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Temple Street Night Market - Hong Kong
This view looks across the Boat Float at close to low tide on a grey morning at two listed buildings, York House (or alternatively, 1, The Quay) and Lloyds Bank (2, The Quay) in late 1978. Looking at that well-known mapping tool's Street View, little has changed about the buildings since then, although there are distinctly fewer boats in the Float today than as seen above.
York House, built in 1893, probably to a design by the county surveyor, E H Black, consists of shops with homes above. The show fronts of the building have timber-framing but the rest of the walls are of grey limestone rubble with red brick.
The ground-floor bank has offices above it. The ground floor is constructed of polished marble with the upper floors featuring Flemish-bond red brick with Portland stone ashlar dressings. It was built in 1911 using a design by the architect W Couldrey of Paignton.
Both buildings have a Grade II listed status, as does the pale lamp post with the blue base in front of the left end of the bank.
I'll let someone else identify all the various makes/marques of car.
Scanned from a slide.
Si vous voulez plus de détails sur mes projets et autres / If you want to see more Mon site perso / My website
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A striking night-time capture of the Pieter Smit Bridge in Winschoten, Netherlands. The composition uses a one-point perspective to showcase the impressive symmetry and wooden structure of Europe's longest cycling and pedestrian bridge. The warm glow of the integrated lights creates a guiding path beneath a soft, cloudy night sky.
This bridge is a double span Burr Arch structure 263 feet long or 281 feet including the 9-foot overhang at each end.
Museum of Contemporary Art Toronto (MOCA) display space: typical floor of former Northern Aluminum 10-storey industrial tower, built 1919 and operated until 2006 by Tower Automotive
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www.aotu.ca/buildings/tower/index.html
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museumofcontemporaryart.ca/about/
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City of Toronto heritage designation, 2005 - Doors Open Toronto 2018
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SLR Magic 8mm 1:4 rectilinear ultra-wide-angle manual-focus lens
P5274535 Anx2 940h Q90 Ap Q11 0.5k-1.5k f25
Macro of the central spine of a peace lily leaf. The image is formed from a stack of around 60 frames to build a detailed impression of the structure and texture of the leaf close where it is changing from green to brown.
MALMÖ (Suécia): Farol Inre Hamn.
O farol Inre Hamn foi construído em 1878 e manteve-se operacional até 1983. Construído em ferro fundido, tem 20 m de altura.
Sonoran Desert, Arizona
Camera: Rolleiflex 6008 Professional
Lens: Rollei Sonnar HFT PQ 150mm F/4
Film: Kodak T-MAX 400 developed in Rodinal 1+50
Excerpt from english.cha.go.kr/html/HtmlPage.do?pg=/royal/RoyalPalaces...:
If one passes the garden at the rear of the Juhamnu Pavilion and walks down along the slope of the hill leading into the stairway, the person can find a square pond on the opposite side and a pavilion on the north bank of the pond. This is the Aeryeonjeong, which is composed of only 1 kan. Looking out of the windows of the pavilion, one can enjoy a wonderful view. It looks like just a framed picture, owing to the decorations attached to the upper part of the pillars. Of course, the mood of the picture depends on the season. In particular, the stone structure, through which water comes into the pond, is opposite excellent in beauty and technique of design.
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A 'flipped' shot of the Atomium in Brussels.
I remember seeing this iconic structure whilst on a coach tour of Europe when I was 13 years old. At that time we only got to see it from the outside so when I visited this time I was keen to explore the inside.
Click here to see more photos from the trip : www.flickr.com/photos/darrellg/albums/72157716583369188
If you have any of these 'flipped' shots yourself then maybe consider joining the group I started for them, 'Flipping photos' : www.flickr.com/groups/flippingphotos/
From Wikipedia : "The Atomium is a landmark building in Brussels (Belgium), originally constructed for the 1958 Brussels World’s Fair (Expo 58). It is located on the Heysel Plateau, where the exhibition took place. It is now a museum.
