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I put the Atlantis in Winter mode this weekend:
*Changed bars from Noodles to Moustache.
*Changed saddle from Brooks B17 Special to sprung Brooks Conquest.
*Changed wheels from Velocity/Pasela to SnowCat/Nokian Extreme 294.
*Added the seasonal rear Nitto rack.
*Added a B&M Lumotec IQ CYO T Licht 24 headlight & Toplight Line Plus taillight from PJW.
*New Shimano 3N72 dynohub laced to my front SnowCat rim.
*Battery-powered Christmas lights from the hardware store.
As seen on:
chasingmailboxes.wordpress.com/2011/11/21/bikes-to-like-k...
Sittingbourne is a large town up from Faversham on the A2, or the old high road.
Today it is post industrial, mostly, with a one way system and out of town big box stores.
I have seen little of worth in the town when we have passed through. So, Milton Regis was expected to be more of the same.
But the ancient borough is full of fine old timber-framed houses, narrow streets, but beyond them there are endless estates full of identical houses.
Holy Trinity sits the other side of a busy junction, at the end of a short lane, now used mostly by people visiting the large playing field so their dogs don't crap in their owner's back gardens.
Or so it seemed.
Urban churches are rarely open for causal visits, so it proved this time. The young folks paiting the parish offices didn't have a key for the church, so could not help.
So I made do with snapping the outside of the church and large collection of ancient gravestones, one I learn was connected to the Gunpowder Plot.
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The massive 14th century tower grabs attention immediately, but just by the door is a most mysterious headstone which commemorates a man killed by a rocket at an early Guy Fawke`s celebration. Inside, the south aisle is almost as wide as the nave and has a rare rood loft staircase that runs in the thickness of the wall rather than up a spiral staircase. There is little stained glass but the east window, by the firm of Ward and Hughes is rather a masterpiece, with most of the subjects being real portraits – especially the figures of St George and St Uriel. An inscription nearby tells the whole story. At the junction of nave and chancel is a rare benefactions board which is carved to look like a memorial – look out for Faith Hope and Charity. The medieval vestry at the north east corner has an original shuttered window – a rare survival indeed, whilst under the huge tower is a benefactions board recording gifts to dredgermen`s widows. Now you don’t find them very often!
www.kentchurches.info/church.asp?p=Milton+Regis
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MILTON,
OR, more properly, Middleton, lies the next parish north-westward from Sittingborne, last described, and seems to have taken its name from the Saxon Midletun, a name denoting its situation in the middle part of this county.
THE PARISH of Milton is most of it situated on low flat ground, and extends from the high London road as far as the waters of the Swale northward, adjoining to which, the marshes in this parish are both fresh and salt, of a very large extent. In the southern or upper part of the parish, next to the London road, is a small hamlet, called from the soil Chalkwell, in which there are two modern-built houses of the better sort, the lower most of which has a large tan-yard belonging to it; near it there rise some springs, which fill several large ponds, the reservoirs for a corn mill below them, after which they run along the east skirts of the town, which are a continued swamp of watry bogs, into the creek below. The town, antiently called the king's town of Milton, as being part of the antient possessions of the crown, is situated about half a mile from the high London road, at the eastern boundary of the parish, the greatest part of it on the knole of a hill, extending mostly down the east side of it to the head of the creek, which flows north-westward from hence, and at two miles distance, after several meandrings, joins the waters of the Swale. It has a very indifferent character for health, owing both to the badness of the water, and the gross unwholesome air to which it is subject from its watry situation; nor is it in any degree pleasant, the narrow streets, or rather lanes in it, being badly paved, and for the most part inhabited by seafaring persons, fishermen, and oyster-dredgers.
Its commodious situation for navigation near the Swale, to which the town then stood much nearer than it does at present, caused it to be frequented by the Danes, in their piratical excursions into this county, particularly in 893, these pirates, who had been ravaging. France and the Low Countries, being distressed for subsistence, turned their thoughts towards England, for the sake of plunder: for this purpose, with one of their fleets, they sailed up to Apledore, and with the other, consisting of about eighty ships, under the command of Hastings their captain, they entered the mouth of the river Thames, and landing in this parish built themselves a fortress or castle here. Asserius writes, anno 892, Hastengus fecit sibi firmissimum oppidum apud Middeltunam. Sax. Chron. anno 893, interpreted, Arcem extruxit. Simon Dunelm, coll. 151, H. Huntingdon, lib. 5, Florence of Worcester, p. 595, and Chron. Malros, Fecit munitionem. Spelman, in his Life of Alfred, says, Dani castra validis operibus communiunt. This fortress was erected at a place called Kemsleydowne, in the marshes, about midway between the town and the mouth of the creek, the scite of which is still visible, and being overgrown with wood and bushes, has obtained the name of Castberough. (fn. 1) It is of a square form, and is surrounded by a high bank thrown up, and a broad ditch. There is a raised causeway, very plainly to be seen, leading from it towards the seashore. From this fortress they not only made their excursions and plundered the neighbouring country, but secured themselves against such power as the king might send against them.
This town of Milton being part of the royal demesnes, was a cause of its being destroyed by earl Godwin, who being at variance with Edward the Consessor, came here, with a large force, in the year 1052, and burned this town, then of good condition, to the ground; and afterwards ransacked and spoiled many other of the king's estates throughout the county. After which it does not seem to have been ever restored to its former state.
Its condition in the reign of queen Elizabeth may be seen by the survey, made by her order in the 8th year of her reign; by which it appears, that there were then in this town, houses inhabited one hundred and thirty, persons lacking habitations six, landing-places four, one called Fluddmill keye, appertaining to Sir Henry Cheney; the second, Whitlock's key, now the Town key; the third, Reynolds's, now Page's key; and the fourth, Hamond key, appertaining to Thomas Hayward, now Huggins's key; ships and vessels twenty-six, of which twenty were under ten tons; the rest were of twelve, sixteen, and twenty tons; and persons occupied in trade and fishing twenty four.
Since which the town of Milton has considerably increased, as well in the number of its houses and inhabitants, as in its wealth and trade. The number of houses at present is about two hundred and thirty, which are supposed to contain about twelve hundred inhabitants.
The trade of it chiefly consists in the traffic carrying on weekly at the four wharfs in it, where the corn and commodities of the neighbouring country are shipped for London, and goods of every sort brought back again in return; and in the fishery for oysters, a further account of which will be given hereafter. Besides which, the several mills here do not contribute a little to the benefit of this place; four of these are employed in the grinding of corn, and dressing it into flour; and the fifth, called Perrywinckle mill, was some few years ago applied to the manufacturing of pearl-barley, which used to be imported from Holland; and it was supposed to be the only mill in the kingdom where that article was brought to the same perfection as in Holland, but this manufacture for want of due encouragement has been since discontinued.
