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Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds—principally peacocks, symbols of the immortality of the soul—and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.
Byzantium, Constantinople
ink, tempera, and gold on vellum; leather binding
Sheet: 28 x 23 cm (11 x 9 1/16 in.)
Did you know...
Gospel books were carried in procession through Byzantine churches.
Purchase from the J. H. Wade Fund
A young gentleman wearing a sword and a lady with a pet squirrel meet in the woods, indicated by trees in the background. The scene is set within a frame of nine lobes, whose spandrels are filled with bearded masks. Two of the four crouching-monster corner terminals have been damaged by burial. There are losses on the back as well, and a new hole is drilled at the top.
The lobed frame is usually considered a sign of a date after the mid-century, but the figure style suggests that this may be an early use of the mask frame.
Medieval European
H: 3 3/4 x W: 3 3/4 x D: 3/16 in. (9.5 x 9.5 x 0.5 cm)
medium: ivory
style: Gothic
culture: Medieval European
Walters Art Museum, 1931, by bequest.
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In Stirling Castle or A Scottish Palace (Un Palais Ecossais), 1899. David Young Cameron (British, 1865–1945). Etching; The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer 2016.146
More at clevelandart.org/art/2016.146
A ladder connects the daughter-in-law’s chambers to the courtyard below, where the vagabond kneels beneath a tree, a stringed instrument called a rebab in hand, mouth open in song. Because her husband is unpleasant and ill-tempered, the woman falls in love with the musician. The damage to the right side of this page was probably repaired in the early 1800s.
Mughal India, court of Akbar (reigned 1556–1605)
gum tempera, ink, and gold on paper
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 11.2 x 9.9 cm (4 7/16 x 3 7/8 in.)
Did you know...
The whereabouts of the previous folio, probably depicting the parrot addressing Khujasta on the sixteenth night, are unknown.
Gift of Mrs. A. Dean Perry