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A few folk have asked me what sort of camera I use. Well there you have it. A digital Kodak EasyShare C633 Zoom. Not the most notorious tool ever devised by man, but for an amateur hobbiest, it seems to get the job done.
Light Painting tools i built from.
Box on the left is a light stencil.
2nd from the left are 2 Cold Cathodes that are powerd by a 9 Volt Battery (As you usually carry a backpack or something similar i found the battery pack to be quite useful as it can supply many tools for a really long time and the voltage does not break in when more lights are attached)
3rd from the left is a stick kind of thing with a White LED ribon on the bottom and a red one on the Top
Lower right hand corner are two 6 Volt Lead Batteries glued together supplying The LED rod and the blue thingy
4th Is a piece of wood i glued a blue LED strip onto and Connected it to the battery by a cable with a on of switch. (Works really well for Orbs)
The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.
The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.
The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.
This chart has been very helpful. Not to mention a great addition to my kitchen decor. get yours here: popchartlab.com/collections/prints/products/the-splendife...
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Cutting tool of a milling machine. I would have loved to capture the cutting action of the tool. Problem is that the semester is almost over and there is no activity at the workshop these days.
as much as love tools, i didnt want to use them to remove the struts when carrying something odd-shaped
Counting Tools Worksheet
First of all, we can say that if you have got a boy, your duty is easier because, in this worksheet, there are some tools like hammer, saw and etc. What will you do in this activity? Yes, you will do lots of things. For example; you will teach some tools which are used...
Shot on Ilford PanF+ 50, developed in HC 110, Solution F, 9:30 at 20C, 5 seconds agitation every 30 seconds.
Renovating minds
Takes time
to peel away
layers of unwanted experiences
years of decay and neglect
to strip it bare
back to the barren plaster
of empty thoughts
then slowly
polyfilla up the holes and dents
caused by wear and tear
of daily living
sanding
making it smooth
pure of faults
leaving it to settle and dry
Then as time passes
inevitably
it all begins again
the slopping on of paper and glue
covering it up
every little corner
plastered
with memories of life
Just when I'd finished a two year house renovation project- my mum gave me a present of a pink tool kit which she bought in Australia, took back to Scotland, then brought out to Brussels to give it to me and eventually it will end up back in Australia when I emmigrate next year!
Since I have finished rennovating- I am using them to practice taking photos
Cool design with the eye image used in the Lateralus album art. The one good thing about no tourdates is it doesn't make your shirt look horribly dated, I guess. Still a better souvenir with the dates imo.
One of the smaller tools... the chainsaw artists are are used to use much heavier and bigger equipment, so this one must be quite relaxing.
[All these pictures have been taken at the "Chainsaw Carving - Europan Open 2009" event at the little village "Steinbeck" near Bispingen in Northern Germany.
Little village, but this is quite an event with a whole lot of international chainsaw carving artists from all over the world.
www.kunst-mit-kettensaegen.de/ (sadly German only as far as I can see.. ) ]
The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.