The town of Milton is governed by a a portreve, who is chosen annually on St. James's day, by the inhabitants of the parish paying church and poor's rates; whose office is, to oversee the market, and preserve good order within the town, and to execute the office of clerk of the market in all matters, within the hundreds of Milton and Marden; he likewise sets the price of all things which come to the keys, or any other creek within the hundred, being such things as head officers in other towns may set the prices on
The market, which is a very plentiful one for all sorts of butchers meat, poultry, &c. is held on a Saturday weekly, at the shambles, in the center of the town. Adjoining to them is the market-house, having a clock, and a bell, which is rung not only for the purpose of the market, but for the calling of the parshioners to church, for funerals, and for occasional parish meetings. At a small distance northward from the shambles is a king of court-house, being a very low old-timbered tenement, where the courts of the manor are kept, and other meetings held; at other times it is made use of as the school house; underneath it is the town prison.
The school is endowed with the annual sum of nine pounds, an account of which may be seen hereafter, among the charitable benefactions to this parish. The master is appointed by the minister and churchwardens. Nine or ten poor boys are taught to read and write in it.
There is a fair, which used to be held on the feast of St. Margaret, July 13, now, by the alteration of the stile, on the 24th of that month, and the two following days.
The lands in this parish, near the town, and especially on the lower or northern part of it, are very rich and sertile. Adjoining to these are the marshes, which extend to the waters of the Swale. Below the hill westward there is another streamlet, which having turned a mill near the vicarage, runs on not far distant from the church, and court-lodge, situated about half a mile northward below the present town, near which the former one destroyed by Earl Godwin is supposed to have once stood.
In the north-west part of this parish, among the marshes, there is a decoy for wild fowl, the only one, that I know of, in this part of the county. The fowl caught in it, are much esteemed for their size and flavor. Great numbers of them are weekly taken and sent up to London.
In this parish, at a small distance northward from Bobbing-place, is a farm called the Quintin farm, which shews that diversion to have been formerly used in it. (fn. 2)
THE FISHERY belonging to the manor and hundred of Milton is of very considerable account. It seems to have been granted by king John, by his charter, in his 7th year, to the abbot and convent of Faversham, by the description of the fisheries of Milton, which the men of Seasalter then held by the yearly rent of twenty shillings, payable at his manor of Milton, and by doing therefrom the customs and service which were wont to be to it.
King Edward III. in his 4th year, confirmed this grant, as did king Henry VI. and this fishery remained part of the possessions of the abbey till its dissolution, in the 30th year of Henry VIII. when it was surrendered up into the king's hands, together with all its possessions.
After which, the fee simple of this fishery remained with the manor in the hands of the crown, till the 10th year of king Charles I. when it was passed away, with it, by the words recited in the grant then made of the manor, to Sir Ed. Browne and Christ. Favell, as will be more fully mentioned below; after which, James Herbert, esq. coming into the possession of it, by the settlement of it from his father Philip, earl of Pembroke, he in the 26th year of king Charles II. obtained a fresh grant of this fishery, against which there was a quo warranto brought in the reign of queen Anne, on a petition of the fishermen of Rochester and Stroud, to shew by what authority they, the grantees, kept courts within their manor of Milton, and restrained the fishermen of those and the adjacent towns, from fishing and dredging for oysters within this hundred and manor: but on a trial had at bar, a verdict was given in his favor. Since which it has continued down, in like manner as the manor of Milton, to the right hon. Philip, viscount Wenman, and Mrs. Anne Herbert, who are at this time proprietors of this fishery, together with the manor.
The company of Fishermen, or Dredgers, of this fishery, hold it by lease from the owners of the manor, at the yearly rent of one hundred pounds and four bushels of oysters. They are governed by their particular officers, under certain rules or bye-laws, made by antient custom at the court baron of the manor. There are now about one hundred and forty freemen belonging to it.
The oysters produced from these grounds, within the limits of this fishery, are usually called Milton Natives, and are esteemed the finest and richest flavored of any in Europe. They are supposed to be the same that Juvenal particularly describes, in his fourth satire, as being reckoned a delicacy even in his time, in these words, satire iv. l. 144:
— Rutupinove edita fundo Ostrea, callebat primo deprendere morsu.
The sum usually returned for these oysters is from 3000l. to 7000l. per annum. The Dutch have been supposed by many, to have engrossed this article of luxury; but they expend but a very small part of the above sums, and sometimes none, for the space of seven years together.
IN THE WESTERN PART of this parish there are several hundred acres of coppice-wood, which are adjoining to a much larger tract of the like sort, extending southward almost as far as Binbury pound, on the west side of Stockbury-valley, for the space of near five miles. These woods, especially those in and near this parish, are noted for the great plenty of chesnut stubs interspersed promiscuously throughout them, which, from the quick and strait growth of this king of wood, makes them very valuable. These are so numerous in them, as to give name to most of these woods near Milton, which, besides their particular names to each of them, are usually called by the general name of Chesnut-woods. And in the presentment made of the customs of the manor of Milton in 1575, it is mentioned, that the occupiers of the three mills holden of the manor should gather yearly for the lord of it nine bushels of chestenottes, in Chestnott wood, or pay eighteen-pence by the year to the queen, who then had the manor in her own hands, and was possessed of three hundred acres of chesnut wood within this hundred.
¶These chesnuts are undoubtedly the indigenuous growth of Britain, planted by the hand of nature. They are interspersed throughout the whole tract, without any form or regularity, and are many of them, by their appearance, of great age; and by numbers of them, which now seem almost worn out and perishing, being made use of as the termini or boundaries, as well of private property as of parishes, it is plain they were first pitched upon, in preference to others, for that purpose, as being the largest and most antient ones of any then existing; and as these are hardly ever cut down or altered, they must have stood sacred to this use from the first introduction of private property into this kingdom, and the first division of it into parishes. Four letters were printed in 1771, after having been read before the Royal Society, two of which were written by Dr. Ducarel, and the other two by Mr. Thorpe and Mr. Hasted, to prove that chesnut-trees were the indigenous growth of this kingdom, in answer to an idea of the hon. Daines Barrington, who had a wish to establish a contrary opinion.
DR. PLOT says, that Herba Britannica, which Twyne and Johnson think to be bistort, Trisolium acetosum, or Oxys; Empetron, quæ est petrafindula Britanniæ prope peculiaris, and Crocus, were found at Milton by Scribonius Largus, when he came into Britain with the emperor Claudius. And he further says, that Crocus sativus, saffron, was heretofore sown and gathered (as now at Walden, in Essex) at Milton, and quotes for his authority, a manuscript rental of the manor of Milton, in the library of Christ-church, Canterbury.
MILTON is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sittingborne.
The church is dedicated to the Holy Trinity. It is a large handsome building, consisting of two isles and two chancels, the southernmost of which belongs to the manor of Northwood. It has a well built tower at the west end, in which are five bells. In this church, among others, were formerly the arms of Barry, Diggs, Finch, of the Five Ports, of Norwood and Norton, with their several crests, trophies, and banners; of Marten quartering Boteler; one coat, Barry, argent and azure, on a canton of the first, a bird of the second; Argent, three bends azure, within a bordure, eight mullets; Gules, a fess or, between three mullets, argent; and in one of the windows, a man kneeling, with a coat of arms, Six lions rampant, three and three, and underneath, Orate paia Guliel Savage Armigi.
