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christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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This commode bears the stamp of François Gaspard Teuné, who became a master "ébéniste" (cabinetmaker) in 1766 and often received commissions from the count of Artois, brother of King Louis XVI.
In style, the piece represents the transition from Rococo to Neoclassicism. The front is divided into a central section inlaid with an urn and two lateral sections with a trellis pattern, known as "marqueterie à la Reine."
H:: 48 7/16 × L: 63 3/8 × D: 35 7/8 in. (123.03 × 160.97 × 91.12 cm)
medium: sycamore, tulipwood, other woods, bronze-gilt, brecciated marble
Walters Art Museum, 1970, by purchase.
John McLenan
American, Pennsylvania 1827–1865 New York
7 9/16 x 6 7/8 in. (19.2 x 17.5 cm)
medium: Graphite on off-white wove paper
Metropolitan Museum of Art, New York, NY 26.216.21 recto 1926
Gift of James C. McGuire, 1926
Nunn Nun About To Hit Stage vs Ray Stizzy, Gives URL Update
battledomination.com/nunn-nun-about-to-hit-stage-vs-ray-s...
Gifford was an American landscape painter belonging to the second generation of Hudson River school artists. Based in New York City with a studio at the Tenth Street Studio Building, Gifford took annual summer trips to the Catskills, the Adirondacks, and other scenic locations in New England. This sketchbook accompanied the artist on his expedition in 1859 to New Hampshire and Maine, where he drew sites such as Dixville Notch, the White Mountains, and Peaks Island, Casco Bay. Gifford used such graphite studies as the basis for oil paintings worked up in his studio, such as A Home in the Wilderness (1866).
America, 19th century
graphite
Sundry Purchase Fund
This bust, broken off across the breast and upper arms, was once probably part of a seated tomb statue. There are no traces of a rear pillar. He wears a short, close-fitting wig of rectangular rows of curls, which leaves his modeled ears uncovered. He originally wore a short kilt, but now only the top of it is preserved, to be found at his back. His eyelids are carved. His pectorals are indicated, and he possesses a bipartite torso. His arms are close to his body. Other than being broken above the waist, this piece is well preserved.
Egyptian
H: 4 3/4 in. (12.1 cm)
H without base: 4 3/4 x W: 3 5/8 x D: 2 1/8 in. (12 x 9.2 x 5.4 cm)
medium: black granite
culture: Egyptian
dynasty: 9th-10th Dynasty
Walters Art Museum, 1931, by bequest.
Continuing a practice initiated by his father, Alexander III, Tsar Nicholas II presented this egg to his mother, the dowager empress Marie Fedorovna, on Easter 1901. The egg opens to reveal as a surprise a miniature gold replica of the palace at Gatchina, located 30 miles southwest of St. Petersburg. Built for Count Grigorii Orlov, the palace was acquired by Tsar Paul I and served as the winter residence for Alexander III and Marie Fedorovna.
Fabergé's revival of 18th-century enameling techniques, including the application of multiple layers of translucent enamel over "guilloché," or mechanically engraved gold, is demonstrated in the shell of the egg. So meticulously did Fabergé's workmaster, Mikhail Perkhin, execute the palace that one can discern such details as cannons, a flag, a statue of Paul I (1754-1801), and elements of the landscape, including parterres and trees.
H: 5 x W: 3 9/16 in. (12.7 x 9.1 cm)
medium: gold, "en plein" enamel, silver-gilding, portrait diamonds, rock crystal, and seed pearls
Walters Art Museum, 1931, by bequest.
[url=http://ogrehut.com/trails.php/LakeTahoe/TRT]0gre[/url]: Finally we make it Freel Pass. This is the highest point in the ride.
Pictured: [i]Dennis (Ogre), Fast Eddy, Kyle (K-Max), Jim (jilm), Steve (Big Boulder), and Morgan... (Morgan). Unfortunately Jeff aka TahoeBC had to split before the rest of us got to this point.[/i]
Go to Page 107 in the Internet Archive
Title: Brain surgery
Creator: Starr, M. Allen (Moses Allen), 1854-1932
Creator: University of Bristol. Library
Publisher: New York : Wood
Sponsor: Jisc and Wellcome Library
Contributor: University of Bristol
Date: 1893
Language: eng
Description: This material has been provided by University of Bristol Library. The original may be consulted at University of Bristol Library
University of Bristol Library
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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This neoclassical vase (one of a pair) is distinguished by its satyr-head handles. The ground is a color known as "bleu nouveau," and rich oak and laurel garlands in gold surround the painted decorations. At Sèvres, a plaster model for this oviform shape is inscribed with the name of the sculptor Etienne-Maurice Falconet (1716-1791), but the designer was more likely the director of sculpture at the manufactory, Louis-Simon Boizot (1743-1809). Jean-Louis Morin (1731-1787) decorated the vase with harbor scenes, and Jean Pierre Boulanger père (1722-1785) was responsible for the gilding. There is a similar vase in the Wallace Collection, as well as in the Palazzo Pitti in Florence.
H: 16 3/4 in. (42.6 cm)
medium: soft paste porcelain with enamels and gilt
by bequest to Walters Art Museum, 1931.
[1] no. 44
This sparse composition depicts a summer scene on the right and a winter scene on the left. Careful observation reveals that the pair of screens was once damaged, and a later conservation including new sections of paper and inpainting sought to preserve the original flavor of the paintings so they could continue to be appreciated. Kano Naonobu was born in Kyoto, the younger brother of major painter and authenticator Kano Tan’yū (1602–1674). He relocated to Edo (present-day Tokyo) at the behest of the Tokugawa government in 1630 where he worked with his brother and teacher. In Kyoto, he helped his brother with paintings for Nijō Castle and the major Pure Land Buddhist temple Chion’in.
Japan, Edo period (1615–1868)
six-panel folding screen; ink on gold- and silver-decorated paper
Framed: 170 x 354 x 58.7 cm (66 15/16 x 139 3/8 x 23 1/8 in.)
Gift from the Collection of George Gund III
H. 4 in. (10.2 cm)
medium: Pottery
Metropolitan Museum of Art, New York, NY 25.227.8 1925
Fletcher Fund, 1925
This scroll was created in the eighteenth century for a woman named Marta. Having once been possessed by a devil, she had this prayer scroll made as a way to ward off evil. Containing prayers against demons, as well as talismans and a depiction of a guardian angel (perhaps Phanuel, who is invoked in one of the prayers), the scroll was intended to be worn as an apotropaic device. Ethiopian prayer scrolls were made to be the length of the person who commissioned them, thereby protecting the owner from head to toe; this one is 165.7 cm, making Marta 5'5" tall.
Christian Highland Ethiopian
Overall H: 65 1/4 × W: 3 3/16 in. (165.7 × 8.1 cm)
medium: ink and pigments on three strips of heavy parchment
style: Ethiopian
culture: Christian Highland Ethiopian
Walters Art Museum, 1978, by gift.