View allAll Photos Tagged Structural
When dealing with certain masonry applications, steel wire/rebar may be used as needed, or requested.
Structural changes were needed within a mature garden so as to reduce the visual impact of a new tennis court. A double herbaceous border was planned, with a rose pergola (bespoke metal arches designed to blend with the tennis court surround) leading through to the court gate.
SAIFD AIR Program "Form & Structure" with Kenneth Snauwaert, AIFD.
October 23rd, 2011
(Photo Credit: Sandra Austoni)
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
Roberto Burle Marx (August 4, 1909, São Paulo – June 4, 1994, Rio de Janeiro) was a Brazilian landscape architect (as well as a painter, print maker, ecologist, naturalist, artist and musician) whose designs of parks and gardens made him world famous. He is accredited with having introduced modernist landscape architecture to Brazil. He was known as a modern nature artist and a public urban space designer.
Roberto Burle Marx's father was an emigrant from the city Trier in Germany. His mother was raised from an upper class family in Brazil. Burle Marx's first landscaping inspirations came while studying painting in Germany, where he often visited the Dahlem Botanical Gardens and first learned about Brazil's native flora. Upon returning to Brazil in 1930, he began collecting plants in and around his home. He went to school at the National School of Fine Arts in Rio in 1930 where he focused on visual arts under Leo Putz and Candido Portinari. While in school he associated with several of Brazil’s future leaders in architecture and botanists who continued to be of significant influence in his personal and professional life. One of these was his professor, Brazilian Modernism’s Lucio Costa, the architect and planner who lived down the street from Burle. In 1932, Burle Marx designed his first landscape for a private residence by the architects Lucio Costa and Gregori Warchavchik. This project, the Schwartz house was the beginning of a collaboration with Costa which was enriched later by Oscar Niemeyer who designed the Brazilian Pavilion at the New York World’s Fair in 1939. Niemeyer also designed the Pampulha complex in 1942 which Marx designed gardens for.
In 1949 he acquired the 365,000m² estate Barra de Guaratiba (just outside of Rio de Janeiro). Burle Marx began taking expeditions into the Brazilian rain forest with botanists, landscape architects, architects and other researchers to gather plant specimens. He learned to practice studying plants in situ from the botanist Henrique Lahmeyer de Mello Barreto and established his garden, nursery and tropical plant collection at Guaratiba. This property was donated to the Brazilian government in 1985 and became a national monument. Now called Sítio Roberto Burle Marx, under the direction of IPHAN-Instituto do Patrimônio Histórico e Artístico Nacional / Ministério da Cultura, it houses over 3,500 species of plants. The house was rebuilt in a valley on the site of a garden house belonging to the original plantation estate.
Roberto Burle Marx founded a landscape studio in 1955 and in the same year he founded a landscape company, called Burle Marx & Cia. Ltda.
Much of his work has a sense of timelessnes and perfection. His aesthetics were often nature based, for example, never mixing flower colours, utilisation of big groups of the same specimen, using native plants and making a rocky field into a relaxing garden. He was very interested in each plant's character and what effect that has on the whole garden. He opened an office in Caracas, Venezuela in 1956 and started working with architects Jose Tabacow and Haruyoshi Ono in 1968. Marx worked on commissions thorough out Brazil, Argentina, in Chile and many other South American countries, France, South Africa, Washington D.C. and Los Angeles. Additionally his artwork can be found displayed throughout the city of Rio de Janeiro “it is an open-air museum of works displaying his unmistakable style, one wholly his own” (Montero 2001 p. 29). Roberto Burle Marx’s 62 year career ended when he died June 4, 1994 two months before his 85th birthday.
He spent a lot of time in the Brazilian forests where he was able to study and explore. This enabled him to add significantly to the botanical sciences, by discovering new rocks and plants for example. At least 30 plants bear his name. Marx was also involved in efforts to protect and conserve the rain forest from the destructive commercial activities of deforestation for bananas and other crops and clear cutting of timber.
