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Browsing through some photos from about two years ago I came upon a few I quite liked.
"Bridge 2"
STRUCTURES is a series of generative art pieces the explores the constructions of our world by taking photographs of man-made and natural structures and placing them into a new structure. This process semi-randomly fragments and rearranges the photographs into a grid of my design. I'll often run the images through this process several times, using various grid structures along the way.
Programs used: Lightroom, Photoshop, Processing
10Sep2010
Pond behind our house with box structure for introducing young fish.
camera info: 7D | 17-55mm(ƒ/2.8) | ƒ/4.0 | ISO 100 | 1/1500s
A collaborative project combining photographs and an original music score.
Photography Derek Eyre
Music Paul Barker
Stokesay Castle is a fabulous 13th century stone manor house with a stunning yellow and black half-timbered 17th century gatehouse. It was built by a very wealthy wool merchant, Laurence of Ludlow, between 1285 and 1291 after Edward I’s conquest of Wales in 1284. Laurence was wealthy enough to lend money to Edward I, as well as many of the great lords of the Welsh borderlands. He drowned when his ship transporting wool to Flanders sank in a storm in 1294 but his descendants remained lords of the manor at Stokesay until 1498.
The Great Hall is the earliest part of the castle, with its oak roof and staircase dating to its original construction in the 1280s, making it one of the oldest such structures surviving in Britain. The fabulous gatehouse was added in 1640-41 just before the Civil War when it was in the ownership of William Craven, a Royalist. The castle surrendered peacefully in 1645 and was left largely intact except for the curtain wall which was demolished.
William Craven recovered all his estates after Charles II’s restoration in 1660 but he did not return to Stokesay. It was occupied by tenant farmers, the Baldwyn family, who remodelled the Solar (living room) in the 1660s with wood panelling and the elaborately carved wooden fireplace overmantle which was originally brightly painted. The Baldwyns left in the early 18th century and subsequent tenants let the buildings deteriorate, the Solar, for example, being used as a granary. In 1869 John Derby Allcroft, a successful London glove manufacturer, bought the estate, and began an extensive and unusually sympathetic programme of repairs which restored the main structure of the castle to its original state.
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A view of the Union Switch & Signal Model S-8 electro-mechanical interlocking machine, showing both the mechanical levers (large levers extending to the floor) and electrical levers mounted above the frame.
The 1 mm spider seems to have made a bridge and be trying to hide in a tent under it. One wonders at the engineering skills of one so small.
Very simple, yet quite cute.
Produced by Structure Synth V 0.4
(http://structuresynth.sf.net/)
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SHADOW HILLS - The Los Angeles City Fire Department responded to a Major Emergency Structure Fire early Wednesday morning, where a large blaze involved a commercial building and several vehicles.
One-hundred eleven LAFD Firefighters responded to the 10900 block of West Randall Street beginning at 2:31 AM on Wednesday, November 30, 2022, where a large commercial building showed flames shooting through the roof. The fire consumed multiple nearby vehicles, vegetation and debris, and threatened several buildings. Firefighters established heavy streams from the exterior of the building (defensive operations), including aerial ladder pipes. Firefighters flowed copious amounts of water to quench the intense heat fueled by a heavy load of combustibles inside the structure, labeled as a party rental warehouse.
The building sustained heavy damage under hours of intense heat exposure, making it dangerous for firefighters to make entry, which eventually led the roof to collapse. LAFD's robotic firefighting unit, Thermite RS3, was dispatched to make entry by remote control to allow more penetrative hose stream access without unnecessarily putting firefighters at risk. After many hours of consistent suppression efforts under the command of Assistant Chief Guy Tomlinson, firefighters have controlled the flames (although an official "Knockdown" was not called due to smoldering hot spots beneath the rubble, which firefighters will continue to pursue). The long and persistent efforts of the firefighters on scene spared all neighboring businesses from becoming involved, protecting them from damage.
There were no reported injuries. The cause of the fire remains under investigation.
© Photo by Mike Meadows
LAFD Incident 102222-1156
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Becán, Structure IX from the top of Structure VIII
Becan is an archaeological site of the Maya civilization in pre-Columbian Mesoamerica. Becan is located near the center of the Yucatán Peninsula, in the present-day Mexican state of Campeche. The name Becan was bestowed on the site by archaeologists who rediscovered the site, meaning "ravine or canyon formed by water" in Yukatek Maya, after the site's most prominent and unusual feature, its surrounding ditch.
