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November 25, 2014 at 09:50AM

Kids that read Succeed! Reading a book is a great excuse for peace and quiet. What will you be reading today on#InternationalLiteracyDay ?

Source URL: www.vikingsteelstructures.com/carports-infographics/build...

 

Description:

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William Faden the Younger

British, London 1749–1836 Shepperton

29 11/16 x 24 3/4 in. (75.4 x 62.9 cm)

 

medium: Ink on paper mounted on canvas

 

Metropolitan Museum of Art, New York, NY 69.204 1969

Gift of James Biddle, 1969

www.metmuseum.org/art/collection/search/4943

The Passion of Christ was a popular theme for 15th-century altarpieces in northern Europe. It is the story of Christ's suffering-from his arrest to his Crucifixion-although it was often expanded to include earlier and later events, such as the Entombment (see Walters 37.663, 37.664, 37.668, 37.669, 37.670, 37.671, and 37.674). The figures and settings are treated in a life-like fashion to make the events seem real and the message persuasive. The gold-leaf backdrop embossed to look like damask would have suggested to the 15th-century viewer a heavenly light illuminating eternal truths.

 

When the altarpiece was open, four panels would have been visible on each side of a central carved image, very likely a Resurrection, loosely suggested by the wooden Crucifix hung here. Christ is the central figure in each painting. His serenity and restraint contrast with the undignified agitation of his tormentors, expressed in their grimaces and jerky movements. This use of angularity and exaggeration to generate an emotional response in the viewer is characteristic of German art of this period.

 

German

 

Framed H: 50 9/16 x W: 46 1/4 x D: 3 3/8 in. (128.5 x 117.4 x 8.6 cm)

medium: oil on panel

style: Gothic

culture: German

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/1016

Japan, possibly Edo period (1615-1868)

 

iron

 

Gift of D. Z. Norton

clevelandart.org/art/1919.477

France(?)

 

limestone

Overall: 5.3 x 8 cm (2 1/16 x 3 1/8 in.)

 

Gift of John H. Howe

clevelandart.org/art/1971.268

October 22, 2014 at 03:42PM

July 22, 2015 at 01:52AM

The creatures of the sea, by turn, refuse to convey the king of the ocean’s acceptance of the wedding invitation to the Brahman. The sea dragon in the upper right is concerned that he will frighten people, so he volunteered the whale. The whale said that he has no legs to walk on land, so volunteered the turtle. The turtle said he would be too slow and would never make it on time. The crab feared he would not be taken seriously, and the crocodile said that he is too rough and vulgar for the job. The frog agreed to go.

Mughal India, court of Akbar (reigned 1556–1605)

 

gum tempera, ink, and gold on paper

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.3 x 10.1 cm (2 7/8 x 4 in.)

 

Did you know...

The sea dragon is chief of the many species under the Ocean King’s command.

 

Gift of Mrs. A. Dean Perry

clevelandart.org/art/1962.279.89.b

album- bit.ly/3lah83H SIGHTING: small white/tan shih tzu type dog in #forest lawn #forestheights. Call 311 ASAP if sighted/found. DO NOT CHASE! Pls rt, share, watch, help! Photos from Donna Taylor's postvpdescription by Photos from Donna Taylor's post SIGHTING: small white/tan shih tzu type dog in #forest lawn #forestheights. Call 311 ASAP if sighted/found. DO NOT CHASE! Pls rt, share, watch, help! Photos from Donna Taylor's post 2020-11-25T20:42:33.000Z Photos from Donna Taylor's post wall fb post-click here bit.ly/3m9MIjh original visitor post bit.ly/369HtL7 November 26, 2020 at 01:31AM bit.ly/2BxTYim iftt Upload public photo from URL

23 1/4 x 23 1/2 in. (59.1 x 59.7 cm)

 

medium: Brass, iron

 

Metropolitan Museum of Art, New York, NY 46.67.126 1946

Gift of the Members of the Committee of the Bertha King Benkard Memorial Fund, 1946

www.metmuseum.org/art/collection/search/92

China, Qing dynasty (1644-1911)

 

Satin weave silk with gold metal thread embroidery; supplementary weft; black velvet; metal (brass?); lined in blue silk; feather

 

General Income Fund

clevelandart.org/art/1918.560.1.j

Kode produk : S 492

Brand : Garsel shoes

Kategori : Olahraga

Keterangan : Kanvas

IDR : 225.000

Kode SMS : S 492 / 36 / Tan / 1 pcs

 

Via Order

Telp: 0819-0817-7135

BBM: 5550B07

Line: urlexpectation

 

Via Produk

Path: urlexpectation

Flickr: urlexpectation

Código Qr que enlaza con la red social

Edmonia Lewis was the first African American sculptor to receive international recognition. Born in Greenbush, New York, to a Haitian father of African descent and a mother of Native American and African American descent, Lewis spent a brief time in Boston studying with the sculptor Edward Brackett. In 1866, she moved from Boston to Rome, Italy, to study sculpture and to escape racial discrimination. Lewis adopted the prevailing Neoclassical style of sculpture but softened it with a degree of naturalism. She had a successful career specializing in biblical subjects, themes recalling her Native American and African American ancestry, and portrait busts of important people.

 

This portrait bust of Diocletian Lewis (1823–86), was made in the artist's Rome studio. Dio Lewis (no relation) who trained in medicine at Harvard College's medical department and practiced briefly in Buffalo, New York, is remembered chiefly for lectures and publications dealing with preventive medicine and physical hygiene, as well as for his support of liberal causes, including women's rights.

 

H: 22 1/2 × W: 14 1/4 × D: 8 11/16 in. (57.15 × 36.2 × 22 cm)

medium: marble

 

Walters Art Museum, 2002, by purchase.

art.thewalters.org/detail/6301

Next Level Custom Signs is the best place for art sign printing and production. Business sign printing is an affordable and viable option. Large and Small businesses go for the quality stylish Custom business sign to represent their brand in an attractive and elegant manner.

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URLs for the websites where I publish my photographs to

 

The large, seated figure in the center of the composition is Indra, king of the gods, who holds in his lap the infant Mahavira, founder of the Jain religion. Indra had taken him to Mount Meru, indicated by the jagged peaks at the bottom of the painting, for his first bath. Two priests flanking them hold vessels for the bath, and the two cows above indicate that the vessels are full of milk. The milk bath washed away all the impurities of the birth.

Western India, Gujarat

 

Gum tempera, ink, and gold on paper

Overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.)

 

Edward L. Whittemore Fund

clevelandart.org/art/1932.119.31.a

June 15, 2017 at 11:24AM

September 23, 2015 at 01:31PM

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