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This 1959 El Camino at CJ’s Hot Rod Shop was born back when style was King! She’s lookin’ good from tail to hood! www.ThrottleDM.com
Aryca Action Sampler on 4-seperate-shot mode (Regent Street bunting for the Royal Wedding, shot from our studio balcony) + Lomo LCA (retro Colgate or Coke billboard) + Lomography chrome 100 slide film + cross processing.
The Eastern Platform was taken out of use in 1914, and sealed off. In its later life, the platform was used to test tile patterns and styles that would be applied elsewhere on the network.
Taken during a tour of Aldwych underground station, organised by the London Transport Museum.
First proposed by Great Northern and Strand Railway (GN&SR) in 1898, Aldwych station finally opened by Great Northern, Piccadilly and Brompton Railway (GNP&BR) in 1907 as Strand station, on a spur line from Holborn. The building itself was built following the standard design of stations as part of Underground Electric Railways Company of London (UERL) Leslie Green (1875-1908) .
Considering the purpose of the tube line was to bring travellers down to theatreland, it's quite ironic therefore that it was built on the site of the Royal Strand Theatre (which was acquired and demolished for the works).
The eastern tunnel was decommissioned in 1914, due to low use, and the station was renamed Aldwych the following year. In 1917, during zeppelin raids, 300 paintings from the National Gallery were stored on the disused Eastern platform. The station continued to operate after the Great War, but always in low numbers.
In 1940, during the Second World War, Aldwych was closed and acted as an air raid shelter, as well as resuming its role of storing national treasures (this time the British Museum and allegedly the Royal Family's tea service).
The station reopened in 1946, but passenger numbers stayed low and eventually the station closed for good in 1994.
Another way to style your ballet flats is to pair it with a distressed flare jeans, an oversized off-the-shoulder knitted sweater and a chain handbag. This outfit is casual, office-friendly and sleek, you can wear it to work or to any casual occasions.
For the top, opt for a neutral shade oversized sweater with on-trend off-the-shoulder detailing, then pair it with a pair of distressed flare jeans which will make your legs appear longer and slimmer. Wear a pair of black ballet flats with feminine lace-up detailing and a suede upper material. Lastly, carry an edgy black quilted faux leather chain handbag to keep your essentials in style.
22-365
I like a lot how Lara Jade takes her pictures
she got awesome self portraits and a unique style almost as her signature in every picture ... so i decided to make her a tribute with one of my photos =D ... hope you like it
Get an insight of the trends that have more of a casual appeal and look of a chic fashion... www.beautyindia.in
HARRY STYLES: LIVE ON TOUR
The Star Theatre @ The Star Performing Arts Centre, Singapore
23rd November 2017
Photo by N. Seryhana
Special thanks to Live Nation Lushington
I was asked to do a flapper inspired cake, after checking out some cakes on flickr, I suggested fringing, feathers and pearls, which I was told would be perfect.
The colours were cream, brown and a touch of red. I had done some edible feathers, but they were too small and I didn't like how they looked, so luckily as a back up I had bought some brown and cream feathers that I spied in Hot Dollar.
The pearls were hand done and strung onto some dental floss then lustre dusted.
The client is a work colleague the one I did the Garden cake for she didn't get back to me with what the message should be and is away until picking it up tomorrow, I tried to call her but the cake is a surprise for her daughter and son-in-law and she had given her daughter her phone (she answered when I rang) I left a message but no response. I am drying a small plaque that says congratulations in case she wants it, but had mentioned about just have her daughter and partners name on the cake so while I figure it's not a birthday cake I can't do much more without knowing the names!!!!
I dunno it didn't quite come out as I had envisaged... maybe a single red feather to help set it off... but I don't have that so this will have to do....
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*+Crie Style+* Luxury Eyewear - Fashion Store
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سبحان المصور انها قمة في الاناقه و لا يفوقها اي مصصم في ازياء هذا العصر انها انثى الطاؤؤس الذي اشتهر بجماله المنقطع النظير
I shot this picture in 2011
☥♥Style Rockfeller☥♥
☥♥New Post ☥♥ #114
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HARRY STYLES: LIVE ON TOUR
The Star Theatre @ The Star Performing Arts Centre, Singapore
23rd November 2017
Photo by N. Seryhana
Special thanks to Live Nation Lushington
Eastern Coachworks tidied up the design of its bodywork on the Bristol RELL bus chassis in early 1967 to produce this very pleasing result that has stood the test of time. After less than two years, the design was amended to incorporate a taller windscreen and again in 1970, when the curved BET-style windscreen was adopted. I still think the 1967 was all round the best.
Built in 1839, 1851, and 1864, this Greek Revival-style building was designed by Henry Singleton, and was later renovated by Robert S. Mitchell and William Rumbold, adding several of the building’s wings and present features. The oldest section of the courthouse is the foundation of the east wing, which extends towards the Mississippi River, and is the only remaining portion of the 1816-1828 Federal-style courthouse that stood on the same site, which was designed by the firm Laveille and Morton, and was incorporated into the larger present courthouse structure in 1839, before being removed and replaced with the present east wing during the 1851 renovation. The 1839 portion of the building, designed by Henry Singleton, consists of the north, south, and west wings, which once surrounded a rotunda with a low dome, much like the original design of the United States Capitol. In 1851, under the direction of architect Robert S. Mitchell, the east wing was removed and replaced with the present structure, with the new east wing better matching the 1839 wings. In 1861-1864, under the direction of architect William Rumbold, a cast iron dome, based on St. Peter’s Basilica in Rome, and similar to the dome on the United States Capitol, was added to the center of the building, at which time the building took on its present form. Upon the addition of the dome, the courthouse was the tallest building in St. Louis and Missouri until 1896, when St. Louis Union Station was constructed. In addition to its architectural history, in the 1850s, the courthouse was where the Dred Scott Case was heard, prior to the case being brought before the US Supreme Court, and slave auctions were regularly held inside the Probate Courts chambers in the building’s east wing, where slaves owned by deceased slaveholders without a hard will, and slaveowners who had declared bankruptcy, were sold. This practice ended in 1861. The building continued to serve as the St. Louis County Courthouse until St. Louis City split from St. Louis County in 1877, and subsequently served as the St. Louis City Courthouse until 1930, when the present City Courts building was completed seven blocks to the west.
The building features a stone exterior with doric pilasters, two-story porticoes on the north, east, and west wings with fluted doric columns and pediments, gabled roofs with pediments, architraves with triglyphs and recessed panels, six-over-six double-hung windows, a central dome on an octagonal base with engaged doric columns and arched windows on the lower portion of the drum, a cornice below oxeye windows and a copper-clad dome above, a lantern with a decorative balustrade at the base, arched bays, and doric columns, with a domed roof and flagpole at the top. Inside, the building features many well-preserved historic spaces that operate as a museum, including a rotunda with murals by artist Karl Ferdinand Wimar, fluted corinthian pilasters with gilded capitals, doric, ionic, and corinthian columns, historic chandeliers, arced staircases, coffered ceilings, marble floors, wooden furniture, wooden paneled doors, and wooden paneling.
The building is part of the Jefferson National Expansion Memorial, listed on the National Register of Historic Places in 1966. Since the mid-20th Century, the building has functioned as a museum, interpreting the history of the building and the surrounding city, which became part of the Jefferson National Expansion Memorial in 1940, and Gateway Arch National Park, upon re-designation of the national memorial in 2018. As of 2023, the courthouse is undergoing an extensive renovation, which will make the building accessible to those with physical disabilities and limitations, replace building systems, modernize National Park Service office spaces in the building, update galleries and exhibits, and restore the historic features of the building.