View allAll Photos Tagged Structure
This picture was taken near Eastham (Cape Cod),where I wanted to spot the sun set. As often, I was more attracted by the structures of sand and water.
Structures on the Wadden Sea surrounded by the upcoming tide where the water freezes slowly. Cold and quiet on this beautiful morning, with only the sound of a few birds. Typical light during winter.
Kyoto station (京都駅)
Architect : Hiroshi Hara (設計：原広司)
Contractor : Obayashi Corporation (施工：大林組、鉄建、大鉄他JV).
Completed : 1997 (竣工：1997年).
Structured : Reinforced concrete (構造：鉄骨造、鉄骨鉄筋コンクリート造).
Height : 196ft (高さ：60m).
Floor : 16th (階数：16階).
Floor area : 238,000m2 (延床面積：238,000平米).
Location : 901 Higashi-Shiokojicho, Karasumadori, Kyoto City, Kyoto, Japan (所在地：京都府京都市下京区烏丸通塩小路下る東塩小路町901).
Escalator and structures...
In capturing this architectural structure, I aimed to transform a functional element into abstract composition. I chose an angle maximizing leading lines and dramatic contrast. The black and white treatment amplifies the scene's pure geometry, while perspective creates visual tension guiding the eye. My intention was to reveal hidden beauty in everyday architecture, reducing it to its purest essence: lines, shapes, and shadows.
Los palomares son construcciones civiles que salpican los alrededores de Piquera de San Esteban como sucede con el resto de las poblaciones de la comarca.
A different angle of The Wave structure in Arizona. What a place to see! But don't forget to get a permit to go there.
Shot in Nantes, France.
Ondu 4x5 pinhole Camera
5 sec exposure, deep red filter
Kodak Tmax 100
developed in D76. 20°c, 10'45min
Lynds’ Dark Nebula 673 (or LDN 673) is a very dense and highly fractured dark cloud complex in the Aquila Rift. It is located some 400 – 500 light-years from Earth. The Aquila Rift forms a huge mass of dark molecular clouds and consists of numerous small and large nebulae. Situated against the Milky Way’s faint starlight, LDN 673 contains raw material to form a huge number of new stars.
Image captured over 2 nights; 2021-10-09 & 2021-10-12.
2 hours and 48 min total integration
L subs 8 * 360sec = 48 min
R subs 6 * 360sec = 36 min
G subs 7 * 360sec = 42 min
B subs 7 * 360sec = 42 min
Imaging Equipment:
SharpStar 140PH Triplet 910mm focal length
Mesu 200 MKII,
ZWOASI2600MM Pro camera
Pushing the Envelope: NASA’s Ames Research Center Wind Tunnels
San Francisco International Airport, Aviation Museum and Library Photograph Exhibition December 3, 2022–September 10, 2023
During this night at the VLT, most of the images taken were focused on the galactic bulge and the creation of celestial arches (photos already published). But this exceptional site also allows for exploring other compositions…
Thanks to the extremely low light pollution, objects close to the horizon remain perfectly visible, making it possible to create alignments between terrestrial elements and celestial objects 😃
In this image, one of the auxiliary telescopes of Cerro Paranal (number 3) appears to be pointing directly toward the Carina Nebula, which looks immense behind it. The photograph is a focus stacking of two images, allowing both the telescope and the nebula to be perfectly sharp. There is no stacking, no tracking, and no change of focal length, unlike what is often seen in deepscape photography (this type of image combining landscape and deep-sky objects).
Unlike the four large telescopes of the VLT, these more modest auxiliary instruments, equipped with a 1.8-meter mirror, can move on rails to change their position around the giant telescopes. Their role is crucial: they work together with the larger instruments to form the Very Large Telescope Interferometer (VLTI). By combining the light collected by several telescopes, they create a “virtual telescope” the size of the entire plateau, capable of revealing much finer details than each instrument on its own
The Carina Nebula, visible above the telescope and located about 7,500 light-years from Earth, is one of the largest star-forming regions in the Milky Way. Many structures there are sculpted by the intense radiation and stellar winds of very massive stars. Visible only from the Southern Hemisphere, the nebula displays different hues in the image corresponding to ionized gases, mainly hydrogen. These colors are invisible to the naked eye but revealed through astrophotography!
See you soon 😊
Canon Ra — 85 mm — 5 s — ISO 4000 — f/1.4
Estructura del viejo Gasómetro de Barcelona. El efecto se ha conseguido reflejando sobre la pantalla de un teléfono móvil en la captura.
Noctilux 50mm f0.95, Sony A9, Tech Art Pro LM-EA7. Probably the only combination to get a picture like that. You have to set f stop to 25 to shoot with this combination but the actual f stop on Nocti was of course 0.95. Rather difficult to shoot with this set up, but the dreamy, creamy pictures that come out make it all worth it.
Visit www.antineamedia.com for more information.
Please, don´t use or link this photo without my permission
Strukturelle Bindungskräfte müssen stark sein bei außergewöhnlicher Architektur.
Wenn Mensch hoch hinaus will - müssen soziale Bindungskräfte auch stark sein - sonst verliert Mensch sich in der Höhe! Zusammenhalt und Bindung ist ein guter Weg.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
in the woodland structures series. unadullterated, straight from the camera. I was super pleased with th tone of this as it was. In fact, although I expect few people to understand why, I ADORE this photo.
A musician during a break in rehearsal – he looks tired and bored.
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Ein Musiker während einer Pause bei den Proben – er sieht müde und gelangweilt aus.
Multiple levels (parallel planes; rock surface curves down to right) of slickensided fault surfaces in an outcrop of Marron Fm. andesitic volcanic rock (in south-central British Columbia), with one of my fingers for scale. Above my finger, the lighter coloured material is a mineral vein (fluid flowed along a fault plane and mineral precipitated from solution) with a patchy distribution now because it is partly eroded away.
The slickenlines present have two different groove lineation directions, diagonal down to the left and down to the right in both the purplish-brown host rock and the light brown vein material. They record two different steep (sub-vertical) directions of fault motion at this site back in the Eocene (ca. 50 million years ago), a time of post-orogenic normal faulting in this part of western Canada.
C. J.R. Devaney