolver.kb.nl/resolve?urn=ddd:010890899:mpeg21:a0031
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De Groninger Rijwielenfabriek en Wielrijschool Fongers aan de Hereweg is in 1896 ontworpen door architect K. Hoekzema (1844-1911). Op deze locatie stond het Koffiehuis "Tivoli". Aanbesteding van de bouw van de Rijwielenfabriek, Nieuwsblad van het Noorden van 6-9-1896:
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web.archive.org/web/20161018030205/http://www.panoramio.c...
Aanvraag van de firma Pot en Ter Borg d.d. 4-3-1899, voor afbraak en bouw van een werkplaats en woning op adres Zuiderkerkstraat, het tweede huis vanaf het Nieuwe Kerkhof (Kad. F 403): www.groningerarchieven.nl/zoeken/mais/archief/?mivast=5&a...
C. Remkes. Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 17-3-1901: resolver.kb.nl/resolve?urn=ddd:010895177:mpeg21:a0010
Koffiehuis B. Bosman. Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 30-3-1902 en 11-1-1903: resolver.kb.nl/resolve?urn=ddd:010890551:mpeg21:a0024
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Ph. van Harreveld Jr, Zuiderkerkstraat 10 boven. Nieuwsblad van het Noorden van 21-10-1902: resolver.kb.nl/resolve?urn=ddd:010888225:mpeg21:a0068
Een Postiljon (drankvrij) op de postdienst Groningen De Leek. Zuiderkerkstraat 10.
Nieuwsblad van het Noorden van 7-2-1905: resolver.kb.nl/resolve?urn=ddd:010891203:mpeg21:a0106
Paard van de postkar slaat op hol. De koetsier is de 17-jarige Johannes Bakker. Provinciale Drentsche en Asser Courant van 31-12-1904: resolver.kb.nl/resolve?urn=MMDA03:000106605:mpeg21:a0012
Technicum Groningen. Opleiding tot Werktuigkundig en Electro-Ingenieur. Directeur J. Kimmel Jz. Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 14-2-1906: resolver.kb.nl/resolve?urn=ddd:010894778:mpeg21:a0100
Aanvraag van J. Kimmel Jzn d.d. 17-9-1906, voor de vervanging van een raamkozijn door deurkozijn op adres Zuiderkerkstraat 10: www.groningerarchieven.nl/zoeken/mais/archief/?mivast=5&a...
Coöperatieve Stoom-Zuivelfabriek en Melkinrichting "Stad en Lande", Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 11-8-1907: resolver.kb.nl/resolve?urn=ddd:010890459:mpeg21:a0072
Aanvraag van J. van Asperen, directeur van de Zuivelfabriek "Stad en Lande", d.d. 30-10-1908, voor de verbouw van het gebouw op adres Zuiderkerkstraat 10 (Kad. F 1267), onder architectuur van G. Nijhuis (1860-1940). De bouwtekening is bewaard gebleven:
www.groningerarchieven.nl/zoeken/mais/archief/?mivast=5&a...
Aanbesteding. Nieuwsblad van het Noorden van 8-12-1908: resolver.kb.nl/resolve?urn=ddd:010894576:mpeg21:a0050
G. Nijhuis: www.staatingroningen.nl/bedrijf/102/nijhuis-g
Aan de Rijwielhandel. Jüncker & Co Rotterdam, Leuvehaven, filiaal Groningen, Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 5-1-1910, 23-1-1910:
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Aanvraag van J. van Eunen d.d. 30-11-1916 voor de verbouwing van het gebouw (betreft autogarage) op adres Zuiderkerkstraat 10 (Kad. F 1267): www.groningerarchieven.nl/zoeken/mais/archief/?mivast=5&a...
Fongers Dames- en Heerenrijwielen. Garage Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 29-3-1918: resolver.kb.nl/resolve?urn=ddd:010891575:mpeg21:a0082
Gemeentelijke Hoogere Burgerschool huurt een gedeelte van het pand Zuiderkerkstraat 10 Nieuwsblad van het Noorden van 6-2-1914: resolver.kb.nl/resolve?urn=ddd:010666878:mpeg21:a0136
Mej. de Wed. en erven J.A. de Jager bieden Eene groote Behuizing in de Zuiderkerkstraat te koop aan, waarin vroeger het café "Het Blauwe Paard", met grote autogarage, pakhuis, tuin en 14 kamers, in huur bij B. Louwerens en beneden in gebruik voor Gemeentelijke Hoogere Burgerschool. Nieuwsblad van het Noorden van 20-3-1917: resolver.kb.nl/resolve?urn=ddd:010883723:mpeg21:a0050
Overlijdensbericht Bernardus Louwerens. Nieuwsblad van het Noorden van 16-6-1926: resolver.kb.nl/resolve?urn=ddd:010669370:mpeg21:a0119
RK Dagblad "Ons Noorden", Zuiderkerkstraat 10. Nieuwe Tilburgsche Courant van 1-10-1927: resolver.kb.nl/resolve?urn=ddd:010235203:mpeg21:a0096
Lingerie-Atelier Gockel en H.J. de Groot. Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 11-9-1948 en 20-8-1957: resolver.kb.nl/resolve?urn=ddd:010884687:mpeg21:a0078
resolver.kb.nl/resolve?urn=ddd:010677418:mpeg21:a0093
NV Lingerie & Confectiefabriek H.J. de Groot, Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 14-3-1963: resolver.kb.nl/resolve?urn=ddd:010678979:mpeg21:a0067
Fa. H.G. de Groot, Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 26-8-1970: resolver.kb.nl/resolve?urn=ddd:011015805:mpeg21:a0079
Radar, tenten, campingartikelen, Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 2-4-1976: resolver.kb.nl/resolve?urn=ddd:011017513:mpeg21:a0169
Iyengar Yoga, Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 18-1-1980: resolver.kb.nl/resolve?urn=ddd:011018932:mpeg21:a0277
Tandheelkundig Informatiepunt, Zuiderkerkstraat 10. Nieuwsblad van het Noorden van 10-8-1990 en 17-8-1990: resolver.kb.nl/resolve?urn=ddd:011019410:mpeg21:a0262
resolver.kb.nl/resolve?urn=ddd:011019418:mpeg21:a0198
Foto's in de omgeving:
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Seshendra Sharma : Parinatha Vani Telugu Lecture : 1996
----------------------------
URL
www.youtube.com/watch?v=aXe4dpePgxg&t=3s
Father ( seshendrasharma.weebly.com ) delivered
Parinatha Vani (Mature Voice) Lecture In Telangana Saraswata Parishath , Literary – Cultural Institution , (Hyderabad) on 14. 10. 1996.
