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Young Female Blackbird eating Berries in a tree.
taken July 2020 in Stevenage Herts on a bright sunny day
Two male Mallards just chilling in the evening at North Point. The colorful males have changed from their showy breeding colors to the more drab brown colors of the winter plumage.
Still, if you look closely on the head of the mallard to the right, some of the green color is just visible yet...
Gold-marked thread-waisted wasps atop a Wild goldenglow blossom. Nature neither looks away nor blushes, it gets on with the business.
Featuring -Two Designers - Blue Blood & Paesia
BOTH of these will be Available at Enchantment
“Royal Kiss of Mardi Gras Magic: The Frog Prince!”
February 14th to March 4th Details on Enchantment website: enchantmentsl.com/royal-kiss-of-mardi-gras-magic-the-frog...
Blue Bloods - March Magnolia Original Mesh creation | Decor | 2LI | Advanced Materials | Custom LOD
This item is PBR with fallback textures
The full package includes:
* Blue Blood - March Magnolia (Always on)
* Blue Blood - March Magnolia (Toggle on-off)
Mainstore- maps.secondlife.com/secondlife/Aurora%20Vale/66/188/48
Marketplace- marketplace.secondlife.com/stores/16755
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Paesia - Royal Lotus Necklace comes with Hud with many colors for each part of the necklace is Unrigged so is adjustable to stretch to resize to get correct placement for Male and Female
Store Discord: discord.gg/qhJmwj4NKz
Primfeed: www.primfeed.com/paesia
X/Twitter: x.com/paesia3D
Inworld store: maps.secondlife.com/secondlife/Eldritch/169/211/819
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Wearing
Necklace- Royal Lotus Necklace - Male (Unrigged)
Skin- Faunus Sylvari Body Applier Evox
Horns- Faunus Horns Male
Head- BeSpoke - Elf Azure (M) (EVO X) - Head
I often visit this area in the evening to catch a sunset, but on a morning jaunt I couldn't resist this view with the perfect calmness of the harbour...Bedford Basin is at the inside end of the Halifax Harbour. When the leaves come out you won't be able to se the pretty houses as well. Really best seen large on black: View On Black April 21 #136 on Explore
for "Crazy Tuesday" theme is "two colors" .........
“Golden”
Golden, golden, golden as I open my eyes
Hold it, focus, hoping, take me back to the light
I know you were way too bright for me
I′m hopeless, broken, so you wait for me in the sky
Brown my skin just right
You're so goldeYou′re so golden
I'm out of my head, and I know that you're scared
Because hearts get broken
I don′t wanna be alone
I don′t wanna be alone when it ends
Don't wanna let you know
I don′t wanna be alone
But I, I can feel it take a hold (I can feel it take a hold)
I can feel you take control (I can feel you take control)
Of who I am, and all I've ever known
Lovin′ is the antidote.....
The dromedaries at our local zoo are quite comical and seem to know how to ignore the camera pointing at them... they will strike a pose however, when given the chance, lol
This shot was taken with the same old Leica lens that I used for the shot of St Paul's Cathedral that I posted a few days back. It's a 90mm lens but when I adapt it to use on my Olympus Micro 4/3s camera, with it's crop sensor, it effectively becomes a 180mm lens. Using a telephoto lens that long will inevitably introduce a lot of compression into an image and you see that phenomenon very clearly here. The chimney tower on the right, which stands on top of the Tate Modern museum, is approximately 250 meters away. Meanwhile the slightly taller Shard building on the left is approximately 1100 meters away (distances measured in Google maps). The Shard is 306 meters high, the Tate chimney tower is 99 meters high.
an old but unforgettable photo i did in Sabie Sands, 14th august 2015 .
at sunset time a beautiful young leopard (panthera pardus) male
called "Quarantine" climbed the termite mound next to us and
started watching the sunset.
then he decided to get up and leave.
the scene was too close for my camera lens so i decided to use my smartphone.
a now very old Samsung Note4 did his job .
the rangers were very surprised by this shot and they asked me a copy of the photo.
