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Working on a new idea... this is a new structural concept, taking the vertex elements of a twist fold and rearranging them as a ridge instead of a loop. This creates a transition between two pleat-fields, and I think will allow for some really interesting structural and visual effects... I will post things as I work them out.

 

I've been mulling this over ever since Daniel Kwan started posting tessellations with radial pleats coming out of the twists-- which made me think about how a twist fold works and what it's really composed of.

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

140724-N-BQ948-145 PACIFIC OCEAN (July 24, 2014) - Aviation Structural Mechanic Airman Feng Guo, an Anshan, China, native assigned to the “Sidewinders” of Strike Fighter Squadron (VFA) 86 wipes down an F/A-18E Super Hornet on the aircraft carrier USS Ronald Reagan (CVN 76). Ronald Reagan is participating in Rim of the Pacific (RIMPAC) Exercise 2014. Twenty-two nations, more than 40 ships and six submarines, more than 200 aircraft and 25,000 personnel are participating in RIMPAC exercise from June 26 to Aug. 1, in and around the Hawaiian Islands. The world’s largest international maritime exercise, RIMPAC provides a unique training opportunity that helps participants foster and sustain the cooperative relationships that are critical to ensuring the safety of sea lanes and security on the world’s oceans. RIMPAC 2014 is the 24th exercise in the series that began in 1971. (U.S. Navy photo by Mass Communication Specialist 2nd Class Jacob Estes/Released)

The walls and ceiling of the concession stand at the Zoom Floom have been reduced almost entirely to their structural components ... and even those aren't doing too well.

Structurally glazed steel and glass roof under construction

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

Structural Defense - A cactus with serious thorns at Barrows Neuro-Rehab Center, Phoenix, Arizona.

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

Structural Demonstration Model

 

Color coded demonstrator of the major structural systems used inside the model.

 

White - major exterior columns. However all the cross bracing is cosmetic and non-structural.

 

Grey - 3x3 technic central core. The core supports the 1x1 brick built central column. The technic axle corners of the core terminate at different levels depending on the module and connect to the yellow outriggers. Only the brick core rises the entire height of the tower.

 

Red- Shear walls connecting the four external columns to the central core column. As they carry up through the building they become trans-blue exterior walls.

 

Yellow - Outrigger facade supports. They provide attachment and support the trans blue facade behind each of the X's and help tie the shear walls together at select points.

From the book Structural Packaging by Josep Garrofé. Cut and cut-scored on my Craft ROBO from the book’s CD-ROM in less than 5 minutes.

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

Structural firefighters stand next to a housing unit filled with smoke during a simulated training exercise. One firefighter enters the building through a window.

 

NPS Photo

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

Sustainable college housing in Rock Springs, WY

 

When the 2008/2009 school year kicked off at the Western Wyoming Community College (Western) in Rock Springs, WY this fall, students were greeted by a new state-of-the-art, 28,000-square-foot housing complex that features 48 bedrooms spread throughout four stories. Wind River Hall has everything a college student could ask for, including 12 individual bedrooms, six fully functional kitchens and three spacious living rooms per floor.

 

Before Wind River Hall was designed, extensive research was conducted at institutions throughout the United States to determine student preferences regarding residence hall room arrangements. “Many students expressed the desire to be social yet also have the opportunity for privacy. Wind River Hall is designed with these wants in mind,” said Jon Schrade, Western’s Director of Housing and Student Activities.

 

While Wind River Hall meets the need for both social and private spaces through a spacious layout, it is the building’s innovative construction that truly makes it unique. Framed entirely out of structural insulated panels (SIPs) manufactured by Premier Building Systems in Fife, WA, Wind River Hall is the tallest self-supporting SIPs structure ever built.

 

Consisting of an expanded polystyrene (EPS) insulation core sandwiched between two layers of oriented strand board (OSB), SIPs are a dependable, cost-effective building solution that address four issues on the minds of virtually every school official involved in the construction process – energy efficiency, lifecycle costs and both environmental and indoor air quality.

 

Energy Efficiency

Buildings account for nearly 30% of all energy consumption in the United States. As oil and gas prices continue to rise, many publicly funded schools are experiencing higher than expected heating and cooling costs that are cutting into their delicate budgets.

 

SIPs are used in lieu of traditional framing materials such as wood and steel studs. Studies conducted by the Oak Ridge National Laboratory in Oak Ridge, TN, have shown that SIPs can help reduce a building’s annual energy costs by 50% - 60% when compared to more common framing methods.