This meeting was presided over by Dr. C. Narayana Reddy , eminent poet. Prof. Elluri Siva Reddy , General Secretary , Dr. Zurru Chennayya , Joint Secretary , Shri. G. Ramakrishna Rao , OSD were present on the Dias. While introducing Seshendra Sharma to the gathering Dr. Reddy observed that several Sanskrit Scholars have read / studied Valmiki , Kalidas , Bhavabhuti etc. , but Seshendra’s approach to Sanskrit Literature is completely different . “Seshendra has intrinsic researcher’s disposition” Dr. Reddy commented .
Parinatha Vani (Mature Voice) is a lecture by eminent contemporary literary personality
In this series several poets, critics, story writers etc. Delivered lectures. In this series father’s
was 20th lecture on 14. 10. 1996
Courtesy : Telangana Saraswatha Parishath , Hyderabad
Special Thanks to :
Dr. Chennayya Zurru ,
General Secretary & Ex CPRO Telugu University Hyderabad
----------------------
Visionary Poet of the Millennium
An Indian poet Prophet
Seshendra Sharma
October 20th, 1927 - May 30th, 2007
seshendrasharma.weebly.com/
tribupedia.com/seshendra-sharma-memorial-tribute/
seshen.tributes.in/
Seshendra Sharma : Parinatha Vani
Telugu Lecture : 1996
----------------------------
URL
www.youtube.com/watch?v=aXe4dpePgxg&t=3s
Father ( seshendrasharma.weebly.com ) delivered
Parinatha Vani (Mature Voice) Lecture In Telangana Saraswata Parishath , Literary – Cultural Institution , (Hyderabad) on 14. 10. 1996.
This meeting was presided over by Dr. C. Narayana Reddy , eminent poet. Prof. Elluri Siva Reddy , General Secretary , Dr. Zurru Chennayya , Joint Secretary , Shri. G. Ramakrishna Rao , OSD were present on the Dias. While introducing Seshendra Sharma to the gathering Dr. Reddy observed that several Sanskrit Scholars have read / studied Valmiki , Kalidas , Bhavabhuti etc. , but Seshendra’s approach to Sanskrit Literature is completely different . “Seshendra has intrinsic researcher’s disposition” Dr. Reddy commented .
Parinatha Vani (Mature Voice) is a lecture by eminent contemporary literary personality
In this series several poets, critics, story writers etc. Delivered lectures. In this series father’s
was 20th lecture on 14. 10. 1996
Courtesy : Telangana Saraswatha Parishath , Hyderabad
Special Thanks to :
Dr. Chennayya Zurru ,
General Secretary & Ex CPRO Telugu University Hyderabad
----------------------
Visionary Poet of the Millennium
An Indian poet Prophet
Seshendra Sharma
October 20th, 1927 - May 30th, 2007
tribupedia.com/seshendra-sharma-memorial-tribute/
Seshendra Sharma : Parinatha Vani
Telugu Lecture : 1996
Father ( seshendrasharma.weebly.com ) delivered
Parinatha Vani (Mature Voice) Lecture In Telangana Saraswata Parishath , Literary – Cultural Institution , (Hyderabad) on 14. 10. 1996.
This meeting was presided over by Dr. C. Narayana Reddy , eminent poet. Prof. Elluri Siva Reddy , General Secretary , Dr. Zurru Chennayya , Joint Secretary , Shri. G. Ramakrishna Rao , OSD were present on the Dias. While introducing Seshendra Sharma to the gathering Dr. Reddy observed that several Sanskrit Scholars have read / studied Valmiki , Kalidas , Bhavabhuti etc. , but Seshendra’s approach to Sanskrit Literature is completely different . “Seshendra has intrinsic researcher’s disposition” Dr. Reddy commented .
Parinatha Vani (Mature Voice) is a lecture by eminent contemporary literary personality
In this series several poets, critics, story writers etc. Delivered lectures. In this series father’s
was 20th lecture on 14. 10. 1996
Courtesy : Telangana Saraswatha Parishath , Hyderabad
Special Thanks to :
Dr. Chennayya Zurru ,
General Secretary & Ex CPRO Telugu University Hyderabad
www.youtube.com/watch?v=aXe4dpePgxg&t=3s
----------------------
Visionary Poet of the Millennium
An Indian poet Prophet
Seshendra Sharma
October 20th, 1927 - May 30th, 2007
tribupedia.com/seshendra-sharma-memorial-tribute/
Visionary Poet of the Millennium
An Indian poet Prophet
Seshendra Sharma
October 20th, 1927 - May 30th, 2007
tribupedia.com/seshendra-sharma-memorial-tribute/
www.facebook.com/GunturuSeshendraSharma/
eBooks :http://kinige.com/author/Gunturu+Seshendra+Sharma
Seshendra Sharma is one of the most outstanding minds of modern Asia. He is the foremost of the Telugu poets today who has turned poetry to the gigantic strides of human history and embellished literature with the thrills and triumphs of the 20th century. A revolutionary poet who spurned the pedestrian and pedantic poetry equally, a brilliant critic and a scholar of Sanskrit, this versatile poet has breathed a new vision of modernity to his vernacular.Such minds place Telugu on the world map of intellectualism. Readers conversant with names like Paul Valery, Gauguin, and Dag Hammarskjold will have to add the name of Seshendra Sharma the writer from India to that dynasty of intellectuals.
Rivers and poets
Are veins and arteries
Of a country.
Rivers flow like poems
For animals, for birds
And for human beings-
The dreams that rivers dream
Bear fruit in the fields
The dreams that poets dream
Bear fruit in the people-
* * * * * *
The sunshine of my thought fell on the word
And its long shadow fell upon the century
Sun was playing with the early morning flowers
Time was frightened at the sight of the martyr-
-Seshendra Sharma
B.A: Andhra Christian College: Guntur: A.P: India
B.L : Madras University: Madras
Deputy Municipal Commissioner (37 Years)
Dept of Municipal Administration, Government of Andhra Pradesh
Parents: G.Subrahmanyam (Father) ,Ammayamma (Mother)
Siblings: Anasuya,Devasena (Sisters),Rajasekharam(Younger brother)
Wife: Mrs.Janaki Sharma
Children: Vasundhara , Revathi (Daughters),
Vanamaali ,Saatyaki (Sons)
Seshendra Sharma better known as Seshendra is
a colossus of Modern Indian poetry.
