View allAll Photos Tagged Structures
The picture is from our trip to Morocco in 2019, and it fits well at a time when I'm working on colourful architectural structures. I only recently "discovered" it and processed it.
Back to when I got to Worthing pier when low tide coincided with the sunset.
Here I made my way out to nearly the end of the pier to capture the only bit of cloud that we had seen that day but the colours of the sky were lovely.
The pier added my foreground interest and the light on the foreground rocks was amazing too.
I have been out shooting some images in the mist this morning including shooting my fave tree near Upper Beeding which will be a monthly project.
Spring is here at last in Ontario! And everybody is milling about outside!
On a recent family excursion to Lynde Creek Conservation Area, I took my Canon to an old abandoned silo and ventured inside. Pretty cool when you take a look at the world from a different perspective; Since this tubular structure once held grain, it's neat to see the view of the top seed ;)
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Nikon F3
Zoom-NIKKOR 35~70mm f/3.5 AI-s
Nikon L1bc filter
Kodak professional Tmax 400@ISO500
1/250 sec@f/11
Developed in Diafine 3+3 min
"As Summer into Autumn slips
And yet we sooner say
"The Summer" than "the Autumn," lest
We turn the sun away....."
part of a poem by: Emily Dickinson
I used "Clean" by: Topaz Labs
Please view: Large On Black and see the painted structure.
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your faves and most of all your friendship!
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Addy and ♱Alfie
This is a real photo with an exposure time of 0.8 seconds.
This is one exposition.
I was inspired by the works of Harold Ross, especially "Burnt Offerings I". When I found a structure that matched my idea of the images I wanted to make, I thought it was worth showing such an object as a levitating one. For a long time I was looking for a way to take this photo at home.
The most difficult in this photo was to show the object and space so that a shadow with a hole could be seen confirming the free hovering of the object.
The object has dimensions of 64x64x50 mm.
This is a version made in the dark with additional lighting with several colored mini flashlights and a laser.
I also exhibited a version in full light (lighting comes from lamps on the ceiling of the room) - both photos were taken simply on a winter evening.