Marx’s work “can be summarized in four general design concepts—the use of native tropical vegetation as a structural element of design, the rupture of symmetrical patterns in the conception of open spaces, the colorful treatment of pavements, and the use of free forms in water features” (Vaccarino 2000, p. 17). This approach is exemplified by the Copacabana Beach promenade, where native sea breeze resistant trees and palms appear in groupings along Avenida Atlantica. These groupings punctuate Portugese stone mosaics which form a giant abstract painting where no section along the promenade is the same. This “painting” is viewed from the balconies of hotels, and offers an ever changing view for those driving along the beach. The mosaics continue the entire two and a half mile distance of the beach. The water feature, in this case, is of course the ocean and beach, which is bordered by a 30 foot wide continuous scallop patterned mosaic walk (Eliovson 1991; Montero 2001). Copacabana Beach is “the most famous in Brazil” (Eliovson 1991 p. 103).
Structural tin foil. This will either be a huge success or an utter failure; not much middle ground. Play-Doh!
Serpentine Pavilion 2022 Black Chapel by Theaster Gates
“Designed by Chicago-based artist Theaster Gates, the Serpentine Pavilion 2022 Black Chapel draws inspiration from many of the architectural typologies that ground the artist’s practice.
The structure, realised with the support of Adjaye Associates, references the bottle kilns of Stoke-on-Trent, the beehive kilns of the Western United States, San Pietro and the Roman tempiettos, and traditional African structures, such as the Musgum mud huts of Cameroon, and the Kasubi Tombs of Kampala, Uganda. The Pavilion’s circularity and volume echo the sacred forms of Hungarian round churches and the ring shouts, voodoo circles and roda de capoeira witnessed in the sacred practices of the African diaspora.
Black Chapel is a site for contemplation and convening, set within the grounds of Serpentine in Kensington Gardens. The structure’s central oculus emanates a single source of light to create a sanctuary for reflection, refuge and conviviality. The project mirrors the artist’s ongoing engagement with ‘the vessel’ in his studio practice, and with space-making through his celebrated urban regeneration projects.
Drawn to the meditative environment of the Rothko Chapel – which holds fourteen paintings by American artist Mark Rothko in Houston, Texas – Gates has produced a series of new tar paintings titled Seven Songs for Black Chapel. Creating a space that reflects the artist’s hand and sensibilities, seven paintings hang from the interior. In these works, Gates honours his father’s craft as a roofer by using roofing strategies including torch down, a method which requires an open flame to heat material and affix it to a surface.
As part of Serpentine’s dynamic summer programme, the Pavilion becomes a platform for live performances and public convenings. An operating bronze bell – salvaged from St. Laurence, a landmark Catholic Church that once stood in Chicago’s South Side – is placed directly next to the entrance. Pointing to the erasure of spaces of convening and spiritual communion in urban communities, the historic bell will be used to call, signal and announce performances and activations at the Pavilion throughout the summer.
Gates’ Serpentine Pavilion 2022 Black Chapel is part of The Question of Clay, a multi-institution project which comprised of exhibitions at Whitechapel Gallery (September 2021 – January 2022), White Cube (September – October 2021) and a two-year long research project at the V&A. The project seeks to investigate the making, labour and production of clay, as well as its collecting history, through exhibitions, performance and live interventions, with the aim of generating new knowledge, meaning and connections about the material.”
All text © Serpentine Gallery 2022, see: www.serpentinegalleries.org/whats-on/serpentine-pavilion-...
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
After a recent storm, (one of many) i found several of these pieces of wood knocked off the end of Southsea Pier by large waves. There was evidence of damage to the sides and end of the pier.
Hopefully measures will be taken to look after the pier before it's too late.
Please tap photo or click and press F11 to view LARGE .