Mauricius ap John, rector of St. George's, in Exeter, was buried in the choir of this church, as appears by his will, anno 1499.
In the year 1070, being the 5th year of his reign, William the Conqueror gave to the abbot and convent of St. Augustine, the church of Middelton, and the tenths of all the products accruing from that manor, and the tenths of all its appurtenances, of the land, wood, meadows, and water, excepting the tenths of honey, and rent paid in money. (fn. 12)
Pope Lucius XI. in 1144, at the petition of abbot Hugh de Trottesclive, confirmed the annual pension of ten marcs from this church to that abbey.
In 1168, the conventual church of St. Augustine was the greatest part of it burnt; on which account this church was allotted to the sacristy there, for the repair of it. (fn. 13) But they did not keep it long, for in 1178, at the king's instance, they gave it up, and lost all property both in the church, and the advowson of it. A composition was entered into between the archbishop and the abbot in 1182, concerning the privileges and exemptions of the latter; when it was agreed, that the archdeacon, or his official, should receive his accustomed dues and procurations from the churches of St. Augustine, excepting those of Minster, Northborne, and Chistelet, and from this church likewise, when the monks should again get possession of the appropriation of it.
Four years after which, the abbot demised to the prioress of St. Sexburg of Shepey, the tiches which his monastery possessed, in right of this church, in Bobbing, at the yearly rent of ten shillings, on condition that all housekeepers, which should be on the estates from which they arose, should yearly repair to this the mother church, with their oblations, on Christmas-day, the Purification, and Easter day. And in 1188, the abbot demised to the prioress there, the tenths of Westlonde, within her parish, for the rent of fourteen shillings, payable yearly to the sacrist of St. Augustine.
About the year 1198, the abbot and convent recovered this church, which was then become vacant by the death of one Franco, the person to whom they had given it up, at the instance of king Henry. But they had kept it but a small time, before the archbishop disturbed them in their possession of it. However, by the mediation of mutual friends, and at the king's request, that he would not molest them in their appropriation of it; he out of respect to the king, ratified this church to them, to be possessed by them for ever. (fn. 14)
There was a pension of forty shillings payably yearly from this church, with the chapel belonging to it, to the above monastery, which, with the other pensions from their several churches, was given up by agreement in 1242, for a compensation out of the profits of the church of Preston.
The abbot and convent, among the extensive privileges from the papal see, had obtained an exemption from all archiepiscopal authority, and about the year 1295 made an institution of several new deanries, and apportioned the several churches belonging to his monastery, to each of them, according to their vicinity; one of these was the deanry of Lenham, in which this church was included. This raised great contests with the several archbishops, and after more than five years altercation, the abbot was stripped of these exemptions, and was declared, by the pope's bull, to be subject to the archbishop's jurisdiction, in like manner as before; which entirely dissolved these new deanries, and that of Lenham among them. (fn. 15)
Notwithstanding the abbot and convent seem to have held the appropriation of this church almost from held the appropriation of this church almost from the first grant of it, and though there had been vicars instituted to it long before this time, for Robert de Wikes, who stiles himself vicar of Middelton, by his deed in 1247, granted seven deywerks of land, with the houses built on it, for the habitation of the vicar of Middelton, for the time being; and the abbot and convent had in 1286, assigned a portion for the maintenance of the vicar here; yet there does not appear to have been any regular endowment of a vicarage to it, till the reign of king Edward III. when archbishop Stratford, in 1345, anno 20 Edward III. by his instrument, decreed, that the vicar of the church of Middelton, and his successors, should have the usual mansion of the vicarage, with the garden adjoining to it, together with one acre of the glebe of the same; and that he should have, in the name of the vicarage, all manner of oblations in the church of Middelton, and in all places, situated within the bounds and limits or titheable places of it; and that they should have in the name of the vicarage, all tithes of sylva cædua, wool, lambs, calves, pigs, ducks, geese, swans, pidgeons, cheese, milk-meats, herbage, apples, pears, and other fruit, growing in gardens and orchards, pulse, flax, hemp, eggs, rushes, merchandizes, and of all mills built, or which might in future be built, within the bounds and limits or titheable places of the church, and all other small tithes whatsoever belonging to it, and all legacies left in future to it, which the rectors or vicars of it might of right or custom take; also, that the vicars, in right of the vicarage, should have of the religious, the annual pension of 4s. (fn. 16) sterling, one seam or quarter of corn, and three quarters or seams of barley, on the feast of St. Michael, at Middelton, by them to be yearly paid, on pain of the sequestration of the fruits and profits of the church, belonging to the religious, to be laid on as often and whenever they should cease in the payment of the pension or barley, or should not pay either of them in the time above-mentioned.
But that the vicars should undergo the burthen of serving by themselves, or some other fit priest, the church in divine services, in the finding of one lamp, to burn before the altar of St. Mary there, and the ministering of bread, wine, lights, and other things, which should be necessary for the celebration of divine rights in the church. The burthen likewise of the payment of tenths and other impositions, whenever they might be imposed on the English church, or incumbent on the church, for the taxation of twelve marcs, beyond the burthens allotted to the religious underneath, they should undergo at their own costs and expences.
But the burthen of the reparation and rebuilding of the chancel of the church, both within and without, and also the finding and repairing of books and vestments, and ornaments of the church, which were wont or ought of right or custom, to be found and repaired by the rectors of churches, and all other burthens, ordinary and extraordinary, incumbent on the church, the religious should undergo and acknowledge for ever, &c. (fn. 17)
The church and vicarage, after this, remained part of the possessions of the monastery, till the final dissolution of it, in the 30th year of Henry VIII. when it was, with all its revenues, surrendered up into the king's hands, who by his dotation-charter, in his 33d year, settled both the appropriation of this church, and the advowson of the vicarage, among other premises, on his new-founded dean and chapter of Christchurch, Canterbury, with whom the inheritance of the parsonage still remains, the interest in the lease of it being now in the heirs of John Cockin Sole, esq. deceased, but the advowson of the vicarage the dean and chapter retain in their own hands, and are the present patrons of it.
The vicarage of Milton is valued in the king's books at 13l. 2s. 6d. and the yearly tenths at 1l. 6s. 3d.
¶In 1578, there were here, dwelling-houses on hundred and eight, communicants three hundred and seventy-four. In 1640 this vicarage was valued at eighty pounds. Communicants five hundred and twenty-nine.
The antient annual pension of four shillings, one quarter of wheat, and three quarters of barley, stipulated to be paid by the religious as before-mentioned, still continues to be paid by the lessee of the parsonage, by the covenants of his lease.