Quarantine is now a dominant male in sabie sands, this shot is in the ranger office.
"two icons" leopard and african sunset
sabie sands ,South Africa
iso40 4.8mm f2.2 1/310sec made by note4
The two oak trees standing strong against the snow fall. The tree branches showing their strength and soft snow building up in the crevices of the tree.
Image taken with Nikon D90 and Tokina 11-16mm f/2.8 lens @ f/8, ISO 250, shutter 1/200th focal length 16mm - processed in Lightroom Classic.
New Project! New blog! "Who dis?" haha no seriously check out me and my amazinglyyy talented partners' blog.. the|PLATFORM... Be sure to follow her flickr for updates and alternate images as well. HAPPY HALLOWEEN BE SAFE AND ENJOY <3
The Series Sixty-two was a model produced by Cadillac from 1940 through 1964 when it was renamed “Calais” for the 1965 model year. It was one of Cadillac’s most popular models. For the 1949 model year, the Series Sixty-two spawned the “Coupe deVille.”
For the 1953 model year the world was introduced to the very first Series Sixty-two Eldorado. The Series Sixty-two convertible was one of America’s most luxurious convertibles. Cadillac’s magnificent new design and craftsmanship were dramatically displayed in the 1957 Cadillac Series Sixty-two convertible.
Cadillac for the 1957 model year was completely redesigned. A Cadillac convertible was the celebrity among Cadillacs. There was no more gracious manner in which to enjoy open-air touring than the 1957 Series Sixty-two convertible. Its aristocratic flair was dramatic and pronounced.
Apart from the Biarritz convertible, the Series Sixty-two convertible was the most elegant convertible built in the land. It was the synthesis of two motoring worlds; it had all the panache of a ragtop and the comfort of a luxury car. Style code #6267F Series Sixty-two convertible had a base price of $5,225. (Cadillac repairs today run up tabs along these same dollar amounts…amazing)
The 1957 Cadillacs were all-new in design from the 1956 models. The 1957 cars presented a new sleekness in every line as witnessed by the Series Sixty-two convertible. They were built almost 3” lower in overall height.
The front end ensemble was boldly aggressive. It retained the “Dagmars.” The sweep of its new fender lines extended back to the redesign of the iconic Cadillac tail fins.
The convertible’s silhouette was highlighted by chrome-framed wheel openings and extended contour lines to both front and rear fenders. The fender skirts were dropped for a cleaner more contemporary look at the time.
All Cadillac bodies were built by the Fleetwood Division of Fisher Body under relentless quality control procedures. The Series Sixty-two convertible rode upon a long 129.5” wheelbase, had the luxury length of 220.9” and an 80” wide stance.
The Cadillac 6.0 litre 365 CID 16-valve V8 engine had five main bearings, intake silencer, and hydraulic lifters. It was constructed with cast iron, block and cylinder heads. The engine was equipped with a Rochester 4-bbl downdraft Quadrajet carburetor with equalized manifold, and automatic choke. It produced 300 hp @ 4,800 rpm with 542 Nm of peak torque @ 2,800 rpm. Performance was rated as 0-60 mph in 11.2 seconds, 0-100 mph in 33.1 seconds with a top speed of 119 mph. It could do the ¼ mile @ 81 mph in 18.1 seconds.
The Cadillac Series sixty-two convertible was a triumph of motoring distinction. Its unmatched comfort and spacious dignity was the finest expression of Cadillac’s dramatically new styling. In the way it looked and the way it drove, the 1957 Cadillac Series Sixty-two convertible introduced a brand new measure of excitement to modern luxury motoring…done in the manner only the “Standard of the World” could provide. This is another classic encore presentation…in the continuing saga of “As the Standard of the World Turns.”
notoriousluxury.com/2014/06/21/1957-cadillac-series-sixty...
Two's company - The maze like limestone pavement of Twisleton Scar End stretching out to Ingleborough in the distance on a bright spring morning. Two ash trees cling to the limestone in this seemingly inhospitable environment.
Yorkshire Dales National Park
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