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7 Signs That Adrenal Fatigue is Behind Your Anxiety, Sleep Problems And Joint Pain

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March 15, 2014 at 04:48PM

Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the <em>Last Supper</em>, however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper. The composition is believed to be a fairly close copy of a fresco by Perugino in the convent of San Onofrio in Florence, around 1495. The scene is set within an arched interior embellished by a frieze of eagles and by half pilasters with floral decorations and putti. Fluffy clouds are visible beyond the archways. Christ and the apostles are on a bench arranged behind the table. Judas, instead, sits on a stool in the middle of the room, looking over his shoulder towards the viewer. The engraver included two reliefs at both ends of the bench. The panel on the right shows Judas with four soldiers, while the one on the left features a knight, a squire, and a banner. On it, the letters <em>LVC . . . TNO</em> have been interpreted as the artist's signature.

Italy, 16th century

 

engraving on two sheets printed from two plates

 

Did you know...

This print is the only known impression of the entire composition. A copy with only the right side is preserved today at the British Museum in London.

 

Dudley P. Allen Fund

clevelandart.org/art/1940.473

Henry Inman

American, Utica, New York 1801–1846 New York

3 3/8 x 2 3/8 in. (8.6 x 6 cm)

 

medium: Watercolor on ivory

 

Metropolitan Museum of Art, New York, NY 1996.562 1996

Dale T. Johnson Fund, 1996

www.metmuseum.org/art/collection/search/15586

Shot and styled by myself/March 2014

one of the longest URLs I've ever seen, the idea og telling someone over the phone to check out this site is scary

If you have a very long url but you don't have a space to put this url. Then you can use the flyt. it for shortened url.

 

January 01, 2016 at 05:00PM

The style and quality of this manuscript's decoration is typical of deluxe Parisian books made for aristocratic or royal patrons. Most of the book's decoration appears to be the work of the Master of the Boqueteaux, an artist active at the court of King Charles V (died 1380). His style was apparently shared by a number of book illuminators working in and around Paris. It is very possible that the <em>Gotha Missal</em> belonged to Charles V, but is not provable because the manuscript has no royal portraits and lacks a colophon. Given the book's magnificent decoration, however, it would seem that it was produced for a Valois prince, if not for the king himself. The manuscript receives its name from the German dukes of Gotha, its later owners.

France, Paris

 

ink, tempera, and gold on vellum; blind-tooled leather binding

Codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.)

 

Mr. and Mrs. William H. Marlatt Fund

clevelandart.org/art/1962.287.131.a

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February 09, 2014 at 09:03PM

December 27, 2015 at 12:48AM

Italy, 19th century

 

embroidery: linen

Overall: 45.7 x 45.7 cm (18 x 18 in.)

 

Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey

clevelandart.org/art/1936.697

79 1/2 x 43 in. (201.9 x 109.2 cm)

 

medium: Linen embroidered with crewel wool

 

Metropolitan Museum of Art, New York, NY 42.188.2 1942

Rogers Fund, 1942

www.metmuseum.org/art/collection/search/13727

January 02, 2016 at 06:59AM

Photo Michel NOËL © février 2012, tous droits réservés

Photo réalisée au Lac de Créteil - Val de Marne - France

Please don't use this image on websites, blogs or other media without my explicit permission. Michel NOËL © February 2012, All rights reserved.

http://www.michel-noel.com/

www.facebook.com/LacdeCreteil

Italy, Piedmontese, 15th century

 

pen and brown ink and black chalk

Sheet: 24.4 x 19.4 cm (9 5/8 x 7 5/8 in.)

 

Delia E. and L. E. Holden Funds and John L. Severance Fund

clevelandart.org/art/1956.43

January 14, 2014 at 06:07PM

January 12, 2014 at 04:11PM

January 06, 2014 at 09:21AM

The Hydra was a multi-headed snake-monster raised by the goddess Hera that lived in the swamps near Lerna. Up to fifty heads are reported for the creature in ancient sources, but it usually is depicted with fewer, as on this vase. Herakles, accompanied by his nephew Iolaos, killed this menace as the second of the Labors he had to perform for king Eurystheus. Herakles' lion skin protected him from the snake's venom, which he later used to make his arrows poisonous.

 

H: 6 15/16 x Diam: 2 11/16 in. (17.7 x 6.9 cm)

medium: terracotta

style: Attic

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/4764

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[url=http://www.flickr.com/photos/risager/4998950325/]Amager Love[/url] by [url=http://www.flickr.com/people/risager/]Risager[/url], on Flickr

October 20, 2014 at 10:19AM

December 01, 2013 at 03:48PM

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