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This is for my textiles project, only a sample at the moment.
I used twigs off a bush to make the letters, ribbons to connect them and pins to hold it together to become a wall hanging. Our project has to involve ephemeral and sustainability materials. I'm basing my project on tea, as it something I like and doesn't last long :)
I knew something interesting was looming just around the corner, and I was right! Textiles and home make cloth...wish I could play with it, but I'd probably break something then have to pay for it, at best.
Wholesale
Product name: Chenille Rings
Export Market: Worldwide
WhatsApp/Viber: +20 120-438-1590
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CANAVA for Textile Products:
We manufacture and supply finished home textile products and fabrics worldwide to the very best retailers and brands.
Canava is continually developing new collections and fabrics with the highest quality textiles in the industry. Operating twenty-four hours a day, six days a week. Our team is here to solve your most challenging textile needs.
At Canava Textile we believe strongly in encouraging innovation at all levels of the organization.
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We Manufacture:
Upholstery fabrics
Digital printing
Ready made and made to measure curtains
Cushions and accessories
Bed linen
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Custom textile manufacturing:
We have a state of the art design and manufacturing facility and can design, print and manufacture production quality samples within 24 hours and, additionally, offer short lead-time production and super-fast turnaround.
my textile design development board based on contemporary architecture design.its looks like African design. I made the designs on Photoshop
A selection of textile samples created for experimental work. The textile samples had been created with various materials such as leaves, Angelina fibers, and tie-dyed fabric. Sep-Oct 2013
Wearables and Smart Textiles Workshop at Interface-University of Ulster, Belfast. This had been a fantastic workshop with textile designers from Interface research lab. We explored physical computing, programming, smart textiles and built a soft circuit bracelet and a secret message glove!
Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. July 2017: Ribbon Roses
Crocheted and felted (wet and needle) wool in hyperbolic form. Chartreuse eyelash fringed. Baroque freshwater pearls.
A man of many media, Gareth is known for his unusual approach to materials, using embroidery, textiles, lino-cut print, stenciling and even pressed flowers in his work.
Gareth Brookes was born in Woking and studied Fine Art at Newcastle University and The Royal College of Art. In 2012 he was the winner of the Myriad First Graphic Novel Competition, with an extract from his graphic novel The Black Project (Myriad, 2013), a book executed in the mediums of lino-cut and embroidery. It went on to win Best Original Graphic Novel at the Broken Frontier Award and was longlisted for Best Book at the British Comic Awards. Original work from the book was featured in the 2014 Comics Unmasked show at The British Library.
Brookes started making comics as an amusing antidote to his art practice and within a very short time found they had completely taken over. Since then he has produced a number of self-published books, including The Land of My Heart Chokes on Its Abundance. His work is also published by collectives such as The Alternative Press and The Comix Reader, while his two-comic collaboration with artist Steve Tillotson, Manly Boys and Comely Girls, is available from Avery Hill Publishing. He has delivered workshops at The Eden Project and elsewhere.
Much of Gareth's self-published output is handmade and his second graphic novel, A Thousand Coloured Castles, to be published by Myriad on 27 April 2017, is produced entirely in crayon.
GARETH BROOKES ONLINE
Web: www.gbrookes.com
Gemma Ormrod - Textiles
Degree Shows 2010
Wednesday 23rd - Tuesday 29th June 2010
Norwich University College of the Arts
Norwich, Norfolk, England, UK
Maya backstrap loom textile designs on huipils (see below) which, although modern (1970s), evoke similar designs on women's garments carved on Late Classic stone monuments and plaster panels during the Late Classic 1200 years ago. The simplest triangle designs, like several shown in this batch, could easily be popular traditional designs copied and learned by rote by Maya weavers that originated at the height of Maya Late Classic culture 600-700 AD. Chip Morris even discovered a maya date coded in the design of a 100 year old huipil from Chamula, Chiapas.
General information: Maya huipils are traditional, hand-woven tunics that encode a complex, visual language reflecting the weaver’s identity, community, and cosmology. They function as wearable history, using specific colors, geometric patterns, and motifs to signify regional origin, marital status, social standing, and deep, ancestral connections to nature.
Key Information Coded in Maya Huipils
Regional and Community Identity: Distinctive color palettes, weaving patterns, and specific collar shapes (round or square) identify which community the wearer belongs to.
Cosmological and Spiritual Beliefs:
Diamonds/Squares: Often represent the universe, the four cardinal points, or the earth.
Zig-zags: Symbolize mountains, volcanoes, or the feathered serpent.
Colors: Red often represents the East, blood, and the sun; white represents the North and spirituality; black represents the West and death; blue symbolizes water and the sky.
Nature and Agricultural Motifs: Plants like corn, seeds, and animals such as the quetzal, jaguars, hummingbirds, and butterflies are frequently woven, representing the agricultural, natural world.
Mythology and History: Designs can depict ancestral stories and traditional myths, acting as a non-verbal communication of cultural heritage.
Personal Narrative: The complexity of the embroidery or weaving may indicate the skill of the artisan, with complex designs often known only to master weavers.
These garments, often made using a backstrap loom, are regarded as living, symbolic representations of the wearer’s soul and connection to the Earth.
Work from Carleton Day Centre's Wednesday Art Group. A partnership project between Carlisle Day Services and Prism Arts. In this block of sessions we're exploring textiles and our theme is the Natural World. January-March 2017.
Here’s my mood board for my A-Level Textiles course. The brief "an influential decade." I have chosen the 90’s. One of my favourite films was created and released in the 90’s - “Clueless”. This iconic film is known best for it’s bold and statement costumes designed by the amazing Mona May. My specification for this project includes ensuring I make a two piece outfit inspired by both Clueless and the super models that owned the 90’s which of course is Kate Moss and Naomi Campbell.