 

Because of their energy efficiency, SIPs are also recognized by a number of governmental groups, including the Environmental Protection Agency (EPA) and the Department of Energy (DOE). The ENERGY STAR® program, administered by the EPA, has waived the need for a blower door test on any building constructed with SIPs. DOE officials have also said that the $2,000 Federal Energy Tax Credit is virtually impossible to gain without SIPs.

 

Lifecycle Costs

While energy savings are the most obvious benefit of using SIPs, this product also provides numerous other opportunities for building owners to improve their return on investment by reducing a building’s lifecycle costs.

 

SIPs are prefabricated to the exact specifications of a project and delivered to the jobsite ready to install. This results in a more efficient installation and helps eliminate the costly removal of construction waste. SIPs are also easier and more efficient to install than competitive systems, reducing construction time and minimizing labor costs.

 

In addition to enhanced time and energy savings, SIPs provide more strength and durability than stick- and steel-framed buildings. The increased durability is ideal for college environments, where students often take advantage of their newfound independence by turning campus buildings into their own personal punching bags. With SIPs, colleges get a dependable, long-lasting structure that can withstand constant abuse.

 

SIPs may also allow for a reduction in the size of a building’s HVAC equipment by up to 40%, which means lower upfront costs for equipment purchases and a reduction in future maintenance costs.

 

Environmentally Conscious

Colleges are increasingly turning to green building practices as a way to entice new students, reduce their carbon footprints and receive government grants, subsidies and tax incentives.

 

By utilizing SIPs, buildings can earn up to 23 points within the LEED Green Building Rating System™, the nation’s predominant green building program administered by the United States Green Building Council. SIPs also contribute to the $2,000 Federal Energy Tax Incentive, as well as a number of other tax programs that can help put money back into a university’s budget.

 

Improved Indoor Air Quality

The EPA lists poor indoor air quality as the fourth-largest environmental threat to our country, a problem that is often overlooked during the construction process. Recent studies indicate that poor indoor air quality can have significant effects on respiratory illnesses as well as the overall health, achievement and productivity of a building’s occupants.

 

The best way to mitigate the causes of poor indoor air quality is to create an airtight building envelope. The airtight nature of SIPs helps improve indoor air quality and reduce unwanted air transfer by reducing gaps in the building envelope.

 

An unsealed building envelope allows unwanted infiltration of common pollutants such as radon, molds, pollen, VOC’s, lead dust and asbestos. By using SIPs to protect the indoor environment from these toxins, colleges can improve the health of their student body while providing them with the best possible atmosphere for educational success.

 

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

Canon AE-1 Program 50mm f/1.8

The transom log is a structural part of the backbone. It rests on the keel, and extends vertically from the keel at the end of the boat. The transom is fastened to the outside of the transom log.

 

Boatshop workbenches are heavily constructed so that they can be used for heavy construction if needed. They weigh about 250 pounds a piece. There is usually a long vise on each end of the bench, which allows two students to use the same bench. The tops are constructed of two layers of 2x6 pine, and painted white each year so they can be used as a drawing surface as well.

 

The British Broadcasting Corporation (BBC) asked the Boat School to build three traditionally-built Whitehalls as replicas of the boats used by John Wesley Powell and his group of explorers during their first-ever descent of the Colorado River in 1869. The BBC will film a reenactment of the voyage later in 2013.

 

The School is building one 16-foot Whitehall, the "Scout Boat", and two 21-foot Whitehalls. Though Powell launched four Whitehalls onto the river in 1869, one, the 21-foot "No Name", was lost to the river shortly after the descent began.

 

The white oak from which the boats are constructed was supplied by Newport Nautical Timbers www.newportnauticaltimbers.com/ . The 16-foot boat will be planked in larch from eastern Washington, which is as close as it is possible to come to the original white pine planking used on that boat.

 

Whitehalls are the iconic American pulling boat.

 

They emerged in New York City and, possibly, shortly thereafter in Boston in the 1830's. It is thought the name derives from Whitehall Street in New York City, though no one is sure. By the mid-19th century, they could be found anywhere there was a sizeable body of water - the East Coast, the Great Lakes, and the Pacific Coast at San Francisco all boasted boatbuilders turning out Whitehalls.

 

The boats were usually used under oars and occasionally sail as fast harbor ferries and the boat used to take harbor pilots out to meet inbound sailing ships. They have a fine reputation as fast, easy-rowing vessels that are capable of carrying a great deal of weight.