Designed by the engineer André Waterkeyn and architects André and Jean Polak, it stands 102 m (335 ft) tall. Its nine 18 m (60 ft) diameter stainless steel clad spheres are connected, so that the whole forms the shape of a unit cell of an α-iron (ferrite) crystal magnified 165 billion times. Tubes of 3 m (10 ft) diameter connect the spheres along the 12 edges of the cube and all eight vertices to the centre. They enclose stairs, escalators and a lift (in the central, vertical tube) to allow access to the five habitable spheres, which contain exhibit halls and other public spaces. The top sphere includes a restaurant which has a panoramic view of Brussels."
© D.Godliman
Root structure of an old tree at Fitzgerald Marine Reserve, just north of Half Moon Bay, California.
From my Wild and Weathered Wood collection.
A super cell moves across the Great plains of South Dakota with a cattle ranch below.
Tornado Alley, May 2013.
Don't use without permission.
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All images are copyright © John Finney photography
These metal and concrete structures line the entrance of the yacht harbour in Oostende. The rust adds a vibrant touch of colour.
To me, there is something sculptural and rhythmic about these structures. You could see it as an accidental piece of industrial art. Nature has added barnacles and seaweed as an extra design element.
I was stunned to see such a big and well-maintained monastery at such a remote place, where it used to take at least four days of trek to reach even a few years back, with just a small village having hardly fifty households.
Yes, Lingshed monastery is one of the oldest remote monasteries in Zanskar valley. It was established in the 15th century around the same time when Kasrsha and Padum monstaries were also established in Zanskar, a region of Ladakh, which still lies cuf off from the mainland in winter due to unbearably low temperature,
The new monstery has replaced the old cave monasteries.
Taken in Lingshed, Zanskar valley, Ladakh Himalayas, India
One of my favourite Shots at the MUC Headquarters.
Taken with Sony ILCE-7M3 and the Tamron 28-75mm F2.8 at F=2.8.
More views of a steel shade structure covering a rooftop courtyard between the University of Arizona’s medical research and bioresearch buildings.
The Parachute Jump is a defunct amusement ride in Coney Island, Brooklyn, New York, whose iconic open-frame steel structure remains a Brooklyn landmark. 262 feet tall and weighing 170 tons (150 tonnes), it has been called the "Eiffel Tower of Brooklyn". It was built for the 1939 New York World's Fair in Flushing Meadows Park, Queens, and moved to its current site, then part of the Steeplechase Park amusement park, in 1941. It is the only portion of Steeplechase Park still standing today. The ride ceased operations in 1968. The ride was based on functional parachutes which were held open by metal rings throughout the ascent and decent. Twelve cantilevered steel arms sprout from the top of the tower, each of which supported a parachute attached to a lift rope and a set of surrounding guide cables. Riders were belted into a two-person canvas seat hanging below the closed chute, then hoisted to the top, where a release mechanism would drop them, the descent slowed only by the parachute. Shock absorbers at the bottom, consisting of pole-mounted springs, cushioned the landing. Each parachute required three cable operators, keeping labor expenses high.
Read more at: en.wikipedia.org/wiki/Parachute_Jump
IMG_5013
Structure present in the city of Sevilla, Spain. The sights from this place allow a good perception of the scale of the city itself. Said structure gets its name from the word "Seta" which translates into the English word "Mushroom" due to the squared patterns that it has all along its curves. The construction for this place began in 2005 and finished in 2011.
The Source of all does not and cannot exhaust itself simply in producing shape and structure; it also produces that which dissolves and re-forms all structures in endless and undetermined movement, in such a way that form itself is not absolutized but always turned back toward the primal reality of the source.
-Rowan Williams, “Trinity and Pluralism,” in Christian Uniqueness Reconsidered: The Myth of a Pluralistic Theology of Religions, ed. Gavin D’Costa (Maryknoll, N.Y.: Orbis Books, 1990), 3.