◊◊◊ flickriver ◊◊◊ fluidr ◊◊◊
On 1 January 1935, Giuseppe Farrugia, the Impresario of the Royal Opera House (Valletta), submitted a request to the Committee of Management to show films at the opera house. The request was followed by a flurry of exchanges between various departments including the Police, the Public Works, the Governor’s Office and the Treasurer. Some disagreed with the request claiming that the Opera House regulations did not include “Talkie shows”, “the considerable expenditure involved in the consumption of the electric current” and that it would not be “fair that the Opera House should enter into competition with the Cinema Industry generally”. However, the request was approved and a permit was granted with several conditions, including that the structural alterations were to be carried out according to the designs of the Public Works Department and at the expense of the Impresario who was also to pay for “the electric current”. The file indicates that in 1930 Talkie shows were already held at the Royal Opera House (Valletta).
NAM CSG02/11/1935
a unique perspective down below
lots of angles
caught it just as the lights were flashing!
Posted by Second Life Resident Torley Olmstead. Visit sick.
For the full story of my construction progress of the 1:500 IJN Zuikaku, please see the following blog:
Old St Mary's Cathedral, at 660 California Street, built as the first cathedral of the Archdiocese of San Francisco, was dedicated at the Midnight Mass on Christmas Day, 1854. Designed in the neo-Gothic style by William Craine and Thomas England, it was built primarily by Chinese laborers.
Old Saint Mary's was replaced as a cathedral in 1891 by the first Cathedral of Saint Mary of the Assumption at Van Ness and O'Farrell, but retained its name as a parish church. The church managed to survive the 1906 earthquake, only to be gutted by a fire the next day, leaving only the outer walls and bell tower. On June 20, 1909, Archbishop Riordan rededicated a renovated Old St. Mary's, with minimally changed lines and several structural improvements. In 1929, in response to a growing population, another fifty feet were added to the sturcture and the sanctuary was extended enabling the addition of a sacristy, three chapels and a transept. An enlarged seating capacity of over 2,000 made Old St. Mary's the largest church of the time in San Francisco. Beneath the church, a 500 seat auditorium with a stage was constructed.
California Landmark No. 810
Just some fun with the phone.
Camera: ancient HTC Desire HD
Exposure compensation and blur: Photoshop + Pixeluvo
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
190503-N-FB291-1018
IONIAN SEA (May 3, 2019) Aviation Structural Mechanic (Safety Equipment) Airman Larry Hoffman, from Gautier, Miss., repairs a weather seal on the canopy of an F/A-18E Super Hornet from the "Sidewinders" of Strike Fighter Squadron (VFA) 86 in the hangar bay of the Nimitz-class aircraft carrier USS Abraham Lincoln (CVN 72). Abraham Lincoln is deployed as part of the Abraham Lincoln Carrier Strike Group (ABECSG) in support of maritime security cooperation efforts in the U.S. 5th, U.S. 6th and U.S. 7th Fleet areas of operation. With Abraham Lincoln as the flagship, deployed strike group assets include staffs, ships and aircraft of Carrier Strike Group 12 (CSG 12), Destroyer Squadron 2 (DESRON 2), USS Leyte Gulf (CG 55) and Carrier Air Wing 7 (CVW 7); as well as Àlvaro de Bazàn-class frigate ESPS Méndez Núñez (F 104). (U.S. Navy photo by Mass Communication Specialist 3rd Class Garrett LaBarge/Released)
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
On January 21, 2010, a team of 10 French-speaking engineers traveled to Port-au-Prince, Haiti to help the UN assess the safety of buildings – principally, hospitals and food storage facilities – damaged by the January 12, 7.0M earthquake.
Dortechs glass and steel bolt assembly system can be suspended or stacked. It can be fixed back to structural steelwork, Glass fins, tension trusses & cable nets.
The product is ideal for Facades, Glass Bridges, Internal Partitions, Shopfronts, Balustrading, Glass Canopies & Roofs.
