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Linemen prepare to pull an underground transmission cable through conduit at a transition structure.
[Only two images make up this set] This is a creative commons image, which you may freely use by linking to this page. Please respect the photographer and his work.
Any house style which is practical and economical will survive far beyond its historical period. The Cape Cod style house originated in New England where settlers utilized the existing building materials and built to accommodate the harsh conditions of winter. It is simple yet pleasing style and even found expression in the Southside Virginia town of Clarksville (Mecklenburg County). Built about 1947, this home shows modifications of the Cape Cod traditions in having an exterior rather than interior chimney and in the addition of a porch. It’s a wood frame 1 1/2-story structure with end gables and a shingled steep-pitched roof. The ell at the back may have been part of the original or an addition; the roof is much lower-pitched. There is no dormer in the front and the entire house achieves a unity without serious ornamentation. The entry porch is brick and has a shed roof with the support of four fluted wooden Tuscan-style columns. The entrance itself is very plain with the traditional two double-hung 2/2 shuttered windows on each side. As part of the Clarksville Historic District, this home is on the National Register of Historic Places, listed June 6, 2002 with reference ID# 02000625. The NRHP nomination form is located at the Virginia Department of Historic resources website— www.dhr.virginia.gov/registers/Counties/Mecklenburg/192-0...
Additional information on the Cape Cod style of domestic architecture see
en.wikipedia.org/wiki/Cape_Cod_(house)
www.capelinks.com/cape-cod/main/entry/how-can-you-recogni...
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
www.facebook.com/neospicaLive (images and share links)
www.youtube.com/user/NeoSpicaTutorial "NeoSpica Paper Structures" (videos about paper structures. I also include videos with elaboration process.)
www.flickr.com/photos/neoliveart/ (images)
www.youtube.com/user/CadDesignLive (virtual 3D shapes)
Thanks for your time.
VAN NUYS - At 2:44PM on October 12, 2022 the Los Angeles City Fire Department responded to a structure fire at 7056 Van Nuys Boulevard. The first fire company arrived to find a one story, vacant commercial building (7,600 square feet built in 1957) well involved in fire.
After initially deploying an offensive fire attack, the incident commander quickly transitioned to a defensive operation due to the extent of fire involvement. As crews established hand lines, a collapse zone of 30’ was implemented at the front of the building due to concern about the stability of the façade. Approximately 20 minutes into the incident, an ‘Emergency Traffic’ radio alert was issued informing all on the fire ground of the full collapse of the façade. All firefighters were safely outside the collapse zone and continued their operation without delay.
The building to the north abutted the fire building while there was a small separation with the building to the south. Despite the close proximity of the two exposures and the heavy fire present, firefighters battled and succeeded in defending the structures from fire damage – saving over thirty businesses.
It was a long, extended operation due to the amount of fire and challenges in safely access all areas of the building. The RS3, Robotic Fire Fighting Vehicle was deployed to apply high volumes of water (master streams) more deeply into the building than was safely possible by firefighters. The combination of hand lines, ladder-pipes, RS3 and the team of over 85 firefighters, working under the command of Assistant Chief Corey Rose, fully extinguished the fire in over four hours.
One firefighter was transported to the hospital in fair condition with heat exhaustion. There were no other injuries reported.
Per protocol, LAFD Arson and Counter-Terrorism Section (ACTS) responded and is actively investigating the cause of the fire.
© Photo by Leo Kaufman
LAFD Incident 101222-1068
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
One among the few least destroyed structures in Hampi, Elephant Stable is a major tourist attraction. This long building with a row of domed chambers was used to ‘park’ the royal elephants. There are 11 domed tall chambers; some of them are inter- connected. The center one is specially decorated and big. Probably the musicians and the associated band troupes had been using this during ceremonies involving elephant processions.
The whole building looks symmetric with respect to this central hall. The tower of the central hall resembles (though mostly destroyed) more like that of temples. However the five pairs of domes on either side are of Islamic in style. They are better preserved and of alternating patterns.