The agreement made between the prior of the brethren of the hospital of St. John of Jersalem and the abbot and convent of St. Augustine, about king Henry the IId.'s reign, that whenever their chapel of Rodmersham should be dedicated, and the cemetery consecrated, they would diminish by it none of the mother church of Middleton's rights; has already been more fully mentioned in the account of that parish before. (fn. 18)
R1510. The National Coal Board once had extensive private railway systems in the North East of England and much coal was exported from Seaham Harbour on the coast of Co. Durham.
Amongst the varied and interesting motive power that worked the system at Seaham Harbour were three 4-wheel vertical boilered Sentinels which were purchased in the mid-1950s. However, they were not suitable for the work that was required of them and they were taken out of use.
May, 1964. Copyright © Ron Fisher.
Preparations are underway to move the Space Launch System Core Stage pathfinder to the north end of the transfer aisle inside the Vehicle Assembly Building at NASA’s Kennedy Space Center in Florida on Oct. 3, 2019. A cover, called a spider, in view at the far end of the transfer aisle, will be attached to the top of the pathfinder. With the spider secured in place, a crane will be attached to it to lift the pathfinder into the vertical position. The 212-foot-long core stage pathfinder arrived in NASA's Pegasus Barge at Kennedy’s Launch Complex 39 turn basin wharf on Sept. 27, 2019. The Pegasus Barge made its first delivery to Kennedy in support of the agency's Artemis missions. The upgraded 310-foot-long barge arrived, ferrying the SLS core stage pathfinder, a full-scale mock-up of the rocket's core stage. It will be used by Exploration Ground Systems and its contractor, Jacobs, to practice offloading, moving and stacking maneuvers, using important ground support equipment to train employees and certify all the equipment works properly. The pathfinder will stay at Kennedy for approximately one month before trekking back to NASA's Michoud Assembly Facility in Louisiana. Photo credit: NASA/Kim Shiflett
Business card close up.
FA was asked to create a name and visual identity for Neuwave Systems. The name needed to act as a bridge between Neuwaves heritage and the new company’s future as an independent organization. A communication program was required to help customers, employees, and investors make the necessary transition and at the same time create a fresh image that differentiates the organization, its products, and services from its major competition.
Based on wavelengths and equalizer LCD's, the mark leverages Neuwave Systems’ status as a well-grounded pioneer. It portrays the company as a constant guide that customers and partners can rely on to navigate their way through an industry that has traditionally been complex. The look and feel of the brand is designed to suggest a highly professional, well-established organization and achieve differentiation.
Wheels & Dollbaby Cardigan pair with the black "Irma" satin skirt. My right stocking has a horrific run in it, and i have positioned my feet strategically to hide this.
Four images stacked and processed with RegiStax and combined with Photoshop. 110mm refractor and Imaging Source video camera.
Notre Système Solaire Version 2018 a Lyon
Je vous propose un montage photo de Notre Système Solaire tel que j 'ai pu l observer tout au long de cette année 2018 depuis mon balcon en plein cœur de la pollution lumineuse de Lyon
Je précise que cette représentation n' est pas l' échelle du tout
L 'intégralité des Photos utilisées ont été faites entre Janvier et Novembre 2018
Captures planétaires et Lunaire : Cmos ZWO ASI 178 MM et 120 MM + LRVB ZWO au Foyer du Maksutov SW BD 180/2700
Capture Solaire avec la ZWO 178 MM + Lunette Lunt 60 d' AstroQueyras
Capture photo arrière plan avec Canon EOS 100 D A au foyer de la Lunette Orion EDT 80 CF
This crawler original idea is from a video by master technic builder Akiyuki, posted on Youtube in July 2018.
I've been kind of obessed with this since then, and this is my latest, and I guess final, iteration on this idea.
Everythinkg above the two yellow beams is for motor and gear reduction, everything below is the actual movement system.
I use a third party self powered M motor to keep the size as low as possible and be able to make mocs like the steampunk one
Ten months in the making, I've finally completed my Eisenhower Interstate System one- and two-digit highway interchange abstraction map! I originally saw Chris Yates's simplified version (www.chrisyates.net) on Strange Maps (strangemaps.wordpress.com), and decided to do a decidedly non-simplified version. If I counted the number of hours devoted to this, it would provide a quantified measure of how nerdy I am. The total hour count is easily in the three digits.
I like the look of Chris's map better than mine (http://www.chrisyates.net/reprographics/index.php?page=424), but you need to make aesthetic compromises when you're cramming that much information into a small space. Plus I don't want to step on any artistic toes.
Just for kicks, I added lines indicating coastlines and borders.
If you see any inaccuracies, let me know! With over 220 interchanges, I'm bound to have made some errors.
I collected my data using Google Earth, and frequently used the City Boundaries and Places of Interest layers to pinpoint exact locations of interchanges. In places of ambiguity, I applied a consistent set of rules for determining in which city an interchange occurred; these criteria are too numerous and boring to list here, but I'd be happy to explain them if you disagree with my choices.
UPDATE: Find this map on page 168 of this book:
www.amazon.com/Strange-Maps-Atlas-Cartographic-Curiositie...
Thanks, Frank Jacobs, for including me in this beautiful book!
TEM2UM-726 of the Shaktinsk Colliery Railway System rolls alongside the R-187 heading from Shakhta Imeni Lenina with two wagons, swaying and rolling over the uneven track towards Shaktinsk. Shakhta Kazakhstanskaya forms the backdrop. May the 15th 2024.
ТЭМ2УМ-726 на переходе Шахта имени ленина - Шахтинск. Карагандинская область, Казахстан. 05/15/2024.
At this point we have just passed the ventilation shafts that yesterday saw our unfortunate encounter with Big Man and the Ochrona. I am captivated by the mining backdrop here so pile out of the car and run about fifty metres over the grassland to take this view. As I press the shutter I hear Sven shouting "Duncan, stop taking photos". I look over and a white car has pulled up behind ours and its driver is speaking earnestly to Sven. I walk back and ask Sven what the matter is., as if we didn't know...He tells me we are being told to please stop photography and leave the area. I don't mind now, it seems that our visit here today has worked out well, given that we have successfully encountered and photographed this train. I agree, we shall, and actually must leave. We politely let the man know that we respect his wishes, he seems more worried than angry, we get in our car and drive away. He follows behind as far as the turn off for the control station at Shakhtinsk, which is where he leaves us and drives towards. It would seem that the train crew alerted the railway controllers who then sent the man out to stop us. That we don't encounter any other authority here seems a minor miracle.
A small redesign of the last image with some copper color in the base and a little more green in the plasma... and so on.
Transit Systems: Scania K320UB Euro 6 / Precision VST, m/o 8111 at Strathfield completed Route 483 from Railway Square - Taken 23/7/22 at 16:51
The IBM System/360 (S/360) is a family of mainframe computer systems that was announced by IBM in April 1964, and delivered between 1965 and 1978. It was the first family of computers designed to cover both commercial and scientific applications and a complete range of applications from small to large. The design distinguished between architecture and implementation, allowing IBM to release a suite of compatible designs at different prices.
