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Історій про одяг
Текстильна книга
Автор сторінки: Ірина Гамеза
Розмір: 29x30cм
Рік створення: 2020
DSC_0233
OLYMPUS DIGITAL CAMERA
Judith Lunnemann
ID:110-238-1389
31/01/2013
Textile experimentation to inform design of the body form. I used, an embellisher, pleated tissue, and heated a range of materials using an iron and heat gun.
Experimentation with sewn satsuma skins; straightened paper clips, pom poms, sweets, and elastic bands as well as marbled nail varnish.
Colourful textiles made by the Wayuu, a group of indigenous South American people (Riohacha, Colombia). Photo by Simon Raven ©
repeat . galon – ribbon craftspaper ribbonribbon rosettesfabric . recycling an old dress for craft projects by jackie wills. flower mandala in yellow, orange and red, pink and blue, craft ideas,. button crafts craft supplies make your own button. full size of wall decor diy how to...
Just Pinned to textile.: Lately I have become re-obsessing with mustard. It all started with a linen tee-shirt that I picked up on holiday. And as with all my obsessions it usually begins in the wardrobe and takes over the… ift.tt/29e30WZ
AOT-500 i - Capacity 500 Litres Approx.
Specially Design for RING Frame Machine with Auto-Doffer.
Normally one time capacity is 1800 Bobbins Approx. with Material.
These Fashion Textile samples are ones I did at the beginning of my course when experimenting with the heat press. I used materials like paper and safety pins to make marks on the fabric and I used foiling to make the silver effect of the safety pin mark. My brief for these samples was 'Heavy Metal' so I spent most of my time developing my original samples, because they came out too light, whereas I needed dark samples to match my colour samples. I used the safety pins and foiling to match the metalic concept of 'Heavy Metal'. Although some of my samples seem blurry, this is the actual effect on the fabric as the ink was starting to wear off the print, I think this is an effective print because it creates an illusion when you look at it.