His literature is a unique blend of the best of poetry and poetics.
Diversity and depth of his literary interests and his works
are perhaps hitherto unknown in Indian literature.
From poetry to poetics, from Mantra Sastra to Marxist Politics his writings bear an unnerving pprint of his rare genius.
His scholar ship and command over Sanskrit , English and Telugu Languages has facilitated his emergence as a towering personality of comparative literature in the 20th century world literature.
T.S.Eliot ,ArchbaldMacleish and Seshendra Sharma are trinity of world poetry and Poetics.
His sense of dedication to the genre of art he chooses to express himself and
the determination to reach the depths of subject he undertakes to explore
place him in the galaxy of world poets / world intellectuals.
Seshendra’seBooks :http://kinige.com/author/Gunturu+Seshendra+Sharma
Seshendra Sharma’s Writings Copyright © Saatyaki S/o Seshendra Sharma
Contact :saatyaki@gmail.com+919441070985+917702964402
------------------------
GunturuSeshendraSarma: an extraordinary poet-scholar
One of the ironies in literature is that
he came to be known more as a critic than a poet
HYDERABAD: An era of scholastic excellence and poetic grandeur has come to an end in the passing away of GunturuSeshendraSarma, one of the foremost poets and critics in Telugu literature. His mastery over western literature and Indian `AlankaraSastra' gave his works a stunning imagery, unparalleled in modern Indian works. One of the ironies in literature is that he came to be known more as a critic than a poet. The Central SahityaAkademi award was conferred on him for his work `KaalaRekha' and not for his poetic excellence. The genius in him made him explore `Kundalini Yoga' in his treatise on Ramayana in `Shodasi' convincingly. His intellectual quest further made him probe `NaishadhaKaavya' in the backdrop of `LalitaSahasraNaamavali', `SoundaryaLahari' and `Kama Kala Vilasam' in `SwarnaHamsa', Seshendra saw the entire universe as a storehouse of images and signs to which imagination was to make value-addition. Like Stephene Mallarme who was considered a prophet of symbolism in French literature, SeshendraSarma too believed that art alone would survive in the universe along with poetry. He believed that the main vocation of human beings was to be artists and poets. His `Kavisena Manifesto' gave a new direction to modern criticism making it a landmark work in poetics. Telugus would rue the intellectual impoverishment they suffered in maintaining a `distance' from him. Seshendra could have given us more, but we did not deserve it! The denial of the Jnanpeeth Award to him proves it
The Hindu
India's National Newspaper
Friday, Jun 01, 2007
Who Are The Legal Heirs of Seshendra Sharma ?
------------------
The literary world is aware that my father Gunturu Seshendra Sharma, eminent poet, litterateur and scholar-critic, died on 30th may 2007. Ever since he expired, there has been no mention of his parents, family members and other personal details in the news and in the articles about him. Not only this, fictional lies are being spread and using money power one shady lady is being propagated as his wife and so on. This has been causing me, as his son, a great mental agony. That is why, through this article, I am revealing certain fundamental truths to the literary field of this country and the civilized society. I appeal to your conscience to uphold truth, justice and values of our composite culture.
Seshendra Sharma's family members are: Parents: Subrahmanyam Sharma, Ammaayamma- Wife: Janaki Daughters: Vasundhara, Revathi, Sons: Vanamali, Saatyaki. Only these two are legal heirs of Seshendra Sharma, socially and morally too.
Street Play and Circus: In 1972, away from the civilized society, without the knowledge of parents and near and dear, in a far flung village called Halebeed in Karnataka a circus, a street play was staged. Let me make it clear that even after this street play my father did not divorce my mother Mrs.G.Janaki legally. He never had even a faint intention of committing such an uncivilized act. On the contrary, in all crucial Government documents he nominated my mother as his legal heir from time to time. During his long career as Municipal Commissioner with The Government of Andhra Pradesh, he retired 3 times. His first retirement came in 1975 by way of compulsory retirement for his anti establishment writings during Mrs. Gandhi's' emergency. His second retirement came in 1983 when the then new chief minister N.T. Rama Rao's government reduced the age of service from 58 to 55 years. The third and final retirement in the year 1985 on attaining 58 years of age. On all these occasions, in all the government documents, my father Seshendra Sharma nominated my mother Mrs. Janaki as his legal heir. This is precisely why the self contradictory 'second marriage' is a circus enacted away from the society and Law does not recognize this type of street plays as marriage.
Lakshmi Parvathi in literature
N.T. Rama Rao, actor turned politician married Ms. Lakshimi Parvathi in 1994 and subsequently in January 1995 he came to power for the second time. She used to act as an extra constitutional power and run the matters of government and the party. She developed her own coterie of cohorts and started dominating the party. After NTR was toppled by his own son- in-law, most of them parted ways with her. And the remaining touts left her for good the day NTR breathed his last. Ms.Indira Dhanrajgir has been playing the same role in Telugu literature over a period of more than 3 decades. In the guise of literature she developed her own coterie of lumpens with extra literary and money mongering elements - Tangirala Subba Rao, Velichala Kondala RAo(Editor:Jayanthi) Cheekolu Sundarayya(A.G.'s Office, Hyderabad et al).
There are a couple[ of dissimilarities between these two instances. After the demise of NTR, L.P's coterie of cohorts disappeared once and for all. Whereas, in Indira Dhanrajgir's case new lumpens are entering the field with the passage of time. Squandering her late father's wealth, she is roping in new touts. Since NTR's wife Basava Tarakam passed away in 1984 and since he was old and sick NTR's marriage with LP has ethical basis and is legal completely. Whereas I.D's is neither ethical nor legal. Hence it is a street play. This is the reason why after my father's death she has been spending money on a larger scale and indulging in false publicity and propaganda. Bh. Krishna Murthy, Sadasiva Sharma (The then Editor of Andhra Prabha:Telugu Daily, presently with Hindi Milap) Chandrasekhara Rao(Telugu lecturer: Methodist Degree College) etc. are indulging in all sorts of heinous acts to prop up I.D as my father's wife.
My father passed away on 30 May 2007. When our family was in grief and I was performing the 11 day ritual as per my mother's wish, the above mentioned Sadasiva Sharma went to Municipal Office on 4th June, created ruckus, played havoc telling them that he is from the Prime Minister's Office , мейд some 'senior officials' make phone calls to the officials concerned and got my father's death certificate forcibly issued. When the entire family was mourning the death of the family head, a stranger and a lumpen S.S -Why did he collect my father's death certificate forcibly from the municipal authorities? Whom did he collect it for?