The slowest System/360 model announced in 1964, the Model 30, could perform up to 34,500 instructions per second, with memory from 8 to 64 KB. High-performance models came later. The 1967 IBM System/360 Model 91 could execute up to 16.6 million instructions per second. The larger 360 models could have up to 8 MB of main memory, though that much memory was unusual; a large installation might have as little as 256 KB of main storage, but 512 KB, 768 KB or 1024 KB was more common. Up to 8 megabytes of slower (8 microsecond) Large Capacity Storage (LCS) was also available for some models.
The IBM 360/195 computer was introduced in 1971. It comprised six parts: operating console, two modules of ferrite core, two high-speed buffers, power supply, logic board, and sample co-axial wiring
An IBM 360/195 at the University of California, Santa Barbara was one of the first computers to be connected to the ARPANET, the first computer network which used packet switching to share information between disparate computers. In 1969 the fledgling network consisted of just four nodes, all on the West Coast of the United States. An IBM 360/195 was used at University College London to connect the UK's Rutherford High-Energy Laboratory to the expanding ARPANET in 1973. This example, seen behind glass, was donated to the Science Museum by the Meteorological Office at Bracknell in 1983.
Processing generated particle system paths rendered in blender. Blog post of the details: www.cutsquash.com/2014/04/exporting-processing-blender/
European Version - small boxes
One of my hobbies: the Nintendo Entertainment System (NES)
These small game boxes were published throughout Europe (except UK and Italy) before Nintendo of Europe in Großostheim (Germany) was founded in 1990.
They were sold by Bienengräber & Co (Germany), Stadlbauer (Austria), Waldmeier (Switzerland), Bergsala (Scandinavia) and another company - I haven't find out yet - in Spain.
It took me some time to collect and edit all these cover images. Unfortunately I don't own all these boxes, but I'm sure I will some day ;)
- If you'd like to sell me some or like to trade, please contact me!
Feel also free to contact me, if you have question, corrections or just like to talk about the NES!
Here are some more informations about the console:
The Nintendo Entertainment System (also abbreviated as NES or simply called Nintendo) is an 8-bit video game console that was released by Nintendo in North America during 1985, in Europe during 1986 and Australia in 1987. In most of Asia, including Japan (where it was first launched in 1983), China, Vietnam, Singapore, the Middle East and Hong Kong, it was released as the Family Computer (ファミリーコンピュータ Famirī Konpyūta?), commonly shortened as either the Famicom (ファミコン Famikon?), or abbreviated to FC. In South Korea, it was known as the Hyundai Comboy (현대 컴보이) and was distributed by Hynix which then was known as Hyundai Electronics. It was succeeded by the Super Nintendo Entertainment System.
Once the best-selling gaming console of its time, the NES helped revitalize the US video game industry following the video game crash of 1983, and set the standard for subsequent consoles of its generation. With the NES, Nintendo introduced a now-standard business model of licensing third-party developers, authorizing them to produce and distribute software for Nintendo's platform.
In 2009, the Nintendo Entertainment System was named the single greatest video game console in history by IGN, out of a field of 25. 2010 marked the system's 25th anniversary, which was officially celebrated by Nintendo of America's magazine Nintendo Power in issue #260 (November 2010) with a special 26-page tribute section. Other video game publications also featured articles looking back at 25 years of the NES, and its impact in the video game console market.
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LOW Land Impact 2 Prims
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The common fleet arrangement for the Centauri System. Led by an EL2 Destroyer Class ship, supported by an 8-B Radar-Com Deck, two H-9 Heavy Bombers, and four HH1 Light Strike Starfighters. The EL2 Destroyer also carries twelve light strike fighters in its' belly.
IR HDR. IR converted Canon 40D (Lifepixel.com) . Canon 17-55 F2.8 IS lens. Shot at ISO 100, F8, AEB +/-3 total of 7 exposures processed with Photomatix. Levels adjusted in PSE.
High Dynamic Range (HDR)
High-dynamic-range imaging (HDRI) is a high dynamic range (HDR) technique used in imaging and photography to reproduce a greater dynamic range of luminosity than is possible with standard digital imaging or photographic techniques. The aim is to present a similar range of luminance to that experienced through the human visual system. The human eye, through adaptation of the iris and other methods, adjusts constantly to adapt to a broad range of luminance present in the environment. The brain continuously interprets this information so that a viewer can see in a wide range of light conditions.
HDR images can represent a greater range of luminance levels than can be achieved using more 'traditional' methods, such as many real-world scenes containing very bright, direct sunlight to extreme shade, or very faint nebulae. This is often achieved by capturing and then combining several different, narrower range, exposures of the same subject matter. Non-HDR cameras take photographs with a limited exposure range, referred to as LDR, resulting in the loss of detail in highlights or shadows.
The two primary types of HDR images are computer renderings and images resulting from merging multiple low-dynamic-range (LDR) or standard-dynamic-range (SDR) photographs. HDR images can also be acquired using special image sensors, such as an oversampled binary image sensor.
Due to the limitations of printing and display contrast, the extended luminosity range of an HDR image has to be compressed to be made visible. The method of rendering an HDR image to a standard monitor or printing device is called tone mapping. This method reduces the overall contrast of an HDR image to facilitate display on devices or printouts with lower dynamic range, and can be applied to produce images with preserved local contrast (or exaggerated for artistic effect).
In photography, dynamic range is measured in exposure value (EV) differences (known as stops). An increase of one EV, or 'one stop', represents a doubling of the amount of light. Conversely, a decrease of one EV represents a halving of the amount of light. Therefore, revealing detail in the darkest of shadows requires high exposures, while preserving detail in very bright situations requires very low exposures. Most cameras cannot provide this range of exposure values within a single exposure, due to their low dynamic range. High-dynamic-range photographs are generally achieved by capturing multiple standard-exposure images, often using exposure bracketing, and then later merging them into a single HDR image, usually within a photo manipulation program). Digital images are often encoded in a camera's raw image format, because 8-bit JPEG encoding does not offer a wide enough range of values to allow fine transitions (and regarding HDR, later introduces undesirable effects due to lossy compression).
Any camera that allows manual exposure control can make images for HDR work, although one equipped with auto exposure bracketing (AEB) is far better suited. Images from film cameras are less suitable as they often must first be digitized, so that they can later be processed using software HDR methods.
In most imaging devices, the degree of exposure to light applied to the active element (be it film or CCD) can be altered in one of two ways: by either increasing/decreasing the size of the aperture or by increasing/decreasing the time of each exposure. Exposure variation in an HDR set is only done by altering the exposure time and not the aperture size; this is because altering the aperture size also affects the depth of field and so the resultant multiple images would be quite different, preventing their final combination into a single HDR image.
An important limitation for HDR photography is that any movement between successive images will impede or prevent success in combining them afterwards. Also, as one must create several images (often three or five and sometimes more) to obtain the desired luminance range, such a full 'set' of images takes extra time. HDR photographers have developed calculation methods and techniques to partially overcome these problems, but the use of a sturdy tripod is, at least, advised.
