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This covered cylindrical jar with three animal feet is lavishly covered with a cobalt blue glaze in the exterior and an amber glaze in the interior. Of the colored lead glazes of sancai (three-color) ware, blue was preeminent and precious. Imported cobalt from Persia (Iran, Afghanistan) was used as a glaze colorant that yields a rich, brilliant blue of considerable splendor.

China, Tang dynasty (618-907)

 

glazed earthenware

Overall: 14.4 cm (5 11/16 in.); Diameter of lid: 11.5 cm (4 1/2 in.)

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1948.228.b

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Die in Dreiviertelansicht dargestellte Frau blickt sinnend und mit geschlossenem Mund nach rechts. Ihr langes Haar wird von einem Tuch zusammengehalten, das über ihre linke Schulter hinabfällt und das Äquivalent für die dicke Haarsträhne auf ihrer rechten Seite bildet. Das am Oberkörper weit geschnittene und breite Falten werfende Gewand bauscht an den Oberarmen auf, liegt jedoch an der Taille eng an.

 

Handzeichnung Schwarze Kreide

46,5 cm × 34,8 cm

 

Hans-Wulf Kunze

Metadata: CC BY-NC-SA @ Kulturhistorisches Museum Magdeburg

global.museum-digital.org/object/100517

September 05, 2014 at 04:00PM

A monkey is depicted with his back to the viewer. He is wearing a coat and seems to be dancing beneath a plum tree in bloom. Tufts of bamboo are near his feet. This is part of a set with Walters 51.951.

Japanese

 

1 7/16 in. (3.7 cm) (l.)

medium: silver, gold

style: Hamano School

culture: Japanese

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/2071

Dressed in a full suit of armor, Maximilian (reigned 1486– 1519) stands among an array of helmets and weaponry. He holds a sword in one hand and a cannonball in the other, indicating both knightly skill and military power. A large sack of coins behind him alludes to his financial support of the engineers and craftsmen dedicated to the industry of war. Similar suits of armor in the Maximilian style are on view in the museum’s arms and armor court, including Maximilian’s personal suit of jousting armor. Traut created this woodcut for a monumental triumphal arch, printed with 195 woodblocks prepared by a team of printmakers. The emperor commissioned the massive print—almost 12 feet tall when assembled— to commemorate his gentility, generosity, and military conquests.

Germany, 16th century

 

woodcut

 

Gift of Mrs. S. Prentiss Baldwin

clevelandart.org/art/1925.466

China, Qing dynasty (1644-1911)

 

Satin weave silk with gold metal thread embroidery; supplementary weft; black velvet; metal (brass?); lined in blue silk; feather

 

General Income Fund

clevelandart.org/art/1918.560.1.j

Código Qr que enlaza con la red social

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This is an example of "famille verte" porcelain; this particular piece is the center of a broken dish featuring Shou Lao, the God of Longevity and was made for the emperor's birthday in 1713.

Chinese

 

5 7/16 in. (13.8 cm)

medium: porcelain with overglaze enamels and silver

style: famille verte

culture: Chinese

dynasty: Qing [Ch'ing] Dynasty

reign: Kangxi [K'ang-hsi] (1661-1722)

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/3808

June 15, 2017 at 11:24AM

芳苑燈塔

August 10, 2014 at 09:35PM

This is the email-geni.us logo.

 

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John Frederick Kensett

American, Cheshire, Connecticut 1816–1872 New York

11 3/8 x 24 1/2 in. (28.9 x 62.2 cm)

 

medium: Oil on canvas

 

Metropolitan Museum of Art, New York, NY 74.27 1874

Gift of Thomas Kensett, 1874

www.metmuseum.org/art/collection/search/11319

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May 28, 2014 at 10:30PM

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