View allAll Photos Tagged StudioPortrait
A studio portrait from about two years ago. If I recall correctly, this was Katarina's first time modelling.
She was an absolute delight to work with, and probably the most natural model I've ever come across. Stunningly beautiful and with that fabulous hair. There's no doubt in my mind that she could model professionally if she was so inclined. I shot about three rolls of film at this session, and told her at the end that if I had failed to get any good results, I'd hang up my camera. Well, I'm still taking photos! :-)
Nirvana photographed in Alphabet City in New York City's east village while in town for their gig at the Pyramid Club. April 25, 1990. L-r: Chad Channing, Kurt Cobain & Krist Novoselic..
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I am trying to get into studio portraits for another photo project I want to do. I bought a set of barn doors and a reflector for my Hensel light. I was so excited and wanted to try out my new toys, but my cat refused to cooperate and pose! So I knocked on my neighbour's door and she came over and nicely sat for me. I'm trying to get moodiness and drama into these portraits, and although there are things I want to change the next time I use the barn doors, I'm happy with the mood.
This photo is part of the Australian National Maritime Museum’s William Hall collection. If reproduced or distributed, this image should be clearly attributed to the collection of the Australian National Maritime Museum; and not be used for any commercial or for-profit purposes without the permission of the museum. For more information see our Flickr Commons Rights Statement.
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Object number 00012766
IF YOU GET THERE BEFORE I DO
Air out the linens, unlatch the shutters on the eastern side,
and maybe find that deck of Bicycle cards
lost near the sofa. Or maybe walk around
and look out the back windows first.
I hear the view's magnificent: old silent pines
leading down to the lakeside, layer upon layer
of magnificent light. Should you be hungry,
I'm sorry but there's no Chinese takeout,
only a General Store. You passed it coming in,
but you probably didn't notice its one weary gas pump
along with all those Esso cans from decades ago.
If you're somewhat confused, think Vermont,
that state where people are folded into the mountains
like berries in batter . . . What I'd like when I get there
is a few hundred years to sit around and concentrate
on one thing at a time. I'd start with radiators
and work my way up to Meister Eckhart,
or why do so few people turn their lives around, so many
take small steps into what they never do,
the first weeks, the first lessons,
until they choose something other,
beginning and beginning their lives,
so never knowing what it's like to risk
last minute failure . . . I'd save blue for last. Klein blue,
or the blue of Crater Lake on an early June morning.
That would take decades . . . Don't forget
to sway the fence gate back and forth a few times
just for its creaky sound. When you swing in the tire swing
make sure your socks are off. You've forgotten, I expect,
the feeling of feet brushing the tops of sunflowers:
In Vermont, I once met a ski bum on a summer break
who had followed the snows for seven years and planned
on at least seven more. We're here for the enjoyment of it, he said,
to salaam into joy . . . I expect you'll find
Bibles scattered everywhere, or Talmuds, or Qur'ans,
as well as little snippets of gospel music, chants,
old Advent calendars with their paper doors still open.
You might pay them some heed. Don't be alarmed
when what's familiar starts fading, as gradually
you lose your bearings,
your body seems to turn opaque and then transparent,
until finally it's invisible - what old age rehearses us for
and vacations in the limbo of the Middle West.
Take it easy, take it slow. When you think I'm on my way,
the long middle passage done,
fill the pantry with cereal, curry, and blue and white boxes of macaroni, place the
checkerboard set, or chess if you insist,
out on the flat-topped stump beneath the porch's shadow,
pour some lemonade into the tallest glass you can find in the cupboard,
then drum your fingers, practice lifting your eyebrows,
until you tell them all - the skeptics, the bigots, blind neighbors,
those damn-with-faint-praise critics on their hobbyhorses -
that I'm allowed,
and if there's a place for me that love has kept protected,
I'll be coming, I'll be coming too.
- Dick Allen
The Day Before
July 6, 2005; Portrait of Actors DYLAN and COLE SPROUSE in Los Angeles.
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Mandatory Photo Credit: © Rena Durham/Retna Ltd.
from the last portrait session of dear friend's family. Little retouch practice here.
Strobe Info: CG400 at 1/4 and 1/5 Right and left of the model. 2 slave kickers from behind. Slave strobe to the backdrop. Triggered with 580EX II on camera vie light cell.
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com -
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All pictures: © Elke Vogelsang
20190910_Tigger_KittenLookingUp
Creator: Michael Miley Studio, Lexington, VA
Date: unknown
Identifier: Michael Miley Collection M03523
Format: Glass plate negative
Rights Info: No known restrictions on publication.
Repository: Library of Virginia, Visual Studies, 800 E. Broad St., Richmond, VA, 23219, USA
Creator: Michael Miley Studio, Lexington, VA
Date: unknown
Identifier: Michael Miley Collection M03506
Format: Glass plate negative
Rights Info: No known restrictions on publication.
Repository: Library of Virginia, Visual Studies, 800 E. Broad St., Richmond, VA, 23219, USA
First shoot for JD, and he stepped into it like a pro. We started with natural light to keep things relaxed, then shifted into a more sculpted look using the Godox AD600 and a Phottix modifier. Shot mostly on the Nikon Z8 with the 85mm f/1.2, tethered to Capture One on the iPad. Mixed in a few frames on the Fuji GFX for added depth and tone. Simple setup, strong energy — the kind of session that reminds me why I love doing this.
Creator: Michael Miley Studio, Lexington, VA
Date: unknown
Identifier: Michael Miley Collection M03520
Format: Glass plate negative
Rights Info: No known restrictions on publication.
Repository: Library of Virginia, Visual Studies, 800 E. Broad St., Richmond, VA, 23219, USA
Portraits of actor Milo Ventimiglia photographed in Los Angeles, CA. July 2006. His next role is playing Rocky Balboa Jr. in the latest Rocky film which is slated for a December 2006 release. *** HIGHER RATES APPLY: CALL TO NEGOTIATE *** NO TAB / SKIN MAGS *** © Shane McCauley/Retna Ltd
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Copyright Robert W. Dickinson. Unauthorized use of this image without my express permission is a violation of copyright law.
A shot from my low-key and baseball photoshoot with lovely Lane Schwartz on 2/19/23 at Lunatic Lens Studio. Hair and makeup by the very talented Aubrey Foster.
A single AB1600 light fired into a gridded 1'x6' Westcott softbox, camera left. Triggered with a Pocket Wizard.
Canon 5DS with Canon 85mm f1.4L IS USM lens. ISO 200, f5.0 at 1/200 second.