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Preview da capa do livro: "Pichação não é pixação. Uma introdução à análise de expressões gráficas urbanas".
Veja o Release completo do livro: www.altamiraeditorial.com.br/descricao.asp?id=2&id_li...
COMPRE O LIVRO: www.altamiraeditorial.com.br/loja.asp?id=4
Editor: Alex Mazzini
Preparação e revisão: Flavia Okumura Bortolon
Projeto gráfico e tratamento de imagens: Alex Mazzini e Alexandre Mazzini
Editora: Altamira
Fontes digitais: Adriane Text, Broxa e Adrenalina.
Prefácio: Henrique Nardi.
Orelha: Norberto Gaudêncio Junior.
Fotos e texto: Gustavo Lassala
I thought that I would run out of time to play along with the Muse Challenge this week:
musecardclub.blogspot.co.uk/?m=1
While I love the inspiration card I struggled with it a little bit as it is not a colour combo that I often use and I don't have any images like the cool drink that Therese created!
In the end I used the layout and colours from Therese's inspiration card with the Penny Black Dreamy stamp which I coloured with aquamarkers and spritzed with water over a Hero Arts friends definition text stamp and finished with a Hero Arts sentiment.
Taken with a Pentax K10D with a Promaster Spectrum 7 1:3.9 28-70mm Zoom with a reversed SMC PENTAX-FA 1:1.4 50mm. This technique, described here, was used and provides the extreme magnification and small DOF.
Posted for the group Macro Mondays where the weekly challenge was to snap macro photos of books/pages.
I believe that this looks pretty good large and on white.
All rights reserved ©
Macro Mondays: Technology theme
Most times I use my iPhone for notes.
The note you see above was found in Jonah Lehrer's book "Imagine" (which I recommend for anyone interested in reading about the creative process). Here is the complete quote by Lehrer:
"In his 1878 book, Human, All Too Human: A Book for Free Spirits, Nietzsche observed:
'Artists have a vested interest in our believing in the flash of revelation, the so-called inspiration... shining down from heavens as a ray of grace. In reality, the imagination of the good artist or thinker produces continuously good, mediocre or bad things, but his judgment, trained and sharpened to a fine point, rejects, selects, connects... All great artists and thinkers are great workers, indefatigable not only in inventing, but also in rejecting, sifting, transforming, ordering.'"
We'd been driving around so much from shopping area to shopping area and inbetween, always.. was beautiful countryside, rolling fields and blue mountains..one of them Sugar Loaf. Trouble was..every time I thought " I should be drawing this ( whizzing past in the car!!)..it had vanished. So finally, I prepared for it..with the sketchbook open on my lap and all to the ready..to catch it in that minute or two before it had gone again. I didn't manage much but I got the feel plus a touch of colour to help my memory. I added to it as soon as we got home..while it was still fresh in my memory..then added the text.
Ross's Geese Take Flight, Dusk. Central Valley, California. February 8, 2012. © Copyright 2012 G Dan Mitchell - all rights reserved.
A flock of Ross's geese take flight at dusk above a Central Valley pond, California.
Yes, another photograph of geese taking flight above a California Central Valley pond. I can't help myself! :-) After photographing the dwindling flock, as they left in large groups during the hour before sunset, at the point of most beautiful light there were only a few left. This group was among the very last to depart from this pond, and at this point it was dusk and the colors had gone from the crisp blues of an hour earlier to warm pinks and reds and purples. We were lucky enough to be very close to this large flock for at least an hour.
I'll use this photograph to make another technical observation. I made what might seem like an odd choice regarding exposure for this shot. Here I wanted to try to stop the motion of the birds as they lifted off. (In other photographs of this subject I intentionally allow the motion to blur.) This meant that I needed a relatively short shutter speed. Even after raising the ISO to 400 and opening up the largest aperture on this long lens, the result was still going to be underexposure. for what I had in mind for this sequence of shots, I wanted to avoid using an ultra-high ISO with the attendant increase in noise. So I choose to deliberately underexpose these shots by perhaps a couple of stops, trusting that I'd be able to compensate for this in post since I shoot in raw mode. In other words, if you are the sort who scans EXIF data for exposure information and then tries to make sense out of it or even use it yourself... you have been warned! :-)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Junk Jet has developed an archive impossible that transports, in print format, net based works, or fragments of works showing collections, series, animations, applications, and reflecting anti-heart texts on the net and its new forms of art, design, and architecture. N°5, the net.heart issue, has transferred internet things from their digital space into a paper jet. This transportation procedure relies on documents in a similar way as the museum relies on photograph and video documenting performance arts. And Junk Jet believes that this analogue documentation is in no way inferior to pseudo-preserving techniques of data migration, emulation, or reprogramming. At the end, Junk Jet says: Transportation is not so much about the artwork as object, but rather about the indication of the subjective decision of the artist. In this sense Junk Jet is a Russian conceptualist.