Archaeological evidence shows that Becan was occupied in the middle Pre-Classic period, about 550 BCE, and grew to a major population and ceremonial center a few hundred years later in the late Preclassic. The population and scale of construction declined in the early classic (c 250 CE), although it was still a significant site, and trade goods from Teotihuacan have been found. A ditch and ramparts were constructed around the site at this time. There is a ditch that runs the circumference of the city which covers approximately 25 hectares. Around 500 the population again increased dramatically and many large new buildings were constructed, mostly in the Rio Bec style of Maya architecture. Construction of major buildings and elite monuments stopped about 830, although ceramic evidence shows that the site continued to be occupied for some time thereafter, although the population went into decline and Becan was probably abandoned by about 1200.
(source: en.wikipedia.org/wiki/Becan)
Over 200 firefighters battled massive fire at a recycling plant in Harbor Gateway. LAFD responded to reported structure fire at 10:12AM on 12/12/15. Over 200 firefighters from LAFD, LACoFD and Torrance Fire worked together for almost four hours before knockdown. The density of the materials caused continued flare ups and required resources to continue the fight throughout the night. © Photo by Chris Conkle
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sculpture of tipi at Valley Springs rest area on I-90
David's thoughts about this picture selected in his top 25 of 2010:
This picture is unique point-of-view, facing vertical up from the ground. This is sculpture of tipi skeleton located in Valley Springs rest area in South Dakota.
The Buddhist vihara at Sanchi, famous for its Great Stupa is located at Sanchi Town in Raisen District of the state of Madhya Pradesh, India, it is located 46 km north-east of Bhopal.
The 'Great Stupa' at Sanchi is the oldest stone structure in India and was originally commissioned by the emperor Ashoka the Great in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics of the Buddha. It was crowned by the chatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The construction work of this stupa was overseen by Ashoka's wife, Devi herself, who was the daughter of a merchant of Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. In the 1st century BCE, four elaborately carved toranas (ornamental gateways) and a balustrade encircling the entire structure were added.
HISTORY
MAURYA PERIOD
The 'Great Stupa' at Sanchi is the oldest structure and was originally commissioned by the emperor Ashoka the Great in the 3rd century BCE. Its nucleus was a hemispherical brick structure built over the relics of the Buddha. It was crowned by the chatra, a parasol-like structure symbolising high rank. A pillar of finely polished sandstone was also erected. The old stupa was later covered when it was expanded. The bottom part of the pillar still stands. The upper parts of the pillar are placed under a canopy nearby. The pillar has an Ashokan inscription (Schism Edict) and an inscription in the ornamental Sankha Lipi from the Gupta period.
SUNGA PERIOD
The original brick stupa was later covered with stone during the Sunga period. On the basis of Ashokavadana, it is presumed that the stupa may have been vandalized at one point sometime in the 2nd century BCE, an event some have related to the rise of the Sunga emperor Pushyamitra Sunga who overtook the Mauryan Empire as an army general. It has been suggested that Pushyamitra may have destroyed the original stupa, and his son Agnimitra rebuilt it. During the later rule of the Sunga, the stupa was expanded with stone slabs to almost twice its original size. The dome was flattened near the top and crowned by three superimposed parasols within a square railing. With its many tiers it was a symbol of the dharma, the Wheel of the Law. The dome was set on a high circular drum meant for circumambulation, which could be accessed via a double staircase. A second stone pathway at ground level was enclosed by a stone balustrade with four monumental gateways (toranas) facing the cardinal directions. The buildings which seem to have been commissioned during the rule of the Sungas are the Second and Third stupas (but not the highly decorated gateways, which are from the following Satavahana period, as known from inscriptions), and the ground balustrade and stone casing of the Great Stupa.
SATAVAHANA PERIOD
The gateways and the balustrade were built and colored, then appeared to have been commissioned by the Satavahana. An inscription records the gift of one of the top architraves of the Southern Gateway by the artisans of the Satavahana king Satakarni:
"Gift of Ananda, the son of Vasithi, the foreman of the artisans of rajan Siri Satakarni".
DC Sircar observes that palaeographically the Hathigumpha record is slightly later than Naneghat record whereas the letters of Sanchi inscription of Satakarni resemble the script of Hathigumpha inscription. Kharavela in his inscription mentions one Satakarni, who is identified as Satakarni II, who is also identical to the one who inscribed in Sanchi. If this is true, then the dating of Sanchi gateway and balustrade belong to the much earlier period of 180-160 BC.
Although made of stone, they were carved and constructed in the manner of wood and the gateways were covered with narrative sculptures. They showed scenes from the life of the Buddha integrated with everyday events that would be familiar to the onlookers and so make it easier for them to understand the Buddhist creed as relevant to their lives. At Sanchi and most other stupas the local population donated money for the embellishment of the stupa to attain spiritual merit. There was no direct royal patronage. Devotees, both men and women, who donated money towards a sculpture would often choose their favourite scene from the life of the Buddha and then have their names inscribed on it. This accounts for the random repetition of particular episodes on the stupa (Dehejia 1992). On these stone carvings the Buddha was never depicted as a human figure. Instead the artists chose to represent him by certain attributes, such as the horse on which he left his father’s home, his footprints, or a canopy under the bodhi tree at the point of his enlightenment. The human body was thought to be too confining for the Buddha.
