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Estructura del viejo Gasómetro de Barcelona. El efecto se ha conseguido reflejando sobre la pantalla de un teléfono móvil en la captura.
Inspired by Stephen Shore's gorgeous photo; U.S.10 Post Falls, Idaho and it's lyrical beauty and acceptance of the world around us I went this morning searching for just such a scene.
I looked for a location with minimal expression and inherent beauty, yet without drama. Found it 16 miles away.
Some photos are created in a snap or two. this one took me 10 minutes to compose and click.
Full of elements, yet those puddles are the most important ones.
They give your eyes a runway to take off and escape this place.
The patterns delineated here have not yet been classified by a Linnaeus of human bondage. They are all, perhaps, strangely, familiar.
In these pages I have confined myself to laying out only some of those I actually have seen. Words that come to mind to name them are: knots, tangles, fankles, impasses,
disjunctions, whirligogs, binds.
I could have remained closer to the ‘raw’ data in which these patterns appear. I could have distilled them further towards an abstract logico-mathematical, calculus. I hope they are not so schematized that one may not refer back to the very specific experiences from which they derive; yet that they are sufficiently independent of ‘content’, for one to divine the final formal elegance in these webs of maya.
R.D. Laing "Knots"
Noctilux 50mm f0.95, Sony A9, Tech Art Pro LM-EA7. Probably the only combination to get a picture like that. You have to set f stop to 25 to shoot with this combination but the actual f stop on Nocti was of course 0.95. Rather difficult to shoot with this set up, but the dreamy, creamy pictures that come out make it all worth it.