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This is a red-necked grebe a favourite of country music fans, that we saw on a road trip yesterday.
They are nesting along the waterfront in Toronto.
Two of the chicks wore themselves out and took a break on mom's back.
I took over 400 shots so you will be seeing more of the grebes in the near future.
Podiceps grisegena
Like other grebes, the Red-necked Grebe ingests large quantities of its own feathers. Feathers remain in the bird's stomach. The function of feathers in the stomach is unknown. One hypothesis suggests that the feathers help protect the lower digestive tract from bones and other hard, indigestible material.
The Red-necked Grebe migrates over land strictly at night. It sometimes migrates over water or along coasts by day, in large flocks.
source- Cornell Lab of Ornithology.
Time Pilot just passed the post production & is now complete. Took month of work. Making Off - Clip coming december 2010! Feel free to comment this new composing or contact me to see in Ultra-Hires.
I walked in (having arrived for the first time the night before) under the impression that Indian art was somehow the work of committees and was struck immediately by the fact that this entire complex was the product of a single, insanely arrogant person's mind.
Re-edit.
They have nice escalators in the London Tube :)
Of course I had to take some escalator pictures but I hadn't enough time to plan them, since we had to go on...
"Black coat, white shoes, black hat, Cadillac yeah, the boy’s a time bomb"
Quick photo of a new friend, Josh Gheto. I guess I should explain myself: Starting now, me and two other friends and creating a zine that revolves around Atlanta Hardcore music. It reflects the people who support it, the bands that are a part of it, and other significant things that play a part in the culture of the Atlanta music scene.
This guy here is the first person to help me jump start the process of creating the zine. A little older than I (by 7-8 years) had plenty to share about the earlier days of Atlanta Hardcore, and plenty more records, posters, flyers, and other zines to prove it. He also is an art collector and runs his own record label and clothing line that all ties into the scene of the music he lives for. Can’t thank this guy enough for the short hang.
I’ll be keeping you guys posted on the future “Atlanta Hardcore Yearbook!”
This is my first attempt at a Time lapse video, Wanted to try it out on my new old Nikon D200, I think works great fun to play around with. I Slowed it Down in Final cut Pro and Did Some color adjustments in After effects. On a Side note I was threatened by two homeless men across the street next to the starbucks who said they would break my camera if I didn't leave. Not sure why it bothered them so much they where so angry. Well Short story Short I tried to Shoot longer but they wouldn't led up so I left. Stinks It was really going well for my first attempt. Thanks for looking. Mark
Here is the 16x9 version-http://www.flickr.com/photos/markdershowitz/3936352876/?likes_hd=1
Part of a Photoshop Contest taking place here.....
www.flickr.com/groups/photoshopcontest/discuss/7215762791...
This is a day-time view of a scene I first photographed at night. Both images of this Maricopa scene were captured while I sat on my recumbent trike.
Time, seawater and waves have worn the grab handles on the ladders on the seawall.
Wick, Caithness, Scotland.
All Time Low | Dirty Work Tour
April 6th, 2011 @ Diamond Ballroom.
Oklahoma City, Oklahoma.
Underground Symphonies | Facebook photo page | Photo blog | Twitter
...
The time is going, not left only a few . .!
الوقت يذهب ، ولم يتبقى الا القليل ..!
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مـا أجمل أيامك يارمضان
وما أجمل الصلاة في جوف ليلكـ
وما أجمل حروف قرآن ربي في نهاركـ
وما أجمل الافــطار على مائدةٍ جمعتنا عليها
وما أجمل صوت المآذن فيكـ عندما نسمعها لنمسك
وما من اجمل من ان ابواب السماء تفتح على طول ايامكـ
ما أجـــــملكـ ياخير الشهور ...
هنئا لمن عرفكـ -- واتاكـ حقكـ -- ولم يفرط فيكـ
(( اللهــم اجعلنا في رمضان من المقبولين واجعلنا فيه من عتقاء نارك ))
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Nikon D90
F/ 4
Shutter speed : 1/250
iso : 200
Lens :Sigma 105 mm
Abdulrahman AL-Dukhaini .. عبدالرحمن الدخيني .