Some of the friezes of Sanchi also show devotees in Greek attire (Greek clothing, attitudes, and musical instruments) celebrating the stupa.
LATER PERIODS
Further stupas and other religious Buddhist structures were added over the following centuries until the 12th century AD. Temple 17 is probably one of the earliest Buddhist temples as it dates to the early Gupta period. It consists of a flat roofed square sanctum with a portico and four pillars. The interior and three sides of the exterior are plain and undecorated but the front and the pillars are elegantly carved, giving the temple an almost ‘classical’ appearance (Mitra 1971).
Temple 45 was the last Buddhist temple built during the mid - late 9th century. Also at this time the monuments were enclosed within a wall. With the decline of Buddhism in India, the monuments of Sanchi went out of use and fell into a state of disrepair. In 1818, General Taylor of the Bengal Cavalry recorded a visit to Sanchi. At that time the monuments appear to have been left undisturbed for a long time and in generally good preservation.
WESTERN REDISCOVERY
A British officer in 1818, General Taylor, was the first known Western historian to document (in English) the existence of Sanchi (Sāñcī). Amateur archaeologists and treasure hunters ravaged the site until 1881, when proper restoration work was initiated. Between 1912 and 1919 the structures were restored to their present condition under the supervision of Sir John Marshall.Today, around fifty monuments remain on the hill of Sanchi, including three stupas and several temples. The monuments have been listed among the UNESCO World Heritage Sites since 1989.
CHETIYAGIRI VIHARA AND THE SACRED RELICTS
The bone relics (dhatu) of Buddhist Masters along with the reliquaries, obtained by Maisey and Cunningham were divided by them and taken to England as personal trophies.Maisey's family sold the objects to Victoria and Albert Museum where they stayed for a long time. The Buddhists in England, Sri Lanka and India, lead by the Mahabodhi Society demanded that they be returned. Some of the relics of Sariputta and Moggallana were sent back to Sri Lanka, where they were publicly displayed in 1947. Almost entire population of Sri Lanka visited them. They were later returned to India. A new temple Chetiyagiri Vihara was constructed to house the relics, in 1952. In a nationalistic sense, this marked the formal reestablishment of the Buddhist tradition in India. Some of the relics were obtained by Burma.
INSCRIPTIONS
Sanchi, especially Stupa 1, has a large number of Brahmi inscriptions. Although most of them are small and mention donations, they are of great historical significance. James Prinsep in 1837, noted that most of them ended with the same two Brahmi characters. Princep took them as "danam" (donation), which permitted the decipherment of the Brahmi script,. An analysis of the donation records shows that while a large fraction of the donors were local (with no town specified), a number of them were from Ujjain, Vidisha, Kurara, Nadinagar, Mahisati, Kurghara, Bhogavadhan and Kamdagigam.The inscriptions include those from Maurya, Shunga/Satavahana (175 BC-15 AD), Kushana (100-150 AD), Gupta (600-800 AD, see Sanchi inscription of Candragupta II). The Ye Dharma Hetu inscription in Temple 45 may be dated to 9th century.
WIKIPEDIA
Study for a Print
Collage
By Jose Gomez
James W. Palmer Gallery
"Structure and Texture"
Thursday September 29 - Sunday October 16, 2011
Artist Reception Thursday October 6, 5-7PM
An exhibit by the artists in the LongReach Arts cooperative
Mildred Cohen, Staats Fasoldt, Stacie Flint, Susan Fowler-Gallagher, Jose Gomez, Claudia Gorman, Rob Greene, Trina Greene, Robert Hastings, Carol Loizides, Basha Maryanska, Sherrill Meyers-Nilson, Ellen Metzger O’Shea, Carol Pepper-Cooper, Elisa Pritzker, Nancy Scott, Elayne Seaman, Michelle Squires, Marlene Wiedenbaum
About 16:45, a structure fire was reported at 3629 Palmdale Blvd cross of Landon Avenue, LAC131's, with smoke showing 5 miles out. LAC Engine 131 arrived on scene to find a single story, single family dwelling well involved, with a majority of the fire to the rear of the structure. In addition to Engine 131, Engines 93, 37, 92, Quint 24, Squad 131, Patrol 92 and Battalion 17 got knockdown about 12 mintues later. No injuries and cause is unknown.
First conceptional approach with the topic structure close-ups.
Shot with Nikon D5100.
ISO 400
38 mm
f/4.5
1/80 sec
Editing in PS Lightroom 5.
