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Product Name : TYPOGRAPHY TODAY
Format:210 X 260 mm / 380 page
publishing company : ART POWER
Last update : 2009.10.29
3rd round of exploration geared towards developing in-camera techniques for animating motion graphics to arrive at a less mechanical, more organic and optical feel, but with a process that provides flexibility for content control. No compositing is used here, no photoshop manipulation. My constraints are exposures no longer than 30 seconds, all typography and imagery is composed and exposed during that duration.
The next round will deal with registration issues, color and further exploration of foreground / middleground / background shifting of elements.
Full size version:
www.flickr.com/photos/victor-sarabia/6233815618/
Hi, I would really appreciate a Dribbble invite. Thank you!
A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage.
Typefaces for catalogs and brochures need to be narrow enough to work in crowded environments, yet energetic enough to encourage extended reading. But typefaces designed for wayfinding programs need to be open enough to be legible at a distance, and sturdy enough to withstand a variety of fabrication techniques: fonts destined for signage need to anticipate being cast in bronze, etched in glass, cut in vinyl, and rendered in pixels.
While American “gothics” such as News Gothic (1908) have long been a mainstay of editorial settings, and European “humanists” such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances.
www.typography.com/fonts/font_overview.php?productLineID=...
This exhibition — “Republish: Typography As...” is an effort of the team behind Republish to see the typefaces in action, while treading the border of art & design. A variety of notions are investigated through the artworks, such as
[1] the juxtaposition of heritage and contemporary,
[2] the physical materialism of type, and
[3] the collective memory of cultural heritage and artifacts.
installation at The Corridor (410 Hackney Road),
on view in the space from 07.05.09 to 24.05.09
Sa + Su 12:00 - 18:00 or by appointment
closing auction party 24.05.09
part of TextFields - textfields.net/, an exploration of typefaces and space
This submission for the RIDICULOUS TYPOGRAPHY RULES book was part of the Don't Believe The Type poster exhibition in The Hague. The poster is also available as limited edition silkscreen poster, in a signed and numbered edition of 50 pieces. The poster is 70x50 cm and is printed glossy black on heavy art paper. For further questions on this sale please contact me.