Some cameras have an auto exposure bracketing (AEB) feature with a far greater dynamic range than others, from the 3 EV of the Canon EOS 40D, to the 18 EV of the Canon EOS-1D Mark II. As the popularity of this imaging method grows, several camera manufactures are now offering built-in HDR features. For example, the Pentax K-7 DSLR has an HDR mode that captures an HDR image and outputs (only) a tone mapped JPEG file. The Canon PowerShot G12, Canon PowerShot S95 and Canon PowerShot S100 offer similar features in a smaller format.. Nikon's approach is called 'Active D-Lighting' which applies exposure compensation and tone mapping to the image as it comes from the sensor, with the accent being on retaing a realistic effect . Some smartphones provide HDR modes, and most mobile platforms have apps that provide HDR picture taking.
Camera characteristics such as gamma curves, sensor resolution, noise, photometric calibration and color calibration affect resulting high-dynamic-range images.
Color film negatives and slides consist of multiple film layers that respond to light differently. As a consequence, transparent originals (especially positive slides) feature a very high dynamic range
Tone mapping
Tone mapping reduces the dynamic range, or contrast ratio, of an entire image while retaining localized contrast. Although it is a distinct operation, tone mapping is often applied to HDRI files by the same software package.
Several software applications are available on the PC, Mac and Linux platforms for producing HDR files and tone mapped images. Notable titles include
Adobe Photoshop
Aurora HDR
Dynamic Photo HDR
HDR Efex Pro
HDR PhotoStudio
Luminance HDR
MagicRaw
Oloneo PhotoEngine
Photomatix Pro
PTGui
Information stored in high-dynamic-range images typically corresponds to the physical values of luminance or radiance that can be observed in the real world. This is different from traditional digital images, which represent colors as they should appear on a monitor or a paper print. Therefore, HDR image formats are often called scene-referred, in contrast to traditional digital images, which are device-referred or output-referred. Furthermore, traditional images are usually encoded for the human visual system (maximizing the visual information stored in the fixed number of bits), which is usually called gamma encoding or gamma correction. The values stored for HDR images are often gamma compressed (power law) or logarithmically encoded, or floating-point linear values, since fixed-point linear encodings are increasingly inefficient over higher dynamic ranges.
HDR images often don't use fixed ranges per color channel—other than traditional images—to represent many more colors over a much wider dynamic range. For that purpose, they don't use integer values to represent the single color channels (e.g., 0-255 in an 8 bit per pixel interval for red, green and blue) but instead use a floating point representation. Common are 16-bit (half precision) or 32-bit floating point numbers to represent HDR pixels. However, when the appropriate transfer function is used, HDR pixels for some applications can be represented with a color depth that has as few as 10–12 bits for luminance and 8 bits for chrominance without introducing any visible quantization artifacts.
History of HDR photography
The idea of using several exposures to adequately reproduce a too-extreme range of luminance was pioneered as early as the 1850s by Gustave Le Gray to render seascapes showing both the sky and the sea. Such rendering was impossible at the time using standard methods, as the luminosity range was too extreme. Le Gray used one negative for the sky, and another one with a longer exposure for the sea, and combined the two into one picture in positive.
Mid 20th century
Manual tone mapping was accomplished by dodging and burning – selectively increasing or decreasing the exposure of regions of the photograph to yield better tonality reproduction. This was effective because the dynamic range of the negative is significantly higher than would be available on the finished positive paper print when that is exposed via the negative in a uniform manner. An excellent example is the photograph Schweitzer at the Lamp by W. Eugene Smith, from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa. The image took 5 days to reproduce the tonal range of the scene, which ranges from a bright lamp (relative to the scene) to a dark shadow.
Ansel Adams elevated dodging and burning to an art form. Many of his famous prints were manipulated in the darkroom with these two methods. Adams wrote a comprehensive book on producing prints called The Print, which prominently features dodging and burning, in the context of his Zone System.
With the advent of color photography, tone mapping in the darkroom was no longer possible due to the specific timing needed during the developing process of color film. Photographers looked to film manufacturers to design new film stocks with improved response, or continued to shoot in black and white to use tone mapping methods.
Color film capable of directly recording high-dynamic-range images was developed by Charles Wyckoff and EG&G "in the course of a contract with the Department of the Air Force". This XR film had three emulsion layers, an upper layer having an ASA speed rating of 400, a middle layer with an intermediate rating, and a lower layer with an ASA rating of 0.004. The film was processed in a manner similar to color films, and each layer produced a different color. The dynamic range of this extended range film has been estimated as 1:108. It has been used to photograph nuclear explosions, for astronomical photography, for spectrographic research, and for medical imaging. Wyckoff's detailed pictures of nuclear explosions appeared on the cover of Life magazine in the mid-1950s.
Late 20th century
Georges Cornuéjols and licensees of his patents (Brdi, Hymatom) introduced the principle of HDR video image, in 1986, by interposing a matricial LCD screen in front of the camera's image sensor, increasing the sensors dynamic by five stops. The concept of neighborhood tone mapping was applied to video cameras by a group from the Technion in Israel led by Dr. Oliver Hilsenrath and Prof. Y.Y.Zeevi who filed for a patent on this concept in 1988.
In February and April 1990, Georges Cornuéjols introduced the first real-time HDR camera that combined two images captured by a sensor3435 or simultaneously3637 by two sensors of the camera. This process is known as bracketing used for a video stream.
In 1991, the first commercial video camera was introduced that performed real-time capturing of multiple images with different exposures, and producing an HDR video image, by Hymatom, licensee of Georges Cornuéjols.
Also in 1991, Georges Cornuéjols introduced the HDR+ image principle by non-linear accumulation of images to increase the sensitivity of the camera: for low-light environments, several successive images are accumulated, thus increasing the signal to noise ratio.
In 1993, another commercial medical camera producing an HDR video image, by the Technion.
Modern HDR imaging uses a completely different approach, based on making a high-dynamic-range luminance or light map using only global image operations (across the entire image), and then tone mapping the result. Global HDR was first introduced in 19931 resulting in a mathematical theory of differently exposed pictures of the same subject matter that was published in 1995 by Steve Mann and Rosalind Picard.
On October 28, 1998, Ben Sarao created one of the first nighttime HDR+G (High Dynamic Range + Graphic image)of STS-95 on the launch pad at NASA's Kennedy Space Center. It consisted of four film images of the shuttle at night that were digitally composited with additional digital graphic elements. The image was first exhibited at NASA Headquarters Great Hall, Washington DC in 1999 and then published in Hasselblad Forum, Issue 3 1993, Volume 35 ISSN 0282-5449.
