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December 25, 2015 at 12:25PM

This is one of ten ink cakes of different shapes and colors stored in an exquisite lacquer box. Each is inscribed in gold with a poem by the Qianlong emperor, praising the ten famous sights of the Westlake in Hangzhou, near Shanghai. The Westlake is famous for its natural beauty; it was a favorite imperial destination and remains a tourist attraction today.<br><br>Ink cakes (also called ink sticks) are dissolved with the addition of water and ground on the surface of a flat stone into liquid ink for painting and calligraphy. The precious ink cakes here, however, have never been used.

China, Qing dynasty (1644–1911), Qianlong reign (1736–95)

 

Molded ink in white

Overall: 9.4 x 3.6 cm (3 11/16 x 1 7/16 in.)

 

Gift of Henry W. Kent

clevelandart.org/art/1942.215.2

Theodor Kaufmann

American (born Germany), Uelzen 1814–1896 New York

36 x 56 in. (91.4 x 142.2 cm)

 

medium: Oil on canvas

 

Metropolitan Museum of Art, New York, NY 1982.443.3 1982

Gift of Erving and Joyce Wolf, in memory of Diane R. Wolf, 1982

www.metmuseum.org/art/collection/search/11287

October 07, 2014 at 08:16PM

March 16, 2014 at 02:19PM

January 11, 2016 at 09:00AM

Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds—principally peacocks, symbols of the immortality of the soul—and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.

Byzantium, Constantinople

 

ink, tempera, and gold on vellum; leather binding

Sheet: 28 x 23 cm (11 x 9 1/16 in.)

 

Did you know...

Gospel books were carried in procession through Byzantine churches.

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1942.152.303.b

Only a few letters from the inscription next to this figure are extant, so her name is uncertain. The cross in her hand identifies her as a martyr. Two further pieces in museum belong to the same series as this one and carry images of Saint Nicholas (inv. 48.2086.1) and Saint James (inv. 48.2086.9). The three tiles were most probably part of a church wall frieze of saint portraits alternating with plant ornament.

Byzantine

 

6 5/8 x 6 7/16 in. (16.8 x 16.4 cm)

medium: ceramic with glaze

culture: Byzantine

dynasty: Macedonian Dynasty

 

Walters Art Museum, 1956, by purchase.

art.thewalters.org/detail/6367

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