THREE NAMES OF THE SAME PERSON IN 3 DECADES
This is perhaps for the first time that the name of a lady appears in 3 forms at a time. Perhaps in 1970, in my father's collection of poems"PAKSHULU her name appeared As Rajkumari Indira Devi Dhanrajgir. In 2006 she published a fake version of Kamaostav(Rewritten by a muffian Called Chandrasekhara Rao) . In this book her name appears as R.I.D.D. Prior to 1970 in Maqdoom Mohiuddeen's(Renowned Urdu Poet) anthology of poetry 'Bisath -E-Raks', in Urdu as well as Hindi , at the end of two poems her name appears as Kumari Indira Dhanrajgir. On 15th June 2007 A.P state cultural affairs department and Telugu University jointly held my father's memorial meeting. I.D hijacked this meeting by issuing her own commercial advertisements in English and Telugu dailies. In these advertisements her name appeared as Smt. Indira Devi Seshendra Sharma and again in the commercial public notices мейд by her in the month of November 2007her name appeared as Rajkumari devi etc. Why does her name appear in different forms on different occasions? Will I.D explain? Will Sadasiva Sharma clarify, who forcibly took my father's death certificate after four days of his death? Or will Bh.Krishna Murthy clarify?
If I.D has even an iota of regard, respect for or faith in love, or relation, the institution of marriage, immediately after'Halebeed Circus', she would have used my father's family sir name and her name would have appeared as Gunturu Indira. Since she was conscious of her goal during all times and conditions she did not take such a hasty and mindless step of change of her name.
WHERE DOES THE REAL SECRET LIE? Her life is totally illegal, anti-social and immoral. I.D's father performed her marriage with SRikishenSeth, Nephew of the then Prime minister to Nizam, Maharaja Kishen pershad in 1945. On the day of marriage itself I.D beat SrikeshenSeth up and ran away from him. She did not stop at that. She propagated among his friends and relatives and near and dear that he was not enough of a man and unfit for conjugal/ marital life. She filed a divorce case against him and dragged it till 1969/70. Lion's share of her husband's life got evaporated and was sapped completely by then. His parents used to approach I.D's father and plead with him to prevail upon his daughter, put sense into her head and see that she either lives with their son or dissolves the marriage legally so that they can remarry off their son. But I.D did not heed. Raja Dhanrajgir after getting disgusted with her nasty activities stipulated a mandatory condition in his will. He stated that I.D would be entitled to get a share of his property only if she is married.
This is the reason why ID who has no respect for the institution of marriage or regard or desire for marital life , in the guise of love and love poetry inflicted indelible blemish on the institution of marriage which is unprecedented in the literary history of the world. After my father's death she has been indulging in more rigorous false publicity along with her coterie of touts.
KAMOSTAV:STORY OF ID'S SOUL:
With this novel Kamostav, father's literary life came to an end for good. He did not produce literary works worth mentioning in his later phase of life. During those days he asked for my opinion on that novel. I told him clearly that it lacks the form and content of a novel- it does not have a story line, plot, sequences, characters and eventually a message which every novel gives. Hence it is a trash. Several people went to court and got its publication in a weekly stopped. ID got this very trash rewritten completely by Chandrasekhara Rao and printed it. This kind of heinous development has never taken place in the recorded history of Telugu literature till date. A writing which brought disrepute to my father in the literary field and isolated him in the society, why did she get it rewritten by somebody and publish it claiming copyright to be hers? What is her motive? What is her aim? That is why Kamotsav is ID's biography, story of her inner soul.
SESHENDRA'S COPYRIGHTS:
My father gifted away copyrights of his entire works along with their translations to me by way of birth day gift to me on 2.12.1989. Since then I have published several of his works during his lifetime itself. Kamostav, the version that is secretly мейд available is the dirty work of cheapsters and lumpens under the leadership of ID. It is much worse than violation of copyrights. That is the reason why I have been reluctant to take action so far. If she and her debased henchmen try to violate copyrights of my father's works bequeathed to me, I shall take exemplary legal action against them.
ID мейд 2 public notices to the effect that my father cancelled all his earlier transfer of copyrights and retransferred all his rights to her. This is a palace intrigue in the modern era in our civilized society.
WHAT DOES LAW SAY ABOUT COPYRIGHTS?
An author can transfer copyrights of his works to any one as per her/his wish. But the Copyrights Act 1957 and the Supreme Court in its various judgments has clearly stipulated a procedure to revoke earlier assignment and transferring of copyrights to somebody else subsequently. The author has to issue a notice to the 1st assignee, giving 6 months time for reply. Depending on the reply the author can take his next step. Where as in my father's copyrights matter he did not even inform me orally of any such cancellation. ID claims that she has a typed document of transfer of copyrights signed by my father on 5.1.2006. Between 5.1.2006 and 30.5.2007, leave alone issuing a notice, he did not even inform me orally.
My father who assigned copyrights to me in his own handwriting, when he was relatively young and physically fit did not require to cancel the 1st assignment when he was totally dilapidated, almost bedridden and was counting his days. Another important aspect of the matter is that I have printed the Xerox of my father's document in his own works as early as 1995 and have been doing so from time to time during his life time. Where as ID claims to possess a document after my father's death and she has not мейд it public so far. ID tried to get my father's complete works published in different languages by Telugu University (Hyderabad: A.P: India) by paying them Rs. 6 Lakhs. I approached Telugu University and apprised them of facts. On the advice of legal experts, they stopped this project and returned ID's money to her. It is an incontrovertible fact that ID's document is a forged and fraudulent document which does not stand scrutiny before law. Court shall certainly award her exemplary punishment. In all societies and times literature has been social wealth/public property from time immemorial. It should not be used as a mask to grab share of parental property illegally and unethically. I am committed to this cause/ ideal and appeal to the civilized society to strengthen my hands in this endeavor. ID's younger brother Sri Mahendra Pratapgir is the lone legal heir apparent of that family and keeping him in dark, she is squandering her father's wealth in Telugu literature for her nasty propaganda.
