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Generated and rendered in Structure Synth using javascript Math functions to generate the more flowing features.

We are on the brink of moving past our obsession with rectangles and rigidity.

This will not be fuelled by an advance in engineering, but by a decrease in ego and a deepening of general awareness. The future thinking/forms of humans are soft, fluid, borderless and open to continual change.

Because our structures are reflections of our minds, as our minds change, so will our structures.

Cologne, Center District, D Oct 2017

(Museum Ludwig)

A close up of a new house system generated with Structure Synth and rendered in Sunflow

Ponte da Arrábida, Porto, Portugal

Ruined stone structure sits amidst a grassy hillside. The structure's decay is evident, and the surrounding landscape is a mix of grass and rocky terrain. The scene suggests a historical site, possibly a former dwelling.

 

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Quebec City contemporary art meets old structures

A cool wood climbing structure in Sir Wilfrid Laurier Park.

Amazing supercell structure seen while storm chasing in central Oklahoma back in 2004.

The American Industrial Center commands the street corner with an authoritative presence that speaks to both its historical roots and contemporary purpose. Shot during the blue hour when natural light fades and artificial illumination takes over, this massive structure showcases one of San Francisco's most successful examples of industrial adaptive reuse at the Pier 70 complex.

This building's design language is distinctly different from its historic brick neighbors across the street. The warm terracotta and cream-colored facade, punctuated by hundreds of steel-framed windows arranged in a precise grid, represents a more modern approach to preserving industrial character. The exposed concrete structure with its bold horizontal banding creates a rhythm across the facade that's both industrial and elegant. It's a careful balance between honoring the site's manufacturing heritage and creating functional contemporary space.

The ground floor colonnade is particularly striking—a series of white columns creating a covered arcade that provides both practical weather protection and architectural drama. The generous ceiling height and open design of this ground-level space recall the loading docks and open bays that would have characterized the original industrial waterfront. Modern lighting fixtures illuminate the walkway, casting bright pools of light that contrast beautifully with the deep blue twilight sky above.

Looking at the fenestration pattern, you can see how the building is organized. Those massive window groupings speak to the flexible loft-style spaces within—high ceilings, open floor plans, and abundant natural light. This is exactly what creative companies, tech startups, and design firms look for when choosing office space. The industrial bones provide character that no suburban office park could replicate, while the modern systems and finishes provide the functionality contemporary businesses require.

The street scene itself tells a story about how Pier 70 functions today. A few cars are parked along the curbs, traffic signals glow red and blue, and the crosswalk striping is crisp and fresh. The overhead power lines cutting across the frame are a reminder that this is a working neighborhood, not some sanitized development that erases all traces of urban grit. That utility pole on the right and the various street fixtures ground the scene in everyday urban reality.

What's particularly notable about this perspective is how it captures the building's corner condition. Corner buildings have always been architecturally significant—they're visible from multiple directions, they anchor intersections, and they help define the character of a neighborhood. The American Industrial Center embraces this responsibility, presenting strong facades on both street frontages and creating a landmark that helps orient visitors to the district.

The lighting design deserves attention. Those glowing windows on the upper floors suggest activity within—people working late, businesses that operate beyond traditional hours. The variety in the window illumination, with some blue-toned lights visible among the warmer glows, hints at the diverse mix of tenants and uses within. Meanwhile, the ground-floor lighting creates a welcoming pedestrian environment, crucial for a neighborhood that's trying to balance its industrial past with a more mixed-use future.

Dogpatch and the broader Pier 70 area have become a laboratory for urban planners and developers interested in adaptive reuse. Rather than demolishing these massive industrial structures, San Francisco has chosen to preserve and repurpose them. The American Industrial Center represents a slightly different approach than the historic brick buildings nearby—here, the strategy was to create new construction that respects the industrial aesthetic without directly mimicking historical architecture. It's contextual design that speaks to its surroundings while maintaining its own distinct identity.

The empty streets at this hour create a contemplative atmosphere. You can appreciate the architecture without distraction, study the interplay of light and shadow, and imagine the building's multiple lives—past industrial uses, periods of vacancy or underutilization, and now this current chapter as a hub for the modern economy.

Once the hornbeam trees mature they will totally enclose the outdoor space and screen the garage and driveway. The small backyard space even has a good sized children's play area. Clay pavers were used for the patio.

That rather quaint freshly painted building leading from the ricketty old pier is the life boat station - the easiest and speediest way to launch a lifeboat in this extreme tidal range....

 

See where this picture was taken. [?]

A former World War Two Air Raid Shelter and Gas Decontamination Centre, now known as ''Westbourne Library'' was built to the designs of the Borough Engineer E. McLauchlan and constructed by the Ministry of War in 1942. Initially it was used as a Public Air Raid Shelter but was redesignated in 1943 as an Air Raid Precaution (ARP) Gas Decontamination Centre for north-west Ipswich.

 

The Air Raid Precaution Act of 1937 presented a statutory duty on local authorities to provide Shelter and Anti-Gas Precautions for their community. The policy allowed for protection by Personal Gas Masks and Domestic Air Raid Shelters, most commonly Anderson Shelters. Large Bomb-Proof Underground Air Raid Shelters of the Trench Variety or Single-Storey Surface Shelters were constructed to provide refuge for school children, those living in narrow terrace housing, workers, or those caught away from home.

 

In addition to Shelters, local governments were also responsible for Siren Warnings, First Aid and Rescue Services, Firefighting, Gas Decontamination and Enforcement of Blackout Regulations by ARP Wardens and Civil Police. These provisions were served either by Adapted or Purpose-Built Structures. Fire, First Aid, Ambulance and Rescue Services used a variety of council and requisitioned civilian buildings.

 

Between 1946 and 1947 it was converted to a public library, which opened its doors on the 31st of January 1948 and has continued as such to the present day. It is believed that the Tower was once used as a look out, possibly when it was a Public Air Raid Shelter. However Gas Decontamination Centres typically had a water tank in a tower to serve the showers, eye douche and boiler room. The tower is now used by the library for storage. The windows in the north elevation have been reconfigured, perhaps at the time of the library conversion. The Air Raid Shelter was designed to replicate and compliment the Lido in a simple Moderne style.

Light and shadows.

Focus stack of macro images

The structure of the pier at Manukan Island.

the crab cage of more stunning and amazing of the area of nature area need is looking sharp of the area for the temperature weather of the sunlight of the natural is brighten sunlight at outdoors

view from the parkland to the city

project for Club 52 - Polyclaykunst.de

generated wire structure

Weathered oak wood, grown in a rock fissure, with an awesome structure!

The Age of Steam Roundhouse Museum in Sugarcreek, Ohio, is one of the largest heavy timber structures in North America. The 18-stall roundhouse and surrounding complex, completed in 2011, is home to an extensive collection of locomotives, freight cars, passenger cars, and other equipment that was amassed by Jerry Joe Jacobson, late owner and CEO of the Ohio Central Railroad System. The roundhouse and backshop aren’t just for show – they are used to overhaul, repair, refurbish, and maintain the collection, which currently includes 23 steam locomotives and 28 diesel locomotives.

 

Since this is a real, working roundhouse, the only public access is via guided tours which are offered seasonally (April-November) on Thursdays, Fridays, and Saturdays.

 

L'Oceanogràfic, Valencia, Spain

Reflecting shapes.

Location : Ampthill, Bedfordshire,UK.

© 2016 PJR-Images.

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