 

Nearly all Whitehalls were carvel-built with white cedar planking on an oak backbone with oak frames. (Carvel planking means that the planks butted up against each other, edge to edge, which results in a smooth hull). The finer boats were highlighted with a bright sheer plank (the top plank) varnished to catch one's eye.

 

There is surprisingly little known about the boats used by the 1869 Powell Expedition, the first to descend the Grand Canyon of the Colorado River. We do know that the Powell Expedition boats were built in Chicago IL to Powell's specifications.

 

It's known that the "Scout Boat" as Powell called it was 16 feet long and planked in white pine, that the remaining boats were 21 feet long and planked in white oak with twice the number of frames and doubled stems and stern posts.

 

There are no complete descriptions of the boats themselves, no pictures, and only a few scattered references made to the boats in the surviving journals and records of the Expedition.

 

The three boats we are building for the BBC are being constructed to the best information available, using the general scantlings provided by John Gardner's historical work, extent plans, our significant experience in building Whitehalls over our 32 years, and the historical data available to us.

 

The boats will be completed by mid-July, 2013.

 

The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is an accredited, non-profit vocational school. You can find us on the web at www.nwboatschool.org .

 

Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.

 

We build both commissioned and speculative boats for sale while teaching students boatbuilding the skills they need to work in the marine trades. If you're interested in our building a boat for you, please feel free to give us a call.

 

You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.

 

Photograph courtesy Mark Stuber.

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

Location: Cove, OR

Premier SIPs provided: 10" Roof Panels

 

Questions: www.pbssips.com/contact/sales/

 

OR visit us: www.pbssips.com

 

PROJECT DETAILS:

 

The Tight Knot Alder Wood Cabinets were made by Jeremy Hansen, owner of HANSEN'S CUSTOM MILLWORK, La Grande, OR. Jeremy specializes in custom cabinetry and furniture. The Countertop is WILSON ART laminate with Gem-Loc Premiere Edge made of Corian by Loti Corporation, an alternative to the standard laminate edging with square or beveled edges.

 

The Alder portable Island was made by Jason Hansen, owner of Rouge Fine Woodworking. Jason specilizes in "artistic" cabinets, furniture wood turning. Ginger got the idea from an old garden potting table that was pictured in a Log Home magazine. Dark strips on the maple top are walnut.

 

Tight Knot Alder was also used for door and window trim, base boards, & stair railing. All wood was stained with Benjamin Moore exterior semi-transpartent siding and deck stain. Howard's Feed-N-Wax was then hand rubbed on all the wood surfaces. The same wax will be used for dusting.

 

The kitchen sink is a Kohler 'smart sink' because the divider in the middle is lower that normal (about 3-4 inches high) which makes it easier to wash large pans with long handles and long cookie sheets, etc. It was hard to find a sink with only 2 holes (we actually wanted one with only one hole) and this style was about the only one available in a Kohler cast iron and we got to thinking that the smart sink was actually a very practical idea. The other hole in the right corner is for a soap dispenser.

 

The kitchen faucet is a Kohler pull out. We haven't installed the dishwasher or range yet because we will be moving the ones from the old house.

 

Pacific Energy near Victoria, BC is the manufacturer of the Cast Iron Wood Stove. It has a stainless steel hollow baffle box with a rear air supply tube to create secondary combustion. Thus far, fire wood usage is about half of what we normally burn. Take a look at www.pacificenergy.net if you have any interest in wood stoves or fireplace inserts. All their stoves are non-catalytic.

 

Floor tile is glazed porcelain from Home Depot.

 

The ceiling is 1x6 t&g Tight Knot Cedar that was stained with Benjamin Moore siding and deck stain before nailing it up to the Structural Insulated Paneled roof system by Premier Building Systems in Fife, Wa.

Lake County, California, 2024

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

There is not much of the interior left in the old Oak Knoll mortuary structure.When I was younger...err much younger...these ruins were extensive and easily seen from route 40.In this image you can get a sense of the inner construction,and why this structure is still around after 150 plus years...

From the book Structural Packaging by Josep Garrofé. Cut and cut-scored on my Craft ROBO from the book’s CD-ROM in less than 5 minutes.