Nothing says 'Merry Christmas' like a spot of tresspassing
I hope you had a nice day and are suitably stuffed with food & drink
Chatsworth - At 10:28 pm on November 26, 2016, the LAFD responded to a Structure Fire at 9410 De Soto Ave. Firefighters arrived on-scene to find a 1-story commercial building 40' x 500' with fire in one unit which quickly spread to a 2nd unit. Approx 50 firefighters were able to extinguish the flames in 30 minutes. No one was injured. Dispatched Units: BC10 BC14 BC15 BC17 CM42 E104 E106 E107 E273 E287 E288 E289 E496 E70 E72 E88 E89 EM15 RA104 RA889 RA89 RA896 T73 T87 T88 T89 UR88 UR89.
© Photo by Rick McClure
LAFD Inc# 112616-1304
Cửa gỗ thường được các chuyên gia Thiết kế nội thất ưa dùng, bởi vẻ đẹp, sự sang trọng, khả năng mang lại sự đồng nhất trong các dự án trang trí nội ngoại thất. Tuy nhiên, độ nặng của gỗ làm tăng tải trọng công trình và làm giảm tính linh hoạt cho hệ cửa. Ngoài ra gỗ cũng dễ bị biến dạng, cong vênh hay bạc màu sơn dưới tác dụng trực tiếp của mưa nắng.
Hiểu rõ điều này, dòng sản phẩm Cửa gỗ TD DOOR của Trần Đức Homes đã có những sáng tạo và cải tiến vượt trội: Linh hoạt hơn, bền chắc hơn nhưng vẫn giàu chất thẩm mỹ, mang tới các trải nghiệm thú vị cho người tiêu dùng khi sử dụng cửa gỗ. Những bộ cửa từ 8 đến 16 cánh với kích thước mỗi cánh lên tới 2m rộng và 3m cao hoặc tải trọng cánh từ 270-650kg giờ đây được mở và trượt một cách rất nhẹ nhàng. Đặc biệt với công nghệ sơn phủ cao cấp, màu sắc của cửa sẽ luôn được giữ mới trong một thời gian rất dài.
Bên cạnh đó là dòng sản phẩm cửa lá sách linh hoạt, giúp cho người sử dụng có thể tạo nên sự linh hoạt trong việc điều tiết sự thông thoáng và sự kín đáo cho ngôi nhà. Sản phẩm cửa này không chỉ được sử dụng như là một lớp cửa thứ hai mà còn thay thế cho rèm cửa, tạo nên sự đồng bộ trong thiết kế nội thất gỗ.
Ngoài ra, kết hợp đồng bộ cùng với những bộ cửa nói trên là dòng sản phẩm cửa lưới chống côn trung. Những âu lo về muỗi, côn trùng lạ hay gây bệnh xâm nhập vào phòng, đặc biệt khi không gian cửa đang được mở rộng tới tối đa sẽ không còn là vấn đề lớn, thông qua giải pháp Cửa Lưới Chống Côn Trùng. Với khẩu độ lên tới 2.4m cao và 9m rộng, hệ cửa lưới xếp linh hoạt này là một sự lựa chọn hoàn hảo.
Tran Duc Homes introduces to the Vietnam market a brand new product, louver designed shutters that can be used with wooden, aluminum or plastic borders. Our products not only can be used as a second door or window, but also replaces the need for blinds, and makes it easy to have a matching solution for your home. This solution will give clients and architects more options to make different styles to their projects.
Lighting the dome was difficult and nearly blinded me. Wireing everything and mounting the basket with the 5 port expansion board from Brickstuff required me to buy some new tweezers to get everthing inside. Inserted into a transparent 2x2 round brick are two pico lights that are connected to a 3 way expansion board inside the little trans neon green mail box part. Getting those in to position was a nightmare, if the two touched or if the wire was clamped too tightly between the bricks, they shorted out the whole front end of the ship. Not sure how that works as it is seprate from the other lights but it was annoying. Ultimatly I had to modify the center plates to open up a one stud hole for the wires to go through. Through out this I had the pico lights on to better see them in the dim light, which led to me seeing a neon green spot with my eyes shut for around 15 minutes after I was done.
Structures rise in the distance,
Only to be torn down in time.
While we sit warm inside,
The sun still shines.
NORTHRIDGE - 40 firefighters found the garage (attached) of a single-family home fully involved and extinguished the fire in 13 minutes. Initial reports of a person trapped in the fire room proved to be false after a thorough search. The fire was stopped quickly before extending into the home. No reported injuries.
© Photo by Jacob Salzman
LAFD Incident: 060419-1230
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Sand, silt, clay and organic matter bind together to provide stucture to the soil. The individual units of structure are called peds.