FATHER PASSED AWAY:
In 1997 when he suffered the 1st heart attack he was half-dead. Dr.Sudhakar Reddy, cardiologist of Mediciti Hospitals (Native of Warangal.A.P) performed angiogram and diagnosed that he had blocks in arteries and one valve was damaged completely. He advised open heart surgery. But ID averted it and got angioplasty performed. His health declined rapidly since then and was leading the life of virtually an invalid till he breathed his last. He suffered inexplicable mental and physical torture for about a decade. During the last leg of his journey he was isolated from his family completely. He was deserted by one and all in the literary field. When his younger brother passed away, his younger sister passed away he did not visit his ancestral home in his village and call on those families. He became target of jealousy and animosity in the society. He became a victim of false impression with the society that he was an aristocrat and rolling in luxuries. Whereas, he was deprived of even his native vegetarian food for decades together. As a silent and helpless witness to these painful happenings, I was subject to untold mental agony.
In the later half of March 2007 on one of my visits to him, I was aghast at his condition. His entire body was swollen. His appearance was like that of a stuffed gunny bag. I told him to get hospitalized. I told ID to rush him to a hospital. But of no avail. On 30th may 2007 at about 11 pm I got a phone call from her" Come soon/Serious" she said. As I entered at 11.15 pm "Go inside/he is no more' she said.
* * One day when swarms of lamps vanish, in the light of a lonely lamp I ask the dumb pillars "Can't you liberate me from the disgust of this existence? I ask those stand still forest flame trees
which blossom flowers at that very place year after year
"can't you rescue me?
I ask those high roof tops and this Venetian furniture
which every one feels are greater than me, "can't you rescue me from the disgust of this existence?" All these answer in a melancholic voice "We have been languishing since more than 100 years watching the same unchanging scenes we are older prisoners than you are" (Janavamsham: Telugu: Seshendra: Page 80-81:1993: Translated by me)
My father's first biography (in Hindi) titled "Rashtrendu Seshendra: Ashesh Aayaam" by Dr.Vishranth Vasishth appeared in 1994. Touching upon these very sensitive aspects of my father's life he commented in that book"SONE KE PINJRE ME PANCHCHI" (A bird in a golden cage). Alarmed and agonized by his rapidly declining health, as early as June 2002, in order to bring pressure on ID, I gave a 2 cassettes long interview to Vijayaviharam of Janaharsha group. Later on when I enquired about that interview they said that in the raids conducted on their premises, they got destroyed.
I wanted to rescue my father and bring him back home when he was in good health. Alas! At last, I took him to the burial ground, laid him on the funeral pyre and consigned him to flames and returned home all alone.
G.Satyaki S/o Late.G.Seshendra Sharma
Hyderabad.A.P.INDIA
saatyaki@gmail.com ,
+91 94410 70985 , 7702964402
---------------
Pardon Me Father!
I could not rescue him from the clutches of that nymphomaniac and vampire. There may be an exception or two but an average Indian woman desires from the depths of her soul that her husband should live long and she should pass away before him. She performs prayers and fasts on auspicious days for this purpose. She in spite of being 3years elder to him did away with my father in a planned and premeditated manner and I was a silent and helpless witness to it. He suffered 1st Heart attack in November 1997. Cardiologists performed angiogram and advised open heart surgery. Because there were blocks in vessels and one valve was damaged. But she successfully thwarted it and without my knowledge or informing any one got angioplasty done in Mediciti (Hyderabad: AP; India) her plan was to do away with him and live long, and establish herself as his wife through his books. He was succumbing to her blackmail. My overwhelming hunch is that she was threatening him with social insult and humiliation if he parts ways with her.
Between 1997-2007, she played football with his body. He used to be hospitalized every now and then with swollen body and heart pain. Because of damaged valve pumping was impaired and water used to accumulate in the system. Every time I used to force her to hospitalize him. He used be in ICCU for a couple of days and recover marginally. After each visit to hospital he was getting debilitated gradually. He was put on wheel chair. He was virtually under house arrest. He was not allowed to speak to friends and family members. Visitors were kept away. He was taking Lasix (Tablet: is a diuretic that is used to treat fluid accumulation, caused by heart failure, cirrhosis, chronic kidney failure, and nephrotic syndrome.) to flush out water accumulated in his body. This creates a painful dilemma in me whether my interference in his health matters was just. As his son it was my moral duty to protect him. But I sometimes feel if I were not to interfere she would have put him to death long ago and thus he would have escaped from physical and mental torture quite early.
Towards perhaps end of the month of March she withdrew medication. He got swollen suddenly and that condition continued till the last day i.e. 30th may 2007. Each time I visited I used to tell that witch to take him to hospital. But after a couple of visits I got convinced that she made up her mind this time to do away with him. I requested a bastard who was feigning to be a friend of mine, who incidentally happens to be a legal luminary of this region to send a doctor friend to that place and ascertain the exact condition of his health. But of no avail.
I kept on telling him to come out of that place and lead a normal and healthy life. Her blackmail gained an upper hand and I lost in my efforts to restore health to him and bring him back to civilized society. O God pardon me for not being able to outmanoeuvre her machinations. Pardon me father.
1964 Austin Gipsy recovery truck in the livery of Central Garage of Ramsey.
10 previous keepers. Cheffins vintage auction, Sutton -
"Apparently converted from a Cornwall County fire engine, the Austin retains its original engine and running gear. 2008 saw the body restored and a brake system overhaul, new tyres and exhaust. The Harvey Frost crane unit is removeable and a spare tailgate is supplied which can then be fitted. The Gipsy has an MOT valid until April 2010, duty free road tax, V5 documentation, workshop & parts manuals, chains, towing board and kit. A great looking vehicle (and an ideal advert for a small business) that has just 25,000 recorded miles and a large qty of old MOTs to verify this and is presented to a high standard."
Unsold.
Il y a 10 ans, voir une URL sur un produit, une camionnette, c'était exceptionnel. Cet été, j'ai trouvé une tapette à souris avec une URL. Ca méritait bien une petite photo !
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/2850272046
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Law Enforcement activity - LEO - Police - Officer Ted
Photo taken at the Burning Man 2008 festival (Black Rock Desert, Nevada).
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
Business cards, two versions, with QR (quick response) codes printed on the reverse, scanned using Barcode Scanner app on HTC Hero. Can then be added to 'phone contacts or can view map, send email, etc
.
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/30849964242
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Photo taken at the Dia de los Muertos procession in the Mission (San Francisco) on Nov 2, 2016.
For more photos and more info on this event, please check out my Dia de los Muertos series.
