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Rovingian Council - Rovingian Council - Exploring the Universal Language of Symbols and Forms by Daniel Arrhakis (2026)
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Exploring the Universal Language of Symbols and Forms (I)
Introduction to the Rovingian Quest: The Language of Silence
Rovingian nomadic monks are known for their dedication to the quest for sacred symbols and geometries, transcending the boundaries of traditional ritualistic patterns. For these monks, the spiritual world does not express itself through alphabetic languages, whether spoken or written. Instead, they believe that spiritual communication manifests itself through a visual language composed of geometric forms and patterns that are incorporated into the very structure of Nature and the Universe.
The Language of Silence
By rejecting spoken languages, Rovingians aim to eliminate cultural and mental barriers, seeking a direct and intuitive connection with the cosmos. This connection is achieved through the study and contemplation of sacred geometries, symbols, and ritualistic patterns. Thus, they pave the way for silent communication, a truly profound visual language that allows for a dialogue with the universe without the limitations of words.
The Visual Language: While words vary and disappear over time, the ways in which the triangle or spiral maintains mathematical meaning anywhere in the universe highlight its universal and timeless value.
The Geometric Source Code of the Universe
Rovingians believe that the universe is governed by a fundamental geometric code. Understanding this code allows one to unravel the hidden order of reality. For them, studying sacred geometry is a way to reconnect with the cosmos, treating nature as a true living temple, and the universe as a symbolic book, open to interpretation.
The Living Temple: For the monks, the world does not contain temples; the world is the temple itself. Natural elements, such as a nautilus shell or a quartz crystal, are seen as sacred scriptures. For example, the quartz crystal is not just a mineral, but a geometric lesson on order, clarity, and repetition.
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Explorando a Linguagem Universal dos Símbolos e Formas (I)
1 - Introdução à Busca Rovingiana: A Linguagem do Silêncio
Os monges nómadas rovingianos são conhecidos pela sua dedicação à procura de símbolos e geometrias sagradas, ultrapassando as fronteiras dos padrões ritualísticos tradicionais. Para estes monges, o mundo espiritual não se expressa através das línguas alfabéticas, sejam elas faladas ou escritas. Em vez disso, acreditam que a comunicação espiritual se manifesta por uma linguagem visual composta por formas e padrões geométricos que estão incorporados na própria estrutura da Natureza e do Universo.
A Linguagem do Silêncio
Ao rejeitarem as línguas faladas, os rovingianos pretendem eliminar barreiras culturais e mentais, buscando uma ligação direta e intuitiva com o cosmos. Essa conexão é alcançada através do estudo e contemplação das geometrias sagradas, símbolos e padrões ritualísticos. Assim, abrem caminho para uma comunicação silenciosa, uma verdadeira linguagem visual profunda, que permite um diálogo com o universo sem as limitações das palavras.
A Linguagem Visual: Enquanto as palavras variam e desaparecem com o tempo, formas como o triângulo ou a espiral mantêm o significado matemático em qualquer parte do universo, evidenciando o seu valor universal e intemporal.
O Código-Fonte Geométrico do Universo
Os Rovingianos acreditam que o universo é regido por um código geométrico fundamental. Compreender esse código permite desvendar a ordem oculta da realidade. Para eles, estudar as geometrias sagradas é um caminho para se reconectar ao cosmos, tratando a natureza como um verdadeiro templo vivo, e o universo como um livro simbólico, aberto à interpretação.
O Templo Vivo: Para os monges, o mundo não contém templos; o mundo é o próprio templo. Elementos naturais, como uma concha de nautilus ou um cristal de quartzo, são vistos como escrituras sagradas. Por exemplo, o cristal de quartzo não é apenas um mineral, mas sim uma lição geométrica sobre ordem, clareza e repetição.
Strukturelle Bindungskräfte müssen stark sein bei außergewöhnlicher Architektur.
Wenn Mensch hoch hinaus will - müssen soziale Bindungskräfte auch stark sein - sonst verliert Mensch sich in der Höhe! Zusammenhalt und Bindung ist ein guter Weg.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
This 12 story high-rise building located in downtown Jacksonville, Florida is 155.58 feet high and is used as a switching station. The structure was built in 1972 in the Brutalism architectural style and has an exposed structure as its facade.
Credit for the data above is given to the following websites:
www.emporis.com/buildings/216199/at-t-building-jacksonvil...
Rocks in Valley of Fire State Park, Nevada exhibit varied and interesting structure, patterns and textures. I have tried to capture those features in many of my photographs in this desert area. I made a series of photographs in the vicinity of this image, to showcase the rock fabric from various viewpoints.
The castle originally dates from before 1200, when a wooden structure was believed to have been built on the site, although no evidence remains of this. Around 1210 this was replaced by a stone fortification.It was destroyed in 1446, but subsequently rebuilt by Cormac Laidir MacCarthy, Lord of Muscry. The castle was besieged during the Irish Confederate Wars and was seized in 1646 by Parliamentarian forces under Lord Broghill. However after the Restoration the castle was restored to Donough MacCarty, who was made 1st Earl of Clancarty.
During the Williamite War in Ireland in the 1690s, the then 4th Earl of Clancarty (also named Donough MacCarty) was captured and his lands (including Blarney Castle) were confiscated by the Williamites.
The castle was sold and changed hands a number of times-Sir Richard Pyne, the Lord Chief Justice of Ireland, owned it briefly- before being purchased in the early 1700s by Sir James St. John Jefferyes, then Governor of Cork City.
Members of the Jefferyes family would later build a mansion near the keep. This house was destroyed by fire however, and in 1874 a replacement baronial mansion—known as Blarney House—was built overlooking the nearby lake.
In the mid 19th century the Jefferyes and Colthurst families were joined by marriage, and the Colthurst family still occupy the demesne.In May 2008, the present estate owner, Sir Charles St John Colthurst, Baronet, succeeded in a court action to eject a man who has lived on his land for 44 years. The man's great-grandfather was the first to occupy the estate cottage.(Wikepedia)
Inspired by Stephen Shore's gorgeous photo; U.S.10 Post Falls, Idaho and it's lyrical beauty and acceptance of the world around us I went this morning searching for just such a scene.
I looked for a location with minimal expression and inherent beauty, yet without drama. Found it 16 miles away.
Some photos are created in a snap or two. this one took me 10 minutes to compose and click.
Full of elements, yet those puddles are the most important ones.
They give your eyes a runway to take off and escape this place.