www.facebook.com/pages/Junk-Jet/298633638983
With wireless contributions by Adam Cruces, Agathe Andre, Alessandro Bava, Alexei Shulgin, Angela Genusa, Angelo Plessas, Aureliano Segundo, Asli Serbest, Aristide Antonas, Artie Vierkant, Ball-Nogues, Bärbel Jetter, Bea Fremderman, Beatriz Ramo, Ben Aqua, Ben Vickers, Billy Rennekamp, Bonno van Doorn, Brad Troemel, Bryan Boyer, Carsten Güth, Christian Oldham, Christine Nasz and Stefanie Hunold, Constant Dullaart, Dennis Knopf, Eilis Mcdonald, Fabien Mousse, Gene McHugh, Greg J. Smith, Hanne Mugaas, Jacob Engblom, Jasper Elings, JODI, Jonas Lund, Jordan Tate, Katja Novitskova, Laimonas Zakas, Lenox Twins, m-a-u-s-e-r, Marisa Olson, Michael Schoner, Mike Ruiz, Mimi Zeiger, Mona Mahall, Natalie Bookchin, Nicholas O'Brien, Nicolas Sassoon, NIEI, NLarchitects, Olia Lialina, Palace Palace, Rafaël Rozendaal Ricardo Scofidio, Parker Ito, Patrick Cruz, Pieterjan Grandry, Raphael Bastide, Sam Hancocks, Sarah Weis, Something Fantastic, Sterling Crispin, Theo Seemann, Will Brand, Wyne Veen
Edited by Mona Mahall and Asli Serbest
N°5 comes with a Poster: "Home Buttons by Architects"
That's right, in a recent column, NY Times 'writer' Sonia Zjawinski advocates her readers steal your photos from flickr to fill up empty space on their walls
gadgetwise.blogs.nytimes.com/2009/06/24/flickr-as-an-inte...
I highly encourage you all to comment on the article letting Sonia know what you think about her advice.
You could also ask the Time's Assisting Managing Editor if this is the official policy of the paper or a practice she endorses.
www.nytimes.com/2009/06/22/business/media/22askthetimes.h...
get on it people!
and please...by all means, copy this image and as much of the text as you want for your own personal use.
a visualisation of the seasonal colours in Norway as a calendar wheel.
This was generated from this time lapse movie by Eirik Solheim. Well worth a look! It's a time-lapse movie of a garden taken over the course of a year.
Individual video frames were compressed into single-column images and wrapped into a donut using a custom Processing script.
The inside of the circle is the ground; the outside is the sky. The original video includes a slight zoom-in throughout the year, although it's barely visible here.
There's a slight gap at the top because I didn't get the exact start/end frames for the video (I had to strip out the intro and end credits to make this work as a visualisation).
Month names and text were added using Inkscape. Months start at *approximately* the position of the first letter of the month's name.
Month names are in Norwegian, the 'c' and 'y' keys still work on my keyboard :-D
Please show your support here
you may use this image in your digital creations in any way you see fit. I would appreciate a credit though, and posting your final work in the comments (small size) would help both sides. Enjoy!
Hello :)
...not much of words my dear flickriends...just sharing some thoughts as I'm working...
...happy Wednesdays to you!....till later ~ xoxo
Please, share it if you agree.
En serio, no me gusta nada, NADA, el nuevo flickr. Me parece poco práctico, todo más embarullado, nada claro... Vamos, que es un desastre, para mi gusto.
scans from the archives. holga 120S + konica SRG 3200 color film. lab: photoimpact west, santa monica, ca. scans: epson V750 pro. exif tags: filmtagger.
Not much story to tell. In fact, none. I saw Lauren sitting just like this today and everything clicked. The color of the handicap ramp, the door, the vape pen... everything. She asked me what I wanted her to do for the picture. "Don't move, just look at me. And please don't smile." I'm not sure I had to tell her the last part, but better safe than sorry. And besides, she was a sweetheart for letting a stranger take her picture.
View item with dark background
Title: [Recto] Wanted poster: John Dillinger, published by U.S. Department of Justice
Date Original: 1934-03-12
Description:
Creator:U.S. Department of Justice, J. Edgar Hoover
Subject(s): John Dillinger
Alternative Title:
Publisher: Wofford College
Contributor:
Date Digital: 2009
Type: Text
Format [medium]: Typescript
Format [IMT]: image/jpeg
Digitization Specifications: 800ppi 24-bit depth color; Scanned with
an Epson 15000 Photo scanner with Epson Scan software; Archival master is a
TIFF; Original converted to JPEG with Irfan View software.
Resource Identifier:
Source: The original from which this digital representation is taken is housed in The Littlejohn Collection at Wofford College,
located in the Sandor Teszler Library.
Language:En-us English
Relation [is part of]:The
Littlejohn Collection
Rights Management: This digital representation has been
licensed under an Attribution
- Noncommercial- No Derivatives Creative Commons license.
Contributing Institution: Wofford College
Web Site: http://www.wofford.edu/library/littlejohn-home.aspx