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
Original Caption: Lichens and Mineral Salt Crystals on a Rock in the Atigun Gorge, 5 Miles East of the Pipeline Crossing of the Atigun River 08/1973
U.S. National Archives’ Local Identifier: 412-DA-7991
Photographer: Cowals, Dennis, 1945-
Subjects:
Alaska (United States) state
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: catalog.archives.gov/id/550476
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Montréal 7 mai 2014 - Rassemblement en solidarité avec les victimes de brutalité policière (organisé par l'ASSÉ et le COBP)
blogocram.wordpress.com/2014/05/07/montreal-7-mai-2014-ra...
www.facebook.com/media/set/?set=a.325393364288413.1073741...
www.flickr.com/photos/blogocram/sets/72157644184125219/
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Rassemblement en solidarité avec les victimes de brutalité policière (organisé par l'ASSÉ et le COBP)
www.facebook.com/events/768485106498106/
AUJOURD'HUI : Rassemblement en solidarité avec les victimes de brutalité policière (organisé par l'ASSÉ et le COBP)
Le COBP et l'ASSÉ vous invitent à un rassemblement de solidarité envers les victimes de la brutalité policière dans nos manifestations. Nous invitons toutes les victimes, les éclopé-es et les blessés-es du bras armé du SPVM à être présent-es! Et évidemment à tous ceux-celles qui veulent dénoncer la brutalité policière, cette brutalité policière qui nous pue au nez!
Le 3 avril 2014, à la manifestation contre les mesures d'austérité organisée par l'ASSÉ, Robert Fransham, 71 ans, a été brutalement jeté en bas de son vélo par l'anti-émeute. Il s'est rendu à l'hôpital et les médecins ont constaté qu'il avait une commotion cérébrale. Il a dû avoir également des points de suture à la jambe (quand il est tombé, la pédale de son vélo lui a ouvert la jambe). En ce 17 avril 2014, Robert est toujours à l'hôpital : il y a eu des complications à sa jambe et a dû se faire opérer. Il devrait sortir d'ici une ou deux semaines (on l'espère).
On se souviendra du post Twitter du SPVM, après la manifestation, qui énonçait que la blessure de Robert avait été causée par un projectile lancé par un manifestant. Hors les vidéos et les témoignages qui sont sortis après la manif prouvent complètement le contraire.
www.youtube.com/watch?v=e7SLGFNIMvs
Malheureusement, nous constatons que, de plus en plus, la brutalité policière envahit nos manifestations. Nous observons également que le SPVM se découvre de plus en plus une zone de confort dans nos manifs (exemple en se promenant comme bon leur semble à nos points de rassemblements avec leur caméra GoPro). Il est complètement inacceptable de laisser le SPVM instaurer un état policier et un climat de peur dans nos rassemblements!
Robert est une victime parmis des centaines d'autres, mais une seule victime en est une de trop. Et ce qui nous choque encore plus dans cette histoire, c'est comment le SPVM a essayé de blâmer les manifestantEs pour ses blessures. Nous nous désolons également que les flics, après sa chute, soient passés à côté de lui sans lui porter aucune attention.
Le COBP et l'ASSÉ dénoncent vivement les cas de brutalité policières de la manifestation du 3 avril et de toutes les autres manifestations également. Il devient de plus en plus difficile de faire passer nos messages et nos revendications quand on se fait tout le temps taper sur la gueule. LA BRUTALITÉ POLICIÈRE DANS NOS MANIFESTATIONS DOIT CESSER! LA BRUTALITÉ POLICIÈRE DANS LA VIE QUOTIDIENNE DOIT CESSER! SOLIDARITÉ AVEC TOUTES LES VICTIMES DE LA MACHINE RÉPRESSIVE DES POLICIERS!
Des speechs seront donnés par plusieurs personnes qui ont subi de la brutalité policière dans une manif;
-ROBERT FRANSHAM, commotion cérébrale à la manif du 3 avril 2014.
-SHANE MURPHY, projectile d'impact (bip 40mm) reçu à bout portant à la manif du 3 avril 2014.
-GABRIEL DUCHESNEAU, fractures du crâne à la manif du 1er mai 2012.
-FRANCIS GRENIER, perte d'un œil par une grenade assourdissante à la manif du 7 mars 2012.
-MAXENCE VALADE, perte d'un œil et traumatisme crânien causé par une balle de plastique à la manif de Victoriaville.
-ANARCHOPANDA, décapité à la manif du 5 avril 2013.
*Shane et Francis ne peuvent malheureusement pas être présents, mais des textes écrits par eux pour l'occasion, seront lus sur place*
Le Collectif Opposé à la Brutalité Policière
L'Association pour une Solidarité Syndicale Étudiante
cobp.resist.ca/evenements/appel-de-lass-et-du-cobp-pour-u...
CALL FOR A RALLY IN SOLIDARITY WITH THE VICTIMS OF POLICE BRUTALITY
BY COBP AND L'ASSÉ
THE COBP and ASSÉ invite you for a gathering in solidarity with the victims of police brutality in our demonstrations. We invite all the victims, the crippled and the wounded of the armed wing of the SPVM to be present! And of course all those people who want to denounce police brutality.
On April 3rd 2014, at the protest against austerity measures organized by ASSÉ , Robert Fransham, 71 years old, was brutally thrown from his bike by the riot cops. He went to the hospital and doctors found that he had a concussion. He also had to have stitches on the leg (when he fell , the pedal of his bike opened his leg). As of April 17th 2014, Robert is still in the hospital : there is a complication with his leg and he had to get surgery. He should be out within one or two weeks (hopefully).
We remember the twitter post by the SPVM after the event, which stated that Robert's injury was caused by a projectile launched by a protester. But videos and testimonials released after the demonstration prove quite the opposite.
www.youtube.com/watch?v=e7SLGFNIMvs
Unfortunately, we find that, increasingly, police brutality invades our events. We also observe that the SPVM finds itself more and more at ease in our demonstrations (for example, walking as they please in the middle of our meet up points with their GoPro cameras). It is completely unnacceptable to let the SPVM establish a police State and a climate of fear in our gatherings!
Robert is a victim among hundreds of others, but one victim is one too many. And what shocks us more about this story is how the SPVM tried to blame the demonstrators for his injuries. We are also saddened that, after his fall, the cops walked next to him without giving him any attention.
The COBP and ASSÉ strongly denounce the many cases of police brutality during the demonstration on April 3rd and also all the other events. It's becoming increasingly difficult to get our messages and our demands heard in a context where we're constantly brutalized by the cops. POLICE BRUTALITY IN OUR EVENTS MUST STOP! POLICE BRUTALITY IN OUR DAILY LIVES MUST STOP! SOLIDARITY WITH ALL THE VICTIMS OF THE PUNITIVE POLICE MACHINE!