The advent of consumer digital cameras produced a new demand for HDR imaging to improve the light response of digital camera sensors, which had a much smaller dynamic range than film. Steve Mann developed and patented the global-HDR method for producing digital images having extended dynamic range at the MIT Media Laboratory. Mann's method involved a two-step procedure: (1) generate one floating point image array by global-only image operations (operations that affect all pixels identically, without regard to their local neighborhoods); and then (2) convert this image array, using local neighborhood processing (tone-remapping, etc.), into an HDR image. The image array generated by the first step of Mann's process is called a lightspace image, lightspace picture, or radiance map. Another benefit of global-HDR imaging is that it provides access to the intermediate light or radiance map, which has been used for computer vision, and other image processing operations.
21st century
In 2005, Adobe Systems introduced several new features in Photoshop CS2 including Merge to HDR, 32 bit floating point image support, and HDR tone mapping.
On June 30, 2016, Microsoft added support for the digital compositing of HDR images to Windows 10 using the Universal Windows Platform.
HDR sensors
Modern CMOS image sensors can often capture a high dynamic range from a single exposure. The wide dynamic range of the captured image is non-linearly compressed into a smaller dynamic range electronic representation. However, with proper processing, the information from a single exposure can be used to create an HDR image.
Such HDR imaging is used in extreme dynamic range applications like welding or automotive work. Some other cameras designed for use in security applications can automatically provide two or more images for each frame, with changing exposure. For example, a sensor for 30fps video will give out 60fps with the odd frames at a short exposure time and the even frames at a longer exposure time. Some of the sensor may even combine the two images on-chip so that a wider dynamic range without in-pixel compression is directly available to the user for display or processing.
en.wikipedia.org/wiki/High-dynamic-range_imaging
Infrared Photography
In infrared photography, the film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum (the filter thus looks black or deep red). ("Infrared filter" may refer either to this type of filter or to one that blocks infrared but passes other wavelengths.)
When these filters are used together with infrared-sensitive film or sensors, "in-camera effects" can be obtained; false-color or black-and-white images with a dreamlike or sometimes lurid appearance known as the "Wood Effect," an effect mainly caused by foliage (such as tree leaves and grass) strongly reflecting in the same way visible light is reflected from snow. There is a small contribution from chlorophyll fluorescence, but this is marginal and is not the real cause of the brightness seen in infrared photographs. The effect is named after the infrared photography pioneer Robert W. Wood, and not after the material wood, which does not strongly reflect infrared.
The other attributes of infrared photographs include very dark skies and penetration of atmospheric haze, caused by reduced Rayleigh scattering and Mie scattering, respectively, compared to visible light. The dark skies, in turn, result in less infrared light in shadows and dark reflections of those skies from water, and clouds will stand out strongly. These wavelengths also penetrate a few millimeters into skin and give a milky look to portraits, although eyes often look black.
Until the early 20th century, infrared photography was not possible because silver halide emulsions are not sensitive to longer wavelengths than that of blue light (and to a lesser extent, green light) without the addition of a dye to act as a color sensitizer. The first infrared photographs (as distinct from spectrographs) to be published appeared in the February 1910 edition of The Century Magazine and in the October 1910 edition of the Royal Photographic Society Journal to illustrate papers by Robert W. Wood, who discovered the unusual effects that now bear his name. The RPS co-ordinated events to celebrate the centenary of this event in 2010. Wood's photographs were taken on experimental film that required very long exposures; thus, most of his work focused on landscapes. A further set of infrared landscapes taken by Wood in Italy in 1911 used plates provided for him by CEK Mees at Wratten & Wainwright. Mees also took a few infrared photographs in Portugal in 1910, which are now in the Kodak archives.
Infrared-sensitive photographic plates were developed in the United States during World War I for spectroscopic analysis, and infrared sensitizing dyes were investigated for improved haze penetration in aerial photography. After 1930, new emulsions from Kodak and other manufacturers became useful to infrared astronomy.
Infrared photography became popular with photography enthusiasts in the 1930s when suitable film was introduced commercially. The Times regularly published landscape and aerial photographs taken by their staff photographers using Ilford infrared film. By 1937 33 kinds of infrared film were available from five manufacturers including Agfa, Kodak and Ilford. Infrared movie film was also available and was used to create day-for-night effects in motion pictures, a notable example being the pseudo-night aerial sequences in the James Cagney/Bette Davis movie The Bride Came COD.
False-color infrared photography became widely practiced with the introduction of Kodak Ektachrome Infrared Aero Film and Ektachrome Infrared EIR. The first version of this, known as Kodacolor Aero-Reversal-Film, was developed by Clark and others at the Kodak for camouflage detection in the 1940s. The film became more widely available in 35mm form in the 1960s but KODAK AEROCHROME III Infrared Film 1443 has been discontinued.
Infrared photography became popular with a number of 1960s recording artists, because of the unusual results; Jimi Hendrix, Donovan, Frank and a slow shutter speed without focus compensation, however wider apertures like f/2.0 can produce sharp photos only if the lens is meticulously refocused to the infrared index mark, and only if this index mark is the correct one for the filter and film in use. However, it should be noted that diffraction effects inside a camera are greater at infrared wavelengths so that stopping down the lens too far may actually reduce sharpness.
Most apochromatic ('APO') lenses do not have an Infrared index mark and do not need to be refocused for the infrared spectrum because they are already optically corrected into the near-infrared spectrum. Catadioptric lenses do not often require this adjustment because their mirror containing elements do not suffer from chromatic aberration and so the overall aberration is comparably less. Catadioptric lenses do, of course, still contain lenses, and these lenses do still have a dispersive property.
Infrared black-and-white films require special development times but development is usually achieved with standard black-and-white film developers and chemicals (like D-76). Kodak HIE film has a polyester film base that is very stable but extremely easy to scratch, therefore special care must be used in the handling of Kodak HIE throughout the development and printing/scanning process to avoid damage to the film. The Kodak HIE film was sensitive to 900 nm.
As of November 2, 2007, "KODAK is preannouncing the discontinuance" of HIE Infrared 35 mm film stating the reasons that, "Demand for these products has been declining significantly in recent years, and it is no longer practical to continue to manufacture given the low volume, the age of the product formulations and the complexity of the processes involved." At the time of this notice, HIE Infrared 135-36 was available at a street price of around $12.00 a roll at US mail order outlets.
Arguably the greatest obstacle to infrared film photography has been the increasing difficulty of obtaining infrared-sensitive film. However, despite the discontinuance of HIE, other newer infrared sensitive emulsions from EFKE, ROLLEI, and ILFORD are still available, but these formulations have differing sensitivity and specifications from the venerable KODAK HIE that has been around for at least two decades. Some of these infrared films are available in 120 and larger formats as well as 35 mm, which adds flexibility to their application. With the discontinuance of Kodak HIE, Efke's IR820 film has become the only IR film on the marketneeds update with good sensitivity beyond 750 nm, the Rollei film does extend beyond 750 nm but IR sensitivity falls off very rapidly.