The final product has a Completely Flush external appearance, Clean lines with no intersecting mullions or transoms.
The system Maximises light transmission and has a range of mechanical fixings to suit aesthetic objectives.
Monolithic (Single Glazed) or IGU (double glazed)options are available.
For further information, please contact us using the details below:
Website: www.dortech.co.uk
Email: company@dortech.co.uk
Tel: 0044 (0) 1484 451177
Fax 0044 (0) 1484 456474
Dortechs Structural Silicone Glazed Curtain Wall systems can be used to create almost perfectly flush-fitted glass facades. The appearance of structural glazing is achieved by using profiles that are only visible on the room side. From the outside, only the glazing and the slender shadow joints are visible. The gap between each piece of glass is approximately 25mm (this can vary) in comparison to the 50 – 60mm site line prevalent with traditional, visible grid curtain wall systems.There are two main types of SSG system Dortech offers;
The first is based upon specialist double glazed units which are manufactured to include an SSG spacer bar which incorporates a ‘U’ channel. Typically the spacer bar will have a bronze anodised finish. Structural silicone is used to bond each piece of glass to the spacerbar. Once the curtain wall grid has been erected on site, these specialist glass units are delivered to site and locked into the grid using metal toggles which are designed specifically for each respective aluminium suppliers curtain wall system. Finally a compatible silicone is applied over the top of the vertical and horizontal joints to create a flush finish.
The second utilises traditional double glazed units manufactured with structural silicone. Aluminium carrier frames are then bonded around the perimeter of each piece of glass with structural silicone. On site, the perimeter frame is locked into the curtain wall grid and then silicone is applied over the gap between each piece of glass.
Please note, the SSG Curtain wall sysems cannot accomodate significant structural movements.
Dortech has carried out a number of projects utilising the following SSG Curtain wall systems:
Schuco FW50+SG
Schuco FW60+SG
Technal MX+SG
For further information, please contact us using the details below:
Website: www.dortech.co.uk
Email: company@dortech.co.uk
Tel: 0044 (0) 1484 451177
Fax 0044 (0) 1484 456474
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
Reliable structural 3d models, structural building design models by structural building engineer. Accurate structures for residential buildings, industrial buildings etc.
JAVA SEA (Dec. 31, 2017) Aviation Structural Mechanic’s 3rd Class Kris Meek, a native of Fayetteville, Ark., assigned to Helicopter Sea Combat Squadron (HSC) 23 aboard the amphibious assault ship USS America (LHA 6), conducts maintenance on an MH-60S Sea Hawk helicopter in the hangar bay. America, part of the America Amphibious Ready Group, with embarked 15th Marine Expeditionary Unit, is operating in the Indo-Asia Pacific region to strengthen partnerships and serve as a ready-response force for any type of contingency. (U.S. Navy video by Mass Communication Specialist Seaman Chad Swysgood/Released)
I used 1/2" foam for this costume because a) it's relatively inexpensive, b) it's easy to work with, and c) it was the only size they had in grey. But it needed more support so it didn't flop all over the place. I bought a sheet of "GreenGuard" insulation at Lowe's. It's basically a glorified styrofoam - light and stiff, perfect for gluing inside the costume to add structure.
BIM Services – Building Information Modeling services offers BIM 4D modeling services, BIM revit structures. Get structural BIM 4D models of buildings at low rates.
www.structuralcaddservices.com/building-information-model...
Structural Insulated Panel (SIPs) homes designed and built by William Sallee of Shelter Craft, Inc out of Sequim, WA.
More info: www.premiersips.com
Dubail, UAE.
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If you liked my work, take a look at my Instagram gallery, where I share some of the things I've been doing (travels, music, lifestyle) and where I post other pictures that are not yet on Flickr as well as some edits:
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In case you want to use any of my pictures just send me a message so we can talk about it.
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Any favourite, like or share is appreciated and would greatly help me in my photographic journey. Thanks a lot for your support.