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Product name: Linen Motion
Export Market: Worldwide
WhatsApp/Viber: +20 120-438-1590
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CANAVA for Textile Products:
We manufacture and supply finished home textile products and fabrics worldwide to the very best retailers and brands.
Canava is continually developing new collections and fabrics with the highest quality textiles in the industry. Operating twenty-four hours a day, six days a week. Our team is here to solve your most challenging textile needs.
At Canava Textile we believe strongly in encouraging innovation at all levels of the organization.
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We Manufacture:
Upholstery fabrics
Digital printing
Ready made and made to measure curtains
Cushions and accessories
Bed linen
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Custom textile manufacturing:
We have a state of the art design and manufacturing facility and can design, print and manufacture production quality samples within 24 hours and, additionally, offer short lead-time production and super-fast turnaround.
San Francisco State University Course Announcement for Fall 2008. Self Directed Textiles Studio.
SF State Art Department.
Textiles visual response, inspired by Carol Rhodes- formed by stitchery, felting and layering with batik and ink.
From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010
elk wreaths- SILVER METALLIC
Winter holiday - fairies, bells, bird cages, trees, elk
100% Cotton Printed Sheeting
CT9004-1PK (Top - pink)
CT9004-1BL (middle - blue)
CT9004-1GN (bottom - green)
Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. March: Applique house portraits.
Maya backstrap loom textile designs on huipils (see below) which, although modern (1970s), evoke similar designs on women's garments carved on Late Classic stone monuments and plaster panels during the Late Classic 1200 years ago. The simplest triangle designs, like several shown in this batch, could easily be popular traditional designs copied and learned by rote by Maya weavers that originated at the height of Maya Late Classic culture 600-700 AD. Chip Morris even discovered a maya date coded in the design of a 100 year old huipil from Chamula, Chiapas.
General information: Maya huipils are traditional, hand-woven tunics that encode a complex, visual language reflecting the weaver’s identity, community, and cosmology. They function as wearable history, using specific colors, geometric patterns, and motifs to signify regional origin, marital status, social standing, and deep, ancestral connections to nature.
Key Information Coded in Maya Huipils
Regional and Community Identity: Distinctive color palettes, weaving patterns, and specific collar shapes (round or square) identify which community the wearer belongs to.
Cosmological and Spiritual Beliefs:
Diamonds/Squares: Often represent the universe, the four cardinal points, or the earth.
Zig-zags: Symbolize mountains, volcanoes, or the feathered serpent.
Colors: Red often represents the East, blood, and the sun; white represents the North and spirituality; black represents the West and death; blue symbolizes water and the sky.
Nature and Agricultural Motifs: Plants like corn, seeds, and animals such as the quetzal, jaguars, hummingbirds, and butterflies are frequently woven, representing the agricultural, natural world.
Mythology and History: Designs can depict ancestral stories and traditional myths, acting as a non-verbal communication of cultural heritage.
Personal Narrative: The complexity of the embroidery or weaving may indicate the skill of the artisan, with complex designs often known only to master weavers.
These garments, often made using a backstrap loom, are regarded as living, symbolic representations of the wearer’s soul and connection to the Earth.
Fragment, probably of a tunic
6th century
Egypt, Coptic period
Wool; slit- and dovetailed-tapestry weave with eccentric wefts
Acar Textile Fabric Collection #Fashionable #Fashion #Style #Trend #Body #Modern #Shape #Fit #Designer #Dapper #Fashionista #Accessories #FashionBlog #Stylish #FashionStyle #Vintage #Pants #DressUp #Collection #Outfit #Girl #Glam #fabric www.acartextile.com.tr/
Dimensions: 420cm by 549cm
Media: Print on paper
Description:This image represents one of the three final textile design wrapping paper products that I completed as my design practical, after thorough development and planning shown in my design journal. In this piece I felt that since the wrapping paper was meant to be produced in Africa I ought to take the local design themes and recurring aspects into account. I was inspired by the geometric style of much of the local African design, for example the many recycled pieces as well as the earthly colours that I saw most often in Zulu artwork and clothing.
From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010