I havn't posted photos for a while even i'm on holiday, time just flied away, you can't catch it. i took that shot on the train, the frontground is blur and the background stays stable, and there is a bell tower, what a accident catchy:) good for me.
i'll try to post photos everyday from TODAY till holiday ends. there always been pleasure to read your comments. cheers.
The Team visited Radcot this week and discovered a few things underground. Phil Harding in his trademark hat with other members of the dig. I'm told that they found some fragments of Norman pottery and some artefacts, musket shot, horse shoe from the Civil War time, amongst other things. Fuller report to follow in June's edition of the Folly. The programme won't be broadcast until early next year.
Seasons change with the scenery
Weaving time in a tapestry
Won't you stop and remember me
At any convenient time?
Funny how my memory skips
While looking over manuscripts
Of unpublished rhyme
Drinking my vodka and lime
I look around
Leaves are brown
And the sky is a hazy shade of winter
Amzaing thing the concept of time is, it truly rules everyone's life.
In this picture I find 3 different lighting.
The bright part to extreme right
The Center of ideally exposed and
The Shadow
I interpret the bright part to be of the future something we are not sure what it is yet optimistic, The middle is the present which is stark clear and colorful with shades of dark. And lastly the shadows which are the imprint of a time that passed by leaving so much history for us to work on.
What is your take on this?
Day 29
This picture has been taken to develop the theme "Quick and Slow". The image represents one of the few things, if not the only one, which can be perceived at the same time quick and slow by different persons: the flow of time.
Because for someone "time flies" and for someone else "a moment seems interminable".
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
If you use my image, please drop me a message to make me happy! :-)
It all began when I put a heart into a bezel and decided to trap it with a piece of rusted mesh wire. At that moment I knew that this had to go onto a cuff bracelet … a romantic, turn of the century inspired cuff.
Inspired by the time where men still courted their ladies, drink tea on porches and go on one knee to ask for their hand in marriage, this mixed media cuff bracelet is a fully handsewn piece made up of an old faded jean seam, old crocheted tablecloth, stained linen, rustic Howlite, brass wires and chains, stained lace, stained gauze and a time capsule in the form of a heart trapped in rusted wire.
*the cuff fits a 6.5 inch wrist snugly, but has extensions to fit to a 7.5 inch wrist
Los Planetas - Deseando una cosa (imagenes de Granada)
There'll be time enough for rocking when we're old
We can rock all day in rocking chairs of gold
But tonight I think I'd rather just go dancing
There'll be time enough for rocking when we're old, my love
There'll be time enough for talk in the nursing home
Darling, time enough to write an epic poem
But tonight I think I'd rather just go dancing
There'll be time enough for talking in the home, my love
There'll be time enough for sleeping when we're dead
You will have a velvet pillow for your head
But tonight I think I'd rather just go dancing
There'll be time enough for sleeping when we're dead, my love
There'll be time for sex and drugs in Heaven
When our pheromones are turned up to eleven
But tonight I think I'd rather just go dancing
There'll be time enough for sex and drugs in Heaven, my love
And time enough for rocking when we're old
Remember that all my photos have the tag : ndrgrnd
some where near Time Square
New York, NY
This is really a crazy city!
Canon 50D + Canon EF-s 10-22 mm lens @ 10mm
Handheld high-speed 3 consecutive shots
0, +2, -2 exposures merged and processed by Photomatix HDR
To see the large version of this photo (1024 X 683), click here.
eastern state penitentiary the prison stands in ruin , a haunting world of crumbling cellblocks and a surprising eerie beauty.
Instagram: instagram.com/45surf
Sony A7RII Photos: Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens: Fine Art Galleries and Creating High-End Fine Art Prints on Fuji Crystal Supergloss Metallic Facemounted to Acrylic! Dr. Elliot McGucken Fine Art
I had fun visiting Prolab Digital by the LAX ariport to witness the creation of a fine art print for the band the Who's Charity Auction! :) I was always curious how the face-mounted! prints were made! :)
Not so long ago, I was honored with an invitation to donate one of my fine art prints to The Who's charity auction benefitting Teen Cancer.
Well, I hope my art is able to help a bit! It's quite an honor.