Metal hooks (used to tie the elephants) on the inside roof can be seen. At the rear of each hall are small manhole type openings for the mahouts to enter the elephant compartments. You reach here through the Zenana Enclosure. From here you proceed to the Guard’s Quarters and then may be to the Ranga Temple located a bit south of it all.
Venue : Elephant Stable, Hampi, Karnataka, India.
Lens : Canon EF-S 10-22mm F3.5-4.5 USM
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Do not use this image without my permission.
You can mail me on sukanta.maikap@yahoo.com for further details.
"Bridge 1"
STRUCTURES is a series of generative art pieces the explores the constructions of our world by taking photographs of man-made and natural structures and placing them into a new structure. This process semi-randomly fragments and rearranges the photographs into a grid of my design. I'll often run the images through this process several times, using various grid structures along the way.
Programs used: Lightroom, Photoshop, Processing
a bit like life: one needs solid structure, and colorful dreams
Solid Structures
Color and dreams
Life.
Light curves in beautiful colors - the rational mind is more prone to squares and triangles.
Marble façade by Francesco Buzio, 1670; basic structure, 1599
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Nikon Nikkor 18-200mm 1:3.5-5.6 G ED-IF AF-S VR DX
_DSC3482 Anx2 1200w Q90
Structure Synth terminates the recursion if the number of objects is greater than the given threshold ('set maxobjects ...') or if the recursion depth becomes greater than the maximum depth ('set maxdepth ...'). It is also possible to set a maxdepth for an individual rule ('rule R1 maxdepth 5').
I've added two new rules for controlling the termination.
'set minsize {size}' and 'set maxsize {size}' allows you to specify how large or small a given object can be before terminating. The 'size' parameter refers to the length of the diagonal of a unit cube in the current local state. (The initial coordinate frame goes from (0,0,0) to (1,1,1) and hence has a diagonal length of sqrt(3)~1.7). It is possible to specify both a mix and a min size. The termination criteria only stops the current branch - if other branches are still within a valid range, the will be continued.
This is very useful for preventing Structure Synth from creating boxes which cannot be seen anyway or from growing without bounds.
The image shows the same structure at three different minimum size tresholds.
Example script (requires a post-version 0.9 of Structure Synth!):
set minsize 0.8 // or 0.4, or 0.2
set maxdepth 600
set background #333
{ h 30 sat 0.2 h -67 b 0.8 } spiral
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue -1 rz -90 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 0 rz 90 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rz 5 s 1 1 1 } spiral
{ ry 4 h 3 s 1 1 1 } spiral
}
rule box2 {
{ s 1 5 1 } box
}
rule box2 {
{ s 5 1 1 } box
}
rule box2 {
}
Details of a parking structure built in 1978.
Architect: Aarne Ervi & co
Ricoh 500 RF
Agfaphoto APX 100
Rodinal 1+50 18:30min, 19°C
5min presoak
Agitation: 30s + 10s/min
Espoo, Finland, 2023
// Produced by Structure Synth V 0.4
// (http://structuresynth.sf.net/)
set maxdepth 600
set background #f94
{ h 30 sat 0.7 } spiral
{ ry 180 h 30 sat 0.7 } spiral
rule spiral w 100 {
box
{ y 0.4 rx 5 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 5 hue -1 rz -5 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 5 hue 0 rz 5 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rx 15 } spiral
{ ry 180 h 3 } spiral
}
Yaxchilán, Structure 33
Yaxchilan is an ancient Maya city located on the bank of the Usumacinta River in what is now the state of Chiapas, Mexico. In the Late Classic Period, Yaxchilan was one of the most powerful Maya states along the course of the Usumacinta, with Piedras Negras as its major rival. Architectural styles in subordinate sites in the Usumacinta region demonstrate clear differences that mark a clear boundary between the two kingdoms.
Yaxchilan was a large center, important throughout the Classic era, and the dominant power of the Usumacinta River area. It dominated such smaller sites as Bonampak, and had a long rivalry with Piedras Negras and at least for a time with Tikal; it was a rival of Palenque, with which Yaxchilan warred in 654.
