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Sonoran Desert, Arizona
Camera: Rolleiflex 6008 Professional
Lens: Rollei Sonnar HFT PQ 150mm F/4
Film: Kodak T-MAX 400 developed in Rodinal 1+50
Excerpt from scotiabankcontactphoto.com/2022/core/vid-ingelevics-ryan-...:
Since 2019, Toronto-based artists Vid Ingelevics and Ryan Walker have charted the progression of the Port Lands Flood Protection Project, one of the most ambitious civil works projects in North America. This third series of photographs, presented on wooden structures along the Villiers Street median, focuses on the extraordinary operation of building a new mouth for the Don River and the careful methodology employed in the naturalization of a massive industrial brownfield.
The first photographic series that Ingelevics and Walker produced about this site, titled Framework (2020), captured the buildings and structures demolished to make way for the river excavation. This demolition allowed for the massive movement of soil captured in the second series, A Mobile Landscape (2021). How to Build a River documents how this soil removal made way for the river to be constructed using bio-engineering practices. It reveals the innovative bioengineering techniques used to construct this complex ecology and its multiple engineering layers, which will soon be invisible—either submerged underwater or beneath park surfaces—when the project is finished.
As the excavation has proceeded and workers have brought materials to the site and carefully categorized, prepared, and positioned them, Ingelevics and Walker have witnessed the river’s path quickly taking shape. The images in this series follow the rigorous steps taken to protect the new riverbed and future ecosystem, with multiple layers of sand, charcoal, and impermeable geosynthetic clay liner added to block contaminants caused by almost a century of housing fuel storage tanks in the Port Lands. The photographs capture the ways in which the new riverbanks (known as “crib walls”) were stabilized with logs, tree trunks, rocks, and coconut fibre material, and track the meticulous creation of future habitats for fish and birds.
Fish Habitat (2019) shows the development of a new riparian habitat, which includes coloured streamers strung across the water to deter geese from landing and eating vegetation that will provide food for fish. In Stratified River Ingredients (2021) a worker strides past stepped blankets of biodegradable coconut fabric, which will help hold the riverbank soil together until plant root systems are in place. In this series the new river comes to life. Its plants and banks, its roots and rocks and sands can all be seen coming together in Meander (2021). All of these innovative bioengineering techniques have been employed in similar projects around the world where nature is fast-tracked, but it’s unusual to have so many techniques applied simultaneously, and on such a vast scale.
At times during this massive project, something as small as an unidentified plant can halt construction. Transplanting #1 and #2 (2021) show crews salvaging plants for storage after strange, bulrush-like plants sprouted unexpectedly after 100 years of dormancy underground. These were likely remnants of the site’s original wetlands, which germinated when sunlight hit the excavated mud. Some of the plants were taken to a greenhouse laboratory at the University of Toronto, and others were transplanted to the Leslie Street Spit, located nearby along the waterfront. Even with the most meticulously planned naturalization processes, nature can still surprise us.
Following their documentation of the processes of destruction and removal required to prepare the site, this third series of work in Ingelevics and Walker’s multi-year project allows viewers to witness the construction of these new, interconnected habitats and structures. Their photographs offer glimpses into the makings of a highly creative built ecology, one that has looked to nature in order to artificially recreate it.
Balboa Pier, Newport Beach, CA
Newport Beach, CA
The Balboa Pier was constructed in 1906 as a sister project of the Balboa Pavilion. The Newport Bay investment Company wanted to attract lot buyers to an undeveloped spit of sandy land now called the Balboa Peninsula. In order to do so, they built both the Balboa Pavilion and the Balboa Pier. These two structures were built to coincide with the opening of the southern terminus of the Pacific Electric Railway Red Car line from Long Beach to the Balboa Peninsula. The plan worked; multitudes of beachgoers flocked to Balboa, and many purchased lots.
The pier is a popular fishing spot. The fish caught from the pier consist mostly of mackerel and flounder. Additionally, the pilings are home to a large population of starfish that feed on the large colonies of mussels growing there, and are easily spotted at low tide. Fishermen catching starfish by mistake are a relatively common sight.
In the 1980s, the first of Orange County's famous Ruby's Diner restaurants opened on the pier. The 1940s nostalgia-themed restaurant has since become a famous Orange County landmark.
Balboa Pier Park
The pier was heavily damaged in the severe El Niño storms of 1998, which also destroyed the famous diamond-shaped Aliso Pier in Laguna Beach. One of the pillars was damaged, causing a partial collapse of one corner. The wooden posts have since been reinforced with steel sheathing and braces to prevent further damage.