Le Collectif Opposé à la Brutalité Policière
L'Association pour une Solidarité Syndicale Étudiante
cobp.resist.ca/evenements/appel-de-lass-et-du-cobp-pour-u...;
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89 Silences par 99%média
Comme des gazelles par GAPPA
Chroniques d'un état policier, par Isabelle Baez
quebec.huffingtonpost.ca/isabelle-baez/chroniques-un-etat...
Fredonner un air de boeuf, témoignages d'arrestations rapportés et commentés par Marc-André Cyr
voir.ca/marc-andre-cyr/2014/05/09/fredonner-un-air-de-boeuf/
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La Commission de la sécurité publique invite la population à participer à l’étude publique du Rapport annuel 2013 du Service de police de la Ville de Montréal (SPVM):
DATE 13 mai 2014, HEURE 19 h
LIEU Hôtel de ville, salle du conseil, 275, rue Notre-Dame Est, Métro Champ-de-Mars
ville.montreal.qc.ca/portal/page?_pageid=6877%2C126449572...
Bilan annuel 2013 du Service de police de la Ville de Montréal (SPVM) (2014-05-01): ville.montreal.qc.ca/pls/portal/url/ITEM/F7CF9BCD42BB0080...
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All of My Reviews｜心得文：
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Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
http://es.wikipedia.org/wiki/Iglesia_de_Iesu
Iglesia de Iesu
La Iglesia de Iesu (nombre griego de Jesús) es un templo católico de estilo moderno y diseño minimalista, construido en el siglo XXI y sito en la “Avda. de Barcelona” en el barrio de Riberas de Loiola de San Sebastián. Ubicada en la margen izquierda del río Urumea junto al Jardín de la Memoria, las obras dirigidas por el arquitecto Rafael Moneo duraron cuatro años y el edificio se terminó de construir en la primavera de 2011, consagrándose al culto en ceremonia presidida por el obispo José Ignacio Munilla Aguirre el 14 de mayo de 2011.
DESCRIPCIÓN
El templo de un diseño vanguardista tiene unos 900m2 de superficie con los locales parroquiales anexos, y grandes alturas que van desde los 28 metros de la Capilla de la Reconciliación hasta los 21 metros de la cruz. El edificio que mira a oriente ha sido calificado por el propio Rafael Moneo como "generoso en sus espacios y muy modesto en sus materiales". Destaca su planta en cruz quebrada y su condición no estrictamente simétrica, con la que según su autor "pretende reflejar las tensiones del mundo de hoy". Destaca en esta iglesia su luminosidad propiciada por diferentes vanos abiertos en el techo que permiten que los rayos que penetran por estos, se reflejen en las paredes de estuco blanco que cubren el hormigón por dentro y fuera del templo. Este juego de luces dibuja una gran cruz asimétrica en el techo.
Interior
La planta del edificio, al modo de las grandes catedrales, tiene forma de cruz y anexo se halla un edificio en forma de “ele”. A la izquierda de la nave principal está la sacristía y el baptisterio y a la derecha, la Capilla de la Reconciliación en donde se encuentra una gran vidriera y el sagrario. La vidriera ha sido diseñada por el propio arquitecto y hecha de alabastro procedente de Cintruénigo. El ventanal, que evoca a tiempos del románico, cuenta con cuatro motivos hechos con cristal: una cruz que representa la imagen de la propia iglesia, un sol y dos figuras de la luna en fases distintas. La iluminación artificial de las bombillas a baja altura, forma una especie de cubierta cercana a las cabezas de los feligreses, lo que contrasta con las altas paredes del templo y la distinta iluminación natural del techo.
110616_Mon-9025.jpg
Artist: unknown
Date/place: unknown
Subject: Nina Grieg
Medium: photographic positive, B&W
Notes: Signature under the photo
Persistent URL:
Original belongs to the Edvard Grieg Archives at Bergen Public Library
Original reference: df0019
Description: This 1909 Ford Model T is an icon of American innovation. Introduced in October 1908, the Model T was an immediate success and would soon transform the automobile industry, the nation and the world. The innovative design of the Model T set it apart from other cars of the day. A flexible and lightweight chassis allowed it to adapt well to rough American roads. A simple and efficient engine provided enough power to take a family on a Sunday drive in the country or run farm equipment. The Model T was easy to operate and repair. And it was affordable. Priced between $825 and $1000, the Model T fell within the price range of many Americans. Henry Ford's intent was to produce a car "for the great multitude." His inexpensive, efficient and reliable Model T put car ownership within the reach of many people - and planted the desire for ownership in the mind of nearly everyone. It put the world on wheels.
Object ID: 57.77.1
Image: THF90438. Midcoast Studios, photographer
Location: Henry Ford Museum, The Henry Ford
URL: collections.thehenryford.org/Collection.aspx?objectKey=140288
Original Caption: On the Ski Slopes of Vail after Trying Out Aspen's Trails 02/1974
U.S. National Archives’ Local Identifier: 412-DA-11833
Photographer: Hoffman, Ron
Subjects:
Aspen (Pitkin county, Colorado, United States) inhabited place
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: catalog.archives.gov/id/554285
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Persistent URL: floridamemory.com/items/show/49400
Local call number: sm0508
Title: The "Barbee" aground - Lake Okeechobee
Date: April 1917
Physical descrip: 1 glass photonegative - b&w - 5 x 7 in.
Series Title: John K. Small Collection
Repository: State Library and Archives of Florida
500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com
Bain News Service,, publisher.
Maj. Geo. F. Chandler
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.24790
Call Number: LC-B2- 4254-10
Original Caption: Susan B. Anthony petition for remission of fine imposed for voting, ca. 1874
Created By: U.S. House of Representatives.(03/04/1789 - )
From: Record Group/Collection: 233
From: Accompanying Papers of the 43rd Congress, 12/01/1873 - 03/03/1875
Production Dates: ca. 1874
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=306559
Reference Unit: Center for Legislative Archives (NWL), National Archives Building
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Centrale markthallen, Jan van Galenstraat, Amsterdam, 193'2. Architect: N. Lansdorp.
Fotograaf: onbekend. Collectie NAi | TENT_n293
URL van deze afbeelding: zoeken.nai.nl/CIS/object/3923
Meer foto's uit deze collectie kunt u bekijken in de Collectiedatabase van het NAi.