Given the cause, I decided to go big and print a 40"x60" museum-quality, fine art rendition of a fortuitous Malibu sunset recently photographed with the new 42 mp Sony A7RII! Please find the photograph of the sunset here:
www.flickr.com/photos/herosjourneymythology45surf/2020220...
As a physicist who worked on CMOS photosensors and an artificial retina for the blind, I have always been fascinated by the amazing evolution of digital cameras and sensors, and that interest recently carried over into the art and science of printing fine art photography. What makes an optimal fine art print? I visited Prolab Digital to ask some questions while documenting the creation of the museum-quality archival print. This also tied into a book I am working on, which is a beauty-driven approach to photography. Every element of photography, from camera and lens selection, to settings and composition, to computers and software, to printing, can be seen as an answer to the simple question, "How do I best capture and share beauty?"
Fine art photography can be broken down into three basic stages, all dictated by beauty--capturing beauty's light, bending and shaping beauty's light, and liberating the beauty's light in a fine art print. The first stage centers about the optimal capture of beauty's light out in the field via the blending of optimal compositions, sensors, settings, and glass. The second part consists of bending and shaping the beauty's light in post--in software such as Lightroom or Photoshop. And the third part consists of liberating the light in the finest manner possible via a combination of printing and mounting on the materials most capable of projecting the original beauty's light--the light that began in the landscape, passed on though the camera's sensor and then through a computer and software, and now travels forth from the wall of a gallery or museum.
For the finest rendition, we choose to print on Fuji Crystal Archival paper--either the metallic or super-gloss which makes the light pop. Both papers have tiny metallic crystals of silver halide which reflect the light in a manner that makes a print look backlit, thusly bringing it to life with a magical glow. The light literally emanates from the scenic landscape, just as it did when first captured in the field. Fuji describes their line of "crystal" papers:
"Fujicolor Crystal Archive Paper is a silver halide color paper, designed exclusively to produce high-image-quality color prints on both analogue and digital printers. This paper incorporates latest silver halide emulsion technology, coupler technology and layer design technology to deliver enhanced color reproduction, white purity, image stability and handling of the photo."
The print is then face-mounted to a sheet of 1/8" or 1/4" acrylic UV resistant acrylic via an adhesive. Not only does this thin layer of plexiglass serve to capture and liberate a gallery's high-end lighting fixtures in a way that brings the landscape to life, but it also serves to protect the print. While scratches on acrylic can be buffed out, once an aluminum print is scratched or damaged, it is very hard (if not impossible) to repair. The resistance to UV rays keeps the print from fading.
To further enhance the experience, we use acrylic with an anti-reflective coating, known to the industry as "P99 non-glare plexiglass." This equivalent to the "museum glass" used in more traditional framed and matted prints, is well-worth the premium, as it cuts down on the glare from ambient light and reflections from the environment. Without the reflective coating, the viewer of the art will see their own reflection, or reflections of the lights and windows in the room. When we go to a gallery or museum and cast our gaze upon a seascape, we want to see the art, and not a reflection of ourselves! :)
The physics of anti-reflective coatings consists of applying thin layers of film to the glass's surface with a thickness chosen in proportion to the wavelengths of visible light, so that when the light reflects, the wavelengths of the incoming and outgoing wave match up in opposition, and thus cancel one-another, thereby "disappearing" the reflection. This is not easy to do, but we photographers always pay premium for lenses and filters coated with the anti-reflective coatings, so as to optimize the capture of beauty's light. And thus it makes sense to mount a print to glass with anti-reflective coatings, so as to liberate the beauty's light in an optimal manner.
For longevity and durability, the print is mounted to aluminum with a metal cleat attached to the back for hanging. Sandwiched between a solid sheet of aluminum on the back and UV-resistant acrylic on the front, the print is frozen in time, and will never wrinkle nor crease.
Well, I'm working on a book on all this--the full odyssey of creating museum-quality/gallery-quality prints! :)
1020 frames, delay 7", 2h total time
Olympus E-3 - 1/125"
Zuiko OM 135mm f/2.8 @ f/11
Metz 48 AF-1 - RC mode - 45° on right
Metz 54 MZ-3 - Slave mode - 30° on left
Video 25fps 720p X264