Color infrared transparency films have three sensitized layers that, because of the way the dyes are coupled to these layers, reproduce infrared as red, red as green, and green as blue. All three layers are sensitive to blue so the film must be used with a yellow filter, since this will block blue light but allow the remaining colors to reach the film. The health of foliage can be determined from the relative strengths of green and infrared light reflected; this shows in color infrared as a shift from red (healthy) towards magenta (unhealthy). Early color infrared films were developed in the older E-4 process, but Kodak later manufactured a color transparency film that could be developed in standard E-6 chemistry, although more accurate results were obtained by developing using the AR-5 process. In general, color infrared does not need to be refocused to the infrared index mark on the lens.
In 2007 Kodak announced that production of the 35 mm version of their color infrared film (Ektachrome Professional Infrared/EIR) would cease as there was insufficient demand. Since 2011, all formats of color infrared film have been discontinued. Specifically, Aerochrome 1443 and SO-734.
There is no currently available digital camera that will produce the same results as Kodak color infrared film although the equivalent images can be produced by taking two exposures, one infrared and the other full-color, and combining in post-production. The color images produced by digital still cameras using infrared-pass filters are not equivalent to those produced on color infrared film. The colors result from varying amounts of infrared passing through the color filters on the photo sites, further amended by the Bayer filtering. While this makes such images unsuitable for the kind of applications for which the film was used, such as remote sensing of plant health, the resulting color tonality has proved popular artistically.
Color digital infrared, as part of full spectrum photography is gaining popularity. The ease of creating a softly colored photo with infrared characteristics has found interest among hobbyists and professionals.
In 2008, Los Angeles photographer, Dean Bennici started cutting and hand rolling Aerochrome color Infrared film. All Aerochrome medium and large format which exists today came directly from his lab. The trend in infrared photography continues to gain momentum with the success of photographer Richard Mosse and multiple users all around the world.
Digital camera sensors are inherently sensitive to infrared light, which would interfere with the normal photography by confusing the autofocus calculations or softening the image (because infrared light is focused differently from visible light), or oversaturating the red channel. Also, some clothing is transparent in the infrared, leading to unintended (at least to the manufacturer) uses of video cameras. Thus, to improve image quality and protect privacy, many digital cameras employ infrared blockers. Depending on the subject matter, infrared photography may not be practical with these cameras because the exposure times become overly long, often in the range of 30 seconds, creating noise and motion blur in the final image. However, for some subject matter the long exposure does not matter or the motion blur effects actually add to the image. Some lenses will also show a 'hot spot' in the centre of the image as their coatings are optimised for visible light and not for IR.
An alternative method of DSLR infrared photography is to remove the infrared blocker in front of the sensor and replace it with a filter that removes visible light. This filter is behind the mirror, so the camera can be used normally - handheld, normal shutter speeds, normal composition through the viewfinder, and focus, all work like a normal camera. Metering works but is not always accurate because of the difference between visible and infrared refraction. When the IR blocker is removed, many lenses which did display a hotspot cease to do so, and become perfectly usable for infrared photography. Additionally, because the red, green and blue micro-filters remain and have transmissions not only in their respective color but also in the infrared, enhanced infrared color may be recorded.
Since the Bayer filters in most digital cameras absorb a significant fraction of the infrared light, these cameras are sometimes not very sensitive as infrared cameras and can sometimes produce false colors in the images. An alternative approach is to use a Foveon X3 sensor, which does not have absorptive filters on it; the Sigma SD10 DSLR has a removable IR blocking filter and dust protector, which can be simply omitted or replaced by a deep red or complete visible light blocking filter. The Sigma SD14 has an IR/UV blocking filter that can be removed/installed without tools. The result is a very sensitive digital IR camera.
While it is common to use a filter that blocks almost all visible light, the wavelength sensitivity of a digital camera without internal infrared blocking is such that a variety of artistic results can be obtained with more conventional filtration. For example, a very dark neutral density filter can be used (such as the Hoya ND400) which passes a very small amount of visible light compared to the near-infrared it allows through. Wider filtration permits an SLR viewfinder to be used and also passes more varied color information to the sensor without necessarily reducing the Wood effect. Wider filtration is however likely to reduce other infrared artefacts such as haze penetration and darkened skies. This technique mirrors the methods used by infrared film photographers where black-and-white infrared film was often used with a deep red filter rather than a visually opaque one.
Another common technique with near-infrared filters is to swap blue and red channels in software (e.g. photoshop) which retains much of the characteristic 'white foliage' while rendering skies a glorious blue.
Several Sony cameras had the so-called Night Shot facility, which physically moves the blocking filter away from the light path, which makes the cameras very sensitive to infrared light. Soon after its development, this facility was 'restricted' by Sony to make it difficult for people to take photos that saw through clothing. To do this the iris is opened fully and exposure duration is limited to long times of more than 1/30 second or so. It is possible to shoot infrared but neutral density filters must be used to reduce the camera's sensitivity and the long exposure times mean that care must be taken to avoid camera-shake artifacts.
Fuji have produced digital cameras for use in forensic criminology and medicine which have no infrared blocking filter. The first camera, designated the S3 PRO UVIR, also had extended ultraviolet sensitivity (digital sensors are usually less sensitive to UV than to IR). Optimum UV sensitivity requires special lenses, but ordinary lenses usually work well for IR. In 2007, FujiFilm introduced a new version of this camera, based on the Nikon D200/ FujiFilm S5 called the IS Pro, also able to take Nikon lenses. Fuji had earlier introduced a non-SLR infrared camera, the IS-1, a modified version of the FujiFilm FinePix S9100. Unlike the S3 PRO UVIR, the IS-1 does not offer UV sensitivity. FujiFilm restricts the sale of these cameras to professional users with their EULA specifically prohibiting "unethical photographic conduct".
Phase One digital camera backs can be ordered in an infrared modified form.
Remote sensing and thermographic cameras are sensitive to longer wavelengths of infrared (see Infrared spectrum#Commonly used sub-division scheme). They may be multispectral and use a variety of technologies which may not resemble common camera or filter designs. Cameras sensitive to longer infrared wavelengths including those used in infrared astronomy often require cooling to reduce thermally induced dark currents in the sensor (see Dark current (physics)). Lower cost uncooled thermographic digital cameras operate in the Long Wave infrared band (see Thermographic camera#Uncooled infrared detectors). These cameras are generally used for building inspection or preventative maintenance but can be used for artistic pursuits as well.
Rubbermaid HomeFree series is a fully customizable closet system that offers the unique flexibility of telescoping clothing rods and expanding shelves to make the most of your space.
double UD logo...
Bus No: 3051
Year released: 1994
Capacity: 53; 2x2 seating configuration
Route: Manila/Avenida-Bguio via Dau/Magalang/Concepcion/Capas/Tarlac/Paniqui/Carmen/Urdaneta/Rosario
Body: Nissan Diesel Philippines Corp.
Chassis: Nissan Diesel RB46SR
Engine: Nissan Diesel PE6T
Fare: Airconditioned
Aircon System: Denso sub-engine a/c
Transmission System: M/T
Plate No.: CVC-676
Taken on: August 9, 2011
Location: Mabalacat Bus Terminal, Brgy. Dau, Mabalacat, Pampanga