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Craft Candy workshop Sunday August 8th 2010. Etui workshop with Gemma Nemer.

the auntie selling the textiles with her husband was all smiles. too bad i didn't allocate extra budget for textile shopping...

Row two. #Art #Textile

From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010

the $1.99/yr discount corner at high fasion fabrics

textile design by Jamaica Byles blogged at www.patternlovely.blogspot.com

African traditional pattern

This is a Key which was produced for a project titled "Magic Box". It was created using disperse dye on a man made fabric stuffed with cotton wool. The Key is found in the magic box hanging from the roof, and other aspects found within the box are created on the outside of the structure.

Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. May 2017: Needle turned Applique

Two pages from the textiles movement unit. Photos of fabric moving in water then sketches of the shapes and patterns. Coloured pen, tracing paper, pencil.

Mode und Gestaltung

Kohlenberggasse 10

4051 Basel

Tel. 061 267 55 00

info@mode-gestaltung.ch

www.bfsbs.ch/weiterbildung/mode-und-gestaltung

Wholesale

Product name: Linen Motion

Export Market: Worldwide

WhatsApp/Viber: +20 120-438-1590

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CANAVA for Textile Products:

We manufacture and supply finished home textile products and fabrics worldwide to the very best retailers and brands.

Canava is continually developing new collections and fabrics with the highest quality textiles in the industry. Operating twenty-four hours a day, six days a week. Our team is here to solve your most challenging textile needs.

At Canava Textile we believe strongly in encouraging innovation at all levels of the organization.

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We Manufacture:

Upholstery fabrics

Digital printing

Ready made and made to measure curtains

Cushions and accessories

Bed linen

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Custom textile manufacturing:

We have a state of the art design and manufacturing facility and can design, print and manufacture production quality samples within 24 hours and, additionally, offer short lead-time production and super-fast turnaround.

Tiny padded Bag with recycled, stamped flowers made with scraps from Debs and some light wadding.

21 de Julio de 2014. Textiles argentinos. Fotos: Gabriela Valle/Tecnópolis

Textiles visual response, inspired by Carol Rhodes- formed by stitchery, felting and layering with batik and ink.

 

A textile manufacturing plant located in downtown LA

4-H Clover College is a four-day series of hands-on workshops for youth presented by Nebraska Extension in Lancaster County.

 

In the four-day “Electronic Textiles” workshop, youth used special thread and miniature computers to create electronic fabrics such as a bracelet, bookmark, stuffed e-monster and other items. Instructor: Nebraska 4-H staff.

 

In Nebraska, the 4-H youth development program for ages 5-18 is part of University of Nebraska-Lincoln Extension. Learn more about Lancaster County 4-H at lancaster.unl.edu/4h.

 

From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010

4-H Clover College is a four-day series of hands-on workshops for youth presented by Nebraska Extension in Lancaster County.

 

In the four-day “Electronic Textiles” workshop, youth used special thread and miniature computers to create electronic fabrics such as a bracelet, bookmark, stuffed e-monster and other items. Instructor: Nebraska 4-H staff.

 

In Nebraska, the 4-H youth development program for ages 5-18 is part of University of Nebraska-Lincoln Extension. Learn more about Lancaster County 4-H at lancaster.unl.edu/4h.

 

Black and White and Colour Project

textile design by Jamaica Byles blogged at www.patternlovely.blogspot.com

Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. March: Applique house portraits.

These samples reflect on my mom's travel's through Africa, Saudi Arabia and America when she was nursing- hence surgical equipment. I used Calico and Cotton stained with tea and coffee as i felt it was appropriate to the theme.

 

Screen printed using printex and buff binder. Also printed images onto cotton, features machine embroidery.

 

6 day project

Traditional knitting (left). Nuno felting (right).

Interesting that a year of textiles can take up the same room as six months of rockets

Maya backstrap loom textile designs on huipils (see below) which, although modern (1970s), evoke similar designs on women's garments carved on Late Classic stone monuments and plaster panels during the Late Classic 1200 years ago. The simplest triangle designs, like several shown in this batch, could easily be popular traditional designs copied and learned by rote by Maya weavers that originated at the height of Maya Late Classic culture 600-700 AD. Chip Morris even discovered a maya date coded in the design of a 100 year old huipil from Chamula, Chiapas.

 

General information: Maya huipils are traditional, hand-woven tunics that encode a complex, visual language reflecting the weaver’s identity, community, and cosmology. They function as wearable history, using specific colors, geometric patterns, and motifs to signify regional origin, marital status, social standing, and deep, ancestral connections to nature.

Key Information Coded in Maya Huipils

Regional and Community Identity: Distinctive color palettes, weaving patterns, and specific collar shapes (round or square) identify which community the wearer belongs to.

Cosmological and Spiritual Beliefs:

Diamonds/Squares: Often represent the universe, the four cardinal points, or the earth.

Zig-zags: Symbolize mountains, volcanoes, or the feathered serpent.

Colors: Red often represents the East, blood, and the sun; white represents the North and spirituality; black represents the West and death; blue symbolizes water and the sky.

Nature and Agricultural Motifs: Plants like corn, seeds, and animals such as the quetzal, jaguars, hummingbirds, and butterflies are frequently woven, representing the agricultural, natural world.

Mythology and History: Designs can depict ancestral stories and traditional myths, acting as a non-verbal communication of cultural heritage.

Personal Narrative: The complexity of the embroidery or weaving may indicate the skill of the artisan, with complex designs often known only to master weavers.

These garments, often made using a backstrap loom, are regarded as living, symbolic representations of the wearer’s soul and connection to the Earth.

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