The site is particularly known for its well-preserved sculptured stone lintels set above the doorways of the main structures. These lintels, together with the stelae erected before the major buildings, contain hieroglyphic texts describing the dynastic history of the city.
Structure 33, in the Central Acropolis, has been described as a masterpiece in stone and was probably dedicated in 756 by Bird Jaguar IV. The structure overlooks the plaza and the river and would have been prominent to river traffic in the 8th century. It has plain lower walls with three doorways, each of the which supports a well preserved lintel (Yaxchilan Lintels 1 to 3). In the centre of the back wall of the structure, opposite the central doorway, is a niche containing the headless sculpture of a human figure, probably Bird Jaguar IV himself. The roof of the structure is largely intact, including a sloped roof supporting a frieze and a well preserved roof comb. There are niches in both the roof comb and the frieze, the niche in the roof comb contains the remains of a sculpted figure. Tennons on both roof sections once supported stucco decoration. Leading up to the front of Structure 33 from the plaza is a stairway, the top step of which is sculpted, this step is known as Hieroglyphic Stairway 2.
(source: en.wikipedia.org/wiki/Yaxchilan)
Goddard technicians working with the ISIM Test Structure or ITS. ISIM will sit atop this during space environmental testing.
Credit: NASA, Chris Gunn
Arcelormittal Orbit
The ArcelorMittal Orbit is a 115-metre-high (377 ft) sculpture and observation tower in the Olympic Park in Stratford, London. It is Britain's largest piece of public art,[3] and is intended to be a permanent lasting legacy of London's hosting of the 2012 Summer Olympics, assisting in the post-Olympics regeneration of the Stratford area. Sited between the Olympic Stadium and the Aquatics Centre, it allows visitors to view the whole Olympic Park from two observation platforms.
Orbit was designed by Anish Kapoor and Cecil Balmond of engineering Group Arup. Announced on 31 March 2010, it was expected to be completed by December 2011, though like many projects on the Olympic Park that date was pushed back. The project came about after Mayor of London Boris Johnson and Olympics Minister Tessa Jowell decided in 2008 that the Olympic Park needed "something extra". Designers were asked for ideas for an "Olympic tower" at least 100 metres (330 ft) high, and Orbit was the unanimous choice from proposals considered by a nine-person advisory panel.
The project was expected to cost £19.1 million, with £16 million coming from Britain's richest man, the steel tycoon Lakshmi Mittal, Chairman of the ArcelorMittal steel company, and the balance of £3.1 million coming from the London Development Agency. The name "ArcelorMittal Orbit" combines the name of Mittal's company, as chief sponsor, with "Orbit", the original working title for Kapoor and Balmond's design.
Kapoor and Balmond believe that Orbit represents a radical advance in the architectural field of combining sculpture and structural engineering, and that it combines both stability and instability in a work that visitors can engage with and experience via an incorporated spiral walkway. It has been both praised and criticised for its bold design. It has also been criticised as a vanity project, of questionable lasting use or merit as a public art project.
en.wikipedia.org/wiki/ArcelorMittal_Orbit
Фото начала реконструкции ЦУМа, Киев 2013.
Photo of beginning of Central Universal Shop in Kiev. 2013.
Original Caption: Miner Homes in a Company Town near Cabin Creek and Charleston, West Virginia. The One Story Structures Have Four Rooms Compared to Those Housing the Mine Superintendents Which Were Two Story with Four Rooms on Each Floor. The Superintendent Homes Were Apart From the Miners, Usually on the Hill Above. It Was a Symbol of the Caste System Which Prevailed in Earlier Mining Days 06/1974
U.S. National Archives’ Local Identifier: 412-DA-14130
Photographer: Corn, Jack, 1929-
Subjects:
Cabin Creek (Kanawha county, West Virginia, United States) inhabited place
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: catalog.archives.gov/id/556582
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted