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Structure of the well known Olympic roof at the Olympic park in Munich, Germany. This is on the way to the former Olympic Village in the north of the park.
Mary Tyler Moored passing had me going through shots I took in Minneapolis a few years ago. We can now say she quietly and indelibly influenced women's rights.
Flower Dome, Gardens by the Bay, Marina Bay, Singapore. 2012 Architect: Wilkinson Eyre. Guinness World Record for the largest glass greenhouse. The conservatory has a composite structure composed of a gridshell, which works in tandem with an external superstructure of radially arranged, arched steel ribs.
This structure is what is left of the largest silver stamp mill of it's time. Blair, Nevada was a boom town of 700 people from 1906 to 1915. Low grade ore caused the town to go bust. Inside, graffiti dating back to the 1940's covers the walls.
Le temple protestant de Lourmarin est un édifice religieux situé à Lourmarin, dans le département de Vaucluse. La paroisse est membre de l'Église protestante unie de France. Wikipédia
I’m getting a bit addicted to my 16mm close-ups. It is just amazing what kind shots I come home with.
The lovely structures on the beach find a mirror in the sky above.
The farmhouse of Dimas / Vilanova i la Geltrú (Catalonia)
The farmhouse of Dimas is a center located to the right of the road of
Cubelles, near the Aragai and the school of the Franciscans.
Currently the constructions of the windmill district
they surround it. It was built in the 1880s as a second
home. Despite its name as a farmhouse, it has not had
agricultural dependencies. Since 1983, the land of property
they are classified as developable land.
Dimas Ynglada y Moragas (1828-1884) was the son of José Ynglada and
Marqués, who had built his family home in Vilanova, in
street of Sant Gervasi, in 1778, popularly known as Can
Dimas, to reside more time his son Dimas. Ynglada Dimas and
Moragas followed the military career, which he abandoned when he married
with Lucía Puig y Solà, heiress of numerous properties. Dimas
start the construction of the farmhouse of Dimas, but died the year
1884, before being finished; his wife, Lucia Puig, the
Finalize. In 1989, interior renovations were carried out.
The Conical Glass Structure (viewed from the bottom) of Wheelock Place at Orchard Road.
*Note: More pics of Architectural, Interior and Exterior Designs in my Architectural, Interior and Exterior Designs Album.
The head of the giant Merlion structure at Sentosa viewed from Village Hotel Sentosa. For an upcoming new feature, this structure will be demolished.
More pics of: Our 2 Staycations at Village Hotel Sentosa. ( 2019)
For the love of color.
To be able to look at an ordinary scene and see the beauty in its structure and inherent design.
I’m still chasing Stephen Shore and the transparency and 2D flatness of space.
In this case I forced myself to choose only one angle in which to shoot this station. Now, Stephen Shore was forced by the fact he was using 8x10 color negatives which cost a lot to develop and print. In my case I wanted to follow that rule. And here it is. Thanks
La Cathédrale de Saint Martin (Basilika Sankt Martin) est une magnifique église romane située au cœur de Bonn, en Allemagne. Ce monument historique, avec ses tours jumelles emblématiques, a résisté à l'épreuve du temps, témoin de siècles d'histoire et de changements culturels.
La structure actuelle du Bonner Münster, construite dans le style roman, a commencé à prendre forme vers l'an 1050. La nouvelle construction a remplacé une église plus ancienne et comportait une basilique à trois nefs avec une disposition à double chœur. Le chœur oriental, construit au-dessus d'une crypte à trois nefs, et le chœur occidental, également avec une crypte, sont des vestiges notables du design du XIe siècle.
Le chœur oriental, étendu par le prévôt Gerhard von Are au milieu du XIIe siècle, présente une façade richement décorée avec sept fenêtres étroitement espacées, une galerie naine et des niches en arc rond peu profondes.
The Cathedral of Saint Martin (Basilika Sankt Martin) is a magnificent Romanesque church located in the heart of Bonn, Germany. This historic monument, with its iconic twin towers, has stood the test of time, bearing witness to centuries of history and cultural change.
The current structure of the Bonner Münster, built in the Romanesque style, began to take shape around 1050. The new building replaced an earlier church and featured a three-aisled basilica with a double choir layout. The eastern choir, built over a three-aisled crypt, and the western choir, also with a crypt, are notable remnants of the 11th-century design.
The eastern choir, extended by Provost Gerhard von Are in the mid-12th century, features a richly decorated façade with seven closely spaced windows, a dwarf gallery, and shallow round-arched niches.
Concrete things with holes in them, at the edge of a Lincolnshire field. I don't know what these things are. There are several of them in one location, quite big, probably been there a long time and no obvious purpose. One on its own might have been an artwork I suppose. Get the sun behind one of them and you can make silly effects.
Located on the Piazza del Duomo in Bergamo Citta Alta, one can admire the Basilica of Santa Maria Maggiore, a remarkable example of Lombard Romanesque. Building work started in 1137 (twelfth century) thanks to a town vote which promised the construction of a splendid church in exchange for the end of the plague epidemic which had afflicted the city. The primitive Romanesque structure (one nave and two aisles, with two major portals, two minor portals and an octagonal cupola) has been reworked over the centuries to the point where it is now very difficult to detect it. The most radical change was the construction of the Colleoni Chapel in the place of the old sacristy, at the same time as the addition, on the northern side, of the new sacristy. The Gothic steeple which dominates the portal is, in turn, an addition made in the fifteenth century. All the portals are the work of Giovanni da Campione. Of these the one next to the Colleoni Chapel (1353) deserves particular attention, as it blends Romanesque features (the round type of arch, the decoration of the portal depicting medieval animals and warriors), with a more exquisitely Gothic flavour. Giovanni da Campione is actually one of the last of the group of so-called "Campionese masters", who lived and worked in the transitional period from the Romanesque to the Gothic style. The equestrian statue of St Alexander by the same artist, which dominates the portal can already be fully classed as Gothic style.
The inside has also been radically changed compared to the original Romanesque structure, by decorations in stucco and marble from the seventeenth century; a wooden choir by Andrea Previtali (1470-1528) and Bernardino Zenale (1450-1526, one of the architects who contributed to the building of Milan Cathedral), following a design by Lorenzo Lotto; a wooden confessional by Andrea Fantoni, an interesting example of baroque art; Flemish tapestries from the sixteenth and seventeenth centuries, the one which depicts the "Crocefissione" (Crucifixion) is particularly spectacular; frescos from the Giottesque school of the 1400s, representing the Stories of the Life of St Eligio and an "Ultima Cena" (Last Supper).