Niet van alle gebouwen en interieurs zijn alle gegevens bekend. Heeft u meer informatie of weet u het adres van een gebouw? Laat dan een reactie achter (als u ingelogd bent bij Flickr) of stuur een mailtje naar: flickr@nai.nl
Al deze foto's zijn gemaakt in de eerste helft van de twintigste eeuw. Wij zijn benieuwd hoe deze gebouwen er vandaag de dag uitzien. Heeft u recente foto's van deze gebouwen of locaties, voeg ze dan toe als commentaar. U kunt een eigen Flickr-foto toevoegen door de URL ervan tussen vierkante haken in het commentaarveld te plakken. Als uw foto's een Creative Commons licentie hebben, nemen we ze bovendien graag op in de NAi Collectiedatabase.
Market Hall, Jan van Galenstraat, Amsterdam, 1932. Architect: N. Lansdorp.
Photographer: unknown. NAI Collection | TENT_n293
Persistent URL: zoeken.nai.nl/CIS/object/3923
For more photographs from this collection, please visit the NAI Collection Database
You can help us gain more knowledge on the content of our collection by adding a comment with information. If you do not wish to log in, you can write an e-mail to: flickr@nai.nl
All these pictures are taken in the first half of the twentieth century. We are curious to learn how these buildings look like today. If you have recently taken photographs of these buildings or locations, please add them to your comment. If you'd like to include a Flickr photo, simply copy and paste its URL between square brackets in the commentary-field. Photos with a Creative Commons licence may be used to illustrate the NAi Collection Database.
“He is a great, great, crazy man and a very good person. He has the most passion about food of anyone I have ever met,” says Fantin. “For Seiji, it’s always the kitchen, the kitchen, the kitchen! He doesn’t use salt ever. Instead, he marinates everything, and he has excellent techniques for fish, which result in the best possible of all possible cuts.”A stint at the 2-star Akelarre in San Sebastian, Spain, also significantly molded his personal style.“The Spanish style of cooking has a very strong visual impact. Sometimes the appearance is even more important than the taste! Spanish chefs will pay great attention to the details of the dish on the plate,’’ says Fantin. “When I worked at Akelarre, there was a lot of natural beauty around us, so we would go into the mountains in the morning to pick herbs and flowers, and two hours later, they would be served on the plate. “This is apparent in the dishes he serves later, additions to the menu that he will introduce to customers a week later for a 5,000 JPY lunch course: Carciofo ripieno di riccotta, cus cus alla menta e pistacchi (Italian artichoke stuffed with ricotta, zucchini and broccoli and served with pistachio crème and mint cous cous);
Il Ristorante occupies the top four floors of the Bulgari Ginza Tower. Located at 2-7-12, Ginza, Chuo-ku, the Bulgari Ginza Tower is home to the largest Bulgari store in the world, with 940 square meters of retail floor space.http://tokyo.japantimes.co.jp/clickout.php?url=http://www.bulgarihotels.com/ 03-6362-0555
View more at tokyo.japantimes.co.jp/post/en/1314/Italian+Dining+in+Tok...
Niederlassung von Schneider Electric in Whitefield, Bangalore
Barkathulla (l), Prashanth (r), Arbeitskollegen
Photo: © branko
Branko: Entrevista TV Español
Paulo Brown, Sao Paulo-Brasil entrevista Branko, Portugues
Movies:
111 First Street Movie - Online Download
Before The Fame DVD
ExaltaSamba em Newark US DVD
Marcos & Geraldi DVD
Jinsop DVD
Jinsop Rodriguez DVD
Brasfest DVD
Latin Collector - The Movie DVD
Books:
West Indian Parade (Photo Book)
The Tyrrell Window fills three lancets high up in the south transept and was commissioned from Whitby-based artist Alan Davis following selection by competition and installed in 2012. The abstract design incorporates symbolic elements such as the chalice and reflects on the abbey's role as a place of hospitality.
Hexham Abbey started life as a Benedictine monastery founded by St Wilfrid in 674, building his church from recycled Roman stonework. The building would have been significantly smaller than that which we see today though a small part of it remains in the Abbey's famous Anglo Saxon crypt, a four-chambered space (one of the most ancient Christian structures still in use in Britain) concealed beneath the present nave. Most of the present church however is the result of 13th century rebuilding in the Early English style.
Following the Dissolution of the Monasteries in 1537 the Abbey church was retained for use as the town's parish church of St Andrew, which it has remained ever since. Most of the monastic buildings and the medieval nave were abandoned and quarried away around this time, leaving just the choir and transepts in use. The Victorian period saw major restoration of the church which included the rebuilding of the eastern bay of the choir in 1858, whilst ongoing work to improve the state of the abbey culminated in the early years of the 20th century with the rebuilding of the ruined nave (reusing the original foundations and lower parts of the walls) to the designs of Temple Moore, which was consecrated in 1908.
The Abbey is a delight to explore and retains much of interest from the medieval period, including many original furnishings and a surprisingly rich collection of 15th century paintings on wood, incorporated into the choir screen and stalls, and yet further in the two chantry chapels flanking the high altar. One of the chapels, the chantry of Prior Leschman, is famous for its primitive stone carvings. The oldest item in the church however is the 'Frith Stool' in the centre of the choir, an ancient bishop's throne from St Wilfrid's time which would have been in use when the previous church was briefly designated as a cathedral.
en.wikipedia.org/wiki/Hexham_Abbey
Hexham Abbey is a church I'd wanted to see for many years and finally getting to see it was no disappointment. I was also made very welcome here by everyone I met and would happily return. The church is currently closed to the public for renovation (Jan-March 2019) but is normally open and welcoming on a daily basis.
Maryland Governor Martin O'Malley, U.S. Secretary of Agriculture Tom Vilsack, and representatives from the U.S. Department of Agriculture's Natural Resources Conservation Service (NRCS) attend an announcement for the Conservation Reserve Enhancement Program (CREP) at Soper Farm in Westminster, Md., on April 24, 2009. Soper Farm in Carroll County, Md., has implemented cattle exclusion fencing and walkways through the Environmental Quality Incentives Program (EQIP) and a forested stream buffer on Little Morgan Run. In Maryland, CREP offers incentives to encourage landowners to adopt practices to reduce sediment and nutrients reaching the Chesapeake Bay and to improve wildlife habitat. (Photo by Alicia Pimental/Chesapeake Bay Program)
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To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.