Hillside House is an extensive residential expansion for a home owned by an energy consultant. Structural insulated panels (SIPs) not only provided the structural integrity and energy efficiency sought by the owner and architect, this pre-engineered framing system achieved clean and elegant building forms and lines, and allowed for exterior and interior finishes that are almost impossible to obtain in conventional framing. SIPs worked in concert with steel beams and structural supports, and provided embed cavities to hide certain steel beam conditions to gain certain design effects. The roof panels were tapered to provide a smooth slope to the roof, barring any ‘stepped’ roof design or interior ceiling height changes. Rain gutters were channeled into the SIPs to remove their visibility. Extensive use of can lighting required special chase fabrication into the roof panels to accommodate fixtures. The expertise of SHELL Building Systems with SIP design, engineering and fabrication accomplished the intricate details sought by the owner and architect.

  

Project Type: Custom Residential / Addition to Existing Structure

Project Size: 2,142 SF Addition

Location: Portola Valley, CA

Architect: fieldARCHITECTURE

Structural Engineer: Peter Boyce

SIP Provider: SHELL Building Systems

Tech Support:SHELL Building Systems

General Constractor: MCH Construction

SIP Use: Exterior & Interior Walls + Roof

# of Structural Panels: 6,128

Photographer: Bruce Damonte Photography

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.

 

The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!

 

Artists Included:

Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)

 

May 9–June 30, 2015

 

Opening Reception: Saturday, May 9, 4–7p.m.

NPS Structural firefighters train in vehicle fire and extrication techniques using a live car fire.

 

NPS Photo

An 8-image composite created with Hugin.

 

A relay ramp is a structural feature created by the accommodation of stresses between two related, but disconnected faults. Eventually the relay ramp ruptures connecting the bounding faults. This view is looking down one of the relay ramp surfaces (near Delicate Arch in Arches National Park, Utah).

 

Multiple fracture sets associated with the deformation events that caused the faults can be seen on the surface of the ramp and in 3-dimensions where the ramp has been breached (so that, now a fault surface connects the bounding faults on either side).

The A93 had been earmarked for realignment since 1985 when a large landslip caused a substantial section of the road to fall into the gorge below, prompting the installation of a traffic light controlled Bailey Bridge. This provided a cheap, if not ideal solution prior to the landslip being properly repaired or bypassed. As far as temporary solutions go, the Bailey Bridge had a good run as the A93 through Craighall Gorge wasn't realigned till 2008. The traffic light Bailey Bridge was used by traffic until that time.

 

The road has now been closed for about five years and the signs of it's lack of maintenance are beginning to show. The forest is beginning to consume the road and a few cracks have started appearing through the tarmac at the edge of the former carriageway. It would have been a more severe version of this that first brought the road down in 1985. Just imagine trucks trying to fit down this now...

Updated this mech. Made some structural changes, new joints in arms and legs and added Jet Engines.

With over 1300 sf of ventilated space, this grotto has exceeded the norm for waterfall caves and or grottos. We coordinated with Architects, Structural Engineers, Landscape Architects, Audio Visual Specialists, and Saltwater Reef Consultants, to create the ultimate Man Cave. Collaboration with the design team extended for 6 months or more, construction of grotto and pool extended 16 months pass the design phase of the project. The homeowners can swim in the grotto, grab a glass of wine, watch a ballgame, go to the restroom, play foosball, take a nice hot water shower, put their street clothes on and head out for a night on the town. The entire rooftop is a synthetic lawn sitting area, 3 fire pits, Entry System into a 43 long tube slide that drops 11 in elevation. As a Landscape Architecture design/build firm, it was incredible to develop an actual floor plan and roof plan much like a custom home, and incorporate it into a waterscape environment. Continual timing and coordination of this project created extreme time management and material procurement skills. Before gunite, the team shot 30 piers and perimeter beams based on structural engineers specs, routed floor drains, sewer line for bathrooms, sewer vents creatively routed into roof area and camouflaged into the roof top planters, routed all Audio visual TV wires and speakers, Ran special duct work into steel for HVAC system, routed irrigation, lighting, gas for fire pits, and drainage into the roof top planters, routed saltwater make up lines into the future reef tank location, routed lines from outside into the reef for the chiller unit, carefully routed 110 electrical to not interfere with code related issues with the pool and the 110 lines, not to mention the countless suction and return lines for the pool area in the grotto. The outdoor living Industry has exploded, we have now taken this trend and incorporated it right into the pool. Eat your heart out HGTV, we now have a true MANCAVE, that is integrated into the swimming pool !!!

The guilty pleasures of old building blocks, Knex and other leftover childhood toys on a lazy Saturday afternoon.

  

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